don’t offend us, the path shines for us forever, the white city is the light, let them say that there is no such city on our planet, sit down, be silent, the anger will pass on its own and the anger will melt away, the sadness will go away, let’s sit and be silent, no words are needed, we are to blame, but love is right.

let's sit, be silent, no words are needed, we are to blame, but love is right, there is this city on earth, of people in love. we continue our podcast melodies of my life, my name is valery syutkin, today our guest is alexey alekseevich kuznetsov, you can watch all episodes, including today’s, on the website of the first channel 1tv.ru,

this will be completely new for some, because before a football match was played with the live sound of an orchestra, yes, this is 1945, this is dynamo stadium in the first row, boris eremilovich tikhonov on the accordion, dad is standing in the center, and he has a simple acoustic guitar with nylon strings. was called a pop orchestra , in my opinion, long before i wrote the chorus of the spartak-dynamo football match and a crowded stadium, people live in real time, creating the mood for football, and live music, it’s great, amazing, that’s it this is a document, as they say, a photographic document of that time, thank you, a very interesting fact, oh, this is a very important... photograph, so

he said, this is the blue bird cafe. for myself, i associate this with the 1965 festival in moscow , the jazz festival, this composition, in this case, which is here, this is malaya dmitrovka, corner, prešenkhova street was yes, yes, yes, absolutely right, in a basement like this, this we gather there, behind the piano, unfortunately, vladimir kul, pianist, vladimir smolenitsky on double bass, on drums and me on guitar here, this is the composition of the festival in 1966, what is unique about alexey alekseevich , is that the blue bird was the first cafe in which i was there as a seventeen-year-old teenager, even before moscow and before space, it was blue, look at the teaching staff, i would say so, in the center, this is tiit pauls from estonia, a wonderful guitarist, he is alive, god willing. health, as they say,

next to me, to my right, as it were, this is stanislav koshirin from yaroslavl, he is also alive and god bless him too, and i’m on the left, this is a trio of guitars, who very often played together, that is , this is a predictor of my program, guitar forms, they were already slowly getting together, this is this one, this is this one, this is the communication of guitarists of the guitar world, the jazz guitar world in our country in soviet times. alexey alekseevich, you, as an absolute master of accompaniment, i know, have done a whole series of works that help young guitarists master the instrument, based on your wonderful motto, alexey alekseevich has a motto, so as not to say too much, in short, this motto is so far, in this is the case for now, restraint and a call for because it is not necessary to play a lot of notes, the main thing is to do it with taste. and accuracy,

accuracy is needed, how much guitar is needed in this work, i can say, without relying now on documents, some of our photos. it’s just that the accompanying guitar was clear to me from the very beginning, i had to be able to do it, because one of the recordings, i’m talking about jazz recordings that i heard on the radio, showed that guitarists know how to accompany, and solo, and also play percussion, hitting the fretboard and various percussion sounds, such half-closed strings and so on, i took all this into my arsenal. and i still use this, because it is important, the guitarist must be able to solo, accompany, and make percussive sounds, but i still consider myself 75% an accompanist, i like it, i

like it when the soloist starts working on it, well feel himself, open up, then say, where is our next concert, only you will definitely be there, this connection begins, this is the most precious thing for me, alexey alekseevich, where is our next concert, but we know where, well, now there will be a song that illustrates the widest geography, alexey alekseev kuznetsov, guitar, andrey nikonov drums, igor kondur double bass and alexander faraunovich martirosov on accordion, we will be happy to perform for you a song written on a creative business trip. composer uh jan frenkel poet mikhail tanich. by the way, i take this opportunity, mikhail saayich, this year marks the 100th anniversary of his birth. mikhail tanich is a poet who wrote to our people, that is, to you and me, his

folk songs, he is an absolutely unpretentious master of lightness and precision. and this is very clearly illustrated by the song: well, what can i tell you about saccharin? well, what can i tell you about sakhalin, the weather on the island is normal, the surf has salted my vest, and i live right at sunrise. yes, and the mail, with transfers, flies from the mainland , all the way to the distant galoni of the union, where i throw pebbles from the steep bank, the distant

