well, when he became the main director of the leninsky komsomo theater, and after a short artistic directorship of anatoly efros, who worked there for 2-3 years, he left the theater, there was desolation, decline, and the main director was vladimir monakhov, and the theater was called among themselves monakhov kurgan, this place , it probably helped somehow, my father came and pulled me out from... under the stage, which means from somewhere completely from the karachentsevo extras, then peltser came, in his third year he saw abdulov, yankovsky from saratova, inna mikhailovna chyurikova arrived, the whole point is that the artist is becoming popular in cinema, and he understood that it is necessary for the audience to come, so that there are popular artists, and they need to somehow build a theatrical acting career, and he began to make films, so 12 chairs... yes

, he brought with him elena shanina and alexander abdullov, who played there, some engineer, yes, i don’t remember the name in the soap, naked, helpless, and then an ordinary miracle, where he became, of course, that was the birth of a beautiful star, with whom all the women from there, from youth to very old age, he became like a sex symbol, right? they say, and of course, mark anaton, who treated his actors very carefully, he began to film them, film, film, film, because popularity was needed, people should, and not just flash, play some roles for this to happen it’s good and that it was probably something like this, that is, it was not just some kind of director’s attempt to prove himself in a new way, as the media now say, but concern for the actors, that is, precisely as the main director, and

it was schwartz. originally father to schwartz turned to me when he staged plays at the student theater of moscow state university, under yutkevich, rolan anatolyevich bykov was there, he staged the dragon. yes. and this dragon, in general, became popular and famous, valentin nikolaevich pluchik came, saw it and somehow rushed down from the cliff. you know, he invited a young, inexperienced, completely stage director to his satire theater, as an actor and director, and when his father came to the satire theater, he realized that he was not the best actor, but to go on stage with very good artists, and that’s it, demoting himself, well, he said that he can’t be an actor, but he can’t be a director

, but then there was this minister of culture furtseva, she closed this performance and said that in general it was him, this director cannot stage plays in moscow, then there was a banquet performance based on the play by gorin and arkanov, who they also closed it, then they said that sugar was hundreds of kilometers away, without the right to work in moscow. and then andrei aleksanovich goncharov, the chief director of the maikovsky theater, said, come to me, stage a rout. and he came to set up a beacon and destroy it, and armen came there at that time borisovich garkhanyan, who, by the way, until the last days said that my two best works are the defeat of the first one with mark anatavich zakharov. and the last

work is felomena marturan, city of millionaires, the son of mikhalina churikova, this is again a performance by zakharov. so they staged a rout, levenson, the detachment commander. and with levenson, what could be only a defeat, as it were, they began to close the performance again. and then the actress babanova called. angelina stepanova, with whom she was very friendly, said that we have a very a talented director who staged the play, what a disaster, it’s being closed, and stepanova, who was fadey’s wife, yes, and angelina stepanova, that means she had a turntable at home, somewhere all the way up, she called and said, here’s mine sashenka closed the performance, and suslov came to the performance, his father said that he came in naked shoes, it was terrible for him to look at

these naked shoes, because no one wears naked shoes, but he came in naked, he didn’t even understand what was being decided on his fate, but suslov watched the performance, began to applaud, the next day in the newspaper there really is an article, what a great work, and how right it is that levinson leads the detachment, he didn’t throw him out of bedabir, we’ll break through, on the day of heroes of the fatherland, badober fortress, on saturday on the first, i need you, alive, vodka veda. product of stellar group. i remind you that this is a witnessstein podcast hosted by us, film historians stanislav dedinsky and natalya ryabchikova. and today we are talking about the work of the legacy of the wonderful soviet,

russian cinema and theater director, mark anatolvich zakharov. and visiting us alexandra zakharova. and in cinema he also had this practice of writing more on the cutout. then hand it over little by little, no, it’s like that, no, it was just filmed there, for example, the scene in an ordinary miracle, when yevgeny pavlovich appears in the window, remember the politburo before, it was all a little bit like waving, that’s when yevgeny pavlovich appeared, he did this in the window, and when there was a premiere at the cinema house, fraternization began in the hall, when this happened at that time, and evgeniy pavlovich says, markusha he’s markusha, let’s reshoot it, because we’ll still have to reshoot it, but for the same money, let’s reshoot it now, but as a result, in general, everything remains, there were complaints about the song, mironova, bang-bang-bang, that there is some- it’s erotic, there’s a meaning, to which mark anatolich said, no, only

