on the wing, we began to come up with a filming technology in detail, we began to design how we would build these aircraft models, we looked at many regions of russia regarding where we would film, we were looking for actors for a long time, because in our film , in addition to the wonderful actresses known throughout the country , the academy cadets are also acting, precisely because...

the country was looking for actors for small roles, for one of the main roles we found the wonderful kristina lshina in omsk, that ’s why there was a long , long, long preparation, i mean, by words, i was completely dumbfounded by what you built, i'm not convinced that somewhere in the world something like this exists, this screen is the size of a four-story building. as far as i and plus everything, this whole apparatus that rotates the plane, we did a certain amount of engineering, that is, a rather complex structure, invented specifically for the film, lifted and the plane weighing a ton, and this is our simplest gimbal to a height and then spun and twisted, twisted, twisted, twisted, twisted. in that

moment and so to speak, there arose, let’s say, the authenticity of the artists’ feelings and emotions, plus all these maneuvers were synchronized with the projection on the screens, so when the plane went into a maneuver, then accordingly we tilted the plane strongly so that there was a physics of the position of the body in cockpit, that is, for us the physics of flight was one of physics and photorealism was one of the tasks. which we staged right away, but it still had to be combined with what was happening on the screen, yes, it was a whole, whole thing, we had a lot of attempts, we filmed real ones from real planes, of course , in different regions of russia in different weather conditions, from different cameras, in order to get the feeling of flight on the screen, we had emergency landings, icing, well , in fact, all the joys, i can imagine how you yourself...

when i think, those who were sitting in the cockpit didn’t really like you, yes, if so to speak, they went out of character, we could, we had such technology that we could pretty much make turbulent planes and fathers-in-law, when we thought it existed, no, slena this never happened, in no case, lena always existed, but when it seemed to us that there was some kind of tune, i say, we’re shaking the plane, but in fact it’s physics, it’s overload, it’s kind of quite hard control, and well, we

tried to build a story like this about the efforts of concentration, in general , well, we had a lot of technology, we had a whole fire scene, a bombardi of a henkel bomber inside, it didn’t go in there for various reasons and we of course it was filled with smoke, there was fire, it was intact, well, as if intact. the whole thing vodka veda, a product of stellor group, it doesn’t happen that a person was in your life, then he disappears, even if he dies, this girl is almost unrecognizable to the child who 5 years ago lost the most precious thing, her mother, i don’t think that i’m without her, i have a lot of memories, but this is my mother, yulia nachalova died very young, at 38, she will leave...

to her parents and ex-husband, her beloved daughter, vera. i said that, unfortunately, i have very difficult news for you, that mom is no longer with us, that’s what at that moment, in that evening... he survived, only he knows, it’s a big responsibility to tell your child that his mother passed away. how did yulia’s only daughter survive this loss, what path did she take after her mother’s death? i’m just somehow very mega-strong, somehow i felt like i pulled myself together, that is, our exclusive 5 years of the adult life of a girl who decided, no matter what, to become a star in memory of the famous mom. when you appeared, my life changed. i will always be with you. exclusive with dmitry borisov. premiere in saturday. on the first. we are now, dear friends, present on the podcast, everyone wants to fly, which is on channel one. and we are talking about

the film air, which, fortunately, i saw, and you will see on the eighteenth of january. i assure you, this film is a must see, and i envy in advance those who have not seen it yet. because you will get the mood, the sensations that i have already experienced, today we have here the director of the film alexey german, the performer of one of the main roles elena lyadova, yes we continue, but this is just hard physical work, then where are you were filmed, i understand the sensations, especially when it shakes, pumps, twists, turns and gradually becomes psychotic... but the reflex movements of the head, i was convinced that you were in the cockpit, well, we rehearsed it, we had consultants, we had consultants , we roughly understood what kind of load it could

be, i imagined that the heaviest thing in my life i had lifted, oh, what a pity that you didn’t have a twin so that someone could lift you up, oh, what a pity. it can't work very well, we considered the option uh in terms of flight after flight, that’s right, yes , it’s the artists, it’s the artists that are to be imprisoned, they studied, studied the experience, came to the conclusion that there are more production disadvantages, why? because when we were filming this story, i could set the actor on fire, for example, ah, his blood pressure was 200 when he came out, but he did it at a fairly high speed, it seems to me that

he behaved very courageously, but he there was a moment that it seemed like my eyes would burst, and at the same time i realized that i could lower this structure, the artist could... the history of aerial filming there is several years old life, analysis, i came to an amazing result, which is that graphics are more expensive than shooting high-quality

