dear friends, creative industry podcast on channel one, with you, as always, elena kiper, music video producer, and roman karmanov, general director of the presidential fund for cultural initiatives. and our guest today is vladimir lvovich moshkov, people's artist of the russian federation and artistic director of the oleg tobakov theater. hello, vladimir, hello, it’s very nice, and our graduation is festive, because it’s vladimir moshkov’s anniversary. we are glad that you came to us again, we are glad to see you, you have one role that is with you, well most of your life, abraham schwartz in the play sailor's silence, you started playing it as a student, when you were just over twenty, but continue. and the film was made

, how different is the character of your twenty-year-old schwartz from the current one, he is indisputably different, just as i am different from myself at twenty-something years old, experience, knowledge, the collision of your personal life also help to pay attention to the collision and the life of the character, to me it’s getting easier because when i was young i suffered from the fact that i was very young and couldn’t to correspond to this fairly adult person, and now i’m already approaching his age, we are already the same age, and it makes no difference, these or those characters, they somehow still live inside you, but it’s really important at a certain moment... to remove them, well

i want you back, in general, to immerse you in student life, again, oleg pavlovich said that he had never met such a prepared student in his life, he said that for the lesson you prepared 20 versions for the sketch, 30 versions, in general you came extremely prepared participated in everything, in the end it was precisely this preparedness that led to success, or it all started much earlier, i like to remember the phrase - churchill, who said, success is the movement from failure to failure without loss of enthusiasm. you know, i got to the master oleg pavlovich tabakov , having already had success in novosibirsk at the theater school, here is oleg pavlovich, this is an iron, iron hand, which i gave him to the cat matrosskin, with which he controlled us all, affectionate and iron. then i studied ivan. mikhailovich torkhanov with the great

teacher of the school of studios emkhat, and then ended up with oleg pavlovich tabakov, he was an absolute master in pedagogical activities , what are you doing, volodya says, i’m a door, some kind of door is starting, i’m a door once, stop, i say , why are you opening the door like that, i say, but how you generally remind me, you have a little on top, i don’t see it inside , where you can turn it all over, and i opened it, a lot, turn it back, so he twisted me back and forth like an iceberg , sank me, in in general, on the contrary, i wanted, i wanted to bring this lower part up, well, actually in general, teacher, violate nature, physics, and this is very correct, from what moment did you understand that... somehow, well, no

more, no less, or they sunk, floated, somehow no , well, here i am, i realized that it so needs to unfold itself all the time, look, this is how it turns out, because cinema requires very detailed work, in fact, when you are drowned, when everything is big inside, a dream, suffering, it is in depth, but... in the theater, on the contrary, you need to turn yourself around so that your passion and possibility and energy intensity, it embraces the entire auditorium, because successes in cinema, they mostly happen somewhere in the corner, in the dark, when there is no one, in great silence, suddenly something in the artist’s eyes has changed, something elusive and not even... ' you know

in what take when due to what it happened , in the theater, this is a sequential work, you either, yes, dial, dial, dial, from every rehearsal, from each... performance you dial, dial, and this process, it endless, endless, no dot, no take, how everything was filmed, everything is fine, and so it is left, no, you understand that you have to go out next time, but the viewer is different , you have to be no less convincing, you yourself have already changed, based on today, this is this, this is a constant movement towards the goal. unattainable, in the theater it requires a lot of work, in the cinema it’s almost like theft, since something came out of it, the camera stood up so well, you’re in the right angle today, you

said something correctly, how it somehow came together , and the director saw it and recorded it, you know, it’s just so elusive here, and you know? on photographs, in my opinion, this is a prize , yes, well, in general it looks like a prize, yes, but i don’t really understand, i give it to olek palovich, or he gave it to me, or someone gave it to me, and we share, in general, that’s all equally , this is a kind of joint existence, well, this is happiness, so we see, this is happiness, yes this is happiness, i, you know , so you asked me, how did i do this, with my excerpts, i really wanted to capture his attention, i wanted to see in his eyes, to hear in his words, praise, hope for the future, uh, and he was quite stingy in

praises in words of support, i waited for 3 years for tobakov to praise me, 3 years, he had such tactics, and he wrote somewhere that even this a little bit... he was not a little, he was very annoyed by it, because that i really, i did a lot of studies, and as soon as they asked, well, who’s first, i immediately allowed it, but he said so, come on, i didn’t know anymore, i also did the decorations at the same time, and sketches, in general i prepared seriously , i really wanted him to see my enthusiasm and love for this activity and that i transferred it to him, and you know, when, when he published a book, my real life, and there is a chapter about me, where he wrote, here is vovka, which means that when he was studying, i already assigned him to the leading immediately to

