how was it that i didn’t meet you, you protected me, the onslaught of the palm invited me, there were many different attacks, you persuaded me that night.

“i don’t want to spoil everything, but it seems to me that if you return to him now, the hero could very soon turn into an ordinary person, short-lived for miracles.”

that's it, won't you get up? no, think about it, make a decision, i’m leaving tomorrow. thank you, and zhenya, you’re not sleeping, no, well, take the order, let’s pick it up, let’s go for a walk with him, you see, the doctor came to see me, the marquis is after me, come on, come on, come on, come on, come on, come on, come on, how's it going? what are you doing, you

were chatting with your wife. we have no reason, she tells me everything, all the news, everyone. of course, you are not very lucky with your wife, so go ahead. wherever, wherever you want, go there, man, i’m sick, sick, who feels bad from this, well, yes, well, yes, no, well, i went, go, i went, so i’ll catch up with them. uh-huh, yeah, come on, come on, thank you,

hi, hi, last dinner left. “i lost, it doesn’t matter, this is not for you, this is for a book, there is no book, then write it, you have the whole night, so let’s meet tomorrow at 7:00 on ours

." how do you like it?

calm down, yes, tamara vasilievna, and hello, zhenya, do you want to take something else out of my life, some joker, no, congratulate him on the holiday, thank him for. .. a gift, um, a gift, yes , it was ownerless, i thought it might be useful to you, i liked it, yes, thank you, are you alone, where is alena, she is not with you, no, but she said that you have

a decisive day today dinner, maybe i changed my mind, i ’m alone at the dacha, it’s 2 minutes past seven, and as you agreed, at 7:00 in our place, this is not our place, this is the place where you are hiding.

perhaps you haven’t seen a lady with a dog here? no. and you are sad, it seemed to you that my name is lyokha, and i’m alena, excuse me, i’ll go.

hello, good afternoon, where are you, good one?

slavsky, you are definitely a moron! where can i give you a ride? are you the only one who sees your husband or someone else? sometimes it seems to me that only? here’s a doctor i know , he’s dealing with us stupidly, i have his phone number, give it to you, i also have the phone number of one doctor, if it doesn’t work out, i ask you not to deceive me , the voice is hidden inside, what’s destined, it will come true. the path is starting anew, listen to this motive in your heart, just listen to this motive,

excuse me, i’ll go, goodbye, excuse me , can you, open your doors and... “be the first to come, sorry, there he is, there, there’s mine doctor, alena, alena, if we were forced to play by the rules again, we wouldn’t be able to become different, the past won’t be forgotten, but we have to let it go. remembering this material, just

listen to this mother, i confused the idiot, he’s still the seventh already took place, what we had to do, we had to find hard work among people i know well.

this motive, this motive. open up, open your doors and be the first to come, forgive me!

if it doesn’t work out, i ask you not to deceive me, the voice that is hidden inside, what is destined will come true, the path is starting anew, listen to this motive in your heart, just listen to this motive.

if we were forced to play by the rules again, we would not be able to become different, the past will not be forgotten, and we need to let it go, remembering this motive, just listen to this

motive.

this motive, this mother! this is a podcast 20 years later, me and its host konstantin mikhailov, and today i have my old friends are visiting, dj fonar, aka vladimir fonarev, and evgeniy rudin , aka the legendary dj groof, hello, hello, we have a dj broadcast today, i’m also a welder,

but not a real one, i’m a tractor driver, you’re a dj yourself, you know it’s great to... slip into a professional conversation, so to speak, and in order not to use exclusively our medical terms, so that others will also be interested, let’s immediately agree that we speak in simple language, use a minimum of some terms djs, well, there are hooves, faders, kio , okay, we agreed, yes, yes, volodya, extinguish, that’s it, momanka, yes, everything is fine, we have already shaken, okay, we danced, staged a mini-raft. in a podcast 20 years later, the guys were relevant in the 2000s, someone else was relevant in the nineties, listen, i remember that at some disco, i, being the head of the mercury show group, we breakdanced, we took the first among the robots places all over the soviet union, in