gastronomic moods, it’s all a gastronomic theme, he wrote the script to the music of joe dan, we had it all the time, really, yes, that is, he writes about it in his memories, everything repeat, didn’t you hate him at that moment? i hated it because he he’s beautiful and he still connected with my father in my childhood mind more, not dosen like dosen, but dosen sent me to my father, so somehow with great pleasure and longing i sometimes listen to some of his songs in the car, but then there was a very clear storyboard, the script was written very clearly, it was all drawn out. then he worked a lot with the composer, from whom he did not leave, and gennady viktorovich glodkov was very worried about this, of course, they say, well, you can’t, composing music is an intimate matter, and when they stand over your soul and say , come on, write, come on, come on, come on, and here, so that it’s a little bit james bond, and here,

so that it’s like this and his father didn’t sing, but he had an amazing an ear for music , and he had... in this sense, he brought music, he said, this is something like this, this is the direction, and glodkov wrote music, he was so scary, that means this tape recorder, he brought him to set, there was a storyboard, and then, and then he got into every actor, and he dealt with his individuality, to put it roughly, roughly, the stanislavsky system... this is me in the proposed circumstances, right? this is what i can do, what i see, what is familiar to me, to exist like this , stanislavsky had, nemirovich, the actor mikhail chekhov, who later raised an amazing

galaxy of actors in hollywood, and he, when he appeared in the theater , he said, i want to play hamlet, and they told him what kind of hamlet you are, you are short, to which chekhov said: “ i’ll grow up, i’ll grow up, this height, height, he very important, growth is not physical , spiritual growth, that is, in order to play , i’m just saying, but the body, you don’t have to strangle someone, but you can compose how you would do it, there is an interesting memoir about chekhov by sergei izenshtein, who saw him in his youth, just arrived in moscow, early twenties, sees him in the theater, a small space, sits somewhere in the front rows in the new ones... very brand new , looks bewitchingly at chekhov in some roles where he gives himself completely to her, the next day he meets chekhov somewhere mutual acquaintances, and the czechs, he says to him: what wonderful valinki you had yesterday, and this amazed stein incredibly, because at the same time mikhail chekhov could be completely in

the role, and a little behind it, he noticed everything, so it seems to me that we experience this feeling as spectators , too, and even in an ordinary miracle, which is why we like it so much. we realize that this is an invention, we realize that this is a wizard, this is his hero, and the wizard himself is also a character, and somewhere behind him there is also mark zakharov, who is a wizard himself, comes up with this himself, maybe there is someone else behind him, well, that is , this is such a wonderful ladder, this is the phrase that yankovsky’s hero says to his wife, the mistress, yes, but i wanted to talk to you about love, but i’m a wizard, so i came up with these characters, this phrase was not in the first film adaptation, it was removed, it was in the play, in the first film adaptation, garin removed it, they just told him, well, that’s how great it sounded there, what are you it was removed, maybe that’s what made the fairy tale, a fairy tale in garin’s version, we just have this fragment , we can watch it, remember how it sounds, but it’s your fault

, why did you lose all this, i warned you, that’s how i was born into the world, i wanted love with you, but i’m a wizard, remember, you said , remember, i remember, so i took, gathered people, transferred them, they all began to live in such a way that you would laugh and cry, in general, a great serious work of art, it can push, push so that a person begins to think, and yes, i

don’t i'll fly into space, but i can do something else in this life, i have some kind of backlash, you can rise a little, this is in all the works, in my father’s opinion, i also wanted to talk about music, it’s interesting that mark zakharov’s musical films do not fit into a precise genre. that is, we can say that this is a film with music, we cannot say that it is a musical, yes, although the actors sing there, and the heroes sing, but it is still something, something special, something different, like he succeeded in this, i cannot answer at all for mark anatolch, the only thing i can say is that this is an auteur cinema, it something else, it doesn’t look like anything, just like the theatre, it was created by the author, it doesn’t look like anything, they say lenkom, what a lenkom zakharov was, around whom the art was united , with whom he treated very carefully, tenderly, like children, and what as for the music, i

