[000:00:00;00] theaters with, well, how can i say this at the start, this is zero directing, and theaters are already in full swing, there must be a director, this will be your opinion, today’s, this is a formula that i attach great importance to, well, this is known, well, here comes the performance , sitting in the hall, russian emigrants, well then, already russian, yes, russian, journalists, guests, a lot of russian-hearing, russian-speaking people, in love with mayakovsky, an italian, the credits are in italian, and so on, you were, you were alone of the dear guests of this, this

was very dear to me, this evening. so i i include my first words from this performance: for all of you who liked or like , we keep them as icons near the soul in the cave, like a cup of wine in a table toast, under the ground with poetry a skull filled with poetry, i am increasingly thinking whether it would be better to put a bullet point in my at the end, today i will, just in case, have a farewell concert. this is the beginning of the performance. and there are also favorite verses from mayakovsky’s favorite poem man. there were no signs burning in the sky of my bethlehem. no one stopped the curly-headed wise men from sleeping with their graves, they were absolutely like everyone else, the day was sickeningly the same

my descent to you. and no one guessed. hint to a narrow-minded, indelicate star: the star is supposed to be too lazy to shine in vain, if it’s not a person’s birthday, then the devil’s star is still to be celebrated, and so on, and maikovsky for life, maikovsky is my admission to the theater institute, i read the sunset at 140 the river was burning in the mkhat studios school for my eldest brother-in-law, veniamin zakharovich rodomyslensky. to the rector of the studio school and to the immortal, adored papa vena, as everyone called him papa vena, and from tabakov, yes batalov, entered the studio school, entered boris evgenievich zacharia, the rector, vakhtangov’s favorite, graduated and preferred the vakhtangov theater to performances, we continue, and i remind you that

today we have a theater and film actor and writer borisovich smekhov. it seems to me that you have come to literature with new new books, not only memoirs, but also books of different genres, yes, that’s what it is for you, and what seems most important to you, a memory, or your original works, now i’ll combine two names , famenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko, differs from all other theaters in many ways, but most of all, of course, devotion to the word, for the beloved prose stage, that was a very important genre and poetry on the stage, very

important, theater of the word, theater of verse, yes, this is the whole point, probably, my beloved theater glasha aksyono will argue, because it is impossible to call taganka only a theater, the taganka theater of my beloved is a theater of many, this is a theater of the great crossroads, lyubimov, as if he was pointing out to those who do not knew that theater is a crossroads, a crossroads of arts, this is... a word, this is sound, this is music , this is painting, this is a gesture, this is graphics, and lyubimov turned out to be a genius, as a collector, yes, yes, a combinator, he collected everything himself, that's why it was funny when the brilliant composers of our time, schnittky, denisov, gubaidulina, shestakovich, dmitry dmitrievich,

began. regular guests and friends of the theater, truly world-famous, it is difficult to even give such an example, yes, where at such a level they would coexist with each other mayakov’s nonsense on the one hand, on the other hand... yes, well, so the word, after all , the word is music, that’s what parsnip called voznesensky, and then mezherov, alexander petrovich repeated it, poetry is first of all the sound, uh-huh, is the sound in the heart, or in the soul of this combination, uh-huh, music, gesture, and so on. akhmadulina still probably says the opposite, i really love her lines, where they seem to be talking about the opposite situation. maybe i’m wrong, the music comes first, but speech is free to the music to speak,

after all, or there is no contradiction here, probably no, it was like this at taganka, at pyotr fomenko’s theater, his schools, his students, these are people devoted to sound, to words, it began with mayakovsky, mayakovsky is... friendship sent to me from heaven with his friends, with his muses, with liliya yuyevna brik, with vasily katanyan, maykovsky - this is admission, as i said, to the institutes, and listen to the play that lyubimov staged, and the uncultured cultural authorities banned it, but it didn’t succeed, too good people stood up for us, why mayakovsky- i didn’t like it, it seems like that’s how he is. how can i say this, officially recognized, although vulnerable, honest, direct, now i will tell you a choice, just a phrase that sounded in our performance: we turned

