the london temple on the hillside was built 200 years ago, in the seventies of the 20th century it was rebuilt, the structures were checked every couple of years, until the pandemic arrived, so the cathedral was built like a house of cards , there was a woman inside, but she was saved and was not even harmed, which has already been called miraculously. the temple will not be restored; it has already begun to be demolished; for now, believers have been offered to pray in the theater. that's all for now, see you later. this is a podcast 20 years later, me and its host konstantin mikhailov, and today we are immersed in our pioneer childhood, which is completely impossible without tar chewing gum. without any

carbonated drinks from the machine, without a bungee, yes, bungee on the river, slavich , of course, it’s sacred, and sometimes in the form of a tire that hung on the trees, and of course, where would we be without such wonderful children’s films as mustachioed nannies, a dog was walking on the piano, and of course our guest is the master of children's and youth cinema and director vladimir grammatikov, vladimir sanovich, good evening, greetings. the whole country was watching the film, a dog was walking along the piano, and i remember how this helicopter tied with a chain tried to take off, they shoved a potato pipe into him, there was something else there, like - the girls tried in every possible way to hold on to this love, a handsome pilot, and i, too, went to see this film many times, naturally, having first played a sea battle in the cinema before the screenings, yes , and then watching the film tomorrow the next day, how...

the script for this film was written, i know that you had disagreements with the author of the story, well, in general, the script and with vika tokareva, well , yes, there were different periods of our creativity friendship, the fact is that the script was written for georgiy nikolaevich daneli, and it launched, the script then had a title of nothing special, when georgiy nikolaevich was asked what you were cooking, he said, nothing special, the story with the helicopter pilot, so funny with the georgian, you know it, you love it, you can do it, and apparently , georgy nikolaevich toiled, toiled, toiled, and toiled to the point that he quietly began with gabljad. write memino, and i

found out about this project that he didn’t want to film it, i received the script through secret agents, read it, and i really liked it for its stupidity, i quietly began to control this situation, the moment came when i came to georgy nikolaevich and said, georgy nikolaevich, i know that you don’t really want to do this, so let me do it, and he says, listen, amazing, you start, we’ll do it later, and it so happened that he went to mimino, and i took this script, a dog was walking on the piano, apparently, the wiki had its own vision of this story, but i never told you this, but i’ll tell you, it’s done is that wiki tokar literature is very insidious, what is it insidiousness, when we read, we create our own system of images, and this has its own charm, when we already... everything changes, you

can’t imagine what i experienced, when i assembled, we call the first sausage, the first assembly, i i was shocked, because i made some kind of, not a comedy, but some kind of mockery of these village people, i didn’t want this, but it worked out for me, and i didn’t understand what to do, i give honestly, i... stayed overnight with the editor, i had a folding bed, the editor left, and i stayed and i was running the film, i realized that i needed to get out of this somehow, as always happens, a quiet angel will fly in if you are waiting for him, it was no longer possible to finish filming, no, that’s it, i had to start from this material, so a quiet angel flew in and told me the decision, and the solution was as follows: i retold the story as a witness to these events, as a resident of this village, yeah, in detail.

when i edited it this way, the picture instantly took shape, acquired its own charm, and i love it very much, by the way, it’s also a secret, it decided my fate with my my my, when swedish english producers came to the soviet union to film the adaptation of askrit lingren, mio my miu, her famous book. the fact that they came to the soviet union was the right decision, because our children's directing was amazing, that 's why. yes, they were looking for a director, they looked at alexander mita, seryozha solovyov, borya rytsarev, they saw, i don’t know how , who decided to show, a dog was walking along the royal, they said, this is the director we need, you know, how strange, western european

fairy tale, askrit lingren, vika tokreeva and a stupid story about a russian village, but they got along perfectly, it’s not a coincidence, absolutely, but what exactly is victoria?