laperous strait, where i throw pebbles from the steep bank, the distant laperous strait. the clouds are low over sakhalin, but i rise above the hill early in the morning, i show the sun to the fishermen , and send it to you on the yakeman, and mail with transfers flies from the mainland, the distant speaking of the union , where i throw pebbles from the steep bank, the distant loperosa strait, where i throw pebbles from the steep bank, the distant laperosa strait, into

a land where waves and winds argue, laconic men live about islands as if they are in the past, they return to russia from putin, and mail, with transfers, flies from the mainland, to the farthest reaches of the union, where i throw pebbles from a steep bank, a distant strait laperouse, where i throw pebbles from the steep bank, the distant laperouse strait.

and mail, with transfers, flies from the mainland, to the farthest galan. union, where i throw pebbles from a steep bank, the distant la perouse strait, where i throw pebbles from a steep bank, a distant la perouse strait, well, what can i tell you about sakhalin? well, what can i tell you

about sakhalin, dialogue with the whole country, dialogue with everyone, results of the year with vladimir. december at 12:00 moscow time, this is the podcast melody of my life, i’m valery syutkin, today i’m in guests are the people's artist of russia, the legendary jazz guitarist, alexey kuznetsov, alexey alekseevich, thank you for the pleasure of performing music together, it is my pleasure once again, i ask your attention, turn to the screen, comment on this photo. well , this is my long-standing, so to speak, musical friendship with nikolai gromin, my constant

partner, with whom i played duet guitars. we have a record recorded, django, we have a record recorded 10 years later and many different records, nikolai, it’s just a guitar in jazz, in practice, and my idea , which appeared during our, so to speak, connection , to make such a small document, e printed, if you can call it, from the practice of a jazz guitarist, i worked on it, came up with something, it exists, as such it can be found, uh, but playing two guitars is a wonderful , uh, resource, these are two orchestras that are intertwined, at first nikolai was a soloist at the very beginning and i was only an accompanist, then we crossed paths, as it should, when we met on steel, uh, that’s all this is to be worked out, i apologize for the word, in the kitchen, just polishing, delving into each other

, finally they began, and he can accompany and solo, and i can accompany and solo, we change, mutually, it turns out like two orchestras, in fact, in our composition in light jazz you have alexander faraonov, here is a dialogue, the same one, we continue to watch the album of alexey aleksevich kuznetsov, this is a festival photo from 1968, also youth ensembles, like this trio i play, ivan vasenin on the double bass, he unfortunately died in a fire in the rossiya hotel in the seventies, there was a big fire , and many died there, and vladimir musunov on drums, this trio, but it is significant because this year in sixty-eight i presented my bossa nova alyosha to the public, the viewer, that was then , it still exists, and it... sometimes they play it somewhere in schools, the composer already had a compositional moment,

yes, this is the sixty-eighth year, in the sixty- seventh year, the year before, i also played in the trio with anatoly sobolev and igor levin, my original catchy blues also sounded there toys, he is also being played now in my program and so on, this is our trio from 1968, the next photo, this, and this is the same thing, and a repetition, only different angles, and another angle, also three. this is what she sounds like, we move on through the album, well, we are returning to the cinematography orchestra, a wonderful friendship, i have already mentioned the collaboration with the composer murad magometovich kozhlaev, here he is, as it were , conducting us, andrei chernyshov, the soloist of the orchestra. alexey splotovsky on bass guitar, not visible here unfortunately, the pianist igor nazoruk, he

is next to us here, and i am in the middle, this is already with gibson, this is already the seventy-third year, somewhere, this is a commonwealth, it has passed through many years, and still remains, and we are connected always with murad magometovich. alexey alekseevich, it’s a pleasure to talk with you. you know, your intelligence is heard in the music, only you can do that. help vocalists open up, in any case, if it weren’t for you, i definitely wouldn’t have touched the heritage of the 50s, sixties, i believe that it would have been well, you know how, sometimes he performs well , but still this is a restaurant, thanks to you, this is art, because uh, a completely different musical mood, it was in my confidential voice, that’s what i call my timbre, it responded, there is some kind of chemistry, so you are an absolute wizard of your

favorite thing, i don’t even want to say the word craft, but just your favorite thing, because your life... is a dream come true: you dreamed of being a guitarist and became and are a guitarist with a very great capital letter, a true guitar wizard, people's artist of russia alexey alekseevich kuznetsov was a guest of our podcast melodies of my life, thank you, dear tv viewers, you can see all the podcasts on the website of the first channel 1tv.ru, alexey alekseevich kuznetsov, valery syutkin, eli jazz, thank you, i’m just working as a magician , eduard kolmanovsky, to poems by ashanin, goodbye, see you again.

