this is all true, and this adds, of course , the effect of presence, we have never had this before, of course, we continue the podcast of the creative industry and today we have sergei bezrukov in our studio, you know what i really wanted to ask when i watched this film , he is very atypical for us, for children who grew up in the soviet years, for us , on the screen these were always heroes who uncompromisingly rushed into...

what is it like to shoot at an enemy, a german, when you can’t, when my hero takes responsibility, responsibility, you must take this step, i take responsibility for you, this scene is of course scary, but the hero understands that i take this sin on myself, i take myself on so that you can do it, you must become a soldier, you must become a warrior, you must become a pilot , because if not you, then you, this is war.

the feeling can be that very life, because for the hero there is an order, there is a duty, his love, for example, with the heroine of the punished lyadova, these are two aces, two commanders, of a women's squadron, and he is a regiment commander, these are two people who know friend friend for a long time. who loves each other, but i remembered how you were an asshole when you were young, when you were landing, remember? uh-huh, soon, again, the corpses won’t be angry, let’s bring everything back , he yells, i can’t live without you, honestly, maybe we’ll take the child everywhere at home, now there are a lot of them left, if we didn’t listen, uh, come on,

“tell the guys to our own, please, so that they don’t abuse my girls, okay, the second army is surrounded, our offensive is blown away, in general they never have that very life, a peaceful life, a real life, that’s scary. he’ll say, when we got into a fight over the fact that you’re letting the girls out, they haven’t yet learned to fly, and i’m just coming out of the operating room, a young guy, a pilot, has just died, i say, why should i marry these girls of yours ? more than these boys, here in the war there are neither boys nor girls, you once dreamed that we would have boys, girls, now we have them, a terrible phrase, now we have a family of girls. there are boys,

these are two loving people who are in the war they then say: i dreamed about you, this is some kind of tenderness, a rather stern tenderness, because here there is no sentimentality, no attention to centimeters, there are problems, there are problems, the engine is not the same, the engine is not ready yet, airplanes are still airplanes not yet the same, the enemy is ahead of us , because of this there is death, and yet this tenderness is like...

the cables broke and it was necessary to hold the planes, this, of course , was really a serious test for the paintings in general for everyone who worked on it, so everyone i want to say thank you very much for that... no, everything lives, the whole airfield lives, it lives its own life, there was a divorce on duty there, i don’t know, they brought the tank, refueling, this is a separate life, moreover, i want to say, the operators - the directors , among them two women, in this movie, yes, there were

three cameramen, one in the air, here are two, but because they survived everything, the film was shot before the pandemic, then the pandemic hit, then after the pandemic they continued, then yes, it was such a big process. what do you think? the main character, the actress who played the main character, this is a new movie star, this is a very resourceful artist, anastasia tolyzina , she, i have seen her in other roles, she has already played in many places, i think that this is such a breakthrough for her, of course, of course, very talented, emotional, lives. really everything and accepting the story of her heroine as her personal drama, that is, she was really required to have that same courage, just as from her heroine, so from nastya she was required to have the courage to survive all these inhuman conditions that sometimes occurred during filming, i came across one interview when you were not

yet forty, and there you say, among other things, that you would really like to star in a real war movie, that’s how they fought for their homeland. there weren’t that many military films, yes, but there were, in general, in june 1941, yes, there is lieutenant burov, yes, in fact, podolsk cadets, captain starchak, well, all this is a small role, ivanburg , the central role, but it’s still this, and so, if you imagine, then this is of course very little, because for some reason everyone says that you have many military roles, i say, no, if you don’t take general capel, but still there is a civil war, so there were not many military men, but here i am... waiting , i hope next year there will be the next work and the moment of truth , yes, interesting work, this is the film that you were waiting for the military, i think that yes, of course, definitely air, because working with alexei german was a dream, i did not expect ,

i didn’t know, they just invited me to audition, but then they didn’t call me, i thought, probably not, and i thought so desperately, well, there was an opportunity, unfortunately, probably not, then... despite the fact that you may have already acted a lot, nevertheless, every time it’s like the first time, every time it’s a feeling of delight and such good acting excitement, a new director, especially a director like alexey, that’s it... the next work, yes, the film is large-scale, it’s a project of the cinema directorate, and it’s a famous project, famous, because it’s after all bogomolov’s famous novel - in august 44, the moment of truth, and of course, with that there were absolutely amazing