the leading positions, i’m approaching, oleg pavlovich, you wrote here, you immediately identified what you didn’t tell me right away, you would have told me right away, i would have sat quietly. otherwise i climbed, climbed, you didn’t come to me for 3 years, he didn’t work with me for 3 years, i just showed him, but as a teacher, he worked with other teachers, he just looked at my activities, well , you had the feeling that he somehow didn’t like you a little, i had a complete feeling that i was annoying him, and he was just looking for a reason, how to turn me down, and since i was studying very good, in other disciplines, i’m an excellent student, yeah, that is, you won’t get rid of it that easily, well, yes, you need to do something, and actively. and does something and so i had this feeling, and when the denouement happened, when somehow everything - the denouement happened very unexpectedly, i irritated him, irritated him, others were very happy that i was his success, i i understood that i could engage in this activity, but in the third year, at the end

of the third year, he suddenly unexpectedly for everyone , especially for me, offered me the role of abramalich schwartz, who before me was played by the greatest... evgeniy sanovich evstegneev, i understood, that this is probably the moment when you need to put the dots of the nodes, an old man, generally speaking, to put it mildly, he is not only old, he is so bright, deep with such a cardiogram of emotions that, of course, only a great master can do this, what i was not, behold, but his faith. and apparently, this understanding that i can probably do this, this is how they consistently led me, and this image was probably the beginning of my activity, completely

conscious, yeah, and you made the movie as a director, and dad too based on the sailor's silence, yes, i really wanted this story and... it to all our parents and in particular such a memory of him and of my personal creative inner sensory path. we have taken significant steps in developing our relations in the world, this causes genuine interest, the neocolonial system has ceased to exist, thank you for coming, don’t forget us. in the country. lasting interfaith peace,

fundamental changes in terms of the goals that we set for ourselves at the beginning of the operation did not happen today, it is important to hear your opinion, we need to start getting to know each other better, we are praying for you, cool. by god, you probably know better than me, no, hello, my grandfather is a peasant, he lived in a village, nearby vtera province, thank you, vladimir, results year with vladimir putin, december 14 at... 12:00 moscow time. gin. on

the creative industry podcast on channel one, we continue our conversation with vladimir mashkov, people's artist of the russian federation and artistic director of the oleg tabakov theater. you, as a director, made sirota kazanskaya and papa, two films in which there are these... these relationships, when this particular theme, uh, mentoring, the search for a father, why is this the dominant theme in your work, as a director, you grew up in a family, where all the parents were with you, indeed , i grew up - in an incredibly creative family, my mother was a director of a puppet theater, my father was an actor in a puppet theater, they were very different and amazing... complementary, passionate people, uh, but 2 years

, when they passed away one after another, i was generally a late child, at that time, i was born in sixty-three, and my mother was 25, and my father was twenty-three, and of course, the beginning of all my activities, when i want to share, especially with those people who understand and believe in you, pass away, of course, it was a big internal trauma, i understood that i had no address, no people who could be proud of me, this probably gave tabakov the basis to understand that i was suffering inside, well, let ’s go back even earlier, in general, to childhood, 6 years novokuznetsk, you were very sick during this period and, as you admit, adults with a doll somehow made it so that you , in general, you... what kind of story was it , it really happened that i got

very seriously ill , was in the hospital for a long time and had to leave this world, and i, well children naturally don’t understand this, i just saw from afar, because my parents wouldn’t let me in, they were there, they came up to the hospital window, i was lying in a room on the first floor, they waved to me from afar, i was there for... months i lay motionless and uh, when everything seemed to have passed, my mother began to get better, she’s like a theater teacher working with children, a doll on a doll on her hand, and a puppet, she brought me, in general, i forgot how to walk, that is, move at all, that is, i needed it at that moment... when all my peers they ran very fast, i just couldn’t walk, and

my mother brought me, when i was still in the hospital, pinocchio, the pinocchio doll, a puppet, she told me, you do it, take a step for her, and take a step yourself, teach her, and apparently , again this is so, it worked so accurately in my mind that i know, that principle, i study, then it worked very strongly, in general, i began to move and quite quickly already quickly, and then i began to move quickly and in general they say that you distinguished all my life. perseverance, which many people generally have to do, but how many times it didn’t work out to enter the theater school, yes, well, i understand that this is a trait that was somehow brought up in the city of novokuznetsk, looking at my parents, understanding that something had to be presented to them, and in general in a team of comrades,

friends who demanded from their comrades leadership qualities, like this: it was built in the city of novokuznetsk , not the leaders did not coexist together, that is, the environment is like that, well, yes, in this sense, yes, it seems to me , in general, the city greatly influences human psychology, and such is enough, strong steel, not survival, present yourself to the world, to present oneself, not to survive, to somehow find , to adapt, on the contrary, also how i defined for myself the understanding of what internal harmony is, when three qualities are combined: i want, i can, i must, i must