one of the clubs, i remember that i first saw this, what was called djing. who is the dj, vladimir fonarev, back then with kore, by the way, it was in the class studio, the class studio, where we started performing together with lika, lika pavlova, it was the end of the eighties, there was even lika mc, lika mc , yes, that is, lika blabla, you, all this is here, so the guys are from the nineties, in the zeros, in the tenths and twenties, they are more relevant than all the relevant ones, what’s happening now, there were several periods, that is, there was a st. petersburg period when i just started playing, it was the nineties, well, a little later, volodya, this is our most streaker, volodya, he played and not only on records. he played on reels, on reels before that, that is, he practiced all this, but officially my appearance, since the whole country recognized me as a groove, it was the ninety-sixth year, when

it premiered - there is happiness on one of the radio stations, now what, yes, we just remembered when you started, we remembered when we learned the dj’s game, we remembered when we learned the lantern, i also remember, excuse me, i can’t right now, i’m overwhelmed a wave of nostalgia, i remember that i avidly listened again to...

i heard about dj, no one knew yet, gruff already knew, and he was always on the wave, that is , there, let’s say, i dj there, well, that’s it dj , roughly speaking, everything, well, except for rock, let's say, you too there, plus or minus, this one was always somehow ahead a little, and what he did continues to do, it may even be a little incomprehensible to those who lives now, but it will be clear later, each direction, as in principle, any style of music has its own audience, and even...

uh, when all the electronic music appeared, there was no club for the people who went to the clubs and saw all this, how it all blinks, how it all sounds, it was all regularly new, and djs were the only conductors of music and sound, we traveled to london, constantly went there to buy records, constantly bought them, then people went to listen to electronic dance music directly in clubs, to the jaques’ disc, because they really were. the only people who can show them would be the djs themselves in fact, a little, a little yes, but in fact the discos themselves appeared back in the 1980s, it was the end

of the 1970s, when producers like george marauder combined electronic dance music with classical dance music. this is the appearance, in fact , of the composition of philav, which everyone knows at home in summer, this is the appearance of the crafter group that recorded. yes, science fiction, astronautics, robots, computers, space, yes, what shaped our, our musical tastes, remember the pink floyd album, yes, why me

we say, for example, that our musical tastes are close, pink floyd, jean-michel zharya, spray, yes, it was music of space, it was music of space, in fact, every time it was a search for something new sound, there was interest in that, in fact, djs began to apply this to dance music.

yes, in general, probably, just if we consider electronic music as a kind of creative process, it is always a changing space, new combinations of sounds appear, new transitions from one musical style, that is, at the junction something, that is, it is a constantly mutating, developing and moving process, in this, probably, attracts all people, to find something new. you can find all episodes of the podcast 20 years later on the website of the first channel 1tv.ru. evgeny rudin, aka dj groof and vladimir fonarev, aka lantern. in the podcast 20 years later, i, its host konstantin mikhailov, and we continue. let's go back in time to maybe the nineteen-eighties, do you remember the first rave, where it took place, this raft culture, when did it start and where? well, it definitely started in st. petersburg, definitely, absolutely definitely, the dance floor club fontanka 145 and

the first party.

1991 in the space pavilion at vdnkh. all musical circles in the capital were talking about the upcoming event. and even a video was broadcast on central television with an invitation to this cosmic ball. so, more than 3 people gathered for the first raft party in twenty-degree frost; this

unique event was written in golden ink in the book of musical history, like a gagarin party. by the way, an interesting fact: on the loon party was attended by real cosmonauts, valentina tereshkova, and georgy grechko. what do you think? from moscow's point of view, it was. before this, the event had never been held entirely at night from 12 , say, to 6:00 in the morning, these were - yes, these were evening parties, basically all the discos ended at 10-11 o'clock, everyone calmly went to bed, in st. petersburg it already happened at that time already a party in the manege in st. petersburg, the museum of military equipment, and there really were tereshkova, grechka, yes, yes, they

came to the first party, and what did they do wobbles. in general, you need to imagine that the cosmos pavilion was just a fantastic art object, it’s interesting now, yes, because it was updated and became very fashionable, modern, then it was an opportunity to come into contact with space, but i would like to make one remark, the fact is that the word derzhaki appeared much earlier, if we remember the group red poppies, their album spinning discs, which was released in the early eighties, as the host of a disco club or just disc-zhaki, i’m glad that you... i’ll introduce you to my disco , actually, this is eighty, eighty-first year, eighty-first year, yes, you mentioned that the first dezhaki were almost djs on booms, yes, firstly, there was no special equipment and the actual club records themselves were impossible it was as if there were turntables, but there was no money for them, and i personally knew one person in st. petersburg who built a potentiometer into his woman’s tape recorders, that is, adjusting the speed, in order to bring the compositions