film adaptations, uh, the film ak 44 with excellent performance, evgeny mironov, zhenya was played amazingly by captain alyokhkin, this is one of such iconic roles. in his biography and of course he also played it, it’s called i was lucky too, captain alekhine, of course , of course, there are possible comparisons ahead, but i would still advise not to compare, these are different projects, because the truth is , of course, this is modern cinema, a modern scale of filming, and what was most important to me was maybe something that i didn’t see in that film, despite the fact that i also love it very much. like many of us are fans of this very book of that film, the story of the personal drama of the hero captain alyokhin, because his family drama there is very serious, and just at the moments of truth, already in this version

of the cinema directorate, there is a great emphasis on human stories of the tamans, captain blinov, they have their own fate in the frame, there is something... of which there is a very serious emphasis on this, in addition to complex scenes, again this is high-tech, again cinema, because modern cinema, then of course, this is just talking about blockbusters, of course, this is the moment of truth just after the history of the air, just the moments of such a blockbuster, of course, i hope it will come out next year, this is just such a serious story, but then , that the emphasis, like air in a film, is the emphasis on a person, in addition to... that very military detective story, which we already, in principle, know how it will end, what is important for us now is who

these people are, and this is this relationship between captain alyokhin, the main in this group, counterintelligence, it is clear that tamantsev and olekhin are adjacent, that’s how they are with each other, who they are, and i’m glad that nikita kologrev, who has now certainly become a star, and he will be there too, and he played tomantsev, played, and here this accent, among other things, and the action, which is at a high

, of course, technological level, people, people , people, and my hero, captain alyokhin, who, as it turned out, is not doing well, and solving the problem that he has to give birth internally, this the inner world of the hero is very, very important, i’m glad that exactly this is the focus, just like the air and people in the film. war is people, specific people , each individual person, heroes, yes, heroes, but behind each hero is his family, parents, children, his comrades, in the end, behind each of them, my hero in the film has a very serious air problem, because at one time he could not, like the father of the heroine, this zhenya belova, tell the truth, he remained silent, and not completely.

revolutionary years, that yes, to remember a lot from the past, what happened in closed their eyes, were silent, silent, but then says a powerful phrase, because for him the word is an order, and he carries out the order, and he is just ready to die for his homeland, he dies for his homeland, but we are fighting for the best in us, also a very strong phrase that says a lot, we are fighting for the best in us, let's talk about the best in us, about ourselves as a person.

i’m very familiar with the dynasty , it turns out i also starred with liza yankovskaya and i’m honestly pleased with that , i’m glad that generations and actors are magnificent and even the younger generation has inherited this talent, well, somewhere you said in an interview that this is a terrible profession, of course, you know, you wouldn’t wish it on your own child, this is a serious test, of course, you need to look at availability. talent, if you have talent, then i’ll help, what diagnosis do you have, well, now it’s still

intermediate, now he’s interested, and i see , i see empathy, for example, styopa has feelings of empathy, just like masha, an amazing dreamer, and i think, what if the director, even the producer, the screenwriter, even very well, despite the fact that he will have the texture of anya, and this texture will of course be a very beautiful actress, if the actress, but how say - they believe that after all, the best director-screenwriter or producer, but let’s see, you can’t make any guesses here, as they say, the ways of the lord cannot be confessed, well , who at what moment do we know, for example, or vasya, vasya is very ... an interesting character , he is a leo according to the horoscope, he is still more than two years old, but his character is a sense of rhythm, he drums, music, his hearing is wonderful, i don’t know how they play, how he also starts everything, well, everyone plays in childhood, performances have already been performed since childhood, but still i notice something special

yes, i’ll take a closer look, if there’s talent, if there’s ability, dad... the course leader will help if there’s talent, and will take me to work, especially since my father taught me, after all, he’s my first and most important teacher, then oleg pavlovich tobakov has already joined, but the most important teacher who taught me literally from the age of 8, even earlier, is my father, a childless, god bless him, dad, who taught me everything, the craft, but even he said, i remember now his words, dad, every time to me it even reminds me of this even on my anniversary. he reminded me, he said, if i hadn’t seen in you that you could empathize, i realized that i needed to work further, then he began to work for me to enter the mkhat studio school, and then all the independent work at the studio school, my father did with me as a director , so all my work was done professionally as a director, and i carried out the will of my father’s director, and then oleg pavlovich tabakov got involved, who