try, there is a certain risk in this , but again the profession that... chose me, we may think that we chose it, but no, it chooses, because in the end the audience chooses, this enthusiasm, perseverance to move, to the goal, and for the movement the goal requires obstacles, well, there were more than enough of them, in general, but there was a moment when obstacles have gone and opened up, here is the gateway to the profession, to resources, and you always have to challenge yourself, declare yourself, go forward, you are absolutely right, uh, the moment of opening all the doors for you has never existed for me, but i think that and for no one this does not exist, well, most people have the illusion that there may be a gate, well, yes, well, in any case, i tried, as if from

illusions these feelings of discovery, they are momentary, you know how... the guys who are engaged seriously, sports, they understand that this is the moment when you win, raises your hand, now it has not yet had time to go down after the victory, there is already a contender for this place, that is, she is really very close to professional sports, to the achievement of constantly improving yourself, and well, you need to prove every day that you are suitable for this profession, i was recently at the oleg tobakov theater for a performance of a deadly number, yeah, there’s a lot of admiration for the performance itself, of course, he can talk for a long time and doesn’t address the audience, but i was hooked as a person who lives in a music video world, so

that moment, when such a curtain flies away, a curtain flies away, it’s just impossible to imagine, someone flies into a hole behind, here he was, now he’s gone, you’re like that , that’s it, and you’re sitting, this whole performance, that is, you they caught you directly, and they caught you, but uh, clearly, clearly they caught this viewer who is now sitting on the phone, you need him, you need him all the time, do this to him so that he, with you, everything is incredibly spectacular, well then there is a bombing, there is something going on there all the time, you sit in amazement all the time, these guys are here too, number you they also don’t let you go for a second and everywhere you see that this is, well, acting, but also a lot, a lot has been invested in the props, communication with the audience and we have a theater, very dynamically developing guys, young, furious, passionate, talented and

in order to capture sensual attention. the attention of the viewer, of course, it is very important with all these effects and so on and so on, which one way or another confirm the proposed circumstances of the theater, in which the miracle is still preserved, to see a living artist, to see him in the burning eyes, to hear his voice , which is a mirror of character, to see real live clashes, this fury, for life, always incredulous, yes, well, you know, here it is, i and so, we are trying with he was when, our the theater generally moved around a lot , we traveled all over the world, from japan to america, with performances, here in america, uh, the audience, they

paid money and came to see, no matter what happens, they immediately start laughing , clap, well they need to realize themselves somehow, in japan they are silent for a long time, it’s not customary for them at all show no emotions during the action, only at the end. i was stunned by the applause along with the feet. they not only clap, but also kick their feet on the floor. and when the audience of two thousand starts performing this, you think they are running away or running after you, so there is this tension. and our viewer is incredulous, thoughtful, so that he sees a mirror in front of him, who wants to take a closer look, to see what it consists of, but if. you have sensually taken possession of it, then, then it opens with amazing feelings, well, we hear the audience, and we hear it

silence, in our theater it is sometimes very quiet, or afraid to breathe, these are some incredible awards, or then some explosion of laughter, joy, happiness and... of course, this, this is a big responsibility, you decided in 2019 not to act in films anymore , after that after that a challenge arose, a challenge arose , yes, before the challenge i decided and a challenge arose, before i came to the theater as an artistic director, i devoted all my time to working in cinema, but when this event happened, oleg pavlovich left. uh, i took responsibility for the theater he created, for school in order to realize the ideas that he had, which in the course of this or that

work appeared in ours, and i really cannot afford myself, such close cooperation with cinema. dear friends, we continue our conversation in the studio of the creative industry podcast lab, roman karmanov. general director of the presidential foundation for cultural initiatives. elena kiper, producer and video maker. and our guest is the great actor, vladimir moshkov, whose anniversary is celebrated. do you think there was hollywood in your life, our film industry has come closer to in her uh, so to speak, state, in the way she works inside herself, is she closer to hollywood? hollywood is a huge industry that... with regularity, captures the attention of the audience , huge amounts of money are invested there, and ideas and tasks are sold, but

there is still someone who processes this in one way or another, of course, in terms of the amount of investment in cinema, of course, we are still far from such means, of course, they appear here and there are certain... opportunities sometimes to do something unique, such as, the film is a challenge, but there is a lot, a lot of money, in connection with this there are a lot of professionals who are engaged in perhaps small activities, but this range of actions is his, he knows it exactly, thoroughly, we still hope for what -the opening is a miracle, they are laying it out, it will happen, so they sometimes get upset that wait, everything has been built up, but it didn’t happen, this is a big tragedy for them, but nevertheless, the budgets have recently, the last year or two, i meet a lot

people who say, but we only watch russian films, only russian tv series, somehow america has moved away, for some reason we don’t look there, somehow we feel like ours, this is connected with this, probably there is a large bouquet of different events, our stories have become more diverse, our art has grown a lot , the guys are trying, the scriptwriters are trying to somehow twist the plot to make it interesting, well, of course, it’s very important, we want to see ourselves, yeah, ourselves, listen your own language, this is probably very attractive, that this is mine, it’s close to me, but it’s right , of course, we have a country that requires... a large number of serious films, i’m not talking about thousands, but 200 films should be released a year that can

