but it’s hard, very hard, and my wife went around selling dishes, this is a huge suitcase, a saucepan, pans of incredible weight, she was a sales representative, she was with this suitcase, she went out and presented these dishes, and this was our only income, and i i was in absolutely no position, neither acting, nor directing, nor screenwriting, there was no work at all, then it was very great that valera was accepted... my

great friend, he invited me to go to kinotavr, i told him, valera, well, why bother, we don’t have a picture, i don’t pictures, and he’s already a star, the boys have already arrived , he was super popular, and just for this popularity at the kinotavr, the donetsk miners gave him a bunch of roach or tripe, you know, when you look at the sun, it’s transparent, and we said 5 hours after lunch, after sleeping in a beer bar on the embankment , it means the pearl is there, i came, it’s not there, i ’m going, looking for it, ksenia marinina, the famous ksenia marinina, who came up with the film panorama, uh-huh, she says, volodya, come here, you’ll just tell us needed, god sent you, sit down, i say, and here is ira borisova, producer, she will make an amazing children's project, we need a person who knows children's poetry, knows documentary films, knows children's cinema, knows children's poets, composers and so on.

“you definitely know such a person, i held my breath, i knew such a person because i was there, but i didn’t say, i told her borisova, i will come to moscow and in 3 days i will call you, and we will decide everything, flew to moscow, wanted to call, of course, but beat myself on the wrist, stood it for 3 days, dialed it said, hello, i can bring you this man, i arrived, she says: “man , i say, it’s me, she says, my god, what happiness, so i started amazingly interesting work on the streets of sazam, it was together that we came up with the cube, busia, ziliboba, we thought, how to build a studio, and this is a brilliant idea , you know, its author noticed that children pay attention to advertising slogans, uh-huh, they remember them very well, and he came up with this system of short repetition systems in uh-huh, when he shows, this is a letter

oh, and after three passes he shows the letter oh, it also reminds me, but not right away, but after 9 programs it shows the letter a and is silent, and the children themselves scream at the tv, but we understand, yeah, then 42 participating countries, each country films its own programs in a common pot, that is, it’s like franchises, yes absolutely, and some inspiration came from the mapit show, well , it was a fantasy from... puppeteers came who taught our puppeteers, yeah, these were lessons that brought tears to tears, the fact is that our puppeteers are a little formal, they they slap their lips, they call it, and the british demand precise closure, slip, these are all vowels, you need to practice, va, that is, these trainings were 8 hours a day, you see, but there is an effect, it’s all done organically at once. when a doll

just waves everything like that, yeah, that’s how it worked, and ziliba, ziliboba is a huge doll inside a man, he had a television screen, he saw himself from the outside, you know, technology, of course, he had his right hand jaws in sync, he was the one who spoke, zelebov turned his head, the left one was working, he could take something, move something, and the right hand was on a string, it was so formal, as it were... and it needed training, training, training, but we worked with such inspiration, it was so cool, everyone was so, you know, passionate about this work, how long it lasted , well, we did the first season for a year and a half, about the second season, then i became the director of the gorky studio, and we made a special pavilion for the gorky studio to write synchronously, yeah, we made a special covering, a rest room for the actors, the second season. filmed studios

gorky, class, what were the responsibilities of the director of the gorky studio, did you select any projects or not, the creative part, but the fact is that no, i was two-faced. because i remained the artistic director of the project, first of all, i needed to gather the whole team of poets, composers , documentarians, there was lebedev, the famous director, and if he started on the street sazam, he made documentaries, nikolai lebedev, yes, so i was two-faced, as a studio director, i had to provide a pavilion, a normal room, edits and everything, but how artistic director, i led the project as before for the second season, just like you did the first... plus you also have to be a business executive, probably a good one, in order to manage the studio, well , i started as a business executive for the renovation of toilets and corridors, of course, because it was in such disrepair everything, i remember, yes, i remember , they were filming blackberry to the stars, well, richard viktorov, i was involved in the filming

, i also talked to igor mazheiko, yes, me too, who is the author of the script, absolutely wonderful, kir bulychev, yes, he is kiluchov, but in reality he is igor mozheiko. have you ever wanted to make science fiction? i worked with the strugatsky brothers , we wrote the script for a beetle in an anthill, and i really wanted to shoot this picture, so pavlyonok called me, our leader was for the minister, yeah, so he calls me, i went into his office, he’s holding this script, i say to grammarians, you want to film this, you won’t film this, so i say, why? that you can’t take this off and you shouldn’t take it off at all, do you understand me? i say that i think something is needed come up with a quick idea, but lyosha rybnikov and i wanted a star and the death of huaakt, they didn’t give it to us, because the painting was expensive, yeah, unfortunately it turned out to be a bargain, i

