on december 31, on the night of january 1, you have the opportunity to watch a concert, laugh, relax, see your favorite heroes, not only, of course, actors, singers, dancers, but also some major iconic figures of the soviet country, for example, cosmonauts, yes , new year's light is a time, this place, when some unexpected... characters are encountered, this is the moment when everything can turn upside down, when there is time for a parody, for example, yes, filmmakers are also starting to get involved in this this creation of some special films and concerts, this is probably what you can say, i think, especially about a wonderful director, maybe even a genius.

say it so loudly so that everyone can hear , so we do, and what he says, and the merman, replaced, is zinovigert in the role of baba ega, yes, you’ll find out, it’s quite difficult and in general, of course, it’s more like a thriller in colors, in to a horror film, they even said, well , a merman, a lesh and other evil spirits from russian folk tales gather there, they meet a certain distinguished guest who turns out to be from overseas a little gnome, after which there is a fragment from snow white and the seven dwarfs, and there is a song about bambi, for example, which irmasakhadze sings, in general, such a very strange set of everything, everything, everything, in general, that is shown on new year’s eve, these are the films which it seems to us are repeated all the time.

that yes, that’s the point, that in fact on soviet television there was no tradition of repeating the same films on new year’s eve, why, if new ones are being made all the time, if at some point - a tradition is developing to film on soviet television some kind an interesting film - commissioned by central television, as they say, show it, yes, yes, show it - actually on december 31st, then repeat it on january 1st to attract everyone to the screen. every year there is some new interesting dish that is served to the table, and of course we know that dish that today can be called a favorite fish, although it is a wonderful film, it is an irony of fate with light steam, but still it was not shown every year on television because there were so many other options, ironic destiny came out for the first time on movie screens on january 1, 2010, or rather on television, and i really love the moment in this film when, in fact , it’s already... it’s the new year, maybe there’s already

an hour, half an hour left, they’re pouring champagne, drinking champagne, on tv , in fact, they show a movie, and this movie, if you know soviet cinema and television, you recognize it very easily, this is a straw hat, where lyudmila gurchenko plays, where andrei mironov plays, all our favorite actors, some of nikhanova , but in our...

it suits you very well, i'm very glad that you like it, i really like it.

basic set of digital tv and not 50, if not 60, they could somehow be expanded, there are generally few film programs here, at night television, as a rule, does not broadcast, new year's eve, i always remember once as a child, yes, in new year's eve, you can sit longer in front of the tv, because they show something else at night, but in general

, usually our broadcasting was cut off at night, it was spent on maintenance, it was resumed there again at 6 or 8 in the morning with new programs, but this is the tradition. then on new year's eve, lookemevich has a profession, gentlemen of good luck, an operation and a new adventure of shurik , well, all the films of gaidai, danelia, rezanov, this is still a post-soviet tradition, which took shape, in general, before our eyes in the early 2000s, in fact the seventies already, well, at least in animation, but here we also see that there is some kind of irony over this whole new year celebration, there is a game with an emerging genre. he is saved by children, yes, this is not a powerful character, really a hero who, the possibilities of which are limited

by a symbolic figure, but by no means an evil spirit, which will later become the later post-modernist interpretation, but we still love him, in the animated series in the seventy-fourth year the wolf and the hare already appear in the role of the snow maiden and santa claus, here this is the snow maiden, tell me where the snow maiden was, what they shouted for years at children's matinees in the soviet union, it seems to me that it was from there who decided that they needed to call, or they themselves were already relying on some children's matinees, well, this game with what the christmas tree will not light up until we all shout here and no matter how... it comes, there will be no new year. this is a podcast of zenshtein's witnesses, in which today we are discussing the topic of new year's cinema, how it was filmed,

created, how this tradition arose, why is it still alive? it seems to me that we are talking about repeating films on television, but we forget that... radio stations will undergo some kind of rotation and viewers will, or rather listeners will listen to them many times, in general they will become disconnected a little from their source, from those films in which they existed, and thus