attract attention, but it happened at one time, create a movie that captured, well, in general, the civilized world, i mean, uh, thief, that is, this is a movie that almost won an oscar, that is , they could create history then, well, in general, and well, you see, this is this chukhraev too, he worked with the script in such detail, at that moment when we were filming this movie, uh , in general the movie wasn’t actually made at all, the movie wasn’t made at all in the country, it wasn’t filmed here, and you know, and there’s also such a paradoxical story, it’s a wonderful script, we worked in great detail, and pavel grigorievich, he’s like that a very furious director, when he wrote this story, he was very demanding of the actors, of

the space. and you know, when the picture was ready, there were generally thoughts about who would watch it, some people, you know, well, that is, these were the thoughts of the team or general feelings, no, well, doubts, the teams seem to have done it, it seems to be great, but how does it affect, in the world there were so many problems in our country, there was no time for cinema, let alone for a film about... the formation of man, about man , which stole his life, and suddenly it somehow, this is how it was intended, um, it began, began to live, live, and a great success at film festivals, at the american film academy, it is one of those films that, guys who enter the film academy must

watch it, and these are still such exceptions from the rules, they suddenly, so detailed, with such a very serious approach to everything, and now is the time when you can make a movie on your phone, that’s how you coincide with this time, you can shoot a movie on your phone, will it be possible in this value? well, you just said about chukhrai, that is, in fact it turns out that theater and cinema originate... from the author, that is, without the author - this is completely simple in screenwriting in our industry in russia, in the film industry , read recently, at least we we are working in this direction, now a play is being written for our theater, and more than one by talented screenwriters, and we are also looking for new young guys, in general this is a very difficult task, to catch... the words of a time of this

or that, to put them together, why everyone was delighted there ostrovsky, because he was the essence, he scooped up these people directly from the depths of his soul, this was expressed in very precise words, in dialogues, in clashes, so they appeared, to catch the time, to create it, of course, this is a big, big difficulty, but but like this time, it seems to me that one way or another , works appear that are worthy of attention and will continue to appear, you have a school for future young artists, from the age of fourteen he studies there, but maybe there is already a new institution nearby, also a school for young screenwriters, here we have there is such an idea to create a course of directors, screenwriters, directors, because directors are often

people who adapt the play, add to it this or that facet of their talent and knowledge of the world, this is very important for the director knew how to write and create a dramatic work himself, or at least adapt it for the stage, you, as the director of the theater, you are talking about what... the question is, what do you want, the breath of time, you said that the playwright must understand, about what is all this now, what is it all about now, it is always about the same thing, about a person, about understanding, how can he balance himself, and now we are talking about our main traditional value, the main traditional value of russia is life itself. in its various

manifestations, about this, about everything, and if to say that young people are not young, that is, we have two authors who work. this is oleg antonov, who is the head of the literary part of our theater, a wonderful actor and he is also a wonderful screenwriter, he wrote the script for the film the orphan of kazanskaya, and andrei zolotarev, who works mainly in cinema, is now writing a play for us, you said this phrase , that a miracle can be laid, here again you, the artistic director, are convinced. about this, how do you do it? this is a desire, a desire to lay a miracle, there is no other way, as a personal example, participation in all the events taking place has not been invented, so

i have great faith and hope that the guys understand our method of existence, our goals, and the goal is one of development, this is probably the most important thing. i came across the memoirs of one very good person, where he - among other things, writes that he often met oleg pavlovich tabakovo, who cruised the floors of power in jeans, which means, quite simply, with keys, that means on his fingers, well, for the purpose in general, the extraction of various resources for the theater, which he built, here is your role in the theater, what is it now? are you also building something? you see, oleg pavlovich spent his whole life... building a theater and building it as a building, and building it, relatively corpses, and my task is the same, our theater, which is on sukharevskaya, seems to be done, but it’s

catastrophic there is no space, we have one stage, that’s why i look with envy at theaters that have several, so with all our ambitions and desires, we don’t have a space in which we could spend 5 years trying to make our internal name is a certain center of feelings, which will include educational programs, and programs from the institute to develop, and programs, and so that this part of moscow, sukharevskaya and mira avenue. also played with certain meanings, whether you like it or not, but the construction of a holding company requires, in general , inclusion, the first dream, the second dream, well , i would like for this to come

true and it would be nice during my lifetime, dear friends, there are both premieres ahead and - wonderful anniversaries, but most importantly, in order for it all to be so wonderful, i need to work it seems that this is the main, main... conclusion from our podcast today, excuse me, but this is how it turns out, unfortunately, i would like, somehow differently, but, endlessly, in the obstacles that you may invent for yourself, maybe they are like this there are, because it seems that there are no obstacles in front of you, well then i’ll think that i’ll come up with them, celebrate anniversaries at work, dear friends, as the most beloved people of our country, there was a creative industry podcast on the air... on channel one elena kiper and roman were with you today karmanov, our guest is the former artist, artistic director of the tabakov theater vladimirevich moshkov, happiness and health to you and all the same to you.