i fly to different lands, who knows where we will be tomorrow, i bring rain to the desert, i distribute the sun to good people, why, my friend, because i didn’t learn life from textbooks, i’m just working, i’m just working as a wizard, a wizard, you walk, you walk through january, it’s cold, the tracks are like dots, if you want, i’ll talk to you, hand home and the path will become

better, why, my friend, because i didn’t teach life according to the textbooks, i just work, i just work as a wizard, a wizard, don’t spare anything for a friend, think about others a little too, that’s my simple magic. maybe you can help me with it, why , my friend, because i didn’t learn life from textbooks, i just work, i just work wizard, magician.

why, my friend, yes, because i didn’t learn life from textbooks, i just work, i just work as a wizard, a wizard. this is a podcast 20 years later, i am its host

konstantin mikhailov, my guest is the group serga, this is the permanent leader, the father founded... known as leva, guitarist of the group selga, so we will probably be leva and sergey the best is normal, leva sergey , cool, now we listened to the real anthem of an entire generation of muscovites, which was called we are children of the big city, this song, by the way, somehow she passed by me, i remember perfectly, and what we need, i remember perfectly, a gorgeous warm wind from the roofs, which even today i think will sound. i remember , of course, i’m used to the song, i forgot i lost it, because it’s personal, i remember it perfectly, and my favorite song is yours, guess which one, you know, in my opinion, my favorite, well, one of the old ones or not so much? from the old from the old wonderland maybe yes wonderland class you sing i still have to go to the concert of course but i don’t sing in karauka please forgive me for this i

’m trying to sing just like seryoga for me it turns out weakly, of course, but nevertheless, for some reason this song is always dear to me , first of all, i really like sechenov’s video for this song, where you are showing off on a four-seater bicycle and seryoga is sitting with some kind of eagle in a jacket, recently i have a dacha hacienda right on dmitrovka, and it was lyokha who took us, sechinov took us there somewhere along the dmitrovskoye highway, so to speak, i was recently in one of the stores there, let’s not say which one, so to speak, i went in and bought some... then attributes for a dacha, suddenly a girl at the checkout she looks at me and says , no, she doesn’t say, you won’t believe it, i love your video so much, she described this clip exactly according to everyone , she was apparently local somewhere, she knew everything, everything, all the places where lyokha went , and lyokha transported us in one day, to some completely different locations, so she says, this place is there, these hogweeds are there, this is

here, thank you very much for this song and in general for what you, i say, well , let's take a photo then, and what, i say, is the sentence, she likes me there i knocked it out, i said, oh, no, i rewatched this one, of course, it seems to me that it’s some kind of prophetic song, it’s super relevant right now, i think that when you just try, try to sing about serious topics, everything becomes somehow... then, as if prophetic, in fact, it’s all about life , but this is how it was written, it was funny, it was a completely dry year, leva and i were such pretty decent mushroom pickers, and i went with my mother and the dog, then i lived with us a wonderful dachshund in the forest to pick mushrooms, mushrooms no, but some kind of magic began in the forest , a melody and words came, i didn’t have any voice recorders with me at that time, it was some kind of