dog according to royal, i so wanted to make a picture with him, because shuvshin’s amazing picture, and with him, yeah, it’s just a miracle, of the same kind, but we couldn’t find anything, and he and i, yeah, were looking for literature there was no material, this is what a dog was singing about ale, there’s a great cast , there’s also a bass player, and my god, how i want to rewatch how i worked with the bass player, well, he ’s wonderful, he’s the one. he's an inventor, yeah so, and he always, he called the acting take, he immediately told me, grammarians, are you going to shoot the acting take? i say, what is this? this is how he sees it, yes, yes, i say, what is it? he said, well , sometimes you and i agree, and sometimes we don’t, so are you

going to film an acting double? i say, with the greatest pleasure, that’s it, we decided on this, you know, with khityaeva it was wonderful, yeah, well, naturally. they remembered her as amazing, yes, that means she wore a headscarf on purpose so that people would recognize her we went to some kind of canteen, a collective farm, and there was a problem, i told her, you are an earthly woman, you give birth to children, you have beds, radishes, dill, you are life, you understand, you are the earth, so no cosmetics, he looks at me like that, says, ok, ok , i’m rehearsing, get ready for shooting , 3 seconds before i motor, she bent over, chick already with smeared lips, i said, i beg you, don’t do this, i say, i’ll stop it anyway, tucker

instantly, about the actors, you’re in the movie myo my myo, yes, they discovered christian bale, he was very small, he was actually only a few years old, and the music. well, of course it was all so interesting and curious, because joint production in the soviet union, how it was built, independent budgets, the western partner determined a certain amount of work, yeah, and he paid for it, we didn’t know to whom, how much, what and as, and the volume was also determined by the soviet union, these are pavilions, this is nature. this is crimea, an expedition, it was a disaster, it was chernobyl, i had conservation, we went and started filming in stockholm , yeah, then we went to scotland, the north of scotland and filmed there at cato castle, if

anyone hasn’t watched it, it’s fantasy, yes, that means we returned and this catastrophe happened, our partners said, that they will not go to crimea, because kiev. nearby, uh-huh, we explained that it was all clean there, and the picture was closed, and there was a chance, happiness, president magathe. was in yalta, i found out about it, i came, flew to yalta, found him, persuaded him to take air and water tests, they took it to the swedish film institute, our english partners, and so they revived the filming of the project, they came to yalta, yalta was empty, yeah, they called their relatives, wives, small children, because it was paradise.

on the contrary, to line up, quickly, and well, yeah, then they lose interest, another smiled, we walk happily on this earth, and come on, let’s smile, and it was all a nightmare, a disaster, for me. tick-tick tick , i literally have 3-4 weeks left before the start, but there is no hero, so i remember that i selected 18 twins, there were 21, just in case in case someone gets sick, yeah, but the hero wasn’t there, and a friend came, it was a real story, i was sitting in gorky’s studio in my group, i opened the door, a young man came in and said: i’m sergei prokhanov, i know, you are looking for a hero. i read the script , it’s me, you don’t have to look any more, that

’s where it all started, impudence, second happiness, well, yes, but then a gorilla comes towards him from the zanil, gorilla, carrying it under his armpit, yes ha ha! crocodile, gorila is coming, gorila, dear crocodile, why do you have such eyes, this is so that you can see, but dear crocodile, why are there such ears, and this is so that, dear, crocodile, why are there such teeth here? this is so that this set was a brothel

, wonderful, yes, but we turned it into a kindergarten, it would be better not to say this, now it’s impossible to look at this picture, no , it’s the other way around, normal, yes, everything is fine, so what, he , it means that there was ideal contact with the children, everything is fine, absolutely, the fact is that the children had already been selected, they lived. studio and i told them, an actor will come to you and you are with them, he will communicate with you, but you will decide whether you like him or not, we will decide, but they destroyed candidate after candidate, which means they were gaining excitement, so when seryozha came, i immediately visited him for the first time, when he impudently entered the group, i said: “seryozha, go down to the second floor, and i will come to you in 25 minutes.” i went, everything was as usual. he came in, a scream, a scream, a ringing sound, a grinding sound, and then sudden silence, and i

thought, yes, i was experimenting, i opened the door, i saw seryozha lying on his stomach on the carpet, that’s how he crawled and said, we are fish, and the fish are silent, and the children behind him, that is, also bending, crawled along this carpet, i saw their eyes, gorgeous, i realized that this is what i need, yeah, but they made a lot of money on this film, you remember your nothing.

