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Understanding 9/11tv Mosfilm 1TV February 4, 2024 4:00pm-6:01pm MSK
4:03 pm
well, did you quarrel again? no, they rather made up. eh, good life, i’ll go swimming for the second time today. you won’t stop vitya, otherwise i’ve already forgotten how. yes, i won’t
4:04 pm
tie anything, why are you teasing me? i’m teasing, you’re not teasing, you’re laughing at me, she said nothing can happen between us, so there’s no need for anything special, i don’t understand, you don’t understand, which means you’ll never understand, i dreamed again, yes, my back hurts.
4:06 pm
i don’t know this, i understand, you didn’t know this. okay, if it didn’t explode right away, then the sentry started, let’s go along the wire, he couldn’t go far, i might have a charge, he wasn’t alone for long, we quickly left, where he went, i don’t know, soviet officers, the officers’ house, maybe i don't know, let's go. this is in a neighboring house, we liberated the city, repaired it, well, as best we could, of course, what is there now, an orphanage, children are there now, well, where should they go, urgently
4:07 pm
evacuate everyone, but what about a mine, perhaps a mine, and don't panic, ah, let's go. here, let's go, let's go, now we'll go for a walk, so check everything upstairs to make sure no one is there, with your feet, come on, where is the entrance to the basement, there is a stove under the stairs.
4:08 pm
here. guys, what are you doing here, come on, we always hide when everyone goes for a walk, and he’s german, right? this one is real, but don’t be afraid of him, and we’re not afraid, but why is he breaking our house? but he doesn’t break, he’s looking for mice there , well, he found where to look, they’re in the basement, apparently, invisible, i saw them there too, and i also saw rats, and the germans will also
4:09 pm
bring me a body from the war, but why are you lying? , yes, i'm not lying, promised, yes. will bring it, take it, take it, don’t be afraid , let me play too, and i’m the first, and i’m the first, in an hour and be late, well done, nelya? that's it, lights out, thank god, there at the military registration and enlistment office we received a package from the headquarters, something serious, i don’t know, go, go, i’ll finish it myself, it’s quite simple here, i’ll be right back.
4:10 pm
well, what are you going to tell me? the headquarters thank us for our success and promise to present us with an award. upon completion of the assignment , anizorg will be transferred to the local nkvd authorities. how
4:11 pm
so, how? so what should we do? and then we will do it. okay, we'll wait and see. bye i’ll contact this village, we’ll finish soon and leave right away. sorry, can i call? that’s right, comrade lieutenant, but that’s why you call, otherwise this one doesn’t work, there’s probably a break somewhere on the line, and the telephonist can’t get to us, i would fix it myself, but i still can’t get around to it.
4:13 pm
my back hurts, tell me why i left there, would both have died better, and is it worse or better? if i had stayed, everything would have been different, you know? maybe it's fate? where should rudolf go? well, yes, of course, you and i are great now, we’re not anyone they betrayed us, now you and i are pure, because there is no one to betray, everything is fine with us, please, don’t, please.
4:14 pm
this is what i gave, what a brute, man, i woke up and didn’t even immediately remember what happened yesterday, no, it was good, of course i remembered. i forgot the bad stuff for a minute , okay, that’s enough, you’re already wearing a coat , let me water your back, the doctors will probably get to me, send me to the reserve, so much the better, we’ll get married right away, but no, that’s also not bad, you’ll be an officer’s wife. but she said nothing would work out for us, she typed about a person, no, the truth
4:15 pm
she said, he’s really waiting, well, if he likes it, let him wait, vitya, you don’t understand , i can’t do this, how can it be, wait, i don’t understand, why are we... regretted, or what? no, this is more than i regretted, more, less, there is no need to feel sorry for me or anyone else. sorry, get all his notes from our folder and translate them in writing, why? it’s necessary , for the sake of order, what i’ll go on, you won’t
4:16 pm
go, that is, you’ll go, but later, a cart will come for you and take you... to the station, i don’t understand, i’m going along the old route, in the old way, you you're going to clear the mines yourself, and what's wrong with that? they'll help where you need it, but rudolf said that there was a very difficult object there, he was even afraid himself, you have no right to take risks, these objects can be evacuated, let them explode, people won't get hurt, this my job and you're in it? you don’t understand anything, in the end there are his notes, drawings, i can clear everything out perfectly, then take me with you, i’ll be there and help, you can help with anything, with anything you want, moscow, red
4:17 pm
square, it’s time for me, let’s say goodbye , i don't want you let me go, i'll go with you, take me, please , and minsk, who liberated sevastopol and odessa, who fought on the streets of budapest, fenexberg, pena, who hoisted the banner of our victory over berlin, 200 banners of the defeated nazi armies, bowed at the feet of the victors , on the podium, comrade stalin,
4:18 pm
leaders of the party and government of the soviet union. and i am a young scientist, i am looking for what materials can be used that will help us calmly chew, eat, talk and feel at...
