sous la terre, drôle de croisière, pour tuer l'ennui, j'ai dans ma veste les extraits du ridard cheste et dans ce bouquin il a écrit que dégace la coule douce à miami, pendant ce temps que je fais le zoive au fond de la cave, paraît qu'il a pas de son métier, moi je fais des trous dans les billères, je fais des trous, des petits trous, encore des petits trous, des petits trous, des petits trous, toujours des petits trous, des trouss de seconde classe, des trouss de première. gainsbourg's character is unusual for the audience, he has a strange image, it’s as if he’s wearing a mask. gainsbourg feels like a rather repulsive type, so he provokes and behaves quite aggressively. the press not only praises gainsbourg, notes appear in newspapers in which the authors mock his appearance.

he invites him to his place: what do you want, son, to be an author, a composer, a performer, i want everything, the young and proud general assembly answers, they will never work together. the new year is always the beginning of a new stage, what will be the predictions? swanga said that russia will be fine, you can confirm this, and the children who will be born next year, this is what they will be like about...

exchange rates, how in this regard? the dollar, like everything that is in this world, has its own zodiac sign, the dollar is cancer, the second half of the year will be very turbulent for it, we are ending a difficult era with the twenty-third year we are starting a new one, but what we will get in the twenty-fourth is, what was said to me, i tried myself on, everything came together, i was going somewhere to the mountains with a complete stranger, i couldn’t stand it and asked under what you were born as a sign because tanya. i said what sign this person would even be under, that well, i was 6-7 years old, and my mother and i always had a mismatch of nothing, when i read that the bull doesn’t like monkeys, i turned around and said, but you’re not right for me, you see, some amazing methods have been found here, connected with the self-positioning of the body, completely different scientific breakthroughs, so i ’m now telling you what vanga said, tomorrow after the evening news. rum castra

is a product of the stellar group, she became a muse for her husband, captivating him with her extravagant images, only then harsh reality set in, a sundress, a linen dress, a floor-length skirt, comfortable, warm, i also do housework and wear long skirts, look, but they are somehow different.

weekend first. wensburg writes song after song, but has not yet achieved great success . rock and roll sounds from every window and young people only want to listen to the english group the beatles. but gainsbourg does not give up on his artistic ambitions. his songs are based on jazz. he wants to make new french music.

dis ton nom léticia, ae dans la t ta, léticia, les jours qui se suivent, hélace ne se ressemble pas. what i did until today, then i began to list the names of the new york skyscrapers, i heard perfectly well what the union of negrean vocalists and these words would give. when i saw it on paper i was scared, it was

too strange, in the studio everything went the way i thought, these rhythms, they are not new. they are from nigerian folklore, and the french language based on these rhythms is probably something new, definitely new. new york, new york, usa, j'ai jamais rien vu d'au, j'ai jamais rien vu d'aussi haut, oh c'est haut, new york, j'ai vu new york, j'ai

vu new york, j'ai jamais rien vu l'eau, j' ai jamais rien vu l'eau. he has fans, but not many of them; young french performers quickly pick up american rhythms and gainsbourg finds himself on the sidelines. what's the difference between

songs by young rockers and songs based on jazz rhythms? some sell, others don't. elle est dans mon reflex, je le regarde perplexe, dois-je le foutre aux hortis, où est ma petite amie, elle est dans mon reflex, c'était mon premier réflexe, 1965.

what's the difference? the difference is the japanese accent. don't you think that you have changed too dramatically? because this way i manage to progress much faster. i'm at an age where i either have to succeed or give up. a simple mathematical calculation, i write 12 songs for myself: a prestigious company, a beautiful cover, refined songs. of these twelve songs, two will be played on the radio and the rest will be ignored.

if i write 12 songs for twelve different performers, these are 12 new successful songs. tuni aime les sucettes, les sucettes à laani, les suces et de la nii dani. they tell me that i have sold out, they don’t leave me alone

, gainsbourg is getting married for the second time, his new chosen one is princess golitsina, this title flatters gainsbourg’s pride, but the marriage does not last long. in 1959, they starred in a film together, but never met. 8 years later, serge gainsbourg receives an invitation to dinner from brigette bardoux herself. he is 40 years old, he is already famous, but not yet famous, although his songs in the repertoire of many popular ones. pop singers, bridget bordeaux asks to write a song for her too. she is at the zenith of her beauty

and fame, her face, about the image of mariana, the national symbol of the country, serge gainsbourg begins an affair with france. "ça vous a plu hein, vous en demandez encore , et bien écoutez l'histoire deide, alors voilà, clide a une petite amie, elle est belle et son prénom c'est bonnie, à eux deux il forme le gang,

droit, il faut croire que c'est la société qui m'a...