history around, always see off the old man, a communist and a person cannot be bloodthirsty, this is a response mayakovsky on what was done to the family of nicholas ii. and this is a performance that was unbearable for the bolshevik cultural leaders. every year a loved one received a proposal to remove him from the repertoire. it’s clear, yes, the performance lived a big, happy life. and i'm twice happy, i, i wrote this the script was co-authored by a loved one, also literature, also literature, yes, because this is not only a game, but. the word, no, this is the word, this is literature, and next to me stood my friends, there were five mayakovskys, shcherbakov, khmelnitsky, zolotukhin, vysotsky and me, well

, next to me were my friends of the early taganka, vysotsky and zolotukhin, zolotukhin - a wonderful prose writer , yes, of course, and vysotsky is a brilliant russian poet, that’s all, well, that’s all it was. responsibility to the word, then we were all choking on new book releases, here is yuri trifonov, a great, great prose writer, next to him stands vladimir tendrikov, these were all people whom tvordovsky, well , looked after in the new world, i’m so sorry that they... are practically not in the reading circle, now, it sounds very scary, i adore yuri valentinovich, of course, and dendrov too, but i communicate with students, oddly enough, for some reason, well , a house on the embankment, maybe, but there are

other wonderful things, yes, there is a time and a place, there is impatience, there is an old man, this is the job of the teachers, dima, well, i’m trying, but for now, most likely no, parents, i had a friend whom i included in all my memoirs, andrei egorov, the favorite of the great mathematician andrei nikolaevich kolmagorov, a great genius, yes, we read books during the race, this is a competition, i think , the norm for teenagers, in our time too, i was lucky, i saw a lot of young people who prefer paper, so to speak, literature, this is just a lot of oil for my soul on our podcast, this is just on topic, let me now talk about today i'll tell you, zhenya

mironov invited me to the play, koakkolo, this is a play by anna kozlova, a very successful author of tv series and yes, yes, and drama, a wonderful play called the last summer, kokolo is a finnish word, the name of this village near lening near st. petersburg calls... and to me this is very close, because mayakovsky very often boasted about his poor week , he came to okola without a penny of money, he was fed one day by chyukovsky, the second repen, and this is now called the last summer, six premiere performances passed, to my joy, all my doubts were dispelled, i doubted, as i doubt, and this is normal, before each new performance , well, lucky, i play a twelve-year-old boy, a hero who, after so many years

have passed, i remember my childhood, i am convinced that each of our viewers has moments when they turn on the film archive of memory, undoubtedly, and from there some specific days emerge, summer , autumn, spring, winter, that’s what this play is, i play with wonderful actors, my mother, dad is yulia peresilt and misha tee, misha tee is my student, so it’s wonderful, vanya dobronravov plays a wonderful role there, and lena nikolaeva, my second mother, and so on, the performance begins, a poem by our beloved desik samoilov, i remember, dad is still young, i remember leaving, some preparations, and louder things. klikhoy,

curled, horse-drawn, whip and springs. i remember, my mother is still young, smiling at our neighbors, and somewhere we are going, where, and somewhere, for some reason we are going, a forged horse clucks loudly, and the cobblestones are in some passage, domed the fire goes out, the candles are lit, the constellations are lit, father is young and mother is young, the horse is hot and... and we are going we don’t know where, we are all going and going somewhere, inside i am reading yesenin’s favorite poem, it is the penultimate one, from the year twenty-fifth , the wind whistles, a silver wind, in the silky rustle of the snowy noise, for the first time i noticed in myself, i have never thought so before, let it be the law. rotten dampness, i don’t regret it, and