just know that he rehearsed and filmed the sub-music, in the beginning there was music, he brought it, he showed, he spoke, and you know, when an actor plays to music, a good actor who doesn’t seem to sing, doesn’t seem to thinks, after all , it’s like alexander abdulov, mark said zakharov with trained actors, here... they were all so trained, taught, because he watched the performance very carefully, he made a remark to everyone, he communicated with everyone, very individually, he gave every young actor a try, for some it was it worked, some didn’t, but these skilled, wonderful actors, when they play to music, the eyes warm up, uh-huh, something else appears, you keep saying, they, they, but... you also played these films, how about your position as an actress really on the set, for example a song

did uno-una help you in the dialogue about the blacksmith in the formula of love? well, of course, it was nice, especially since it was invented when everything was ready, the music was ready, leaving, he said to gennady glatkov, you know, we also need a servants’ song, because abdullov and semyon farada are great, we definitely need a song, which servants already. that's it, come on, he says , come on, sit down, sit down, play, yes, they had such a game with glodkov, he brought a newspaper, it ’s true, yeah, he put on, like, notes, the speaker says, come on, sing, composing, here under this truth, these were their jokes, yes it was quite fun, and he says, i need to compose it, and glotkov says, i remembered all the words that i knew in italian, una momenta, well , some really and... i played it and my father liked it so much, he says, just don’t change anything, like that , he was completely

delighted, he flew to the studio, showed everyone, everyone was talking , everyone was laughing so much, they were so happy, his wife liked it, and he consulted with his mother on everything, golotkov said, although he accepted the advice, about me and my mother, on on the site it helped you, but knowledge of all this, all this, all this , all this reasoning is difficult working as my own father, i don’t know, it ’s all the same, when they say what he’s like at home, what he’s like on set, it was just difficult for me at the first moment, when swift was filmed, i was still studying, and how to handle it, i... didn’t know , dad is uncomfortable, there was a break, the whole group was standing, dad is uncomfortable, and mark anatolyevich is unusual, i told him, come here, the whole group was so delighted, well, and then somehow just mark anatolyevich and at home, father, dad, there are questions that are not

answered, but there are others that will be answered. precise and direct answers. you can ask your question now by calling 8 800 200 4040 via sms to number 04040 or through the moskvadefisputinu and moskvadefisputinu.rf websites. all details are on the websites. results of the year with vladimir putin december 14 at 12:00. theater director mark zakharov had to compete with film director mark zakharov, which i mean very often, because in order to release actors from the theater, you almost have to write to the minister of culture, asking for permission to let you go to shoot such and such a film, there is only one corpse here one theater, how was it all

organized, how much did he have to film while on vacation, but how to organize everything essentially... he made such a single life of one organism in two forms: theatrical and cinematic, well, yes, he shot a film on vacation, really fit into the summer, and as for some other uh films in which yankovsky abdullov starred, there karachentsev, he said, i don’t want, just ourselves, somehow ourselves, ourselves with the director’s control, and he never did this, and where, that’s not it there were, and these were... the leading actors on whom the repertoire rested, and then, it’s clear that in order for spectators to come to the theaters, spectators still go to their favorite faces, so he always cast all his actors, so he tried as - so that they become popular , famous, famous, what happened, in my opinion, is all the more interesting when among

this series of familiar, beloved faces, again, whom we think of as zakharov’s troupe, even conditionally... in movies and television, suddenly faces appear who we don’t associate with his performances, for example, in menhausen, the same menhausen, when inna churikova appears, for example, in this troupe, she appears, but why don’t you connect her with the theater, she came in the seventy-third year, because that she doesn’t play in other films by marko anatorevich, apparently that’s why it seems that she belongs to panfilov’s cinema, right? of course, the beginning, yes, there is no ford in the fire , basically, of course, the beginning, but after watching the beginning, he invited her to the theater, she came, and the first performance, til the beautiful is churikovo karachentsev, then you know, he didn’t gather actors, he raised them, he raised this generation of yankovsky karachentsev, abdulov, churikov, he attracted him, so

tatyana ivaanna peltser came for him, who played in a lucrative place, in his satire, absolutely grandiose, which... when he was telling, when he read the explication, it means, of the play in front of the artists, the young director, she listened to it all, said, what is it, as soon as a person doesn’t know how to do anything, he immediately goes to directing, and then somehow she thawed, she she loved him just like a son , she followed him, when she came to the theater, wrapped in a scarf, she said, mark, whether you like it or not, take me to the theater, then he came, he offered it to him, he came to the theater, and that’s of course , a grandiose, great actor with some kind of crazy biology, who played until the last second of his life, he may have been gone for a month, and he was gone, he was great, and his, you know, his intonations are the same