i do song as a form of entertainment, without ambition. one, two, three, four.

in 1968, gainsbourg was offered the lead role in the film slogan. he accepted the offer with pleasure, since his partner in the film was to be the famous fashion model marisa berenson. but at the last moment the director invites an englishwoman, jane birkin, unknown to gainsbourg, to play the role. during the auditions, serge sbechon does everything possible so that she is not approved for the role. after the first day of filming, jane birkin complained to her brother. this guy is just disgusting, he's too selfish. he thinks i'm crap. movie was on the verge of failure. the director, trying to save the situation, tried to reconcile his actors. he makes an appointment for them in a cafe, which he deliberately does not attend. the next

day, jane and serge appear at the studio holding tightly. holding hands, after the shooting in the evening he invites his new girlfriend to the hilton hotel. the doorman, casting an appraising glance , inquires as usual. monsieur gainsbourg number 642. as always. gainsbourg is terribly upset. his image played a cruel joke on him. the romantic evening did not work out. perhaps then gene birkin it was possible to see behind gainsbourg’s external rudeness and aggression a subtle and sensitive person. you're bored, yes, terribly, i feel guilty, you're my first married man, and you're my first, my first, who?

come on, first idiot, first skinny, first stupid. trombler oh mon amour comme la vague irrésolu, je vais, je vais et je viens, entre

tes rains, je vais... je viens entre tes drins et je me retiens je t'aime je t'aime oh oui je t'aime mon hom oh mon amour tu es l'avale moi lille nu.

this song made me rich, but it didn't was pure calculation, i just recorded this song because i thought it was beautiful.

chose a woman who ideally reflected the spirit of the times, an englishwoman, a wave of english-language rock music, which by this time had already swept the whole world, with a fragile, boyish appearance, fully consistent with the new canons of beauty established by the supermodel twiggy. in addition, jane birkin corresponded to the rebellious spirit of gainsbourg himself, having managed to appathe the public by starring naked with antognoni in the cult film "blowup", sersh and jane become. couple of decades, gainsbourg and birkin are on the covers of all magazines in the gossip columns

of all newspapers. the press closely follows their lives. sergi and jane are filmed when they are relaxing, recording a new record, or working in films. their life becomes a public act, one endless piece of news. everything they do arouses the interest of the media. enjoying the attention, ginsburg often loses his sense of proportion. one day during haute couture week, yvesin laran invites sergi and jane to his show. after the show, not knowing that he was giving an interview live, gainsbrugh provokes the audience. all these models are complete crap. and saint laurent will cry all night, the next day, along with a huge bouquet of flowers, he will send a telegram. i'm sorry i bothered you for some crap models. framed the telegram and hung it on the wall of his apartment. by the early seventies , a classic image of gainsbourg had developed, which was subsequently

replicated by the press and television. on the advice of jane birkin, he lets his hair grow. his signature style becomes three-day stubble and jetan cigarettes, with which he does not never separates. at the sale, jane buys him light italian repetto shoes, which he will wear barefoot . but sergio is already 45, and his lifestyle is taking a toll on his health. in the spring of 1973

, genzbur had his first heart attack. despite the acute pain, he himself stages the scene of his hospitalization. in order not to lie under a blue hospital blanket, he wraps himself in an expensive armes blanket, takes with him a suitcase of his beloved ones, and sets up false alarms for the nurses, turning off his pacemaker. takes over his natural feeling self-preservation. for the chosen role, gainsbourg also needed an appropriate setting. he bought his house during the time of roman sbordo. and completely rebuilt it, ordering the interior from the most fashionable parisian designer, but the house was not suitable for family life, its walls and ceilings were painted black in memory

of dalia’s apartment, there was not even a place for children to play, the house was littered with thousands of antique trinkets, on the walls hung magazine covers depicting the owner and photographs of him in the company of celebrities. gainsbourg he couldn’t stand it when anyone disturbed the order of his things. “i’m like a pharaoh in my tomb, maybe it’s disgusting, but it’s true,” gainsbourg himself said. in this strange apartment , perhaps the only thing that looked organic was a dummy of a human body without skin, a character from an anatomical theater. you and i are just friends, the bird is now free, but wants to go back into the cage, if we lose our memory, we will choose each other again. me, don't look for me, no more parties, you're painting old pictures. it's still snowing, everything is flickering, floating,