ninety-seven, i didn’t take anything with me, not even a pencil, i’m just saying that , the basket, uh, empty, the dog, mom and me, so i walked and i tried to remember these , so to speak, invented, the first version of these words and the melody that was already playing then and then... when we returned home, i urgently, urgently, urgently, i wrote down all these scraps, the next day, there was a guitar, a song has already been born, but you can sing it chronologically, sequentially, as you came up with it, it just started with the chorus, the sun and the moon are with us, it’s completely incomprehensible , it seems like on such a day, well, it’s an ordinary day in the trees, well, the sun was there , but the moon, what does the moon have to do with it, yes, well, there was silence, apparently there was silence, there was some kind of feeling of peace, these trees, you know, when you can come up , hug the tree and free yourself, it just pulls all this crap out of you, that’s it , this is very important, go, go to the forest to pick mushrooms, let

there will be no mushrooms, but at least you will have the dust of the roads in your boots, the drunken wind in the clouds, and there will be a song, and a song, yes, what the hell, but how did you come up with this song that we listened to at the beginning, we are children of a big city, you i sang it with mikhei, we are children of the big city, it was on the first record, it was on the dog record. yeah, this is the acoustic version, and then we somehow started playing it, more like this, we became more fashionable, let’s say, and then mikhey appeared, yes, already, when we recorded it all, but no, i started to notice, that i was starting to sing, and somehow, micah was very somehow like that, he was an iconic, very guy, an iconic singer, performer, let’s say, not a singer, a performer, and we suddenly crossed paths with him at some concert , i remember, right here i know what city, and i know what city, city, city day and, as usual , such a hodgepodge invented by someone, well, that is , someone, someone, someone, who -someone, micah and seryoga, and i go up to him, it’s clear

that we all know each other in absentia, so to speak, i say, hello, seryoga, he says, hello there, i say, and now we are recording such a record, i want to invite you to it, and he says, well, there are probably only rock musicians there, your friends, i say, well, what does this have to do with it, i say, i’m very i want you to participate, he says, i was very much a brother too, he didn’t know what song we were talking about, yeah, six months later, we met and recorded it, it seems to me that this was the last song he recorded in his life, when we we mixed this song, and he was still alive, and then this misfortune happened, he left, and the song remained, it actually acquired some completely different , some kind of meaning, it was immediately played by different radio stations, it’s surprising that you missed it at that time, you should have played it too, it seems to me? strange, but no, yes, yes, but no, rita mitrofanova apparently rocked, i probably remember the rooftops, great, what we need, wonderful wonderland sounded, yes, you

also had a girl playing. what we need was such a very stylish, cool, really cool, yes, bassist, yes, guitarist, guitarist, levchik and lyubanya, and levchik and lyuba , great, listen, you didn’t have time to shoot a video, as i understand it, because i saw it in the video, it ’s clearly just footage of mikhey used, at the end there are several shots where mikhey waves his hand like if only it had happened after, after his departure, that is, somehow levchik and i were just in some kind of black and white situation there, well, this is a full-fledged clip, in principle, so official, we have been continuing our podcast for 20 years later with the legendary group earring, let's go back to 2000, what it was in 2000, do you remember that time? well, yes, just 20 years later, what i remember, i remember perfectly, this is the beginning of zero, you left for some time, after the third, then came back, very cool, i remember very well

how this very thing, zero turned out like would be on all the displays and clocks, we were playing in some kind of promised end of the world or something and some kind of uprising of robots and so on, we enter the stage with a failure of the clocks, right there j, we hit the first chord, my amp burns out, and seryoga turns like this, left, robot, he stuck, cool, there were a lot of such good things, in fact, times, they are always joyful and sad and joyful, and this is very important, and this is the ability of our brain to defragment and delete into the trash and clean the trash from everything bad, and we think that it was cool back then, and we remember that the trees were bigger, the grass was greener, as pink floyd sang, remember this the light was bright, the green was grass, the

grass was green, all that, in fact, if you think about it, we didn’t have any music information, we didn’t have the internet, how we agreed to meet in the center of the metro station, for some reason we met, somehow managed to find the address, the address, as we found on maps, there were no navigators , nothing, we drove without navigators in moscow, as we did, and well, traffic jams it wasn’t, it was easier, there were cards, it showed strangely, the cards were big, it’s clear that some moments are difficult, you still remember, i think this is a certain degree of madness, when certain people experience a shift, they only remember the bad, that's when a person goes crazy flies away, this is a problem, something inside yourself, because if you are imprisoned only in darkness, of course, you need to, well, you need to get some air, at least go to the forest, well said, well said, get some air,