when, what happens there, in the beginning celebrations were planned, home-making, and then they decided to combine, we have a fragment, too from the same manhausen with another legendary phrase, uh-huh, 7:00 in the morning , the clouds clearing, the weather is good, show me, as luck would have it, the sky is clear today, that is, there really was fog in the morning, but then it disappeared, you want s... to say that this is his merit? i don't want to say anything, i'm just pointing out that today is a magnificent day, but we have no reason to say that it dispersed the clouds, but to say that it did not disperse the clouds was to contradict what you see. you are laughing at me? continue on henry! from 8:00 am to 10:00 am feat. what does it

mean? this means that from 8:00 in the morning he has a feat planned. it’s a pity there’s no phrase that it’s a feat, so i go to work every day by 80 in the morning, and nothing, of course, is a feat. there is no feat in this, but there is definitely something heroic in this, somehow this phrase sounds like this, i would like to say about churikova, that’s what you said, she is not associated, inna mikhailovna churikova was the main actress of the lenkom theater, mark antonovich called inna mikhailovna churikova a goldfish, she played til, the sage, according to ostrovsky, the seagull, lord, three girls in blue, i’m afraid i won’t name something, she played endlessly. role - it was the main actress, you know, like ostrovsky, to create a theater, you need an actress in the center, so she was the main actress of the theater, but why did she so rarely

play in mark anatolvich’s films, well, apparently, her husband was against it, no, no, apparently it’s simple, well , about the formula of love, who to play there, there’s no one to play there, and there the hero for the theater must be an actress, for cinema maybe, no, necessarily, necessarily, without a woman it’s impossible, it’s very boring without a woman, and no, no, i’m talking about the fact that apparently there was simply no suitable role, but she endlessly played in her father’s plays and theater, the theater is the theater to which father dedicated his life, the repertory theater, which is very important for the culture of our country, then the repertory theater , which my father served faithfully, in general served the theater ... truth all his life, creating such an author's, author's work, how did he manage to smuggle through all these groundbreaking phrases, there were

some digressions, there were retreat, and he also said, it’s very good to write down, they say , they come there about the cinema, i don’t really know , but i told you about the bang-bang , and three girls come to the performance there, they say, these are the remarks, the father took the piece of paper and knows, that he loves it very much, and they write it down for them, he wrote it down, then without changing anything, he said, we changed it here, as you said, they say, well , mark antonovich has become much better, you understand that it has become better, without changing anything at the same time, well, yes, he went for some things, for some things he didn’t, but the question is, how did he chose, and in general would he be able to make this choice, and which performance should be transferred to the screen next, why? it would seem that, in general, many of the things that are heard there

, well, were already being written at that time during the extension, they were written in quite open text frankly, you know, this is the most difficult thing to come up with an idea, so that it arises as an idea, the person who gives birth to the idea, he is paid very much a lot of money, think of something to think about, what to do, and it’s somehow in the air, as my father said, gorin came to our house, he said: mark, let’s do a performance, such an opera, a rock opera about cats, he talks about cats, it was a very long time ago, well , cats, that’s how they are, and what, well, how do they live there on the roof, cats, he says, come on, you’re being stupid, i say, appears, he says, sometimes, in some informative layer you can... snatch something, but for this you need to be a very talented person, as if open, and my father definitely had some kind of ray, but

you know this , the understanding that you came up with something, came up with it, sort of composed it, well , like a direction, and then what it is begins to become overgrown with matter, and the fact that it then turns into a play or a film , a script is born from an idea, it becomes overgrown with some kind of estimate, costumes, music, then further, further, further, then a movie turns out, this is such a path, but the path of the artist , well, also to some extent magic, of course , absolute, absolute magic, then the question is, why after killing the dragon there wasn’t this new screen magic, he wanted to film, he wanted to film, they persuaded him and even hung a sign on mosfilm , there were even some... ideas about modern a girl-boy and even once he said that maybe it’s you, but his friends