the very first new year, today is the first , in 10 days i should be at a meeting with brezhnev in perfect shape, silicone oil is not eliminated from the body on its own, it will get into the bloodstream lethally, i checked the tests, they are... different people, here is the order for a search, we need to interrogate comrade dronov, doctor preobrazhensky, new episodes from monday on the first, i am committing theft of socialist property, in the seventy- fifth year gainsbourg, the actor becomes a director, films his first full-length a film named after his most successful song,

it seems, no, we'll see what happens in the end, i think that i'm a visual person, since i've been painting for 15 years. the film was a complete commercial failure, which did not prevent further film experiments; he would make three more films. concept records, like movies, do not enjoy widespread popularity, but star status does.

gainsbourg does not lose the respect of the audience; the young popular group bijou invites gainsbourg to go on stage with them. he's already 15 years old did not perform in the halls. serge is amazed by the enthusiastic reception of the public and decides to continue experimenting with youth music. one of auginsbourg's loudest provocations

was the story of the french national anthem. it turned out that he had gone too far here. he was accused of commercial use of the shrine. and if his prestige as an insubordinate rose unusually high, then at the same time he put his own life at real risk. in 1979, gnizbor decided to record a record in the fashionable rega style. he hired the best jamaican performers, musicians bob marley recorded several compositions with them, the first of which was marseillaise. allons enfants de la patrie, le jour de gloire est arrivé, contre nous de la tyrannie, les tandards sanggl.

in all hotels in the city. i don't obey anyone. i returned the marseillaise to its original meaning. "entendez-vous dans nos campagnes musir ces féroces soldats, ils viennent jusque dans nos bras, égorgés nos fils, nos compagnes, aux

âmes citoyens, forez vos bataillons, the original text of the marsillaise, written in the own hand of the author, rouget delisle, who he himself called it “my old nonsense.” now we will sell this old nonsense, starting at 40 thousand francs. 125 130 135 sold 135 thousand francs, i

was ready to go bankrupt, this is the answer... in 1980 jane birkin could not stand it, if the image of gainsbourg the alcoholic was funny in television studios, then within the walls of his home sir became unbearable, he himself admitted, everything happened through my fault. i went too far, one day when i returned home, drunk as usual, she began to scold me, at some point i could not restrain myself and beat her, the seventies are over, the ideal couple of the decade has ceased to exist, i

see that sersh did his best for you, a tuxedo changes a person, it suits you, the first time i see him in a tuxedo, well shaved, i’m ready. tu es un fumeur de ravare, tout près de toi loin de lui, j'aimerais te garder toute ma

vie, comprends-moi ma chérie, tu n'es qu'un fumer, she is 21, he is 52, they meet in a fashionable parisian disco, gainsbourg will call her bambu, but the young fashion model, half german, half chinese, has a real name, she is the granddaughter of the famous field marshal, probably

yes, this is cruel. men are in a more advantageous position than women. i can live with a girl of 24 years old, and i am 57. some will say that this is scandalous, but i don’t. let's imagine the opposite. a woman my age with a

25-year-old boy, then he was just fucking around, that’s what ’s cruel, je pense à toi en tant. que cible un bel enfant, regarde-les, là j'ai toucher le poisson, c'est plein attends, je vais m'y attarer. now i will explain to you, has your

lifestyle changed over the past 3 years? no, i don't mind anything i don’t care, but tax racketeering, i’ll now show you what it is, it’s not a metaphor, it’s reality. i take a five hundred franc note, taxes take away 74% of my earnings, and i will show you what i have left. i know this is prohibited. but i’ll show you anyway, if they put me in prison, i don’t care , at least i’ll lose weight, i’ll show you what i have left, i’ll put it out when 26% remains, and don’t swear, the government doesn’t take this money for the poor, and for atomic energy other nonsense, that's all that's left, however, the scandal also brings good profit, from advertising the parisian...

circulation on descriptions of his extravagant antics, but he did not miss an opportunity to throw mud at gainsbourg, he really became a victim, but even earlier he became a victim of his own image. gainsbourg once said, when walking a dog, you never know who is really at the end of the leash. whitney houston you are brilliant, he says you are brilliant, thank you my friend. says you're amazing, i'm translating you correctly,

no, you're not reagan, and i'm not gorbachev, so don’t try to translate, i said i want to fuck her, then i’ll translate for you, he says that you’re amazing, that you’re very beautiful, no, no, no, what, what did he say, yes , he said that, but that’s with him sometimes happens, he said that he wants to give you flowers. he’s quite normal, you’re sure, i’m sure, i’m sure, i don’t regret anything, when i want to talk, i speak, it depends on my mood. you say that you are so shy, i am like that, how can this

person get along with you as an exhibitionist, this is a terrible duality, terrible for her answer, but i answer because i wanted to be, are there things that you still like, things that can still make you. et quand ça tourne tragique, je suis dangereux, l'angeu, grace le faux au secours,

panique, l'amour ça se fait.