this was our only income, and i had absolutely no position, no acting, no directing, no writing, there was no work at all, then it was very cool that valera priyomakhov, a great friend of mine, he

invited me to go to kinotavr, i told him, valera, why ride, you don’t have pictures, i have... and he is already a star, the boys have already come out, he was super popular, just for this popularity at the kinotavr donetsk miners gave him a bunch of roach or tripe, you know, when you look at the sun, it is transparent, and we said 5 hours after lunch , after sleeping in a beer bar on the embankment, that means the pearl is there, i came, it’s not there, i’m going, looking for it, ksenia marinina, the famous ksenia marinina, who invented the movie... on frame, yeah, she says , volodya, come here, we just need you, god sent you, sit down, i say, here is ira borisova, a producer, she will make an amazing children's project, we need a person who knows children's poetry, knows documentary films, knows children's cinema, knows children's poets, composers and so on, you definitely know such a person, i'm

holding my breath, i knew such a person because i was there, but i didn’t... said, i told eri borisova, i’ll come to moscow and in 3 days i’ll call you, and we’ll decide everything, i flew to moscow, i wanted to call, of course, but beat himself on the wrist, stood it for 3 days, dialed, she says, hello, i can bring you this man, i arrived, she says, and the man, i say, it’s me, she says, my god, what happiness, so i started an amazingly interesting job on the street. it was we who came up with the cube, busia, zaliba, thought about how to build a studio, and this is a brilliant idea , you know, its author noticed that children pay attention to advertising slogans, yeah, they remember them very well, and he came up with this one system of short repeat systems, uh-huh, when he shows this letter

oh, and after three programs he shows the letter a, he also reminds, but not immediately, but after... nine programs he shows the letter a and is silent, and the children themselves scream at the tv, but do we understand? yeah, then there are 42 participating countries , each country produces its own programs in a common pot, that is, it’s like a franchise, yes, absolutely, and some inspiration came from the mapit show, well, it was fantastic, puppeteers came from london to train our puppeteers , yeah, these lessons brought me to tears, the thing is that...

you know, they are passionate about this work, how long it is continued? well, we did the first season for a year and a half, about yes, the second season, then i became the director of gorky’s studio, and we made a special... pavilion for gorky’s studio, yeah, to write synchronously, yeah, we made a special covering, a relaxation room for actors, the second season we filmed at the gorky studio, class, and

what were the responsibilities of the director of the gorky studio, did you select any projects or not, the creative part, well, the fact is that no, i was two-faced, because i remained artistic project manager, yeah, in first of all, i had to gather the whole team, yeah, poets, composers, documentarians, nikolai lebed, so i was two-faced, as a studio director, i had to provide a pavilion, normal rooms, editing everything, and as an artistic director i also led the project as before, the second season, like the first, plus you also have to be a business executive, probably a good one, in order to manage the studio, well , i started as a business executive in repairing toilets and corridors, of course. because everything was in such disrepair, i remember, yes, i remember, there they were filming a draft for the stars, well, richard viktorov, yes, i was involved in the filming, too

