christ was not born into the royal family, he is a descendant of david, but he is born into king david, not among those descendants who occupy. by the time of his coming, the world has a prominent place, and among those who are extremely modest and extremely invisible in this world, but this also suggests that even now the life of each individual person, and not just those who are at the levers of power, who have a lot of money that has the ability to influence people, the masses, the minds, but simply your personal piety, honesty, kindness, attention to another person. no less important, here

our ancestors understood this, there is a well-known text, the chronicle of george martol, such a medieval byzantine chronicle, translated into slavic language, very beloved by our ancestors, it tells the life of the byzantine emperors, in particular, 75% of the story about the sixth lion is occupied by the following short one:

a baby from you is waiting, and with this you will be involved in the nativity of christ. the nativity of christ is the topic on which we have gathered today with the thoughts of the theory maxim kozlov, ivan ilyevich glazunov, i am vladimir ligoida, if you like to collect your thoughts with us, you can find all episodes of our podcast on the channel one website. we have already begun to talk about how the christmas theme in culture is manifested and reflected, i know which one i want.

i should suggest a turn, because in these literary stories, in the movies, in something else, specifically on the christmas, gospel theme, stories arise that are not in the gospel, but whether there is something in them, i don’t know, there in films, in books, in stories, maybe in paintings, of which there are not so many, as we found out, something that is especially dear to you, that seems so important to you, i don’t know, touching and so on, here ivan ilyevich, do you have some of these, well, in films i don’t

i know, especially - these magicians came, which means they came to worship, although a little later than christmas, naturally, they are often combined in icons, the worship of the magi, but this very moment of the birth of the savior , it is so great, in its simplicity, even some kind of wretchedness, just everyday life, that it’s possible to talk about it punitively and somehow it’s imply, then in a work of art... some kind of premonition,

then it becomes great christian art, you know, can i also say a few words about this, here - in terms of cinema, well, this is very personal, but to me, well, of course, not on the eve of christmas, on christmastide, but i like to review the wonderful, by the way, cartoon and film, the night before christmas by nikolai vasilyevich gogul, well, it’s just beautifully done in my opinion. it’s even surprising that at that time they could make such films with such a christian meaning, there’s witchcraft and everything, and somehow everything is preserved, very cool, but from the western ones - this is, perhaps, a wonderful life, and this is such an amazing old

hollywood film from the forties about how the human soul is reborn on christmas days, contrary to the empirical evidence there. father maxim, since you mentioned the word christmastide, we are now entering this small but very joyful period, what is it? christmastide is such a day, you can remember it from shakespeare’s twelfth night, and the time from christmas to epiphany, when, from the point of view of the regulations, fasting was abolished , and what is important, which is important given the abundance of our fasts, when...

christ the savior was brought into his home, and on this side of the barrigate there is a time when, well, we need to remind ourselves what we can still do to rejoice, in our difficult age, in our difficult current times, it is also difficult to rejoice, but for others it is sometimes difficult to rejoice, but it is becoming more and more difficult to rejoice, so let’s try to keep this joy in ourselves. share it with others, thank you, father maxim, ivan ilyevich, well, you kind of advised us to celebrate christmastide, or maybe you would share some of your experiences, i think it’s very important now to remember more about how historical christmastide was held in our country, because a lot

has been forgotten, a lot somehow, well or i remember a lot at the level of just the kitchen, but christmas evenings with... with all the, so to speak, songs and some kind of communication between people on the topic of christmas, which just took place, this is very important for, well, some kind of maintenance of ours, maybe to have a sense of self, who we are, what we are, and it seems to me that this is a very important task for people, how to return to these, to this calendar , to this... this is the cyclical nature of events that repeats itself every year, over the years it seems that this wheel is getting faster and faster, which means it is spinning, but you have to remember where and what, then the sense of self, not only artists, but

in general everyone who is interested in this , somehow loves folk traditions, well, you can recover a little from ailments there...

to the same students, seminarians, and someone else, congratulations like this - our contemporaries,

very it would be great, you know, like this there was a case, i mean, girls, daughters , in suits, we went around in the nikitskaya area to do magic, they, some girlfriends with them , went into a cafe where people were sitting, drinking something, well, completely ordinary moscow environment, yes, and suddenly they and this star come there in sundresses and... a couple of carols, suddenly a whole table of people answers them, in conservatory voices, this, this was celebrated, which means that the conservatory choir is there partly with friends, they responded with such already come in, well, by the way, now we’re talking about disunity and so on, let’s go under this to our viewers, let them try, let’s set a task, don’t be shy to congratulate your neighbors at your entrance, you’ll see.

today we gathered our thoughts about christmas, happy holiday, dear friends, merry christmas. hello, dear friends, in religion there is the concept of ecumenism, this is a movement in christianity, and now in the world in general. when - its representatives suggest, well , stop dividing into sects, into movements,

there is one god, so we will serve him, christ, so there is musical ecumenism, this is shilkoper, arkachy, gentlemen , this is the bolshoi theater, this is the horn player of the bolshoi theater , and this is a jazzman, and this is a folklorist, this is fantastic, how can one single moscow person be... the personification of musical ecumenism, he is, of course, not here one, but let’s first get you interested in the sounds, and then slowly unwind the whole story. arkady shilklopper with friends, hang in there.