but if you shoot black clouds during a thunderstorm, the opposite is true, you can shoot them ad infinitum, film after film,

she said, he doesn’t like it. the idea of ​​death, he believes that this will never happen to him, like a child, he thinks, i will say that i will not do this again, they will scold me, and i will again play the fool, he played with himself for too long, on march 2, 1991, a month before his sixty-third birthday, gainsbourg died of a heart attack in his apartment, there was no one at home, all day bambu tried to reach sergi on the phone. his voice was recorded on the answering machine: to be or not to be, the question. answer. it must have been in the mid-fifties, when he cut up his canvases, that gainsbourg left the battlefield for himself. shortly before his death he said: i succeeded in everything except my life.

sarge gainsbourg never existed. lucien ginsburg donated his body to french society and died from it. oh, hello, we decided to start celebrating the new year a day earlier, all because there is so much good music in our country that

it’s simply unrealistic to fit it into one new year’s eve, so welcome to the very first new year, on the first. fly, this new year we will all be lucky, i will find pure love under the tree, the holiday will carry you away from... without worries, the old year has passed, and this too will pass, this new year we will all be lucky, i will find a rise, pure love. the holiday brings, the distance for all worries, the old year has passed, summer will also pass, the most

magical day, when i don’t need anyone’s gifts, because i myself can already become the best santa, fireworks are flying into the sky for all our brothers . where is my favorite salad, my mother is calling us to the table, i’ll make a wish so that our wishes come true, so there’s a snowflake in my jacket as a gift, baby, there are little bells, give me what you’re hiding under the christmas tree, garlands of diamonds hanging on a t-shirt, green stems in your hands, it warms me up your love, so butterflies bask in your stomach in winter, call me tostro picked it up. for all my boys, everything is very simple, we are already stars, space is not so high , make a family, i must fulfill

everything, this sparkler, let it burn like this year and sit another, in this new year, we will all be lucky, i i will find a lift, pure love, the holiday will take away, all worries will be removed, the old year has passed, and this too will pass. this new year we will all be lucky, i will find pure love in a craft, the holiday will take me away from all worries, the old year has passed, and this one will also pass, hello everyone, guys, we can already hear the fight chimes, i'm flying in, whether the landing party is shining like a garland, what's in the boxes, these are gifts, what's under the tree, it's lamba, mom is ready.

dear friends, happy new year, may your soul be cozy and warm, the most important thing is that... we never have a heartache. so while you’re waiting for me, you wouldn’t be, wouldn’t be, wouldn’t be, wouldn’t be, wouldn’t be, taking off, taking off, taking in , listening.

while we are noisily having fun at our new year's party, somewhere nearby a trio of producers consisting of basta, egor krit and anton pelyaev have secluded themselves. they have an important mission - prepare the main collab of the new year, we have the opportunity to peek at what’s going on there, well, here’s the song. a christmas tree was born, a small christmas tree, a cold song about a christmas tree, a christmas tree, that’s a good one, it’s easy to make it, if only you would undertake to make it musically differently, now that i have a mini-guitar, but why make it just like you do, cool, just let the orchestra play, orchestra, we just do as we usually do, we - i call the orchestra, i say, you can play cool, yes, be people, yes, yes, let's do without it, they do it, damn it,

good idea, it's cool and simple. yes , simply and simply, you don’t need to sing anything there, we’ll use frank senatre’s system. at night near varoy, wow, it’s light, it’s

not light, it’s not light. i'll come there someday, you didn't wait. allelud, i’m all gone, nowhere, nowhere, i still don’t know why i’m flying, where is it, my string, what’s calling me?

good, long, road, long way, buying up cargo, there will be a day and i’ll go there, i’ll go

there, where i’m sorry, there, kid.

slola, the wind of change takes you away from me , they haven’t left you. i don’t even care about those, and he doesn’t he will ask, maybe i want to fly, i’m with you, yellow autumn leaves, a bird behind a blue dream, call me with you, i’ll calm you down.