said, but if i don’t photograph the beetle anthills, then give me what i want filmed a long time ago, star death juaken murrieta, that's how i got it. how did you come up with the idea of ​​making a rock opera? you are probably like me, i listened to the record until it was full of holes, yes, i didn’t want to film the play, although very much, it was super popular, just in lenkom, that’s it, but i didn’t want to, i wanted the theme of violence generates violence, yeah, it was very relevant in 1987, 1965, of course, and lyosha wanted to rewrite the entire score, he wanted... to rewrite the vocals, and we started rerecording, and the first part of the chilean part, we rerecorded, yeah, yeah all the vocals of huaaquin and teresa, uh-huh, we couldn’t find the performers, and we left those that were on the record, and i had to

change the idea a little, because we couldn’t record new parts with lesha, you know, uh-huh, that’s it, but however, i seem to have slightly changed the plot structure stories. yeah, well, you rewrote this like the silver bastards from the city of struyattsi waterfall, wow, the entire chilean part, the entire entire exposition before the arrival of the barsha, when they sailed away, this entire part was rewritten, so i am your freedom, i your best friend, this is left from the record, well , i filmed the monologue three times, don’t be born, my son, don’t be born, yeah, raped teresa, her monologue, i filmed at the beginning of the picture, in the middle of the picture in the finale. because the set of the hut was in a small pavilion in yalta, yeah, in the old studio behind arianda, and it wasn’t they sorted it out, and that was my happiness, i said, don’t touch her, i want to film this monologue, it’s very important, three times, and which one turned out better, the first one, oddly enough, and you

know, charlie chapin filmed the shot when he finds out hands, city lights, blind girl recognizes hands, 40 takes, took the first one. this is a fact, i’m the only one here who worries that our house is in disrepair, they still see that in america the roof is leaking, well, something needs to be done, oh, you decided to talk like that, yes , you know, there are many more complaints against you, yes, that's who wrote in the entrance, poland is a prostitute, oh, before this inscription already, kvn, major league, second semi-final, tomorrow after the program time, what is this? such sharp chicken wings, there are nautilus wings, no , they are quickly taken apart, i understand, hold it, like this, king, what, where, when on

the final of the year, on sunday on the first, new year's... the tree is like from the cover, we decorate the tree according to science, the holiday will be hot, as they celebrate the new year in africa, we can relieve shoulder pain in 5 minutes. the program to live healthy helps everyone. on monday, on the first. this podcast 20 years later, our guest is director vladimir gramatikov. tell me, when did you want to become a director? i know that your father is a different future for you. well, it happened, you know, bacillus, creativity, an insidious thing. she crawls everything. it all started with me. first i entered a technical university, yeah , and then andron kochilovsky shot a boy

pigeon, his graduation film, yeah, misha korzhavin was a cameraman, he didn’t have two fingers, and andron asked nikita and me, oh my god, to tie the cesars, they caught about 200 of them caesars, and it was necessary to wrap the wings with thread so that they would not fly away, pigeons, pigeons, yes, because on vasilyevsky spusk they poured water on the cobblestones and released them. and there were pigeons there, they weren’t supposed to fly away, they were supposed to walk, uh-huh, so somewhere around the high-rise in the dovecote with nikita we knitted these pigeons at night, this is the beginning, then when the shooting took place, it was at 5:00 in the morning at st. basil's , there was a truck crane in those years, it was a small boom, but the truck crane, there was such an arrow on the car, the operator climbed up. assistant and camera, yeah, i could move, everything, but this, and they put

me on this truck crane, because misha needed to shift the focus from one risk to another, like this, with such a slight movement, this is work as an assistant cameraman, assistant cameraman, and i sat, i was wet from the excitement of sweat, because for me it was, you know , on a universal scale, that would be... the bacillus grew, uh-huh, then, then, it means one thing, another, in general, i realized that i was so interested in this, that i can no longer live without it, so i entered the acting class, first at gitis, then me andron konchalovsky and torakovsky brought pantomimes to the theater, kosentsev and rom graduated from two acting courses, they connected, and after marcel marceau’s tour, moscow was in shock. a silent, wordless drama , it turns out that it was possible to convey feelings

without words, so they created this theater, the experimental theater of pantami, with the artistic director, you know who it was, ivan pyryev, but he was the general curator, because this theater was part of the propaganda bureau of soviet cinema, and leaders of the art theater bylev, student of tairov and... oh, wow, i was the third to join the army , served for 3 years in the army, in the navy, or what, no,