are different, director. who say: my film stopped, no , it’s like there’s no subsidization, he says to someone , i couldn’t stand it if the picture stopped, it’s necessary, it should be then, maybe it’s purely cinematography, he had a theater, shoot 20 years, like herman, he would not have made one film, as in the case of i think he couldn’t, it’s still such a feat, it’s a delay, a certain courage and genius of herman, herman is unique, herman filmed. his films as documentaries, this is my friend ivan lapshin, road checks, this is something unthinkable, and how the actors all play, how authentic it is, and mironov, mironov, who i remember, how he sat with rizanov, he said, i would like some kind of role, he says , well, you’re musical, what are you and how he played herman, how authentic it is, how a man shoots himself, he begins to have some kind of spasms, urges, this is herman the great,

absolutely, but then again. they suggested to my father, you know, how to remove the ordinary miracle three, kill the dragon six, this is it, this is his frightened him, and he moved away from it, and then somehow, due to the circumstances, he devoted himself to the theater, he had a wonderful program, cinema serpanin, and he found stolypin’s grave, was engaged in restoration, he restored the iveron gate in the kremlin , the iveron mother of god, the cathedral of christ the savior, he restored the church in putinki, a church that is next to the theater, when passing by, he looked out the window, and there they were holding horses, and it shocked him and he said that this temple should be handed over to the church, that this is not good, and this happened, that is, while he was going through all these nomenclatary circles, this whole spiral, the backyards were organized, also such a phenomenon, free, free, and all his films

are about freedom, about learning to think and be a free person, like as you remember, in the dragon, why do i need freedom, i’m married , that’s exactly why we review these films, i think we will continue to review them for a very, very long time, because they continue to really give us this, not even a sip, i think , quite such a breath freedom, thank you very much, alexandra, thank you very much, i am very... grateful that you invited me, and i am very grateful to you for remembering my father, because how much mark anatolia did in his life, and he taught at the gitez, raised several generations, and what he did , it seems to me, no director has succeeded, thank you for not even remembering, but that he is still present in this life, and his

films continue to live , thank you, thank you, this was a podcast of witnesses from einstein and its leading film historians, natalya ryabchikova and stanislav dedinsky. today we had a special program dedicated to the ninetieth birthday of mark andolovich zakharov , our guest was alexandra zakharova. everything has been taken away, we are running this program simply in extreme conditions, the only thing that can warm us today is female friendship , tell me, you are truly friends, and we are already writing, yes, that is, you have different answer options, yes ? my friends are real, hello everyone, this is tatyana and

the podcast! kamshits are visiting me today two-time world champion, olympic medalist evgenia medvedeva and blogger vasha morusya. they say that in female friendship competition is the same as in sports, do you have that? we simply have no place to compete, we have points of intersection, i mean, like nowhere, today you were going here on our air, you agreed on who would wear what, guess whether we agreed or not, of course not, which one? do you have such double-dressing when you came in the same thing? no, she is everything, she is all the time, that is, you are completely different underdering, i came to celebrate my birthday in these jeans, in a white shirt, and you are like friends, you always have the same things, go shopping together, well, you can count the jewelry that we gave each other, i’m done that, by the way, that is, you bought each other gifts, yes, yes, by the way, we are still

sitting like this, huh. yeah, i give you permission to sit inside yourself like that, and when you open your hands, i’ll understand that someone said something wrong. no, i think we will still be there at this moment. by the way, if you know each other so well, how would you characterize each other’s style, zhenya, what can you say about marusya? well, at the moment it turned out to be a japanese schoolgirl, in general in life? well, in general , listen, well, masha does a lot of things, firstly , with her own hands, the skirt that she’s wearing now, she herself made the pins from the eyes, but how can i say, these are holes, so that the viewers of the first channel will tell you, well, of course, well here, in fact , these rivets themselves are dada, well, the skirt is just holes, just a skirt, and you did it she’s already old, i wanted to give her a second life, the rock turns out, of course, i would

have been more surprised if you had said that you wove the tights yourself, not so i would have been impressed , she sits at the loom at night, she re-tightened everything , but they would have passed out at this point, my finger just got stuck , by the way, zhenya didn’t say , in general, that’s how you characterize the style, in general, yes marusya, let it be creative, like that, it’s creative, it’s nice, it’s incredibly nice, well, after what you said, really creative, marus, and you kind of described zhenya’s style , zhenya, but she is also bright, and quite serious, because i saw, i noticed how you looked at the presentation of your film, at the premiere, excuse me, and you had a rather strict outfit, yes ? strict, but so good, it suited you very well, i’m serious about you , this is it, this is old money me, i saw this photo and i think, god, this is like