yes , the dust of the roads in boots, the drunken wind. clouds, that's who should blow this crap out of you, and if we try to classify by decades, the sixties are free, okay, maybe not here, but in general there's a stock there, let's say, these are the flower children, the seventies, how can we classify, nineties dashing accepted, the two thousandths are kind of glamorous , let's try, that's what you think, the sixties, what they were like for us, the seventies, eighties, nineties, zero, tenths and now the twenties, what they are like, sergey alyanovich, well, 60 is our very childhood, therefore how snotty, well, yes, yes, they weren’t really beautiful, because, yes, i liked the style, these buses were so slightly rounded, there were these soda machines, also so stylish, what is this style even called - then in my opinion, well this some kind of pin -up, pin-up, old school, pin-up, definitely a pin-up, yes, i’ll tell you, i’m here to tell you i was reviewing the film -

ilvich outposts, yeah, i’ll tell you, this is probably some sixty-four year, although it i think i starred there for several years, starting there in 1959, in 1960, and so, by the way, in the leading role, stanislav andreevich, well, in one of the main roles, stanislav andreevich lyupshin, my wonderful neighbor, who is 90 years old , say hi to him, an absolutely magical person, an amazing man, that’s just how i come to why, listen, there is so much freedom in this film, shpalikov and torkovsky also starred in it, so to speak, i don’t know anymore, there is voznesensky, akhmaddulina, rima-kazakova, yevtushenko, bulat kudzhava, that is it’s all inside, and i understand that you know, all times, they don’t care , freedom is inside you, that’s all, if you understand what true freedom is, freedom, not like you, so to speak, so to speak , you can bring some kind of blizzard there,

bring a blizzard, that means a big one. no need, uh-huh, well, that’s why there are the sixties, no for no reason, freedom, okay , the sixties, they forgot the most important thing, they were cosmic, and yes, by the way, it was such an upsurge, and after the war it was only 15 years, yeah look like well, 15 and a little further there, that’s why this of course was a very interesting time, again, these two kopecks in the vending machines how we met, there’s no kopeck, there ’s nowhere to call, there’s only one soda without syrup. 3 kopecks, and 4 kopecks, if a girl stood there and poured it manually, it cost 4 kopecks, wow, and they washed the glass, and the girl said, well, there were tanks of kvass, juices, beer, juices, yes, a separate frozen one, they

all had to wear caps, damn , how do i remember this, i was just there, i was a little, a little over ten-five there, listen, what were the seventies like back then, well, for me now they were already rock and roll. because then i kind of got acquainted with this music, i became terribly interested in everyone who you met, my mother bought me a beit record, something like this, we had an excellent radio store nearby that sold records, there sometimes it was possible to defend turn to buy some interesting record by foreign performers and not only a writer, i have a favorite story, when i came to my mother’s homeland in nizhny novgorod, well, to my grandparents, they always... they saved a bottle for me for a whole year... for champagne, they let bottles there , we arrived, my grandfather broke this bottle, i took all this money for myself, and there was quite a lot there, that is, somewhere around four or five rubles were gained with these ten-kopeck coins, i still have one

for a time, only tens were possible stick it in, what word is tens, not tweets, tens, not tweets, it was already a piece of paper, it was already 10 rubles, and this is what i ’m just saying, i remember, i bought a record, and the earring started talking on the record. a healthy one cost 2.20 or 2.15, melody company, 2.15, 2.15, probably, yes, yes, 2.15, in the end, this is half, half of this bottle of champagne, that is, half of my annual fee from grandparents, due to the fact that there was one small, two-minute composition by ser paul macartney, the rest was all kind of there, well somewhere there is the james last orchestra, something like that, some of our performers, like that, although no, maybe it was still foreign. the story, well, well, such an orchestration , basically, suddenly small, i saw half a carnium and my grandfather was like, what are you doing, little gray one, why are you buying a record, i say, grandfather, my money, i have the right, a knife was bought, a pyrochinic one, a record , cool, i was