i’m not sad, i still fell in love with this life, i fell in love with it as if in the beginning, if a woman looks with a quiet smile, i i’m already excited, what kind of shoulders, the troika will rush past like a shaky road, i’m already in it, i’ll look far away, happiness, oh my happiness and all the good luck, human happiness, loved by the earth, anyone who cries at least once on earth means that luck has rushed past, to live we need to live easier, we need to live more simply, accepting everything that is in the world, that’s why, stunned over the grove, the wind whistles, a silver wind, this is yesenin, i sincerely thank you for today’s conversation, thank you very much, see you again, we’ll see you here , well, to our interlocutors, i’m as always i happily say the same phrase today we

listened to poetry, but it doesn’t hurt to read them more often, as well as prose, drama and much more, read with pleasure, dear friends. come to us for a light, gentle violin,

tenderly this evening. i’m so lonely, i’m so wet, nali son, there’s a cold bed waiting at home, a drunken neighbor in the eyes, walk around, hello, old friend metro d’hotel, mademoiselle, mademoiselle, hello rachel, hello, today i’m sick at heart, so let’s throw my friends out with me. let's sit behind the topper, look, people,

in his hands, come on, play my golden one, why are you so completely gray-haired, your song for me girl, about my love, no, no more, it’s so noisy outside the windows, the surf, come with me, and to my house, let’s take candy, pineapple,

bottle of wine. come to our violin race, and so this evening i’m so lonely, i’m so wet, pour some hay, this evening i’m so lonely, i’m so wet, pour some, son, hello, dear tv viewers, as you understand, today to us on the podcast melodies of my life. thank you for taking the time, i congratulate you, you have anniversary year, thank you, i’m very glad to be on your program , very glad, you’re practically one of the first people i

met upon returning, from america, from far away here, we met you right away, we remembered everything right away, we fell in love with each other . remember, in childhood we had albums, we came, we looked at photographs, what’s this for? we decided to revive our podcast, with the arrival of mikhail shfutinsky, we will display photographs on the screen, and photography is like music, like a melody, it is the best catalyst for memories, you remember everything down to the smallest detail, not just what is shown in the photo, but all these years associated with it. so, we begin, you were born in moscow, mish, right? i was born in moscow, this is a photograph near moscow in saltykovka, there we were at my grandfather ’s dacha, we lived there, this photograph is called, shansoni was born, i called her that, this is my mother, she, unfortunately, we lost her early, when

i was 5 years old, my mother passed away, so, but she is a very beautiful woman, amazing, she remains in my memory forever, so oh, it’s him too, my hairstyle, pay attention, yes, the look, meaningful, these are my grandparents, my grandparents, here i am with them already, young misha, young, yes, well, they were such amazing people, absolutely , my grandmother was a great theatergoer, she knew so much music, she went to operas, she sang arias when she’s locked up at home, i just grew up on her, as if on this music, well, this is already in the yard, this is with peers, friends, yes, yes, yes. i even remember that this boy’s name was kolka, school, i think first grade, that’s what the uniform was still school, the uniform was mandatory, yes, yes, well, at that time there was music, that was the first melody that you remember in 75 years of your life

on this earth, i played the instrument, studied, but about that later, and this was your first instrument, and an accordeo, i just played and sang a song, there were only 28 of them, and moscow was behind me, but that’s later, i’m already an adult here, i’m about 14, and there i just started, here is the first song, this is the march of young pamfilovites, in my opinion, there were only 28 of them, and behind me was moscow, very patriotic, but i liked it, it was easy for me to sing, so, yes, here is this photograph, dad, and who was dad by profession, dad came from the war, went through the whole, whole... whole war to berlin, came back and entered to medical school, and he was a doctor, he became a dentist, then he was the head of the department, then he was the head of the clinic, in general he had such a serious career, he was a very famous doctor, he was respected by patients and colleagues too, valer, i remembered how, in general, what appeared in my