where is the office? lening highway 3, go there,

you’ll have a bad meeting, but i’ll go with the music. that means he’s been sent to us, repairmen foreman, that’s good, you’ll be my right hand, i lost mine... at forty-third?

how many locomotives do you have? one, ear. sargsyan still visits, but he is not ours, lezhnevsky. i 'll take the ear too. which one will i take? you, oh, are written off, with the driver. not for nothing. i'll go further, and then there is nowhere, here now there is a contingent, one might say , traitors to the motherland, after the german camps

and all sorts of other things that he did there with the nazis, maybe bombs for moscow, so you are the only one here, what a winner, and you, my power, educate look, even before the victory they were brought from germany to the region for correction. we don’t have security, this isn’t a camp of course, but you can’t strictly run around either, samish, you signed a paper for me, why? i signed the paper for extra food, for the plow, what are you yelling at, not the famish, but citizen kalyvanov, tired of with your signatures, don’t drive me away, go away, pubs, wait, here you go! oh, look, max

has arrived, hello, well, winner, come to me with your right hand, why didn’t you fill the oil seal, huh? driver, that’s it, stepan, give me the position, now i ’ll be a trusted person here, come on, here you go,

senior, comrade stalin, and our senior is german, an estonian bitch, i’m a lithuanian bitch. butkus, did you look there, greedy running gear, butkos,

well, some kind of thing? kerov, mederard, finish your work, sabbath, they’ve already pumped up, and the rest is the boss, what does, stand, boss, stand, said,

where are you going? come on, you're falling down.

look at your finger, your head is spinning, you lose consciousness, you fall after an attack, you can’t see a damn thing, i see everything, there were two shell shocks. it smells like moonshine, disinfection, moonshine is needed everywhere, in the hospital they gave morphine for pain

, i wanted more if hitler... on june 21, i would have taken a good bite of the moonshine, maybe there wouldn’t have been any war, i woke up in my bunker covered in snot, i saw it nearby babu, i thought, what a war, what kind of july, here’s morphea for you. snack, krasnoselsky, golovina, golovina, where we thought

you had it, but your golovina ran away, ran away. i've already run all over the taiga, go, i'm going to the bear, there's not enough gentlemen to help me, oh, citizen , you'll wait, you'll wait for everything from me, soon the pishman will arrive, so he'll arrange a fun life for you, i 'm here, why are you sleeping there, yes, klimenka, throat i. i asked for it, i brought it, there’s still moonshine, half a bottle, andrey, what about the floor, andrey, well , i drank a little, what? but you don’t have a normal pot, pour some, you have a beautiful saucepan,

a flower, why are you silent, where, come on, what look, are you scheduling a meeting? antonova! i don’t know, my mother might not let me in , so she came to us, well, where is my mother, let’s go , we haven’t settled in here recently, i woke up, sit down, come in, so i’m tying her up so that she doesn’t crawl away where she shouldn’t. come on, wake up, pashka doesn’t want to talk, he’s learned to walk, put a saucepan on, so where did i have it,

out, oh, pashka, he’s sick often, so the felsher gave it to rub, there’s only one child in that village, so here’s they gave me a copter, pashka, what are you doing, come here, he likes to bite, it would be better i learned to speak, sit down. what's your name? ignat, a beautiful name, but my owners called me sophie, i lived in a work place not far from the post-dam, i’m not from the camp, because i don’t have a number, that’s where the plow is from, eat, eat, i had love there, well, let’s drink. what about you?

was it hard under the germans? leave. i won’t leave, how do you even tolerate all this, first the locomotive, now he’s your sophia, i think he’s chickened out. kosyu,

haven’t you been with a woman for a long time, for a long time. nothing, no, nothing.

corrected, come on, women, take it. just don't fail to paint when you grow up with ancient, like a boss, then you will command, what a log, he only knows how to sleep from the bed, but stop being jealous, good bolt, let's go, we have to wait until lezhnevsky passes, move the switch, are you in the oncoming lane? along the river!

let's see, now, what's there, yeah, well, take it, here's a couple more sarkistoch, my girls are trying so hard to feed you, how, how are you my beauties, completely crazy with yours

. maybe we'll catch up, the sarakisyans have chickens there, let's catch up, take one, mate one, throw a couple of shovels.

looking for, they want to overtake, where should they go, adding, you you know the rules, that you can’t go on the opposite side, you know, they say you picked everything up from stepan, it’s a pity, you’re the only bilshinist besides me, and they also say you’re having a seizure. that the decommissioned people say, they say that the chickens, i’ll whistle your chickens, oh, by the way, i’m your mother, and

your grandmother too. where else do we have a platform with women, come on, what are you doing? come here, there's nothing you can

do. what are you doing?