into rhythm, yes. yes i remember on tverskaya it was you take a cassette there from the list, you choose, you pay money and there are people from babins about absolutely yes, that’s why the desh jacques mostly played music either from cassettes or from babins, then the history of the appearance of this is connected with how everything developed, what were the first records that appeared here and it was as if with the first records with the first turntables it was already as if there was a revelation for me that there were records with dance music, because well, that’s what you were talking about, that this material was missing one more time song on the side right?

you put a needle, then you hold the record when you start it on the beat, why they used to say the dj plays, plays, plays, because on time.

the equipment itself, yes, well, writing music, because the styles, by and large , have all remained the same, they are somehow transformed, well , trance is transformed, chaos is transformed, dramen is transformed, and what will happen next, you should know, i think that’s all will move towards technology, because music is changing, now the technological approach is completely different, music is becoming louder, the music becomes more sophisticated in effects, it sounds different, the construction of the music becomes. more so, let's say, experimental at the same time, and if we talk about the pop scene, that is, it becomes more danceable, if we now turn on any radio station, commercial, we will very often hear dance tracks, one after another, even if they are like would be pop, so

if we talk about the actual situation of djing, in general the first djs, the very first djs appeared on radio stations, in general the appearance, probably andijenga is associated with the emergence of a radio station at the beginning of the last century. which could play music , it was actually a record, and such people went on the air, talked about music, installed, in fact, even technical equipment, if we look at radio equipment, mixers, players that existed and so on, they developed together with presenters, who then became certain persons who began to invite to the event.

ok, not a play machine, yes, y zhenya, at one time such a composition appeared , dedicated to the dj himself; it wasn’t right away to play my cd, well, this was when cds had already started there, and if we talk about technical features, where will it develop even further than djing, i think it’s in principle, there will be something closer to writing music as in a studio, that is, the technical equipment that is given, it allows you to give a lot of vector music, well, we should all perfectly... understand that the main direction of the dj is that he he must write music himself, even the world rating, which used to be the top 100 djs in magazines, but it was compared by those djs who played how, now exclusively

only by musicians by tracks, which one or another track became popular among this, that is, too movement, skew, in fact, this is writing music, playing music, it ’s like the right and left hands, if they work fully for us, then we have the opportunity.

at the moment, technology and music still live together, they must live together, because that without this there is absolutely no way. find all projects of the lab podcast on the website of the first channel 1tv.ru, this is a podcast 20 years later, i am its host konstantin mikhailov, my guests today are the legendary djs lantern and gruf. when you started writing music after you became a dj, you immediately became, i first started writing music, and then. he

writes a lot of electronic music and he writes a lot of music for films, for which he has a lot of awards and continues to write music for films, let's see an excerpt from the video of the work he wrote zhenya groom oh girls this is not my music after all, what is this? i get tired of it, but i can’t, when i have no words, i want something catchy, i’ll go talk to the dj to play something else, i haven’t seen this for a long time, wow, dj, yes, could you play something something more rhythmic, what do you mean, something catchy, incendiary, for example, for example, a virus, this is a dj, put on my compacts. now, can i install it from my

phone from my mobile phone? yes, i haven’t seen this for a long time, it’s still very disappointing when you play normal music, they come up to you and ask you to put on normal music, there are also these combines there for the pesuasion that they will always come, the main thing is to be in the right place at the right time, when you have your own target audience, when people know what they are in for they come, they open their hearts, yes , they open their souls and you communicate with them, by the way, a unique situation. what remains from the artist are paintings, and from the writer books, and there, well, in general, we can continue further, what remains from the dj, and the dj remains only a memory of how it was a wonderful event, that is, like a fog that dissipates, yes, you can record a mix, but you need to be at exactly that time when the dezhaki is playing and feel the atmosphere that it creates, if the dejaki are interesting storytellers, then we live with him from start to finish his dj set and enjoy listening, and if.