, and i talked to igor mazheiko, yes, me too, who is the author of the script, wonderful, completely kirbulchov, yes, he is kirlychov, but in fact he is igor mazheika, and you are not they never wanted to make science fiction, i worked with the strugatsky brothers, we wrote a script for a bug in an anthill, i wanted to... think, but lesha rybnikov and i wanted the death of juaquin murietto as a star, they didn’t give it to us because it was an expensive film, yeah, that’s it unfortunately it turned out to be a bargain, i said, but if i

i won’t film beetle anthills, then give me what i’ve been wanting to film for a long time, the death star of juaquen murieta, that’s how i got a rock opera, and when the idea came to film a hand-operator, you ’re probably like me, i listened to the record until it was full , yes? i didn’t want to film the play , although it was very popular, it was just in linkom, that’s it, but i didn’t want to, i wanted the theme of violence begets violence, this was very relevant in 1987, 1966, of course, and lyosha wanted to rewrite the entire score, he wanted to re-record the vocals, and we started re-recording, and we re-recorded the first part of the chilean part, yeah, but all the vocals... huaaquin and teresa, yeah, we didn’t find the performers, and we left those who were on the record, and i had to change the idea a little bit, because that

we couldn’t record new parts with lyosha , you know, but nevertheless i changed a little, it seems the plot-structure of the story, yeah, well, well, you rewrote this like the silver bastards from the mountain flowing waterfall, this is the whole chilean part. . exposition before the barsha arrived, when they sailed away, this one the whole part was rewritten, so i am your freedom, i am yours, this is left from the record, well , i shot the monologue three times, don’t be born, my son don’t be born, yeah, teresa was raped, her monologue, i shot it at the beginning of the picture, in the middle of the picture final, because the set of the hut was in a small pavilion in yalta, yeah, in an old studio behind the garden, and it wasn’t dismantled, y... and that was my happiness, i said, don’t touch it, i want to film this monologue, he very important, three times, and which one turned out better, the first one, and you know, took the shot,

when he recognizes hands, city lights, a blind girl recognizes hands, 40 takes, took the first one, this is a fact, rum, this is a podcast 20 years later, director vladimir gromadikov is our guest. tell me, when you wanted to become a director, i know that your father has a different future for you, well, it happened, you know, creativity, an insidious thing, it creeps in everything, it all started with the fact that i first entered a technical university, and then.. kochelovsky was filming his graduation film for the boy pigeon, uh-huh, misha korzhavin, cameraman, he didn’t have two fingers, andron asked nikita and me, oh, my god, to connect.

they caught about 200 svesars and they had to wrap their wings with thread so that they wouldn’t fly away pigeons, pigeons, yes, because on vasilievsky spusk they poured water on the cobblestones and released pigeons there , they weren’t supposed to fly away, they were supposed to walk, yeah, here we are somewhere on near the high-rise building , nikita and i were knitting these pigeons at night in the pigeon house, this is the beginning, then when it happened.

but he was the general curator, because this theater was part of the propaganda bureau of soviet cinema, and the leaders the artistic directors of the theater were rumnev, alexander , a student of tairov and zobin, a student of mirkhold, uh-huh, wow, yes, these two people ran this theater, and the theater was super popular, andron and andrey brought you there, because i could dance a twist with 6: 00 pm, yes 6:00 am , at nikita sandron’s house on... why are you moving so well, go to the theater, they brought me and accepted me into the professional troupe, this is the sixty-second year, oh, wow, the third i went to serve in the army, served for 3 years in the army, navy, or something, no, this is the last year, when i served for 3 years, i earned it in especially secret units, escorting especially secret cargo, this is a rash. how

you met your wife, i know that you have been together for a very, very long time, well, we met on nikolina gora, i came to nikita mikhalkov ’s dacha, on nikolina gora, and the zhukov family, her father is a famous artist, nikolai nikolaevich zhukov, they we lived not far from each other, we had such a company, in general, childhood and adolescence, in general elite, well, we were not a little bit, what an elite we were then, lord, mikhalkova. yes, well, yes, nikita was brought her first jeans there at the age of 18, no, no, no, we weren’t particularly spoiled, you know, my first jacket was on and in general i had mine in my second year of college, and so i kept looking after my older brothers, and also nikita, there were no natalya petrovnas, his mother very strictly followed, as if there were no special preferences, i’ll be honest,

