volcano deep energy sweeps away the usual habits and creations that accompany the life of any landscape and gives birth to something new. it was this energy that helped parajanov create his own unique film language. but its spontaneous emissions sometimes burned people nearby. of course, it was difficult to be friends with him, because he is like fire, like the sun. like some kind of candle,

when you get too close, you burn out, he was also cruel to people, although he was also unusually kind, unusually gentle, kind, sensitive, he was such a warm person, here he is he could have told me to go away there, and then i came and buried my face in his beard and there was so much warmth, his friends were not offended by parojanov, but his volcanic fantasy... with childish spontaneity he joked about forbidden topics, and what did he allow himself on the balcony on his seventh floor, they once hung a large portrait of brezhnev, and a demonstration was passing by the balcony, past the house, he saw in the light where brezhnev’s eye was, cut out one eye, sat down in a chair, extended his hand and waved, greeted, which means... it looked like from below , as if

brezhnev blinks, and all the people who walked under the red banners were dying of laughter , everyone looked at the balcony of this seventh. floors, who could afford it then? it’s good for them, look how they run, i demand satisfaction , as always there is a lack of sensitive leadership , no good, it was qualified help not required, well, somewhere... hopelessly ill, oh, the doctor will help, well, to the side it didn’t come back, i can’t now, the operation is underway, the operation is happy new year, january 13th on the first,

green mora, taigia. whiskey mancacher - product of stellor group. the instinct of self-preservation did not work, ahead of the instinct of improvisation. parojanov’s jokes increasingly irritated the political leadership of ukraine. in search of work in april 1966, parajanov left for armenia and was hired by the armen film studio. it is here that he will create his most mysterious film masterpiece - the color

of garnet. the original title of the painting is sayat nava. that was the name of the great armenian poet, writing. a boy who grew up in a monastery became a poet and musician, fell in love with his sister king, but this love has no future, the poet goes to the monastery. this is the summary of the story. with the start of work on the film, the heads of the film studio forgot about peace and sleep. parajanov invites a georgian actress to play the role of sayad nava in his youth. safikorli, how will a georgian woman play a classic of armenian poetry? parajanov states that safiko is armenian, she is not a woman, but a man. safiko will play sayat nava's lover, princess anna and four other roles. another

familiar rule. what parajanov called a capacious word type, this is nothing more than a philosophical generalization made by nature itself. parajanov chooses faces in which characters and destinies are encoded. even

safikochi aureli, an actress of volcanic temperament, often appears as a type. her face is significant in itself.

life, but due to the conventions of human society, these seeds are scattered into the void

by the milky way of unborn worlds. he is no less an artist than sayatnova, so he creates consonant shots. the film created by parojanov destroyed all the usual ideas. about soviet cinema, it is not narrated, and invited the viewer to co-creation. the picture can be compared to a magic book, the content of which depends on the reader. several sheets of beautiful pictures or volumes of reflections on life. each will be given the essence of it. when i became one, the minister called me in kiev and said: why are you here?

the film the color of pomegranates became the pinnacle of parajanov’s creativity. there will also be a legend about the surami

fortress, a masterpiece based on the georgian epic. iashik kirib, based on a turkish fairy tale retold by lermontov. but this will happen only in 15 years, this is the reason. conflict between artist and power. in december 1971, parajanov with the author’s version: kgb chairman yuri andropov at the cpsu central committee. porodzhanov again could not restrain himself and said something unacceptable. that someday it will be written in a large soviet encyclopedia: leonid ilych brezhnev,

a mediocre politician of the parojanov era. he said publicly. you can imagine.

life, after all, was deprived of all this, attention, and such a kind attitude. while in the camp, parajanov became interested in creating collages, drawing, making dolls what everyone else saw only as garbage was for him building material. things on.