on the air, that’s why it happened, scaled, scaled, yes, then when the radio station 106.8 appeared over time, i became the program director, then volodya became the program director, oh, yes , who is here in the photo, here on the left, here are the guys, these are swanky tunes, by the way, and the world-famous project, begins, who are they, they are ours, they are ours, yes, their track in the movie fast and furious with a soundtrack, volodya, seriously, too, of course, yes, yes, when they performed at your audio school’s birthday party. i thought that they were some kind of scandinavians , no, they look absolutely european , absolutely, they themselves are from smolensk, in my opinion, they themselves are from smolensk, guys from smolensk, someone in a cap there back there standing, this is volodya fonarev, i, this is ian dylan , the famous blogger, yes, in the past a wonderful kvn player, this is andrey, a friend

, the founder of the school, and alexey zhokhov, this is directly the person who took all of kazantip for himself and called it z yes. by the way, andrei gennadievich, abramov , aka android, he is a great composer, electronics engineer, i’ll tell you how it happened, i used to play a lot of techno records, techno, just in general the real one, not not now, which has 125 beats, and 140 is a real english powerful - and i see on the records i see there on one android, android, android, android, and quite by accident i find out that this person is russian, it turns out that i... knew him, we contact him, he comes from brazil, comes here to moscow , we meet him, and he simply says that i have an idea to open such an institution, because i did this in sao paulo, clearly, that is, his idea was an audio school, andrei absolutely exactly, he

suggested, i was like a resource that could be used, well, you were at the peak, well now, yes, and the point is not even that, the point is that a room was needed for this, it was necessary for this... replaced by different compositions, there is a mixer, yeah, on which, in fact , the volume level is displayed in order to so that these tracks are played, the signal goes here, from here from the right from the left deck it goes here to the mixer, here you decide with the faders which signal to let go to the people, it won’t disappear, i’m just saying that i know, much earlier

it was more difficult for the dejakey, because they carried a huge amount of records, we were like barge haulers on the volga, they carried two boxes, yes. nowadays, dezhaki come to a performance very simply: headphones and a small case, yes, in which there are flash drives, so-called, yes, with a flash drive, in fact, we play music , here the flash drive sticks out, which means it will go from it, here, behind the link here, yes, we load the composition, that’s what it actually starts, but is the sound from vinyl of poorer quality than from a flash drive, no matter how much i love the sound of vinyl, yes, the numbers are still louder, but louder, of course. i chose it especially for my wife, the thing is,

that when we met , this topic was very fashionable, but nudisco, nudisco, nudisco, nudist has nothing to do with, and - when vzhenka played this music, he had amazing sets, like this on discs in modern arrangements, and i thought that today he will play, yes , because this is absolutely not my format, but now that’s not the point, yes, one composition is playing, we load and prepare the next composition, wait until the track is closer to the end, yes it will end, and i watch , you have already synchronized bpm, this is bit per minute, then there is a number of beats per minute, here 124.2, here 124, one and the other composition should have. well, speed, in order for there to be no discrepancy, you need to run in rhythm, when there is a breakdown, when there is a tudum-tudum, this is called hooves or horses, horses, besides, the rhythms of the bones simply do not converge. okay, while volodya is doing something, i’m telling him, that is , he, one track, sounds, for example, from one

media, yes, it is sent to the remote control, volodya is looking for speed and torque, an opportunity to bring out at the end of this track, which sounds, the next one is to make it so that it is unnoticeable, so that in addition to what was this mix, this is a mix, yes, one flows into the other, so that the information is crazy, that is, so that the mode is non-stop, yes, so that the music..

.of all the music, what is my favorite style, this is , of course, classical music, which is above all musical styles, just classics, you just want to add a beat, you’re always ready, it’s easier with copyrights, but with copyrights it’s simpler, call a symphony orchestra, now in my status is easy, but i’m in the classic version, like a wife says that i usually play the music of alpha centauri, from the planet alpha centauri, but this is cosmic music, in all its manifestations, both dynamic and calmer, what’s this ? and this is no, this is such a positive festival underground trance, this and this is trance, yes, you can mix drum and base with this,

no, well, in principle , yes, you can, if you just do it like that, just beat bam, if so do it, zhenya, put droman as the next track right away , you need to do it through the spin,

it’s not even easy to display directly by the melody even elementary elementary no elementary just here it is.