first of all, arkasha, what is it, ordinary alpine rock, ordinary, ordinary, well, like ordinary ones, there are also unusual alpine horns, a little more authentic.

the vibration is different, when i started playing the alpine horn, i felt a therapeutic effect, you asked me why i look like this when i’m 80, 85 years old, i look like i’m 60, yes, yes, yes, of course, but this is also the elixir of youth, well, of course, because this thing is capable of piercing space, after all, that’s why it was created, which is why the length is such that it can be heard tens of kilometers away, which could be heard by someone who lives on that slope or something.

refers to understanding imaginary folklore, yes, yes, this is what misha alperin once he told us, one critic just made it up , he said, guys, you play imaginary folklore, imagination, everything that is in our fantasies, musical, we convey today, so, by the way, seryozha began his part with botal, koroviev, many, many musical works it is precisely intended

to play the role of a botol, which is hung on a cow, and so that it does not stray from the herd. yes, yes, yes, how much time do we have to talk about volkov, not so much, but we can really talk about him for a long time, vladimir volkov, lord, in what composition - i i haven’t heard this brilliant double bass player , well, you can’t sing like the elders himself, that’s why he’s forced to attach himself to someone, lord, who only has wolves and even a small crown, in my opinion, and he’s forced to wear it, he doesn’t forget . it’s good for the elders, he was picking on the flette, everyone loves him, the elders came, here’s the yodeling, yes, that’s all, everything with you, ours, now you can too.

appeared on the first channel of the podcast today's date, here it is for the first time anthropology, well, let's now listen to the second work of the first appearance.

tanya, tanya, tanya is white, and tanya is white

, with a moustache, and lile lelisha, and all ruddy, black-browed, leli lelisha, and charnabrowed, black-eyed.

le-li lyuli, yes, he stands on the porch, and looks at tanya, oh, leli, leli, ah antanyulya, for yourself, leli, leli, shaliley, for myself, i’ll buy shoes, lulilely.

baba moros, please make our mother happy, she works, have you ever heard about baba moros , let’s sign, my mother is an actress, but this time i’m without... well, it turns out as always, only she’s not happy, they don’t take her for roles, who am i, children, do you think that baba frost has already heard us, we need happiness, maybe a husband, our medicine has no analogues in the world, but can i just touch this brilliant head, yes, this is my formula, excuse me, please, you ordered the snow maiden, yes , i know, there are a lot of things today, santa claus is in

siberia, but no one knows about the women frost, i will work with big mosses, but without a fight. baba frost and the secret of the new year. premiere, tomorrow after the program time. this is a podcast anthropology at the first, we are visiting , still without a name, but the most virtuosic ethno-jazz quartet, under the leadership of arkady shilklopper, well, such a handsome man, such a passionate shilklopper, what a fantasy, this has been all my life, all the fans of music become sooner or later, fans

of shilkloper, well... why did the most impassive trumpet in the world choose him, well, no, only the oboe can be more dispassionate, i must say that the trumpet has approximately the same texture as the trombone, but the trombone is so frantic in jazz source energy, and this is such melancholy, that’s how to explain it, soft, well, probably the character , you know, it also depends - so you’re an explosive person, well, how can i say, i can, i ’ll tell you please, so you felt that it was stuffy for you to sit fourth in the second row as an altar boy in a large theater in the orchestra, where you were sitting, by the way, and you began to look for a new use for your instrument, absolutely right, yes, absolutely right , where it started, it started with what i heard, i don’t care at all understood, i played bass guitar, i must admit in a rock band, i i came to the jazz studio of yuri kozarev,

there was a moscow... jazz music, experimental, it was called, i came with a french horn, already being a student at the gnessin academy, then the moscow gnessin institute was called, i came and said, i want to play the bass guitar, jazz, he looks at me and says, but you’re a harpist, and i say, yes, why do you need to play jazz on the bass guitar, look, we have a bass guitarist in every class, and you will be a unique harpist, it’s not for nothing that... no one plays she doesn't play, it's impossible to eat, i eat later later i found people, all three of them knew each other, but then i didn’t know, we didn’t have the internet, we didn’t communicate, that is, then i just came like a blind kitten and kozyryev threw me into the orchestra, now, well, of course i already became an honorary member of the ltarnist society, i am already called upon and known as a jazz altar player all over the world.

softness, beauty, filigree, this is what we will now have to appreciate, this is what will happen now, yes, it’s interesting, the movie intrigues us, dear friends, let’s get filigree, right? here is subtlety, subtlety is full of appreciation, good.

oh, you're a little girl, a little girl, a little tanya sock, oh i know you, my little girl , a good voice, oh, for a fun game , yes, i love a little girl, oh, when i start to die,

i'll play for a left girl, oh, whoever plays for a left girl is rich doesn’t live, he’s willing to give away his last cow for an accordion.

oh, my darling didn’t love me, but now she will love me, she will come to my crib, there will be no one, oh, ah-ah , oh, it’s not all about crying

for grief, but you’re carrying him to grieve, oh, you need a little one to go it’s a joy to climb, oh, wow, well, in general, after every composition of the newborn kriti collective.