believed in me in the theater, he took me in already from the third year, i was already famous in the snuffbox. further, further, further, further, but my father believed in me from the very beginning, so i also look and understand that when i believe in my children, when i see this, then i will connect. we continue the conversation with sergei bezrukov, with you, host of the creative industry podcast, elena kiper and roman harmanov. what the theater approached the ten-year anniversary with, i think, is that firstly, it is its audience, because theater without an audience is impossible. we can have one of the most accessible theaters in moscow for spectators, because it is literally 15 minutes from taganka to kuzminki, and from kuzminki you leave a minute and a half on foot, i built a theater accessible to everyone , literally and figuratively, because we were the first to introduce typho-commentation in the theater for

blind and visually impaired people, there is, of course, no running line, there are special screens for.. . a performance, let's say, energetic people, when the audience sings along with the artists, hits of the seventies, sasha rucheka staged, we, by the way, invite dogs today, very interesting work, driving, with superb

acting, because i really it is important that the director still dies in the artist, as he willed. “konstantin sergeevich stanislavsky the director must die in the artist, not the director, here i am the director, the artist, in fact, the poor guy there doesn’t know how to justify it all, and we come yes , it’s the director’s work, but no, the director is still in the second place , certainly an unexpected production, an unexpected interpretation and decision, but still in the end the actor comes out and you have to be with the actors, so each director brings his own, what you took with you to your theater from your mentors, from the teachers, i think that this is exactly the family relationship, if oleg pavlovich was always a father figure for us in tabakerka , dad, and in the provincial language they also call me the provincial dad, the artists are the same children, the same children, oh whom you need to take care of, you need to think, you literally passed by there, you were on the phone in worries,

you literally didn’t pay attention, it’s all this... a sleepless night, it’s this feeling that they didn’t look at me, they looked at me, which means that something has changed, the attitude has changed, it means there will be no more roles, it means everything is not needed, they didn’t give me a certificate, let’s say, my god, i didn’t get a certificate, but for the actor , attention, if suddenly something is wrong, it’s a blow, it’s a very serious blow, an emotional blow, therefore, this is attention, care, it is always very important to come up at the right moments to say kind words,

we have an advantage, we are already preparing to be film artists, to play in the theater in the cinema, this is what took away mine. selected all over the country, i looked through 4,000 applicants, moreover, when i missed moscow, i i also traveled around the cities and went on tours,

at the same time i also say, i’ve arrived in the evening for a performance, can i still organize it in advance, let’s say i sent out an announcement that i would like to see more - the applicants and i were organized, let’s say they organized me in yekaterinburg at the film studio, they organized a screening for me. there in arkhangelsk we were with the echo festival of a large children's festival, we also organized a show and i seemed to specifically and specifically look at the children from all over the country, so uniting all the artists under the auspices of the mkhatovskaya i have already worked with my artists as a teacher, so the artists of the moscow provincial theater are, so to speak, our common school of residence sincerely. for real, that’s why i was ready on the one hand, a year ago, when vich called and said: shouldn’t you take a course in vgik

? there is still such an opportunity, and i ’m glad that thanks to the sponsors and support, because all my guys study for free, i met somewhere with you that the most the main thing now, if it’s not entirely good, then you need to understand, just as in response you wait for your friends to say, what’s all, come on, let’s start working, dear friends, with us today was the people’s artist of the russian federation,

the artistic director of the moscow provincial theater, sergey bezrukov, thank you, you had a creative industry podcast on channel one, its host elena kiper, producer klipmecker, and roman karmanov, general director of the presidential fund for cultural initiatives and media manager, we say goodbye. goodbye, thank you. i don’t like a fatal outcome,

i never get tired of life, i don’t like any time, year, when there are cheerful songs. i don’t sing, i don’t like cold cynicism, i don’t believe in enthusiasm, and also when they read someone else’s letters, looking over my shoulder, looking at me. over the shoulder, i don't like it halfway.