a hollywood star, you really like it, tell me , zhenya, how long did it take you to choose the outfit for the premiere, and i didn’t choose, the stylist chose, the stylist consults with you or yes, of course, at my request, yes, i see, what was the request, the request? was strictly, sexy , in shape, i don’t like it when i’m wearing a lot of all sorts of different things, show me, that’s how she doesn’t like it, no, why, well, it’s a little, i mean, one color is here, another the color here, that is, i don’t like pistrotto, but during a performance you would always have quite bright ones, i don’t like it in life, my eyes seem to be a little blurry, and on an everyday basis, in principle, i don’t like something like this... official it’s hard to find something bright for an event, because it’s either art, where there should be many, many different details that create a real picture, or it’s strict and complemented by some accessories,

there’s something that you don’t you know about my wife , for example, well, i think there’s still a lot i don’t know about my wife, because we haven’t known each other for as long as you have, we started communicating well, but we’ve been around for two years, a year of that. where did you meet? where did you meet? under what conditions was this? what the hell are you lazy came, yes, but in my opinion earlier, we crossed paths somewhere in the media sphere, yes, we can already say, another profession has appeared - blogger, blogger, since she is moving in this, and i live there, well, that was actually then it’s an out-of-the-ordinary situation that an athlete, a figure skater... suddenly found herself in the media space, that is, i seem to have jumped out of the framework of something sporty, that is, i am perceived as an athlete, but

who also has some other... then life is different, which has some other sphere, then it was like, wow, why so you could say, by the way , not in any case at all, no, now it’s the other way around, now it’s all encouraged, we have girls there, kamilla valieva, sasha trusova, i just want to say that it seems to me that you brought sports into media, well, maybe somewhere i just showed that this is possible, in fact, it was all based simply on communication, we once shot a video there, once i posted 20 million views there, everyone was like, oh, what kind of girl is this next to marusya, and this is zhenya medvedev, who is she? a figure skater, like, and this is the one in the glacier, well, everything is clear, yes, and so somehow it was just like that, like the web parted, with, listen, well, of course, before, because everyone, of course, looked at the olympic champions and wanted to know about

what was happening behind the scenes, what kind of life, everything that was possible could be read, these were some kind of interviews, or reports, or a film was made about someone, but in such a way... that the person himself let his life in and showed it himself, this is not so social networks appeared a long time ago, yes, it’s true, that is , literally a couple of years, well, hello, a couple of years, well, we haven’t been doing this for about 15 years, no, i i’m talking about the fact that sport is turning into media, yes, yes, yes, in the eighteenth year before the olympics, six months before the olympics, not a single photograph, anywhere, i was not there, i disappeared six months before the olympics, well, as if you weren’t before this it was, why, why didn’t you have time, or is it forbidden, no, so as not to spread thin, so as not to spread thin, because then it was not the norm, to post like a photo for everyone to see so that you... would still be discussed, don't you have enough problems? a lot of time, time, well, yes, so

there was a logic, but now it is monetized , it is work, it has turned into work, since we have a program about fashion, and a podcast, we record about fashion, dressing somehow, self-deception in life was also difficult, that is, i began to learn that it turns out that you don’t have to wear a tracksuit, it turns out that you can wear these high ones, and a skirt like this, and it can also be not only black, but also pink, if you want pink tights, put on pink tights, you’ll wet yourself with glitter, and i like this, here they are, here they all are so colorful, so oh, still noisy , so your style has changed, after you came to social networks, yes, yes, i tried a lot, changed, changed, changed, i realized that bright colors are not really for me, that is i'm more reserved, i'm like a cat, a sexy cat. it’s true, that is, i

found something more subdued in myself and so arrogant, even yes, that is, i’ll put on a strict jacket , you won’t come to me on a crooked goat, that is , this is my style, i found it, i like it comfortable, i feel more confident, how subscribers comment on your looks, oh, they like them, everyone likes mine, are you lucky, are you? well, i always have criticism, i always have, how do you react? no way, i ran after you for 3 days and three nights to tell you how indifferent you are to me, that is , this is how i treat it like, ugh, i don’t like the unsubscribe, and why are you writing to me then, you’re being worked up like that tolerance, yes to this criticism, that is, at some point you don’t care, angry criticism, angry. this is the most vivid emotion which can be evoked in a person, because