this is the last year, when i served for 3 years, i served in top-secret units, accompanying top-secret cargo, this is soryshagan, kapustinyar, new land, how you met your wife, i know that you have been together for a very, very long time, well, we met on nikolina gora, i came to nikita mikhalkov’s dacha, on nikolina gora, and the zhukov family. dad is a famous artist, nikolai nikolaevich zhukov, they lived not far from each other, we had such a company, in general childhood and youth, in general, elite , well, we didn’t know then, what an elite we were then, god, mikhalkova, yes, well, yes, nikita was brought his first jeans there at the age of 18, no, no, no, we weren’t particularly spoiled, you see, my first jacket was not in general my clothes i had mine in... my second year at the institute, and so i wore everything after my older brothers, and also nikita, there were no natal petrovna,

his mother very strictly followed how no special preferences, they honestly said, no, there weren’t, and you spoil your children and grandchildren, i have two sons, six grandchildren, great-grandson and great-granddaughter, finally a girl, great-grandfather, well, you look super super young, twice-great-grandfather. i have matvey, who is already 6 years old, finally got a girl, sofia, a miracle, what do children do, what do grandchildren do? yegor finished.

which is big, very cool, you always do a little acting in parallel with your directing activities, and it seems to me that you really like it, such small roles always, so as not to forget this is the autumn marathon, and of course, the belarusian train station, that’s strange , these two episodes, they are absolutely tiny, yeah, in the autumn marathon i played an abandoned woman, an abandoned man. when i was at a meeting with the audience, when i called the autumn marathon, there were always men, applause, because the sadness of abandoned men, i played there, oh, zhenya, my favorite coat, zhenya, why don’t you say hello, but i didn’t see you, saw, saw, you looked into my eyes, andryush, meet me,

this is birdie, pitashok, very nice, buzakin, and this is andrei pavlych, have you read his poems?

in those same years, 20 years ago, i dreamed, after lesha rybnikov, we wanted to make a musical of sidor, sidor duncan and sergei yesenin , we wanted to make a picture about the collapse of illusions, when two people did not want to understand that everything had changed, that all their hopes for the freedoms they were counting on had melted and that they inevitably had to die, even like this , we asked to write, misha roshchin led... seminars at the literary institute, and he advised us of young authors, provincial ones, and we really liked one story of a young author, and we gave him the task of writing a libreto, of course, it was ours a mistake, he simply couldn’t cope with the scale, with, yeah, the temperature regime of this story , unfortunately, we didn’t film it, maybe

we should return to this project, somehow, well, it’s unlikely, i’m in the launch stage now, but what can't talk much? rescuing children in a freight car with a cow, four children from moscow and from sverdlovsk to their father, who was put in order to be closer. the script was written by andron kochelovsky, who knew my mother well, because we lived in the same medical cage, and he ran to my mother for pies three times. this recently wrote or a year ago , wow, this is very interesting, yes, sasha ursulyak will play my mother, yeah, for a very long time, about 500 people i looked through the children to raise a family, yeah, this is my older brother, lucia, vovka , i found myself, i found myself

at six years old, this, this is a teaser, what do you dream of for yourself in 20 years? in 20 years, well, it’s unlikely that i’ll live, of course, but if i did, i think there’s every chance, because you’re great, nobody cares, well, everything happens in the next hour, you’ll believe that this man is 80 years, i don’t, i don’t believe it, well , i would probably always wonder what would happen to my heirs, because i was not a very good father. work a lot , earn money, and of course, natasha ran the house, she led my children, but i ’m an amazing grandfather , my friends and my... grandchildren can say this, i follow shkermana’s life, everyone’s life, the right moment, taking part in

everyone’s life in the right percentage, so of course, i would like to attend sofia’s wedding, uh, great-granddaughter’s, oh, everything will come true, yes, yes, we have such a cube magical, fulfills everything, good, yes, thank you very much for the wonderful conversation, i would be very glad.

name?

well, i said it’s fine, it’ll be fine, it’s fine, he wants something else, yes, he’s not very

happy, yes, where did he go, we have to go, ba, the parking is paid, i’ll call you later, come on. how are you, uncle vasya, so first of all, if you came to work for me, i’m not uncle vasya, but vasily ivanovich, you have a security guard’s id with you, yeah. what kind of object is it? normal object, beautiful, air, silence and dead skusimi.

but you said that there is work in moscow? well, you know, moscow is an elastic concept; magadan itself will soon stretch it out for you. it’s normal here, there are birds, all sorts of owls, pay attention here number one, the lads lie here, they feed us,

bronze. now there is no solid gold , in short, be sure to lock the gates, make sure, day and night, that corpses are not buried in other people’s graves, from marble to nails, everything is at our prices, ancient monuments, or maybe a guide, oh, oh, the main thing is not to leave the path after sunset, why are the dead people at...