aircraft models, than shooting real airplanes, and so on, not only that, unfortunately, graphics are not always, even in very expensive american ... of the patriotic war, then in their place, one in line with the behavior of the great pilots , one we inserted 3d models of airplanes, so that there would be no feeling when the plane is walking on rails, it’s not walking on rails, but it’s as if there is, there is turbulence ,

there is, as it were, inertia, there is a tangible weight of the plane, it is almost impossible to catch, but the problem is... many films , including, unfortunately, ours, when computer graphics are made, latently we do not feel the weight, accordingly. went this way, it’s a very multi-component picture, plus when we had bombings, we launched 52 of them, which were then slightly modified by computer, but when filming is going on and the artists are, conditionally in a trench or somewhere else, it passes low over you a real plane, then you behave more truly, because it's more scary in the first place. it’s just scary, secondly , you don’t need to depict, this is here, we’ll

launch a drawn plane, no, here it is, it’s coming at you, it’s rushing towards you, at the same time something explodes, and this gives some kind of authenticity, and if this is an amazing thing that i discovered for myself, simply from the point of view of economics and production, launching real planes is many times cheaper than painting the same thing. many times cheaper, i understand that this is a profession, but nevertheless, you would never we regretted that we took on this, i’m now asking about this block that you rolled, well, i had moments, and not that i was afraid, but you know, sometimes you come to filming, you were there... drank or something -something else, and sometimes it seems to you that

your strength is running out when you push it, you know, we chose the most idiotically difficult way to shoot this picture, we recreated all the costumes, again lena okopnaya, the costume designer, too, she , we first created threads, then yarn. from this yarn we made fabric, from this fabric according to those technologies, we restored tunics one-on-one, we sewed flight suits, but they were about the same weight as they were, because they were quite heavy and you wouldn’t be very pleased, but that wasn’t included in the selection, but you know, but minimally, unfortunately, this is the legacy of the wonderful soviet cinema, let’s say

, of course, i cursed everything, you know, i immediately want to shoot a picture somewhere, you know, in the warmth, so to speak, without, without, without traveling, without traveling far, with one on the other hand, the challenge is great, this, of course, was such good drive, make, try to make a film when you don’t have, you know, you often watch here, our war films are modern and you quietly swear when in...

that modification, or i watched, recently watched one film where about some that didn’t exist yet, or a plane that’s not a fictional blue soviet secret plane, or when you, when you see, it means, absolutely disheveled pilots who stand, stand in front of, in front of our superiors... or when you see how from when you see these poorly made cardboard ones collapsing three models from which they make an airfield and it’s all a shame, but we wanted to make sure that we weren’t ashamed and those who were watching weren’t ashamed, and accordingly, if there was an option to choose the most not necessarily the most expensive, but nevertheless choose the most a monstrously difficult decision, then

in the debriefing area we have the director of the film air alexey german and the performer of one of the main roles elena lyadova, and i’m leading. leonid yakubovich, the preparatory period was about 3 years, right? you told somewhere, no, well, we, well, how to count, with dates, as it were, how we started working before the script, during the script, i think that if everything was accumulated for 2 and a half years, probably, and the construction

of this entire huge set, well, that would be, well, that, well, we’ll do it in advance it took a very long time to design. this is interesting, in fact, we set up a workshop for creating models, models of yakov and mister shmitov, and this story took a year, because there were several unsuccessful prototypes, because when we first started recreating the yak, then the first plane was made with a mistake, it was just shorter, and lena trench was the artist of the painting, she saw it. then we called this plane good and we put it in place, we turned it around specially so that it was not visible, we put the farthest edge of the airfield, which means then we put it into the aircraft production stream, then they took a very long time to fine-tune the technological holes, hatches

, airflow texture, scratches on the propeller. and it was like an endless, endless, endless story, so to speak, there were screws from that time, so not, so not the screws that sometimes fastened something were not visible, and to this day i see two or three screws in the picture that i missed, i understand that no one sees them, i understand that they are small, small samaritan ones, only me i know that they are there, but every time i... i reproach myself that i passed by and didn’t notice, there was a very difficult story, how to simulate the acceleration of the plane so that it would take off, because since we were filming in the winter, the takeoff the runway was getting wet, we were leveling it at night, the plane was accelerating,

slid, that is, there was a long history, we placed the engines, we which were supposed to rotate the propeller, we imitated. engines, well , the whole cabin was imitated, two words, you touched on it in passing, an amazing artist on the film, this is lena okopnaya, in fact, she is both a costume designer and a production designer, well, they really did, they did a colossal job in all the details, in everything, starting from creating a reliable trench, and a reliable...