there are questions that cannot be answered, but there are others that will be answered accurately and directly. you can ask your question already now by phone 8 800 200 4040 via sms to number 04040 or through the websites moskvadefisputi.ru and moskvadefisputinu. rf. all details are on the websites. results of the year with vladimir putin december 14 at 12:00. but according to moscow time. cognac, montechoca, product of stetel group. do you understand that

now there is a prison, fishman will come and they will put you in prison, for racing, for a locomotive, you are a front-line soldier, a support, there is a shortage of everything in the country, hunger, martial law in transport, a plan, and how should i feed the traitors to my homeland? so many. i drove 60 km in the oncoming traffic, the pressure exceeded, okay, at least the assistant didn’t cook with a quick push, the pressure didn’t exceed, but why did it explode, our wrecker is shell-shocked, 60 km, 60, without the train it’s possible even 70, why did you twist the plug? maybe me too, why break the locomotive? i would come up from behind, little smoker, where is the skill? sophie, why do you need it?

trophy, come on! come on, come on, cool down, stoker , throw some coal, have a drink, i don’t drink at work, i rarely treat myself,

i sell everything, moonshine, things here and there, distant fish, they don’t take it. steam locomotive, however, paruuda, dear, what did you say, i completely forgot to say, there’s a dead man living there, on island, completely dead, he stole my gun, matches, stole the salt, stole the salt , stole the matches , stole the salt, kill him again, there’s a bridge there that’s a little broken,

push it, low income, completely broken, the bridge is broken, take the lamp. mash, i put a small saucepan in your left pocket, i forgot my saucepan, take off your medal, you skutnik, i changed everything for the locomotive according to the test.

bitch!

alive.

where is your ignat, a free man, he left, he will come. he told you he’ll come, oh,

women, women, don’t take me for a fool, your life is kind of stupid, come on, help me, german stepan, who is the winner with that and love , who is it with us, a normal guy, and don’t look that i’m without an arm, your hero ran away, ran away from everyone, what, he thinks, if he’s a front-line soldier, then he can do anything . no, you’re naughty , there’s nothing for you, you can’t, just wait, wait, the fishman will come, he’ll take away all this sabotage, i’m telling you this,

i’ll cut off your last hand, tear. and we got here, you pig, get me out of here, there’s a dangerous idiot here,

dry yourself out, mi! take off your rags, you shell-shocked crap! arbajker, arbejton.

and now let's flood it.

i won't be bored here.

there, swim there, secure the rope, come on, come on, crawl! dabei arbeiten.

premiere, i love my country, today on the first, romca, adventure of experts in the winter series of games, tomorrow after the program time. deine sachen ausziehen und trocknen.

they'll get us out of here.

hey, drop the log, you idiot. can't you hear me, let go of the log, there are a lot of trees here. everything is fine.

hey runter du solltest down below ber. nail it lower, even lower, du solltest tiefer nehmen. noch tiefer. that's right, straight down there, worked hard,

who's there, yours? well, why are you, pash , come on, eat one spoon, and this is you, stepan, come on, pash , come on, stepan, give me some boiling water, pash, what are you, why are you being capricious, come on, good, one spoon, you haven’t eaten it’s okay, let’s eat, otherwise we won’t go for a ride with you, well, let’s go alone, well, i guess! i’ll stay, what’s wrong with you, i have a man, well, he was, he was, but he floated away, here, drink, well, drink more, well, why is he better, the devil in him?

let's fall down.

wait, get in. this bridge, it's too early. listen, if the exhibit falls into the water, then it's over. hey you, stay. no,

no, no. ah! come on, you can do it.

come on, like this!

that's all, thank you, are there really german women like that? i'll take it out tomorrow and let him sort it out. there are no potatoes, nain, you are our saucepan, potatoes, where are you going, but you are not the owner here, it’s still our saucepan, like you little rat, if you don’t stop biting me, a big bear will come. will swallow you and you won’t like it, women, women, laughs, look, laughs, yes

pubs, soon even pasha will speak german, the big bear has huge teeth, huge paws, he will come for you from the forest and swallow you you, and what’s wrong with her now, here’s mine, i... help, you’re dragging all kinds of game into the land, she understands russian, you understand russian, fershtein, she doesn’t understand a damn thing, where, give it here, this is gustav’s briefcase, nicht, das ist nicht, nein, i ’ll take it anyway, the honey was delicious, maybe i should give it to an orphanage? what orphanage? she’s about 20 years old, look, you’re responsible for her

with your head, you help her with clothes, and she beats my honeys, nothing, nothing, the pishman will come soon , he’ll put you all in orphanages, he’ll teach you, fershtein, what are you doing, what’s wrong you? so what did you do with her there? the locomotive was pulling across the river, i would pull it, not the locomotive. but you ’re a fool, why bother, listen