life, how this, how music came to me, dad, after, these are the post-war years, i lived in moscow, on kaluga square, we had a huge yard, barracks, in the very center of moscow, we had boys of different ages, about 50 people, in the yard, different people lived, front-line soldiers, uh , former prisoners, various foreigners lived like they somehow stayed after the war in the soviet union, but it was very interesting and had its own specific life, one day my dad brought home an accordion, an accordion of incredible beauty, i was still just a boy, i was shocked this instrument, these pearlescent keys, trophy accordion, german, the folder was very musical, he played the trumpet, the guitar , he played, it decided... my life, i fell in love with music, in this case the accordion became a guide, i began to study, they brought

a teacher, i began to play , and i really wanted to somehow, somehow demonstrate all this, show it, because only my grandparents sat down to listen to me, sometimes my dad, on sundays, when men gathered in the courtyard in our large moscow courtyard and sat down at a large table , played dominoes, drank beer, my grandfather took me out during the day. by the hand with this accordion, put a chair, and i sat down, they played, and i also played and i played, that’s it , someone came down from the hill, who you were, remained so, i played all these songs, and this was my concert, it was my, my happy moment of fame, because they even applauded me, they interrupted these dominoes, they started to applaud, so i remembered this story from my life, this is probably what it is, they tell me how you became a musician, just like that, so i fell in love with this, with this feeling of

you are needed and people like what you do, musician, mikhail shfutinsky , i remember very well that for the first time i learned that there was such a person on earth, because there was a leise song, and you were the leader of the ensemble, which was not easy , with a beard, with a beard in general it was difficult, this, but it happened much later, but i began to lead... this ensemble, i was invited, well, in general, this is such an ensemble known to everyone, we sang such incredible songs, how everyone is saying goodbye train stations, if you want, i’ll look into your eyes, here’s lesi, but we collected stadiums, valer, you know, they just simply didn’t sing patriotic songs at all, of course, but this is the very first group, you were vyacheslav dobrynin’s mouthpiece for hits, yes, he recommended me there, right? this band has such a coat, yes, well, i was always fashionable, i sang myself, i was then slender, sonorous, thin, with

a hairstyle, and you immediately had vocals, but i or i sang little at that time, i sang little at that time, since i was a conductor by training, i was fine with a choir and vocals, but i was not a soloist none, here is my son, the eldest david, you see, he traveled with us on tour sometimes, here he is sitting in this photo next to me, now. david is 50 years old, he is in moscow, he has a recording studio , he works in cinema, makes sound for films, well, since we started talking about children, so that they all feel that dad certainly knows how many children there are, mish? i have two sons, two sons, two sons, the eldest is david, the youngest is anton, anton is 2.5 years younger, so, anton lives in america, because when we first arrived to america, he was very small, he is also more of an american, then later ... he served in the army, then he married an african-american woman, they have their own kind of different life, completely, when i returned here, he

still -he stayed there, and well, he developed there, he graduated from university there, he completed graduate school there, in general, he, he is such an american, speaks excellent russian, we communicate with him constantly, although i haven’t gone there for about four years , so, and grandfather, mikhail zakharovich, how many grandchildren, seven, seven grandchildren, seven, these are two sons, two sons tried, the eldest has three , two boys and a girl, and the youngest has three boys and a girl, uh, mish, i’m interrupting for a second to introduce the next song, a song from the newest album, it’s out this year, in fact, the name of the song is, as the whole album is in black and white, mikhail shaffutinsky.

the door to your heart slammed loudly, i can’t open it anymore, i’m not... an acquaintance, you’re not an acquaintance, how to live without each other, let indifference flow in waves, sadness flows like a waterfall, only all that passed between us, i don’t want to let go, i’ll write it in black and white, stop, stop, stop. like it or not, but i will always, yours, yours, yours, i will write it in black and white, our plot, i just love you, that’s my whole secret,

every day you have become further and further. then time rushes forward, in this life i have again lost to sad fate in a turn, how easy it has become for us to get lost in this crazy crowd, memories knocking on our souls, i think about you, what? i’ll write it in black and white, wait, wait, wait, whether you want it or not, i’ll always