city, but he did not suffer from a lack of communication; guests came to the copal director from all over the world. andrei torkovsky, artists of the taganka theater, marcela mostroyan, maya plesetskaya and tanina, and each such meeting became. parajanov's life itself was a work of art, and his house was a theater. about 30 years ago, for the first time i walked down this street to see sergei, i had to go up to him,

there was something about it. and not only me, but a lot of people were moving in this direction to get to know kenya.

maybe i’ll take part in your action , let’s take part, youki, let’s work now , you know, let’s work on camera, tell me who sergei was, tell me straight, i’m speaking directly, here’s the camera, look, you can feel sergey, well, you can feel it there , yes, sergei was one of the amazing people who decorated our city, who made it unique, who created in it a special microclimate of the corruption of east and west, he himself was essentially an incredible man temperament, incredible conviction. and incredible tragedy. he sang goodness, despite the fact that he was so humiliated and trampled. and i don’t know what happened to him in life, it did not affect his art in any way, in all his works he sang goodness. in april

1989, parajanov filmed the first scene for his autobiographical film confession, but hard. the illness will ruin all his plans, in march 1990 he will leave for yerevan, and in july he will be gone. many people will perceive this departure as a personal tragedy. i generally think everyone who interacted with him was happy, he gave everyone a destiny. not just there , he gave fate, the whole of yerevan buried him, and he says when they arrived at this

cemetery, there is a memorial cemetery for them, all the flowers dried up, the flowers reacted like that, in yerevan, kiev and tbilisi, the memory of sergei porodzhanov is immortalized, co-author of the tbilisi monument. the director can be considered parojanov himself. we are approaching the place where the monument to sergei parajanov is located, which was opened in november 2004, according to my famous photograph, but however, this is not my photo. sergei himself put it up, inside and out, yes, in the area next to his street he made this mysterious mysterious jump, three jumps at once, one of them turned out to be a monument later. and if.

oh, how beautiful, good, ah, tamu, let's go,

this film is a poetic drama, about the great love of ivan and marichka, the film introduces us to the world of folk legends and the life of the old carpathians. we dedicate the alexander davzhenko film studio to the centennial anniversary of mikhail katsyubinsky. brother, brother, go eat, run, ivan, run, run, alexo, let him go, let him go, brother, let him go,

let him go, let him go, let him go, brother, let him go! shadows of forgotten ancestors mikhail katsubinsky.

you are beggars, you should sit under the church, and not in the church, it’s okay, just let him come out, petrik, please, this is a holy place.

satan, you will pay for everything, satan, petrik, i ask you, let me go, i conjure with our son ivank.

petrik, who did you leave me with? damn you, god, send a plague on them, on

the cattle, death, to whom you left, our little ivanka, i cannot allow. to they gave up on this development , it’s unfair, light, you’re not going to have surgery, and i’m going to hell, you ’re a brilliant surgeon, you made a mistake, how could this happen, i want to remind you that now i, dr. preobrazhensky, make all the decisions, new ones series, tomorrow after the program time, it was a mistake, i'm very sorry. you're sorry, satellite debris is flying towards you, we'll do an evasive maneuver, heard, accepted, gin sheaf, a product of the stellar

group, however, in ivan's memory, the death of his father did not live as long as the meeting with the girl, i love you, little word, and they will be until yesterday, with white mouths, they will be until my bedtime, screaming blasts, oh with sledges in the corner, that kopotichka, and who... ivanova’s sleepover, in the high valley the wind beats, there’s marichka ivankov’s wheels are wrapping, sleeping, my dear, where i will give you sleep, so that i can sow you, iva, iva, do you hear, do you hear?

where are my goats, ivan!

kum-kuma, what did you cook, what did you cook, beet-borscht , stop, where are you from, from evarov, and whose are you, gutenikova, be healthy, gutenikova,

most holy theotokos, save us, most holy one, bogorod. save us, most holy beard,

save us, so that we may all be saved, heaven to you, magnifying, most holy mother of god, spasina.