they were bullied. no, it wasn’t, but do you spoil your children and grandchildren? i have two sons, six grandchildren, a great-grandson and great-granddaughter, finally a girl, great-grandfather, well, you look super super young, twice great-grandfather, yes, i have matvey, who is already 6 years old, finally a girl appeared, sofia, a miracle, and what do children do, what do grandchildren do, egor graduated from pike, then he was a director, filmed tv series, then he got tired, now. he is raising a child , he works as a dad, and the youngest went to europe to find his love, now the love is gone, which means he graduated from university in geneva, then graduated from another higher education institution in bern, then he got bored in europe, he came to russia , this is a big law firm, very cool,

yes, you always, in parallel with... with your directing activities, you always did a little acting, and it seems to me that you really like it, such small roles always, so as not to forget this autumn marathon and... of course, the belarusian train station, here strange , these two episodes, they are very tiny, yeah, in the last marathon i played an abandoned woman, an abandoned man, when i was at a meeting with the audience, when i called the autumn marathon, there were always men, applause, because the sadness of abandoned men, i played there , oh, zhenya, my favorite coat, zhenya, why don’t you say hello? i didn’t see you, we saw you, we saw you, you looked me straight in the eye, andryush, meet me, this is ptashuk, ptashuk, very nice, buzakin, and this is andrey pavlych, i read his poems at the dacha, near the vali, these are not my poems, these

translations, well, what's the difference, the words are yours, and we were in coffee right now, yes, yeah, well, i'm off, go, go, goodbye, goodbye, that's all, okay , that's all, that's all, yes, very expressive, what eyes, when they look at him, at her, yes, that’s all, everything is played, and the belarusian station, who is there? completely unexpectedly, andrei smirnov called and said: volodya, i have such a small but very important role, you will carry three people’s artists, which means it didn’t work out until those same years 20 years ago

, i dreamed of after lyosha rybnikov we wanted to film musical sidora, sidora duncan and sergei yesenin, we wanted to make a picture of disillusionment, when two people did not want to understand that everything had changed, that... headquarters with the temperature regime of this story, unfortunately, we did not film this, maybe we will return to this project somehow, well, hardly li, i’m now in the launch, and that i can’t say much out of my self-belief, this is the real story

of my family, the story of my mother, forty -eight years after the war, my mother saving her family, saving children in a freight car with a cow, four children from moscow and from sverdlovsk. to his father, who was sent to be closer, the script was written by andron kochalovsky, who knew my mother well, because we lived in the same medical cell and he ran to his mother for pies three times a day, did you write recently or a year ago a year ago, wow, that's very interesting, yes, sasha ursulyak will play my mother, yeah, for a very long time, about 500 people, i looked through the children to gather a family, yeah. this is my older brother, uh, lucia, and vovka, i found myself, six years old, this, this is a teaser, what do you dream about in 20 years for yourself, in 20 years, well, it’s unlikely that i

’ll live, of course, but if he lived, i think that all the chances, because you are great, no one, everything happens in an hour, will you believe that this man is 80 years old? i don’t, i don’t believe it, well, i would probably always i wonder what will happen to my heirs , because i was not a very good father, i had to work a lot, earn money, and of course, natasha ran the house, she ran my children, but i’m an amazing grandfather, they might say, and my friends, and my grandchildren, i follow everyone’s lives. and of course i would like to go to sofia’s great-granddaughter’s wedding, oh, everything

will come true, we have such a magical cube, it does everything, okay, yes, thank you very much for the wonderful conversation, i’m very glad to see you in podcast 20 years later, was directed by vladimir. good luck! hello everyone, on the first channel of the podcast everyone wants to fly and i am the host of this podcast leonid yakubovich. today, my friends, you and i will not fly anywhere, we are in the debriefing area. we 'll talk today with the people who created the amazing film called air. director of the film alexey german, hello. and the performer of one of the main roles, elena lyadova. hello, brothers, what