at some point on channel one we will have a new tradition, old songs, about the main thing, these are the same old songs from old films in which their singers they sing about some basic feelings about... in some conventional film-review of a musical work, these are the same old songs about the main thing, that was the name of this show, which first appeared on domestic television in the early nineties, in ninety-five, but this - that's a parody and musical reviews, it seems to me, were noticeable in the eighties in films, in cartoons, because in the eighties two such, it seems to me, big new year's hits came out, on the one hand, the film sorcerers. there the action takes place on new year's eve in a certain place, well, well, this is a free

adaptation of the strugad films, this is preparation for the new year, this is fantasy, straight up fantasy, but such soviet fantasy , yes, about life about us, talking cats or non-talking magic wands, semyon forada , who wanders around the building arrows getting him nowhere they don’t lead, he says, well, who builds like that, it ’s a very... there’s a living nerve in this film, and at the same time it’s absolute fantasy, on the other hand, this is a cartoon last year’s snow fell, without which it’s very difficult, for example, for me imagine the new year, in the nineties they showed it, it seems to me, more often than now, but i always look forward to it, this basic set of rituals, yes, we watch, and on tv, videos from the clock with the tower’s spaska when they are waiting the very minute they strike 12 o'clock. and we are looking at the appeal on the leader’s tv, by

the way, this tradition appeared during brezhnev’s time, yes, yes , yes, the nineties are the era of the all-russian art council, video cassettes, and many films that we could watch, we now watch on tv, on the internet, yes, they spread through video cassettes, so , by the way, foreign cinema comes to us, to many of us, and many of the films that we like to watch today on new year’s eve, and that they like to watch abroad, casso blanca, yeah. not immediately, but also thanks to re -showing on television, like casablanca with humphrey bogut and ingor berban become

part of a ritual, or a new one, more precisely, like a christmas ritual, like for example there is a typical color set, the green and red of a new year's film, yes, which is also gradually taking shape in foreign cinema, primarily in american, of a christmas film, yes, where there are heroes who are dressed in a green sweater, a red sweater, that is, in general, they often laugh at this. on the internet and building such a composition from these posters, we immediately see if the hero is dressed in green or red, and his companions too, it's definitely a movie about christmas, home alone, it seems to me, one of those classic films, already harry potter, home alone, here's a tough nut to crack, also a new year's movie, oddly enough, an action movie with bruce willis, which we watched in the nineties, with great pleasure, like the terminator, and this is really a film that also takes place on new year’s eve, or rather on christmas, about...

halloween at some point they become heroes of christmas, everything changes, turns on its head, in general it’s a little before, long before it became popular, felt in... one of the authors of the script, who is alexey german, a classic of soviet cinema, he had the original idea, let's film tolstoy, and his story is the family of porodolak, alexey tolstoy, the result, of course, is strange, this is of course artaus , and santa claus, in my opinion, is not there, but the name itself reminds me of it. some good joyful film, but also a horror film, then

later in the following years we see how santa claus really becomes an ominous spirit very often, which, as in the soviet a movie where he is neither good nor evil, where he simply exists, punishes children for bad deeds, does not give them gifts, on the contrary, he drags them away, i don’t know where, he drags them into the forest. who need to organize a hunt, in general there are quite a lot of such examples, this is, of course, a game with an image that is absolutely postmodern, but of course, we saw all this already in soviet cinema, these hollywood films showed us, among other things, that there is a certain set of plot elements, images and, of course , paraphernalia that will attract viewers to

cinemas in the new year, but we have this happens already towards the middle. on january 1, the race basically begins, but for who will attract viewers to cinemas on january 1, it gradually seems that even new year’s plots have already been exhausted, well, how long can you go for a christmas tree and mayonnaise, these lines are probably already a little tired and the audience, the creators, my friends and i go to