dub, listen, yes, i’m already working, the salary is 22,000, i can’t say, he forbade it. but i’ll make roofs for you, you owe alexander adolfovich, tell me, i’ll earn money , i’ll send it, stop it, what women, babol, wait, i’ll call you back, woman, excuse me, are

you our new watchman? i’m a security guard, and you’re taking a shortcut through the cemetery, on the contrary, i ’m going home, well, i would happily live in another place, and as you go now, you’ll have to go around, sorry, if anything happens, danya, wait, i’ll do it anyway round, so we can have fun together, thank you, but what is the difference between a watchman and a security guard? the guard is sleeping, and the guard? watch out that

the verbs seem similar, but the actions are different, then you are our first guard. it’s nice, the previous ones were all watchmen, let’s go, you yourself are not afraid here, who to be afraid of, ghosts, ghosts, well , yes, ghosts don’t need non-ferrous metals, that’s another matter for people, that means you protect the dead from the living, it turns out that’s so, and if will be stolen, will you notice? photographic memory,

thank you, yes, i took you further, but i can’t, service, are you coming again? i 'll make pasties here, tomorrow, i'll come, okay, i 'll wait here, cartridge for anti-tank guns of 14.5 mm caliber, based on a twenty-millimeter b20 cannon, in the original version a fifty-kilogram element,

no, no, no. what? what to do with you, you’re not going to let me fly, don’t eat, let’s eat,

the vladimirov caliber machine gun uses cartridges with an armor-piercing incendiary, armor-piercing incendiary bullet of instant action, a powerful cartridge with a mass bullet.

he’s here for your security platoon, vasily ivanovich, and what happened to the last guard was shocking. he ran away, didn’t even come back for his clothes, it’s been 3 days without anything there were guards, relatives managed to erect monuments at two graves, they kept working hard.

climbed over the fence, and what is this? here, you’re always frozen when you’re born, relatives come to see them, i don’t understand, well , they leave the hatch, and i remember the souls with respect, they come to this almost every day, so what? what to do, i live nearby

, look for another cemetery, half an hour so that i can check in on the way back, boss, every second for your health, young man, watchman, my grishka, where, what kind of grishka, my husband, will get glasses here? "i saw him through the fence, husband, yes, well, come here, let me in, now i ’ll call him, it’s better if i do it myself, i’ll quickly open it, but he’ll get drunk, it’s a shame in front of people, god forbid. health

to you, knock-knock, i came to check in, i saw my wife, of course , i come here every day, i visit you , you don’t have enough time at home, you’re angry, she died 3 years ago, she’s lying here, and this is who it was, who, i mean ? “she left without flowers, threw it over the fence, the jackdaw’s niece picked it up, i sympathize with you, commander, where is she selling, kuku, where is the bouquet?” what cost you tens of dollars, you

what, where are the bouquets from the cemetery? and i brought your flowers here, did you know my brother or something? but no, i’m not, i ’m keeping order here, and you cut through the fence, or something, through the fence, close the gate behind you, take these away, they brought them in.

eh, you freak, you raised a club against my mother, i ’ll tear your head off for your mother, you know what i ’ll do to you for your mother, you’ll tear your head off, well, yes, very smart, you’re finished, do you understand? and alyosha , come here, it’s okay that she steals flowers from graves, and who feels bad about it, this is my area, i’m the boss here, i understand, yours, i understand, i’m yours, chill out, listen, dear

, you are stealing flowers from your brother’s grave, it means quiet, quiet, quiet, this is not respect for the dead, you understand, this is how you treat the dead, excuse me, i didn’t know that these were your brother’s graves, here you, i ’ll check the profam about me.

mentally, well done, keep working, yeah, no, thank you, i don’t need it, look after your brother’s grave, yeah, and give the weapon to the guy, let’s go.

so, someone is wandering around here at night, you’re not scared, that’s the job, and you know who it is, so i’ll catch you, we’ll get to know each other, well, why? you... catch, but why does he need to run here? well, it’s night, there’s a cemetery, and you’re alone, that’s all, it’s scary , oh well.

well, ir, the two of us passed the cemetery, now i, as an honest person, must go with you on your own, okay, let’s go on you, can i accompany you, it’s night, after all, no, if you don’t leave your post. i'll be waiting for you.

what are you doing here, i’m calling the queen of spades. i see, why are you crying? not called, who taught you this? brother, he’s already called five times, your brother is a moron, i know they climbed over the fence at the cemetery? yes, through the hole. let's, go, go, i said, go, now i’ll throw a cone,

shout, if anything happens, follow me.

next time i’ll bury you, you’ll choose the grave yourself, uh, don’t look there. the cemetery is closed, take away the dogs, are you greeting something unkindly?