yours, yours, yours, i’ll write it in black and white, our plot, i just love you , you’re my whole secret , i’ll write it in black and white, our plot, i just love you, here... you’re my whole secret, i just love you

you, that’s my whole secret, secret, secret, mish, the author of this song, a girl from novo-kuznetsk, lyubov shalabaeva , a poetess, and the music was written by alexey vandrik, such a person, and how songs get into the repertoire, you know how to we receive songs, they are sent by any means, they end up on the website, in the mail, everywhere, it’s a sin to be honest, it’s not always possible to listen to them in a timely manner, but i try, i do it regularly, this song appeared to me literally 3 weeks before the release of the album, so... there was no title for the album yet, there was no title, the album was planned in a different way, but it just touched me so much, this song sank into my soul , that i decided, i definitely have to sing it, my agent contacted the authors, because i didn’t know them, i hadn’t met them before, and says mikhail zakharovich thinks about somehow acquiring the rights to this song from you, they they replied that if mikhail zakharovich sings, there is no need to buy anything, we will be

happy and give it away with joy, with pleasure. well, this is a rarity in our time, yes, yes, this is rare, the song touched me very deeply, i immediately went to the studio, i immediately began to think about it, in general, we recorded it, it was included in the album and it seemed to me that it’s worth naming the album exactly like the song, in general, on april 13, on my birthday, it was released in this album in black and white, on the air of the podcast melody of my life, my name is valery syutkin, in my guest mikhail shofutinsky. in your repertoire there are songs from alexander yakolevich rozimba, from oleg mityaev, so i know that there is a song about pashka that is very dear to you, and uncle pasha, uncle pasha, uncle pasha, which was written by fede solovyov, from samara, an amazing musician, absolutely , magnificent, guitarist, singer, so simply real, we

are very friendly with him, so it will also be very appropriate, only because... there are storylines of the song, in fact , it takes us back to your young years, because, well, we, as musicians, understand each other perfectly well what kind of... audience love, it’s always work, and the deprivation of complexity, here’s one line in this song, my attention takes maximum focus, this is what he lost, like the chorus you have there , he’s worn out two suits in his life, give me a suit and lost three button accordions at weddings, lost, yes, lost button accordions, this is the volume called the difficulties that accompany the life of a musician, conveyed in one line, lost three button accordions, they can for various reasons be lost, but the phrase gives what i call amount of time, from this time we continue to watch the album, this is lesya’s song, but no, this is before that, this is in magadan, there was

a period in my life when i stayed in magadan for several summers, a muscovite went to magadan, magadan, like kokhanovsky once said, not step by step, but just like that, take off your hats, do you remember how he said, vladimir semyonovich vysotsky, so i left for magadan, just like that, there were all sorts of events in moscow, and everywhere, it was such a difficult time, well, is the collective a philharmonic society or a restaurant? no, no, this is a restaurant, just a northern restaurant, but about, and why did fedya solovyov’s song hook me, three boys lost, once, when i was still a boy, i was 14-15 years old, i played the so-called pottery, sometimes they invited me to weddings, and once i was on the phone, talking to a girl, my button accordion was in the phone booth, i talked to her, and so excited, i hung up, went out, left the button accordion in the phone, of course, he never returned to me, when i heard, he i lost three button accordions on weddings, it’s about me, just about me, you know, all issues

you can easily find the podcast melody of my life on the website of the first channel 1tv.ru, and now uncle pasha, mikhail shavutinsky. uncle pasha, a resident of our yard, not a traveler, but a cheerful musician, uncle pasha, although he was frowning in the morning, by lunchtime, having tied a ban from the store around his neck, he brought two checks, with his neighbors, as always. i used it, he wore out two suits throughout his life, by the wedding