the bathhouse every year, but the rituals remain, which are fixed in the mind. how many people go to the bathhouse on new year's eve? what is a bathhouse anyway? everyone has a bathhouse now, well, many people may have a bathhouse at home today, but nevertheless actually, what is this scene in the film about, the irony of fate, about the fact that despite the fact that every soviet person has a comfortable apartment with his own bathroom, where you can take it even in clothes, as the example of polito shows us, you still need to go to keep tradition, to remind yourself and your friends that some things are unshakable, yes, like tangerines, olivier, even if you don’t eat them, even if the fish you love is disgusting, it’s still a kind of tradition when you hope that next year that's it it will be new, and maybe something will change in your life, or it won’t change, but only next year will show that, so thank you very much to the cinema for reminding us of this, and this was witnessstein’s podcast, where we,

film historians, we talk about who created the classic and how. cult, forgotten, little-known and completely unknown soviet films, all episodes of our podcast can be watched on the website of the first channel 1tv.ru, love without starcryl. century disappeared like melted snow, fell silent like a matchmaker, which is not will be returned, will not be returned. or maybe

we shouldn’t rush the night to repeat everything all over again, we should repeat everything all over again, oh, how can i not, or maybe start everything again, i don’t want to lose you, i can’t lose you, oh, how can i be. until once a lonely lych, a wedge, an indifferent cloud , thorn, there was a short path, love, not a simple

essence, a simple essence, but maybe it’s not night to bury it all over again, we should repeat it all over again, oh what should i do, or maybe start all over again, i don't want to nod at you, i can't. you have to lose, oh, how can i be. maybe it all starts again, i don’t want you

lose, i can't lose you, oh, how can i be.

good evening, dear tv viewers, the song was played, how to be, 1989, my guest is the people's artist of russia, alexander serov, sasha, hello, dear, valera, greetings, greetings, well, me. it’s interesting to talk first about the period when you didn’t know what you wanted to become , what to do, that is, about your childhood, since our podcast is the melodies of my life, in this case the melody of alexander serov, i’m very interested in what happened when you were still i didn’t know that you would be a big vocalist, so what? first of all, where i was born, i was born in a village, in the village of kovalevka , nikolaev region, and it is natural that her... majesty nature plunged me into that state, which, probably, i then enriched my soul and my own, so to speak, associations were able to be reproduced in

the future. we lived near the river, southern buk, my grandfather and i went fishing, went hunting, then school, our school was far away, we had to go up a big mountain, 4 km on foot every day. except saturday-sunday, sash, we can say that in fact, the melody of childhood is the melody of nature, exactly, her majesty, nature did its job in this village, because there was livadia, levadia, as we called it, it is such an amazing place where pears, cherries, grapes, apples, cherries grew, raspberries, strawberries, in general, everything there was guarded, but the thing is that... if you get there, and my grandfather took me there, but he had a friend there, this watchman, and it was, these are the smells, you don’t can you imagine, these are all associations, there, nearby, not only

is there a river, these plowmen, pioneers, yes, and naturally, of course, i absorbed, absorbed and once again absorbed everything that i plunged into, pay attention, you have such a male knot, it’s so specific, well, in a word , i went through high school itself, because i studied poorly, somewhere in the c grade, everything somehow went the other way, maybe her majesty, nature was dragging me, she is closer to music, to something high, there was a brass band in our village , and sidor sidorovich was like: conductor, that means he assembled a school orchestra, and we played there, it means that on may 1st we brought in the whole column, and you sang or - i played the viola, the wind viola

here, and i want to tell you that i took this pipe from the reeds, cut it out , whatever they call it, so that it would buzz, there are all kinds, and i could copy any part from the brass band, what baritone plays, what plays... good taste, he just took a normal melody, put it on and well, why didn’t he take it, i love you to tears, it’s cooler to grow up, to her we will definitely

return to this melody, friends, everyone... look for it on the website of the first channel 1tv.ru, enjoy watching! i want to remind you that my guest is the people's artist of russia, alexander serov, you are watching the melody of my life podcast, and we are moving towards the word love, sasha is growing up, a love for music appears, and this is, first of all, me... try not touch on the women in your life, because as an intelligent person , you’ll tell us about it in another program, we’ll talk about music, thank you, how it appeared, the love of music, how you sang the very first thing, if you remember at all, in the ninth grade, in my opinion , yes, in the ninth, i sang a song, i don’t remember the authors, well, there was a token there what, it was some evening, the black sea sun was burning in the fog of the fall, and those dadadada.