or when the conversation was interrupted, i don’t like it when they shoot from the back, i’m also against shots in the head, i don’t like it when they shoot from the back. i hate gossip, sabotage, worms, doubts, sometimes the needle, or when everything is against the grain or when iron hits the glass, i don’t like confidently well-fed, it’s better if the brakes fail , i’m annoyed if the word honor is written down, if it’s a slander behind the back, i’m annoyed if the word honor is washed down, if the word of honor is slandered behind

the back. how yes i see, broken cores, no slander and no accident. i don’t like violence even without a crack, it’s just a pity, crucified christ,

i don’t like myself when. i’ll crush it, but i’m the only one when they drink innocent people, i don’t like it when they get into my soul, especially when they spit on it, i don’t like arenas and arenas, there are millions of them change by ruble, let there be a big change ahead, i am... hello, dear tv viewers, the melody of my life podcast is on the air, i am its host valery syutkin, and today my guest is the singer who opened today’s program with her song, this is maggi gegetidze, hello, and son of vladimir semenovich vysotsky, keeper.

composition, but i accepted it directly , felt it, and how this melody of yours was born, and the melody in my head was spinning for a long time, spinning for a long time, because i reviewed everything, the performance, the cavas and so on further, and i thought, if i make it, i want this melody, in my own way i did it, according to my knowledge, according to my feelings, how i would say it.

vysoksky sometimes doesn’t work out, but i know for sure that you can’t help but take on a legacy without loving this life. our country, because this is a tuning fork of sincerity, honesty, they say , in order to raise a son, the son must simply see the conscience of his father, and i now turn to nikita and tell a little about this tradition in tyumen in norilsk, monuments to vysotsky appeared there, there in kaliningrad library named after vysotsky, there were many festivals, many concerts, exhibitions, of course, a declaration of love for him, and what is very important to me is what megi said now and how... how she said it and how she sings, a declaration of love in respect, creative vasossky - these are songs for children, songs about friendship, songs about the homeland, sports songs, we always open the podcast with the melody of my life with a song from childhood, it seems to me that the most

prominent representatives here in vysotsky’s repertoire are a conversation at the tv, when married couple watching the circus on television, morning exercises, right? let's listen together and watch morning exercises performed by vladimir vysotsky. those who are deep, have wider arms, do not rush three or four. the vigor of the two is to play with her plastic, restorative, sobering in the morning, if you are still alive, gymnastics, if you are in your apartment, lie down on the floor three or four. question to nikita: what song is probably associated

with important? i’ll tell you this, well, it’s clear, as long as i can remember, that’s how i began to realize myself there, i knew that i had a father who sings songs, it doesn’t matter what they are... i liked some, i didn’t like something, somewhere it seemed to me that it was too loud or or incomprehensible, but this is my first impression, i have an older brother, thank god, here we were, we had a plush giraffe, which was given to us, his name was zhora, guess where i am, the stumpy one, well, yes, we had a giraffe, and - here’s a song in yellow hot africa, which is called the heat in...

oh, the pit is clearer, so what, what is it, the giraffe cried lovingly, now in our fauna everyone is equal on par, if all my relatives are not happy with her, don’t blame me, i’ll leave the herd, there was a lot of barking and barking, only an old parrot shouted loudly from the witches, big yesterday, he knows better. on the big bed they threw this giraffe at the ceiling, my father played for us, that is, we were absolutely happy , that’s why, probably, this is it, but, but

in fact, i heard other things, i repeat, and somehow it was , it was not and i generally took it calmly, you know, when when a big one is seen from a distance, yes the face... the face can’t see the face and uh , well, he sings, he sings, yes, i saw that people love, that even as a child they asked me to sing something to the nanny in kindergarten , they wanted something like that, but i am this and suddenly i heard some songs in the pioneer camp, there i was probably about eight years old, and i said: dad, you wrote this, he says what i say, ships came into our harbor, here he says you're crazy, this is a classic, you should and he... is driving, which means aseev abdulov is sitting in the back, his friend is playing on the guitar, he’s driving, he’s driving, so the car is singing to me by a sea of ​​these songs, here’s the sea, he knew them all, these are the yard songs from which his work grew, and for me, you’re talking from childhood, and a giraffe , here

ships came into our harbor, for some reason he sang along, he sang something like that, something oh-howl , there for some reason, it means that in our big ones, in the tavern, sailors were having fun, oh-howl, what oh - howl, they drank like that... something for the ataman’s health, i have these, probably the strongest, i came to his songs later, so when i realized what it was, how serious it was, i understood it already, excuse me, after his death. vladimir vysotsky, a ballad about love, i spread the fields for lovers, let them sing in their dreams and on eve, i breathe, and that means i love.