10, 11 years old, and we continue our podcast 20 years later with the legendary group earring, i remember when we met, or rather, even you didn’t know me then, but... i already saw you as part of brigade s, and then i was dancing, and we somehow crossed paths at some venues, these are the kind of hodgepodges, and the venues were small, like “dkmoi” , such, such small scenes, small halls that smoothly developed into a disco, which was hosted there by seryozha minaev, the same one, in his time, and we were breakdancing, we were the first wave of russian breakdancing, we danced the top, with your height, but ... this hose is just so unique twitched, agonized like no one could , you know, just my build , now i’m a little bit like a ball, but before i had my back stuck to my chest

on the contrary, i was green, this meter 90, i’m so cool i was twitching and getting applause, we received more than applause, we took first places throughout the soviet union, it was not only russia, you know, but i remember. at the group concerts they were great, i was completely fascinated by zhanna aguzarova as a vocalist, that was at that time, it was the eighties, the end the eighties, and the group, of course, the brigade with that too, then there was mr. twister, this is this kind of rockobilly that began to slowly rise, i remember dkm, this is the crematorium, the crematorium, and again, decamels, in my opinion, the first venue , which is so official. yes, we had a rehearsal base like this, yes like this, i remember you have me and garik’s charisma, it’s clear what it is, but for some reason i remembered you separately, maybe your appearance is so interesting, maybe the way you behaved, you are also very energetically direct

sent to the hall, i think you had another note drawn, these were not notes, they were some two stripes like this, two stripes like this, that is, i came up with some kind of trick, i never did anything. these same, as it is called, smoke ice, that is , like these, did not do anything, so to speak , with the eyes, but some two, like an indian , such a coloring, two stripes like this, white and green, for some reason, two like this. yes, but it seemed to me that it was some kind of treble clef like, no, fat, some, some, i don’t know, i don’t remember what, somehow to say, i don’t even remember, well, something could have been washed off, well, such a joke, listen, how did you break up with garik when you decided that you needed to go on a solo voyage, listen, yes we are, all this is understandable, but this is such a thing, it was not at all connected with creativity, there were some kind of things like that in life, there were all sorts of inconsistencies that we got over there, thank god. and now it’s just such a joy when we

always do something together, i think you teamed up in 1915 so that he has an idea, let’s do it, i say, always let’s do it, then there are moments when at some festivals, there is igor ivanovich, there is serga, and then there may even be something like that together, i am always very happy about this, because my friend, of course, he, he is still didn’t calm down, and he does very... so to speak , very precisely what is expected of him, on the one hand, but this is not a game for the public, that’s what he is, he’s a lighter, really , he has, very clear, concrete image, you will understand now, it is generally he who does everything at once, and now you will also understand how a person related to the artistic world, he is now making a play again, what does it mean to make a play as a director? this is such a hemorrhoid, here

igor ivanovich, somehow digested it all, and for him it is very important, that is, it is not just like that, here is some kind of tick in his biography, which will definitely be about what this play is about, to be honest, so to speak, well, i know, but i have to explain it like this, he ’ll come to you and tell you everything himself, but i’m just saying, tell me, well, let ’s stir up something else there, i’ll tell you, go ahead figs i... don’t have enough for music, it’s good that i didn’t say this, yes, well, i’m saying, you know, life flies so quickly, and to find the strength and desire to do something more so, well, serious, the most important thing is , there are always many, many people, it ’s always good to live in a group, because we understand each other and we are in some situations, maybe there are such situations, but it’s always easier to solve everything than when your team there is 10 times larger, but you know, you don’t care. don't give up, you're everything anyway, i see you are not restless

, you don’t care, energy comes from you, leva is also ready to create, i see seryoga is prolific, it makes me so happy, new songs are being written, this is the most important thing for the group, that is, we are walking, not standing, let’s go, i’m not sure that this is the main thing , well, sure, the devil knows, because i always suffer when there are new songs, i understand what they should sound like, there are a lot of new songs, but then one or two of them sound, but so far with practice, you build concerts from some, here we are today... so to speak, here we play, we play mainly some songs that are already warm air from the rooftops, excuse me, 30 years of songs, 30 years, yes, so here, i remember this to the maximum, people are still waiting for those songs that are on concerts , you start imposing it on them, not everyone accepts it, so new songs are not always so to speak, just like that right away, i understand that this is what it is, well, since they are being written, it means someone needs it, so what to do , a song has to get old to be loved.