can i say, unlike all the others, i saw the film, uh, as far as i understand, the premiere will take place - it will be released on january 18 , you surprised me with this: i was somewhat wary when i started watching the film, because i thought that it would be another action movie with shooters, bullets, burning in the cockpit, with wild screams and so on, you somehow from this from... found showed, perhaps, perhaps the most difficult part of this life on earth, leningrad in the siege, female pilots and female technicians must show training, courage, self-sacrifice, not only for the pilot, but also for the equipment, they need to give birth, braid.

masha, why do you need war? you lived rich, didn't you? what do you mean why? how many of our people are dying? why are you sending, girl, nothing is ready. i would give them time to learn. i will give you an order, protect the road. please, why didn't you kill the german? i can’t live , i’m going into the clouds, the seventeenth, what do you dream about, how i dance, how i go out on stage alone, zhenya, i need love, you could fall in love with me , everything is fine, we’re attacking, attacking, and loving our homeland. it’s death for you, what’s more important, a relative

or a person, dear, isn’t it so with you, girls, we beat the germans, i shot them down, you shot them down, don’t believe in us at all, or do you feel sorry for me, please, my little one, please fly, fly. fly, fly, airplane, fly, look how the buildings fly, it means everything is not in vain, let 's fly somewhere else, lena, i have a question for you, how did you feel in... during all these evolutions, despite

the fact that this is all generally safe, this is filming, in general it’s not really, it was still scary, they closed the cabin, it shook so that there were no cracks , everything was sealed, they closed it with screwdrivers , raised it to a height of probably 9 meters -8, on such a specialized crane, this simulator, let's call it that, an airplane cabin. the wing was on fire, everything was shaking, the group was below, in fact i was scared , i understood that if something wrong happened, the guys wouldn’t make it and i wouldn’t be able to break this window, i definitely wouldn’t jump out, it was scary, you’ve already seen the movie they showed in japan, yes, the japanese, how they watched a film about russian pilots, and about russians in general at that time, well, in my opinion, it was wonderful.

the topic of the great patriotic war is somewhat erased from memory, but you took on it, why? well, for me it doesn’t wash out, for...

586 587 588 aviation fighter bomber and light night bombers, you chose 586, this is a regiment of female fighter pilots who worked on yak 1b machines, then i was

not one of the pilots, they offered me, we for a very long time we thought about how to make not just a film where there are photorealistic aerial battles, where there is physics, where there is gravity, but also how to make the film as if emotional, so that it would not let the viewer go, and at the same time it would not be empty , only

when we groped for history, when we groped technology, that’s when we agreed. we started working very slowly, we spent a very long time restoring, and building planes , because we don’t have any living yak-1bs, we have one, which had modifications at that time, now, in my opinion, another one has been restored, and we have built 12 yak-1b, because we created airfields, and we created this regiment, as close to the original as possible, and it was like a whole, whole life. which we lived, i was completely dumbfounded by your preparatory period, how long how long did this last? well, for quite a long time, i think that it was probably a year and a half, we were preparing, well, we first started preparing in a small group, there were about 7 or 8 people there, we started looking for planes flying on

the wing, we began to come up with filming technology in detail, we started designing how we would build these aircraft models. a lot of regions of russia looked at where we would film, we looked for artists for a long time, because our film, in addition to, therefore, wonderful, famous actresses throughout the country , academy cadets are also acting, precisely because we needed people with poise and understanding that, as it were, discipline with faces, you know, like i always have... it’s very frightening in films about war, when they arise women who have recently cheated themselves, so to speak , of everything that can be cheated, whose teeth are whiter than white, and their skin is somehow incredibly smooth, it seems to me that this is, well , not very, not very, not very good, and then we by...