understand, we thought a lot when you make a model of an airplane, when you build it, of course, what a centimeter, a centimeter, everything where needed and so on. question: how to paint an airplane? we know that the plane is wooden, partly, not all, but partly wooden, partly fabric, partly, we know that, well, yes, percale, yes, yes, yes, well, percale, yes, of course, but we did the research, we painted the plane matte, weight and naturalness, although there is more of a feeling that it was like this, that is, simply even in terms of the amount of varnish, the choice of paint, the choice, the choice of the degree of glossiness, not glossiness then, the feeling depends

authenticity, there were a lot of options for painting the planes, just a huge amount of research. work, can i put in my 3 kopecks, in fact, well, in the filming of other films, of course , the director is always important and the main one, and he commands when to start, in this case, we still have an artist, elena kopnaya, who will not build her truth in the frame, documentary, filming had not started, alexey alekseevich was in the background in this sense and... lena created such a detailed atmosphere, she directly lived it, the whole film is actually saturated with it the desire not to lie about everything, that’s what alexey. he talked about how he built airplanes, didn’t want graphics, lena created threads, fabrics, and we, as artists, were simply

witnesses to the fact that some special, well, of course artistic, fictional, well, some especially artistically fictional, truthful documentary was being created world , it was difficult for us to lie there; you know, it’s amazing how... the topic you touched on hurts me, well, not only am i crazy, i’m in love with the sky, once and for all, that’s for sure, but when we were filming a film about girls of the 588th regiment, however, this biplane of the legendary aircraft designer nikolai polikarpov was not intended for combat operations, an open cockpit without armored backs, with a low-power engine, whatever they called it,

and at -25 and the lack of communication of any kind at all, but about the mechanics about technology, you can’t do anything with the engine with your bare hands in gloves, it means flying in, jumping out of the cockpit, a sip of tea right there in the air, during the transition period, when there’s a lot of dirt, when there’s nothing to land on, well, i was so stunned by my feelings that i realized that they were all... heroes of the soviet union, every single one of them, so when i looked at the bass, it all stirred up in me so much, you thus perfectly

conveyed this feeling of human existence in inhuman conditions, that i just have a lump in my throat, thank you very much, because i believed it, but you also took incredible work on yourself, you started filming in the winter, lena won’t let you put it together, we wanted to do it. monstrous storms, all our planes were blown away, we built a runway, it was flooded,

not only do we have not only yaks, but in the film, in addition to mister shmitov, we have two, there is a piece of i2, there is i16, and a huge three-ton model, which means that silt 2 was in the wind, its wing was torn off and the guys were lying. there 10 people just piled on, 10 people each held the wing, because we wouldn’t have restored this plane later, we had shift cancellations, i remember, in my opinion, lena arrived, arrived without hands, we were flooded, and we were running along the lagoon, comes to the gulf of finland, they literally grabbed the cameras, the tent was dismantled with monitors right before our eyes, they were running, the water came right within minutes, there in one of the frames, which... i saw mm footage of the filming period, when you shouted very loudly, stop, it’s filmed, the shift is over,

the joyful, cheerful faces of frostbitten people who are wandering through the snow field. colleagues, thank you all for today, the shooting is over , it was epic, friends, lunch is announced, and at the same time their eyes are shining, from this i concluded that the relationships in the group were probably wonderful, everyone just wanted to star in this film , but but it seems to me that everyone somehow partially understood that they were some kind of link... paint in some very important matter and despite the cold and some possibly uncomfortable conditions, well, for actors. it was necessary for the picture

to take place, it was important for everyone, for us, what lies ahead? well, now we, so to speak , seem to have to start with the first channel according to konstantinavich’s wonderful idea, one big film, i haven’t yet been given the command that we can say so, so it’s me that i don’t know, but i honestly to say, i finished with that level of fatigue in... spirit, that besides everything else, i would just like to relax, well, because there is a lot, a lot of hard work, a lot of hard work, i want to tell you that from our entire conversation, without lying, i can say that i am filled with the desire to wish everyone to watch this film, because god knows, it’s worth it, once again, we are on the first channel in the podcast,

everyone wants... together with the director of the film air alexei german with one of the main performers elena ilyadova. brother, thank you so much for coming, secondly, and firstly, for the fact that you gave me the opportunity to spend very good hours there, almost an hour and a half. i watched it with pleasure, well, maybe because for me, i repeat once again, as for... you have a sore subject - war, plus everything that happens to the air, in general, i enjoyed it , and i sincerely tell you guys, thank you, i have it sitting here, i’ll probably watch it again, all the best, thank you very much for being with us on the podcast, everyone wants to fly, i hope that you will get exactly the same pleasure as i do from watching the film