, go, go and sit in the barracks, off you go,

kovalev, are you the eldest? we will punish the forces of nature, keep the line, 13. 1941, 13.94, i said. in the car, join me, come on, come on, let's go, clear the way, run, run, i'll shoot,

dad, dad, girl, where, let the dog in. here are the gifts, locomotives, women, hello, chumas,

why are you so dressed up, where did you find such a stink? how many people need to be thrown, boss,

why do they all hate me so much? he's holding the guy, he's not pulling at all , he needs to look, he's been standing there for too long, and what's there to look at, the car is damned and...

don't bother, well, yes, if you don't turn the plugs, then it will work better, but i don't have time to fix it, the meeting is today we're getting ready for winter, we'll be there, what the hell a meeting, but look, uncle thomas, it's an important matter. i won't go near the locomotive until it's cleaned. what is your name? elsa.

did you live in the taiga throughout the war? what war? forward again, back and forward again, matilda, fill yourself up, pour some hot water, soup, i need a snack, i've been traveling for a long time, i ate everything, i've already devoured everything, but i know everything about you

, they live happily, soon you will all be happy , and you will be happy, but at a very high price, they knew, you hear, let's go for it we’ll set your dog on it, let it bite off his balls , you load it yourself, karlush is not a camp cap like some, well, who wants to drink to my locomotive, fuck you, there’s not enough for everyone, snapshot. come on, stem, so he, ah, driver, it’s time to figure out which of us is faster, driver, not a ditch, contoured, at

the reikstag, i didn’t see you. it’s stuffy, stop, you’ll fall, another drunkard

, let me go, they pressed you, they pressed you, they pressed you, they pressed you, but they didn’t want to sing with me , it’s a shame when their own people don’t drink, they’re their own people, even if they’re heroes to me, on their own , and before the war i had everything. flowers of a woman, the best steam locomotive in the world, joseph, stalin, i was on it for 163 km, when the pressure really exceeded, stalin,

he got off, and i have a hole in my head, disabled. i drank for 3 days with a doctor, so that they would take you to the front, they had to drown you on the island, das steht dir besser.

why didn’t you come home? a lot of work, the double one also worked all the time, like a married woman she just put up with you, there was no time to get married, but you always have no time, well, that’s it, take a penny of your bread. gnash, people are mocking me,

they say i started living with the animal, but you listen more. cut your swords, otherwise your gustav will fall apart, not like that, keep throwing, further, but not like that, let me show you. like this, you rub, and there,

baum, tree, there lies a tree, back, back, here, uh. this is war,

great, i need iron, sheet iron, can you get it? mm, iron, very expensive, medal, here, but cheaper, well, i thought i wouldn’t understand, who shot at me, is your gun okay? who else was there? matilda was there, borka

was there, golovin was there, bocharov was there, there were more , the felcher got drunk late, govka, the fourth person shot, he’s dead, he doesn’t have any holes in him, he can’t do like 4 codes, live parvoz. listen to her heart, a living person’s heart should be beating, you’re a fool, vovka, i’ve seen the dead, honor, sit down, sit down, stand up, we’re working golovin , sit down, stand up, sit down, stand up, sit down, stand up,

stand up, barrel, sit down! eat, stand up, 73, 74, 75, more cheerful teterin, why are you sitting down, stand up, sit down, stand up, sit down, stand up, you haven’t made me angry yet, sit down, stand up, sit down. stand up, sit, well, i understand, rest, karlusha, karlusha, my boy, karlusha,

karlusha, felsher masdal with bear fat, be patient, like this, it’s good that it’s a stone and not a bullet, you’re like a soldier, you’ll kill him to death, like that. that's it, that's it, that's it, that's it, come on,

he's knocking, kiss me, oh my god, are you half-naked? you've got enough sleep. well, what does he do, but bitches, it’s not good, vovka, it’s not good to steal, what the hell,

and you want to give orders at night, don’t interfere. tobka, it’s not good to steal, it’s not good, well , look what they’re doing, but we’ll figure it out, we’ll figure it out, we’ll figure it out, we’ll figure it out, what kind of guy are you, huh? they’re crouching down, the roof is hanging down in the middle of the night , he’ll figure it out, we’ll figure it out, where are you going , there, well, roll, roll yourself, bastards, here you are, bastards, what are you doing,

what are you doing, we’ll sort it out, you don’t understand that you and this nebka are against everyone you're talking, don't talk, don't stare, don't stare like that, why did you take off the roof, come on, take the sheets, you took off the roof, oh, don't mind the other hand, it won't scratch your balls, people need bread, and not for your stubborn face, look, it’s clear, yes, the briefcase, tomorrow, so you’re taking it to the junction station, hand it over against receipt, this is an order, leave home, in an amicable way, leave when

he pays for the iron? that there was no other iron? is there a lot of taiga forest? but the climb is not enough, it’s good, get the dresses and shoes, and there is a contact for the results of the year with vladimir putin on december 14 at 12:00 moscow

time. veda vodka, a product of the stellar group. so, regarding the damage to the people's property, the concealment of a german woman, moscow, moscow, comrade stalin, tsvolota, not a damn thing is working out, comrade stalin. i learned, i learned how to caress, i can

lead people, i can’t write with my left hand, comrade stalin. you need to run, kolovanov won’t retreat, he’ll hand over to fishman, you know, it’s a no-brainer, come here, hold him.