anger is remembered, delayed here , kindness, well, it was cool, good, they forgot, but please tell me, during the speech, why, maybe i’m wrong, maybe i got a false impression , but it seems to me that russian figure skaters always have very bright outfits, it’s always a lot of passion, for the performance it’s laconic, because both the body and movement are very beautifully visible, well, usually our world-class boys dress laconicly, yes, that is, they guys who skate really cool, they sometimes even put on a white shirt on purpose and are like , i skate so well, look at how i skate, and not at my suit, this is not welcomed among girls,

unless, for example, there is some very complex script of the program, which needs to be monitored very closely and not be distracted by anything, for example, we have dancers who graduated after the olympic games , and cizeron, this is a dance couple who entered the olympics simply dressed in burgundy what he, what she, it’s very beautiful, but they skated in silence , there was practically silence, in silence, and that is , you had to watch the program with bated breath and without being distracted by anything at all, when it’s so, very cool, when the costume is not completed for some reason... then fiery music, but it’s strange here, not to greet, well, you just told me, it sounded gentle, what’s your favorite costume? i again agree

with my wife’s words, it’s just that when i watched how she skated, the skating was different, i paid attention to how she did it on the program itself, i didn’t always pay attention to the costumes, but i remember one thing when you showed me a book by a wonderful woman who made costumes; this book contains just that. her costume , it’s incredible, it’s very beautiful for the memoir program, and this is japanese, a japanese girl made it, she sewed it, costume designer satomi ito, a very young girl, and she does it for many, i know figure skater, yes, she not for many skaters, but the entire japanese team is sewn by her, she has some incredible masterpieces, that is, she very thin fingers, she has small hands

, she takes 2-3 months to complete each suit , that is, each small petal, she glues a bead on it, puts on a thread and this is only one petal of one flower, and there are also stamens, more fabric flowers , which are behind, it’s all painted, decorated with aerosols , it’s just a work of art, so you had a very beautiful costume, and apparently it’s really worth spending so much time on, if morusya and i remembered, i also understood what we were talking about , and what is your favorite costume of all, yes, too, yes, yes, but in fact, i recently discovered this. closet, i started going through the dresses in which i performed, and i looked, i think , most of the dresses are just incredibly beautiful, yes, that is, somehow in the moment you put it on, you go out, you don’t think about it, and then through years, you get it, you understand that this is just what luxury i have here, yes, in general, yes, it’s not

a bastard, sports, blogging, cinema and of course fashion, we’re discussing all this today with evgenia medvedev. and your marusya, who designers, if we hypothetically imagine that you now needed to order a suit for a performance, which designers would you order from today? we have special costume designers for figure skating, but they have already made costumes for you, here’s someone new, well, who’s new, we have all proven people, i ’ve been sewing for years, only one is a well-known designer of a scooter? you know, other skaters had experiments with what to take, for example, to sew a dress, there, in my opinion, akhmadulina sewed for lenka radionova, someone did it at yudashkin’s, it turns out beautifully, but

not functionally, that is, they are uncomfortable to ride with, i really liked vera voong’s costumes, yeah, and, by the way, some of them were too bright. she made olympic suits for olympic champion nathan chen, but it was just a green turtleneck, she also made a very beautiful dress, blue velvet for the american figure skater michelle quan, well, they do it on demand, it’s important to me that the suit is sophisticated , a lot of stones, but at the same time very easy, because i need to jump. that is, i have a maximum of two layers of mesh, so that nothing shows through anywhere, that is , in two layers of mesh, a beige and colored mesh is placed on top to cover it, here are the stones, the pattern, that’s all, that is, the suit weighs a maximum of 300 grams - 350, god forbid the skirt

is a little heavier, it immediately starts chattering in the air like this, there were stories when the costumes became really... unhappy, they ruined the whole performance of the french figure skater, gabriela papadakis, yes, i remember that the surname is unlucky, she has her dress started to fall off during the performance, her dress came unhooked , and it turned out very strange, in short, she had a clasp on her neck, yeah, there was one, and we always make hooks, that is, it turns out to be a hook loop, and the bottom one is in the other direction, then there is so that in no direction at all, she had these six hooks, that is, back and forth, there, here, there, here, they somehow came undone at the olympics, she was very worried, but this is just the same the same guys who went to the next olympics in 4 years completely in burgundy, skated the program and won the olympic games, they realized that a laconic

suit with nothing...