, he lost three boyans, uncle pasha, the sorcerer from childhood dreams, on order, he could play whatever you wanted, he taught us yard boys, on the guitar. three choose a chord, but it’s in his pocket, he didn’t carry school tickets, he didn’t trust his bosses at all, he wore out two suits throughout his life , lost three boyans at weddings, uncle pasha, a shabut intellectual, didn’t like family events, but his shabby instrument cried, on simple and honest holidays of people, but

he didn’t ask anyone for a penny, how much they gave, he never checked, because in his life he wore out two suits, at weddings uncle vash lost three button accordions. eh, what can i say, it would be better to sing, but for some reason his voice trembled, one morning he didn’t go out to smoke, by lunchtime the grocery store didn’t run, but in the evening, someone loudly shouted, all the time, for some reason , repeating that he had worn out two suits in his life.

at weddings, uncle pasha lost three boyams, the orb is rolling time, it ca n’t be turned back, this is human fate, it’s just a holiday, to give to those around you, he’s in the factory, he didn’t push the plan as much as he could. he lived a life of gold, wore out two suits, attended weddings, and fought three fights. lost, but he didn’t sow, didn’t plow or mow, he didn’t conquer cosmic heights, in his life he wore out two suits, at weddings, he lost three button accordions, he lost two suits in his life

i wore it out and lost three button accordions at weddings. in the early eighties of the last century , you came to america, firstly, if you consider it necessary, this is the reason. this ten-year voyage, well, we’ll look at some american photographs and you’ll tell us about this period of your work, of course , this is ataman bend, the very first, the musicians here are wonderful, this is sashka felman, the famous skrepach, who toured with me here , i know him, this is lenya golperin, these are all the people who are there they played with me, this is our very first group, how i ended up in america , the thing is that i just wanted, i

love, i loved, i loved rockol, i loved chicago, i loved all this, i wanted to go once, we were never allowed in, never into life, we were immediately turned away, all the moscow concerts, all the state concerts, the moment came when i just decided that i should try to see something else besides what i see here, and i did it . america is new york, yes, initially i came to new york, well, this is already true, this is already in los angeles, but here is a photo of when it was, which was. before that, new york was accompanied by nina brodskaya, the famous nina brodskaya, whom i once saw off, i arrived, she immediately invited me and we went on tour all over the country, to jewish centers, to russian centers, the tolstoy foundation, and i accompanied her, with this money i bought my own first instrument in america , this is also a very memorable event, this is later, this is the paradise restaurant, this is my orchestra, ataman bend, it is international, you see,

here is an american girl. here are two, here one girl, japanese, another american sabrina, all our musicians, russian-speaking, well, in general, it was such a strong group, very, this is such a more russian group, as it seemed there, americans came to us, the restaurant was called moscow evenings, we we played this entire program, all the kalinka-malinkas, which were possibly all the evenings near moscow, and so on and so forth, and thus we went abroad on tour, from america to abroad. there to israel, and there in different countries, but at the same time i also want to say that in fact, all the artists who later returned to our stage again, and lyuba uspenskaya and the carpenters, he probably knew everything very well and helped a lot of people in the development of their creativity. i recorded albums, i produced, there’s also a team here, it was already the arbat restaurant in los- angeles, yeah, there are famous people here, also international americans, this

girl is still singing with the ensemble, next to her, in the middle, is zlatka pjakovic, the most famous yugoslav singer, in my opinion, has now passed away, and this is alexey teeth, amazing musician, yes, he played in my orchestra, he was invited, i considered it a blessing, he was the greatest musician, an amazing , most intelligent person, an incredible saxophonist, in general the band was very strong, very strong, say, a comeback, back then in the late eighties they began to invite me, tapes came here and they persuaded me, i was somehow very wary about going back to the soviet union , because leaving was not so easy, but they talked me into it, they talked me into it, in the nineties, i