i love, and that means i live, and there will be many wanderings of quest, the country of love, the great country, from its knights for testing, it will ask more and more, it will demand separation and distance, it will deprive. such is the rest of sleep, but the madmen cannot be turned back, they are already ready to pay at any cost, and with their lives they took a risk in order not to let it break, in order to preserve the magical invisible thread, what the highest self-sufficiency... creativity, look, everything is real, every breath,

every note, every word, and even when vysotsky later released songs arranged by an orchestra, i think this already, in some french period, when he was already together with marina vlaide, for example, the orchestra even annoys me a little, he is somehow trying to make the sound more fashionable, but nothing is needed, the guitar is not even as a composing... instrument, but as such it’s just a platform on which vysotsky gave us all this, like a separate planet, you know, this type of creativity cannot be said, song, poetry, vysotsky, it ’s called, the planet was told by nikolai rastorguev, you said about the guitar, and they worked in yaroslavl , he worked in a group that worked at a big concert , where vysotsky was closing, and he says, we hear an out-of-tune guitar, one of the... musicians came in - just to help, and he

was lying there with a guitar, a general rattle, and they pulled it up string, tuned normally so that it sounds, and he says, he came out, which means he was announced , he came out, struck a chord, there was such a pause, he began to let everything go, loosened all the strings, which means then, when he worked, he says who, who took it, it’s his, he says, i play like this , i need it like this, the song, of course, is probably one of his best songs, and it seems to me that songs live when you want to sing them, many people cover it and , in my opinion, they do the right thing when they attach the performer , this is felt, yes, it’s not like vysotsky’s, it’s different, because everyone has their own love, their own idea of ​​how this song should be sung, i want to say that all the people who compose necessarily have their own attitude towards vysovsky, everyone, anyone, when he creates something, because he is so bright and.. he left behind such a bright legacy, all the people, be it

the krestov brothers, zomuturman, dmitry kharatyan, all the people who are trying to compose something that claims to be poetry, not the lyrics of a song, like your humble servant, so i can’t call myself a student of vysotsky, but at the same time immense respect, just this one you can’t do a commerton badly, you have to do it the way semyonovich did it. because it cannot be underestimated that he was for our people, he wrote for our people, its essence is actually not a folk song, still it cannot be said that right here at the table they sing en masse, but when a person wants to express some kind of sincerity, he addresses to vysotsky. dear friends, are you watching the podcast with the melody of my life, we continue our conversation, creative person? what visotsky was like, this is

a gift from god for the people, this is exactly so, since - for example, another little story i’ll tell you, my grandmother taught at a russian school in georgia, and there the children did evenings, poetry, they read poetry, they sang, including in georgia, the very majority, many people respect and love visotsky’s work, you know, this is the creativity of a person. this makes it family for everyone, i, for example, am georgian, yes, i didn’t grow up in your environment, i mean, i didn’t grow up in russia, but it’s native, native, as i say correctly, it was.

we remember how vladimir vysotsky performed his poems: we rotate the earth, we do not measure the earth with our steps, in vain they tree flowers, we we push it with our boots, away from ourselves, away from ourselves, and from

the wind from the east, the toga bent down, clinging to the rocks. otara, we moved the earth 's axis without a lever, changing the direction of the blow, don't be alarmed when the riddle is not in place, doomsday is a fairy tale for elders, they just rotate the earth wherever they want, our replacement companies are on the march, we crawl, we hug hillocks, hummocks we drive without loving, and with our knees we push the earth away from ourselves, away from ourselves. after i hear and see vysotsky, i want to make such a small backlash, exhale only after that , talk, yes, i can’t call him a patriot

vysossky is impossible, because everything he did was something that we sometimes cannot formulate, he somehow expressed everything. he says, i would subscribe to everything, absolutely, well, that is, he speaks from everyone, you know, and vysoksky has a lot of such songs, now his songs are maybe about some, well, how can i say, the most important ones in life things, they are now in demand, they are now being downloaded by young people on the internet, they will be inserted there.

that this is not the point here, what to say some words, he knew what he was talking about, he, he really was a patriot, no , we all know the words, we all know the words, how to, how to talk about your country, what patriotism is, there was something in him something else, it was the absolute truth, what you say, absolute sincerity, absolute sincerity, the feeling of being part of this huge history of this people, he was not talking about someone, not abstractly, it was his life, that’s why these songs are a must will sound, they are difficult to sing, this word is spark, it is translated from latin with italian waxless, literally, just when they were working on marble and the marble cracked, in order to save many days of work, the crack was filled with wax, and the fact that a masterpiece was done.