you have a new event reminder: year in review vladimir putin. don't forget to turn on the tv on december 14 at 12:00 moscow time. hello, the program is about the most notable events of this day. fire return mode. israel and hamasiriye were interrupted, more than 200 were killed, possibly a russian among them. direction of attack, special operation summary for the week. strikes at saboteurs. call sign grandfather, a history teacher from

dagestan educates students by his example, is anyone serving nearby now? 24/7, results of the year with vladimir putin, accepting requests, how to ask your question for the president? pavilion of miracles, russian exhibition. an exemplary tatar wedding? in the wake of the sea gull, documents about the feat have been declassified. soviet amphibious aircraft on a special mission. so, our diplomats are checking information about the death of a russian as a result of israeli strikes on the gaza strip the day before. the truce has been terminated. israeli negotiators were recalled in 2 days, according to the palestinian country, 200

people have already been killed. pyotr deryagin had collected everything important by this hour. what kind of truce is israel hitting? the gaza sector with new forces for new goals, if earlier the tsakhal offered civilians to evacuate south to khan yuni, now the residential areas of this city are shelled day and night, multi-storey buildings that remained untouched before the humanitarian pause are now turning into ruins, my brother and his daughter were killed, there was nothing left, just look, there was nothing left, a whole collapsed... women, children and old people were under the rubble, we demand a truce, we want to live in peace, we have no missiles or weapons, we we were having lunch, suddenly a rocket fell on my house , at that moment all my neighbors were at home, this is a residential area, children live here, there are a lot of children among the dead, they are in no way connected with the conflict, the israeli army

has hit more than 400 objects since the end of the truce, but not even a full two days have passed, now wounded people, including children, are being admitted to hospitals in khan yunis. the israeli army is dropping leaflets over the city; civilians are being asked to flee to the very border with egypt in the city of rafah. we do not know where to go. we were told that khan yunis was safe, but now there is trouble here too, so we are sent to rafah, where we have no shelter. the children and i will sleep there on the street. at the same time, the rafah checkpoint was closed yesterday, and it was through it that russian citizens were evacuated. according to meade , there are about 200 people left in the gas sector. today there was a message that one of the residents of the enclave, who had russian citizenship and who worked as a doctor, died under fire, this information is being verified, tsahal also announced death in tragic in the circumstances of five hostages kidnapped by hamas, and negotiations on the release of the hostages in katera were interrupted, netanyahu's office announced that all israeli negotiators had been recalled. after negotiations stalled, mossad chief david

barne, at the direction of prime minister benjamin netanyahu, ordered his ddoha negotiating team to return to israel, which the terrorist organization hamas did not comply with. its part of the agreement, which provided for the release of all children and women according to the list prepared by hamas. on against the backdrop of a new escalation of the conflict , clashes between tsahal and hezbollah intensified on the border of israel and lebanon. fighting is intensifying on the west bank of the jordan river, and rockets are also being launched from palestine at israeli cities, including telyavi. these are attacks directly by hamas militants. israel, in turn, has accumulated enough weapons for shelling. the wall street journal is publishing information about huge shipments of bunker bombs and tens of thousands of other weapons projectiles. netanyaho the day before outlined his goal - the complete destruction of hamas, and he vowed about this on television, which bewildered even european leaders. i think the time has come when the israeli authorities will have to be more specific about their goals and what they

are trying to achieve, what is the complete destruction of hamas, and does anyone think that this is possible, if this is the... goal, then war can to last for 10 years, turkish president recep erdogan also spoke out, but in a much harsher form, these are the occupiers, these are the oppressors, in the gas sector it is carried out a large-scale terrorist act is state terrorism. the idf resumed hostilities immediately after another hamas attack, first a terrorist attack on a bus stop in jerusalem, where palestinian militants killed three israeli civilians and wounded 16 more people. then the missiles were fired from. one way or another, now in the conflict zone the death counter has started again on one side and on the other, the un children's fund has published a frightening report for 48 days of the conflict, this is before the interrupted truce, the total number of deaths in the gas 5,300 children. pyotr deryagin, dalya rasheddinova, kiril danilov, channel one.