went to several concerts, it turned out like this, that 75 concerts took place, spontaneously, over three summer months in all sports palaces, i think already at that moment you understood what volume is, that our audience is here, we say, i want to live here, i want to live here, here, i wanted, i told myself, i felt it, you know, i, i needed to be here, i wanted to be here, because i saw that they know me, they remember these songs. they are all this, you know, the podcast of the melodies of my life is on the air again, my name is valery syutkin, my guest is mikhail. shfutinsky and i with great pleasure want to state the fact that there is one absolutely mysteriously popular, well, it is popular on its own merits, but its popularity is mysterious because 10 years have passed since

the song entered your repertoire, maybe a little less, hers, i’m talking about the song on september 3, igor nikolaev, the author of poems, my friend, always said that there was no , of course, this is yes, which was taken out of thin air, because the phrase sounds good, september 3, the fifth will be clumsier, the second, here is the third, excellent, written by igor cool melody, the song ends up in the album, basically there is a good, warm relationship with her, but some time passes, through the mysterious mystical efforts of people with whom you are not familiar and have never asked them for anything, they begin to make a kind of... cult out of this song, someone with such a sense of humor, with a brilliant one, someone with a matte one, in different ways, but the fact remains a fact, the whole internet is in memes, it seems to me that putin is a hero, i want to congratulate you, mish, the most important thing is that all normal people understand that

hypertrophied interest in a particular song makes it popular, but if the song unworthy, she doesn’t live longer, she’s only a year and a half or two years old, but... the work is 30 years old, it came out in ninety-three, i got it in ninety-three, in ninety-four it came out in the album in the song of the year, now it’s 29, we’re on the eve, like next year - it will be a great anniversary, 30 years of which are 20, i’m already singing from concert to concert, and they tell me i’m not tired, and you can imagine, it ’s phenomenal, you and i know when we have to sing alone and the same songs at concerts, you start even at this time oh something else to think about, sometimes yes this... i never get tired of a song, one of those that i just love, because i love it, well what can i say, we are fabulously lucky today, we were pleased with stories about his bright, bright, mish, there is a certificate of life, i congratulate

you, thank you, my dears, and i want to tell the tv viewers, if there is such a second, i am very glad that i am on valera syutkin’s program today, because he is a wonderful person , a magnificent musician, an artist of the highest class, whom i love, respect, today is just my day of happiness, thank you dear, thank you, i wanted to say, it’s a pity that i didn’t come the person misha is talking about now, but i’m flirting, valery syutkin, mikhail shfutinsky, podcast melody my life, we listen to the song on september 3, and let this ma’am, as modern youth say, let this work please. we still have many, many

years to come, all the best, see you again. everything is wrong, everything is wrong, you are my friend, i am your enemy, how can it be, everything is with you, with you, it was april in love, we swore, but alas,

yellow leaf along the boulevards of moscow september 3, farewell day, the day when they burn, bonfires of children, like bonfires burn, promises, the day when i... are alone for everyone, i will turn over the calendar, again the third of september, i will look at your photo, again the third of september , but why, but why did we still have to part, because everything was serious with us, september, but why, but why, we still had to part, because

everything was serious with us, september 2, cranes, white blade, yours daughter and my son, everyone wants warmth and affection, affection, we are in love, as in game, we played with you, but i came with myself, september 3, the day of farewell, the day when the bonfires burn, rabbis, like bonfires burn, promises.

the day when i’m all alone, i turn the calendar over again to september 3 , i’ll look at your photo, again september 3, but why, why did we still have to part, because we had everything. seriously , september 2, but why, we still had to break up, because everything was serious with us,

september 2, i will turn the calendar over again on september 3 in the photo i am. i’ll watch the fights again on september 3, but why, but why should we separate? we had to, because everything was serious with us, on september 2, but why, we still had to break up, because everything was serious with us, on

september 2. hello, the sunday time program is on air, in the studio of ekaterina andreeva we will talk about the main events of the day of the outgoing week. vladimir putin at the headquarters of the southern military district, new heroes of the special operation, combat work on the private through the eyes of military correspondents of the first channel, a full package of hail shells