hoch auf dem gelben wagen sitz ich beim schlagefall vorwärts die rass i didn’t understand a damn thing, komm euch an, wie ich aussehe, look what i’m like. shell-shocked.

why are you leaving, i feel good here, take the saucepan, i fell in love. it was you and the german who had love.

we'll get to irkutsk, we'll get passports from me i have an address, you know, cool, but i

can’t have children. i was 16, they were building pig barns for their orphanage, the winter was cold, there was an operation, i got cold, but the pigs were never brought, but pashka, pashka? pashka is a trophy, pash, pashka, intact, intact, seems to be intact, sleeping, not

even awake. how are you? yes, nothing, i shrugged it off. oh, what's alive? no, he killed him, after all, that means the light has gone out, there are so many holes in the head, eternal, no longer eternal, ours

will eat him for a week, did you say to the yellow ones, we can’t touch him. otherwise everything will collapse, why should you leave, why, they’ll arrest you in the camp and take away your pashka, ignat might come back, the german woman is against you, not a woman, let him go, how am i without you? i'm sorry i didn't eat any of you? fight, help, or something, you can’t eat fingichi, oh, he

’ll take revenge, the bear, he’ll be kaput, but what are you eating? why are you eating it? delicious, come on, give it here, ready, ready, ready, come on, come on, dad, bear, good, come to me , come on, don’t be greedy anymore, there was a bear, let’s get some meat from the front, let’s fill it up.

what are you doing? i'll give you some gum. glustov. what a fool, i wish i could draw a fascist cross.

wie gern i

back to pass machinistud.

pasha, we shouldn’t have come here right.

drag him, drag this cloud here, him, back , hit him, move away, move away from the car, back, back, who else, back, him, where are you going, move back, bitches,

what were you doing there and what were you doing with her i didn’t have time to tell you what you didn’t have time to do, what didn’t you have time to do?

schon von langer zeit im traum erschien? like the soldier on the poster , my beloved

, knocks, return the medal to the driver, how do you know, i know everything, how i hid about the german woman, she was spinning under your nose for 4 years, i wanted to kill her myself, but the german woman was nimble, he defended her, i thought she drowned, pour it, but why was he silent about the german, which german. it’s great to meet you,

kalyvanov, but meet these bastards, well, did they drink away their entire homeland, or just to the urals? but break locomotives, breed germans, wreckers , they don’t punish you, comrade stalin takes pity on you, hides you from the just anger of the people, so that the people of the bastards don’t tear you to pieces, and this anger has neither boundaries nor a time limit for a long time... it has no time,

it’s kind comrade stalin, his heart aches for everyone, even for you enemies of the people, but i am not kind, for you fear, fishman will come, not he will come, where will you go, they sensed freedom, or maybe someone doesn’t believe it, thinks that he is being held here by mistake, in a free settlement, and the camp is not far away, well, whoever wants rations, two steps forward, stand, stand, keep the line ! okay, let's operate on your granny, shall we? if it weren’t for subordination, i would have kissed you right now, subordination, subordination is for weaklings, here you are, i have to

look for you throughout the hospital, ask the nurse, starting on monday, first thing. who are they here? get out of there immediately, you hear me, wait, wait, wait, where is my child, where is my child, like an old barrel, a product of the stellar group. suitors, yes, the arrow went

, comrade major, cleaned the flowerpot , kill the zamovans, take the people away, and go to the barracks, open the gun, you dismissed their colvans, we disperse, we disperse, let's open it, come on, move away from the heated vehicle, pashka, son, no be afraid, unhook, open, come on, that's it, stand there, come on, where , back, put my gun, back, i said what are you doing, boss, yes, there, back, where are you shooting, bastard, where did you want the car, where do i go, i can’t shake the castle now, well, who

else wants to stand up for the fascist? fool, touch sargsyan, the woman, why,

the german litter, where, go yourself, yes, i’m going, now, now, be patient, the fekter is already close, no one is in my arms yet. now we'll be patient, now they've taken it away, what?

you and i are front-line soldiers, winners. must understand, germans to germans, order, but

why did you write, relative, even though your agustav turned red, he won’t do 50, he can’t pull against fishman, he can’t pull anyone, i understand the hardware. dad drove steam locomotives for 40 years, you would go from here to nowhere, but there ’s nowhere else to go.