now, for a special operation , the ministry of defense reported that two ukrainian s200 anti-aircraft missiles, converted for ground targets, were shot down. our means. intercepted them over the sea of ​​azov, the indicated approximate time was 6:00 pm. let me add that such missiles are launched from parts of the territory of the zaporozhye region, which is still under the control of the kiev regime. earlier, our defense department summed up the results of the week. strikes with precision weapons against ukrainian military rear areas are not decreasing. there were them in 7 days 27. all intended targets, airfield infrastructure, arsenals, fuel depots were hit. among other figures, eight ukrainian planes were shot down and more than 4,500 were destroyed. in the donetsk direction, units of the southern group of forces, with the support of aviation and fire artillery, continued to improve the situation along the front line and liberated the populated areas. artyomovskaya of the donetsk people's republic, fire damage was also caused to the personnel and equipment of the armed forces of ukraine in the areas of the settlements of

maryenko, kurdyumovko and kleshcheevka of the donetsk people's republic. enemy losses amounted to more than 1,680 military personnel in the southern donetsk direction, units of the vostok group of troops repelled three enemy attacks. the enemy's losses in a week amounted to over 880 military personnel, a tank , six armored combat vehicles, 20 cars and five air defense guns; during the week , eight aircraft of the ukrainian air force were shot down , one helicopter, including five mik-29, two su-27, one su-25, as well as the mi-8 helicopter, the wisdom of a warrior and teacher, in these words there is special respect for a person who subtly feels the essence of the time, the director of a school from dagestan volunteered for the front, the family has students at home, like on the front line, where they also listen to him and obey him, he is a highlander. i am a historian and i don’t want history to be written without a historian, but here are these guys who

are here at the moment, they are writing history, they are writing a new page in our history, in his company he is the only one to whom the soldiers address not by their call sign, but named patronymic, murat kamillovich, a history teacher and school director in a mountainous dagestan village, here at the forefront of the zaporozhye front he medical unit , that’s how we live in such conditions, poor people, it couldn’t be better, the hotel is five stars, when i left, they told me the old man, why, knowing what nazism can lead to, considered that i have no right to sit at home, sitting at home, talks about the lessons of courage when you have the full opportunity to participate in these events yourself, he was a volunteer, and his former students followed him, he grew up, they live in neighboring houses in their native village, and here they serve in neighboring units, but

they see each other for a year for the first time, everyone has a lot of combat tasks. when they told me that the school director went like this, voluntarily, i was shocked, of course, well, in fact, with this he showed the other generations that there were some who hid during the mobilization, and with this he showed his courage, after each arrival and after everything , it’s scary for oneself, probably from the height of life, too, as they say, it’s scary for these young guys who haven’t had time to start this life yet, got here, to show themselves, to show miracles, courage, rasul, his former student, has already three military awards, murad kamillovich has two, the st. george cross and a medal for courage, for saving the wounded during heavy battles , part-time work, we don’t need it to go beyond our border, the border of russia, this... the mesopism has reached, especially since they don’t need , they don’t have children yet, they need to start families , a third grandson was born while i was here,

there were two leaving, i’ll come now insha’allah there will already be a third, leaving for the front, he didn’t say anything to anyone except his wife and children, of course, we’re waiting i'd better hurry him home, this is my office father, i’m used to seeing him here every day, no, but i know that he defends his homeland and without him it’s empty, when he said that he had to leave, i was sad, at first i didn’t understand, like, why he was going there, but then he realized. the son of murad kamillovich, along with other children, often collect parcels for the front; here, many fathers also voluntarily went to fight. parcels from children that they bring along with humanitarian aid, where it is written, come back in children’s handwriting, you are our hero, this is completely different, i’m here we’ve seen what brutal men we have here, i haven’t seen a single one who has... no tears came after reading these letters.