air, although any... recommendations in all likelihood are not worth a penny, but nevertheless i recommend that you go to the cinema, probably the greatest happiness - this is when all your loved ones are nearby, alive, healthy, children. there is absolutely everything for their full development, yes semyon, absolutely true, a cheerful team , attitude, dreams, desires, aspirations, goals , victory, picnics, walks, we go on rides, first of all i am an altruist, that is, i strive to do good to other people, as well as to the society of our country as a whole, we give flowers and a good mood, so we wish everyone a great mood, russia, be

happy, you want our country to prosper, many talented people appear in it, who lead it to even greater success, let's get started, oh, they can’t, they can’t play, i didn’t go , hello, hello, welcome, oh , it seems, it seems like the festival is approaching, now it’s about to break out, there they are already going, going, going, approaching, who’s going this time, what’s the main thing they’re riding on , now we’ll find out everything, we’ll find out, we're worried, we're trembling , we're trembling, we're all trembling, our hearts are jumping out of our chests, come on, let's do all this somehow, we have to wave, it's coming to us, it's coming to us, here,

guys, it's coming to us! we have to feed everyone and give them something to drink, and music, music, how much music there will be, oh-oh-oh-oh-oh, hello, hello, i especially like the first one, look, probably, probably, it will be the fastest to play the harmonica, yes, yes, yes, the second one too, and oh , oh, come on, come on, everyone, everyone to us, everyone to us,

long live sybil and its inhabitants sibil sibil sibil si'.

and today in the village it will be restless, hey, accordion, tear up the mikha, we’ve had enough of sadness, and we siberian guys are soaked in the cold. don’t cast a sideways glance, we were brought up as we are, we drove, we drove, and finally we drove, but show

us the village, how they walk happily here, we drove, we drove, yes, we finally drove, and the packs. we were taken in by the joyful way they walk here, they wanted to trample us, they gnawed and broke us, our roots were deep, our teeth were broken, once, counterpass, you take it lower, i don’t know who goes where. it’s closer to the people, we drove and drove, yes, finally we were driving, and show us the village, how people are walking

and having fun here, and we were driving, driving, finally driving, and show us, to the village, how people are walking here. and funny!

lived, was, ate, drank, yes, let's go, oh, well, the festival is in full swing, let's imagine a small collage, as they say, let's start from the edge of russia, the primorsky region, right? yes , what is it, how they play here, and the sailors,

the sailors play great, nikolai ivanovich, we’re already asking for music, yes, we’re asking, but we will know, oh, good, well done, great! artyomka, why did you bring us the stambo community? barnya, well show me, come on, trump card! congratulations comrades, and as

you wish, i sing to you a little, yes, if you wish , wish, we pass through the village, we give telegrams, we clean up old girls, we go to the young ones, and i am a fighting boy, yes from tambosi, i can love, i can forget , there’s enough conscience for everything,

and there we have a hard duet from kazakhstan, so it’s written, apparently a duet from the kalinka ensemble, you’ll play, probably kazakh ones, such relatives, it turns out to be a little papuri for kazakh songs, papuri, wow, it’ll be a kazakh papuri.

well done, thank you for coming , we have a legendary personality here, you can say i’ll call it a veteran, don’t be offended, but play harmony, scenes, a veteran of harmony, a veteran of folk art, because this is a friend of gennady zavolokin, the program. from 1988 valery clicquot, krasnoyarsk region

, our respects to you, valery, arrived just today, sing songs, we ask, we ask, bellows, harmonica, i hug you tenderly, the poses will explode with an echo, bronze the tight heights, the half of the sky will sway, the big stars will sway. for snow, how great it is that we are all gathered here today, the bathing will begin. shoy star of light, how great it is that you are all here, gathered today, like a reflection from the sunset, the fire of the sun is burning, are you sad, tramp, come on, smile

, someone very close will quietly tell you how great it is, that... we have all gathered here today, someone very close to you will say how great it is that we are all here, today the choir, yet with a sore throat we will remember today those whose names are on our hearts, like wounds are baked , with their poems... we will fill every breath with songs, how great it is that we all we gathered here today, fill them with songs, we will fill every house, how great it is that we are all here, gathered today, hurray, festival,

this is the caspian sea! we will play a dagestan wedding. this is our wedding suit, imitation circassian mountain tuxedo. thin and delicate organza that will cover the bride. shuana and akhmed - avars , we will have a wedding according to the customs of one of the most ancient settlements of dagestan, the village of chokh. and here will be our photo zone made from a carpet, a dagestan carpet. only instead of a wall there will be mountains of us. well, it’s sausage, you have to prepare a wedding without sausage, how can there be a special czech lizginka there is a step step presented hands like this, just like that, so cheerful we have to prepare a wedding our premiere we are playing

a wedding today on...