your father walked through this street in battle , your brother threw himself under the tanks, only then does the city become a hero, when the soldiers become a hero, it’s beautiful, yes, that’s it, yes , you can imagine it, it was more than half a century ago, and this song, so to say, she gave , well, if not a push , but some kind of tests, so to speak, but i was still very young, i was not enough, i was still about 13 years old there. then, when i moved to nikolaev, to my mother moved, then i lived with my grandmother in the village, i want to say, but then he moved to his mother, which means that already there my mother, at the age of 16, took me by the hand and took me to all sorts of schools, vocational schools, shipbuilding, construction not related to music, just a profession for sasha, we didn’t think, but at that moment you are already somewhere did i sing in some kind of amateur performance or

not yet, no, i still... couldn’t even figure out what i should focus my attention on, but nevertheless , we accidentally walked into a music school, and the admissions committee was just there, can you imagine, it’s a coincidence, it’s just that his majesty decided the case, they’re checking the guys there, one comes out the second, i’m standing in line, and there was pyotr moiseevich, god grant him the kingdom of heaven, an amazing man, and why are you standing here, boy, what do you want? i... i don’t know, my mother says: we wanted to audition, and you were finishing something? no, nothing, well, so why did they come , the school is right there, you need to be prepared, well, we say, well, then we went, he says: okay, wait a minute, i waited, that means someone came out there, he says : well, let ’s listen to the guy, at least what kind of hearing he has, he comes up, that means he’s knocking on the piano, then pam-pam, pam-pam, pam-pub, i have

to repeat, i repeated, he knocks again, i repeated again, then she presses the piano, turn away, says, some note, boom, find it, i turn around, just bang , salt, he says, let's do it again, he presses again , i turn around, i press, note d, i hit it, he pressed it once, in my opinion, or fadiye with... you know, maybe we'll take it as an experiment, you see, and i them found it, he says, if he doesn’t prove himself, we’ll expel him , that’s what he said to his mother, and that’s it , that’s it, that’s it, and in... a week

we had already taken shape, however, then we went to harvest potatoes, a holy cause, and a month later they came, which means they gave me a viola, i said that i played the viola, and pyotr moiseevich sees that i, so to speak, am climbing forward, climbing , he says, wait, let’s transfer you to the clarinet, this is a completely different matter, the clarinet, yes, i say, it’s the same there, so he started teaching me, i picked it up there, started something back and forth, and literally want. to say, after a month i already knew all the fingerings, to break all the templetism to the end there, and so we played the saxophone approached, absolutely right, look, since the potatoes were in the fall, by winter you have become in good shape, it would be absolutely appropriate to perform the song winter love, alexander serov, today on our podcast.

it's too cold outside, love came to us in december, love has a short life in winter , fall quietly. not on the ground in a dream, chickens are raised, short centuries, snow falls on the ground, snow

on the streets, snow in the forests. in your eyes, in the words of love in winter, a short century, snow quietly falls to the ground, in love in winter, a short century. snow falls on the ground, winter winds, cold, i will wait a long time for spring, for love

in winter. for a short time , snow has been quietly falling on the ground, in love in winter. for a short time , snow falls on the ground, snow falls in winter, for a short time,

snow falls on the ground, snow falls on the ground. light came to earth, then everything was linear, there were some disappointments, there were some successes, then i mastered the saxophone, and at the same time mastered the piano. i already knew the enharmonicity of intervals, i could already play in any key, i sat in the orchestra with a tenor, we played things, so to speak, the saxophone already, yes, we played things from the sixties of glen miller, how did you become

a vocalist from an instrumentalist, that means i got carried away, why i got carried away with the piano, because i was picking up something on the saxophone, asked a guy i knew there to play the piano, and i played that on... here there were such moments there, we did something else, and then we met with khusid, he is a wonderful musician, pianist, arranger, awesome, and we started playing light jazz. even we dared to take the topic of five quarters, you know, of course, without...