4:19 pm
among strangers, the same munchausen, irony fate, diamond hand. all these films were shot at the massfil film studio, film masterpieces were born here, in which everyone finds something of their own, important and unforgettable,
4:20 pm
you film is the name, these are when they are on the screen. a working kolkhodik, there was a feeling that something of high quality was absolutely waiting for you. massfilm is a mecca for filmmakers. for us in those days, massfilm was an oasis of everything that was fashionable and technically complete. this hive, hundreds of people, thousands, here comes torkovsky, shukshin, bandarchuk. we created, it’s still a dream factory, indeed, yes, miracles work here, i worked all my life in mass film, of course, my whole life is connected with this. and not only mine, tens of thousands of russian filmmakers created their films here, motor, guys, they started.
4:21 pm
this is how they worked, look, every frame was drawn, and the main thing is that then everything was filmed, it was help, it’s not, not like an excuse, we’ll squeeze you, but then, now, of course, they don’t shoot like that anymore , said that i would deliver, so i delivered, it’s a controversial issue, who delivered whom, gosh, kolya. on most likely, about 2 thousand films were shot, the archives of the film studio contain folders with working materials for each of them,
4:22 pm
everything is reflected here from the staffing table to the script, moscow doesn’t believe in tears, i remember this script, but my dear mother, 192 pages, the script for moscow doesn't believe in tears was written by valentin chernykh. and while working on the film, some of the dialogues were rewritten by the director, yes, this is my version of the script, how long have i been looking for you, i already wrote this, what is there, how long have i been looking for you, when vladimir minshov conceived the idea of filming this film; little was believed in its success.
4:23 pm
the story of the soviet cinderella, who met her prince in the person of the locksmith gosha, was a huge success with audiences around the world, the film received dozens of awards and even an oscar. at night people stood at the cinemas and...
4:24 pm
i went and walked along this grating for a long time trying to look out for some of the artists who are filming here, or i stood at the entrance, the massfilm entrance can be called a threshold, on this threshold there was a crowd of people who wanted to get a pass to the mass film and in this crowd i also seemed to be shuffling around for something, i also needed a pass. and finally some man came, picked up the phone and said very irritably, guys, i ’ll be waiting for a long time, i’ve been standing here for about 15 minutes,
4:25 pm
i can’t see anyone, it’s konchalovsky, and i realized that a crowd is not just crowd, and this is such a cool crowd of stars, among which it’s already a joy to hang around, i came to... the gigantic territory of a mass film - this is a film set. the movie was not filmed only in pavilions, but in corridors, studios, and on the street. mosvin is a place where they film
4:26 pm
everywhere. they are also filming in this office, and i don’t mind, our office is the only one left in such an absolutely soviet style, this building is present in the film called prisoner of the caucasus, there is an episode of something there, the floor opens, it was just built. as our wonderful satirist, arkady rakin , says, woman, friend, man, just a minute, just a minute, please, slow down, i’ll write it down, the dawn of soviet comedies came during the thaw, censorship has become a little better, and you will feel good about yourself,
4:27 pm
the list of what you can laugh at has become longer, long live our court, the most humane court in the world, our film could afford to invite the best directors from all over the soviet union, so it is no coincidence that if a talented director appeared somewhere, he very quickly ended up in a mass film, a rather strong galaxy. mm at that moment they came to cinema, such new, fresh people who had more information than others. the film studio invited collaboration of young, talented directors, but reserved the right to have a decisive vote, everything was agreed upon, from the idea to the final installation. leonid gaidai was one of those few directors who always succeeded and with the least losses
4:29 pm
, we leave everything as you did, but you cut out the atomic explosion, he calls tashkinata the director and says: go to the boss of the cinema and tell him: with great difficulty they persuaded gaidai to cut himself off, so all the gedi have passed, hello, open
4:30 pm
for us, please, we are in 105. here she is not on guard it’s so easy to get to the treasure, i can tell you 17 yes, look what the number is, the number is very interesting 11717 i drove it myself in kenti mikhailovich smaktunovsky, the car of a great artist. in fact, where else can you go with this car? on massfilm, we met with the family on kenya mikhailovich and they somehow wanted to preserve this value, because it really is, well, it’s such a connection, such bridges with such people, well, it’s part of us. inakentis
4:31 pm
maktunovsky is one of the most popular actors in soviet cinema. all-union glory to him brought the role of the sweet, naive yuri detochkin in the film "beware of the car! be careful! i beg you! i'm late! is this your car? no, but are you the driver? no, no! what are you doing here then? i want to steal this car, and you me delay! the exploits of the soviet robengood immediately became a movie hit! the film by eldar ryazanov was watched by more than 30 million viewers. for the sake of filming in this film, smaktunovsky passed his license and suddenly, at the age of 40, he became an avid motorist, here the business card has been preserved, look, people's artist of the ussr, lenin prize laureate
4:32 pm
, the actor's favorite car, yuri kolokolnikov, decided to transfer it for storage to the automobile workshop of the mosfilm film studio, because in the center of the city, in the center of moscow, on the territory of the mass film, there is an apple orchard, as i understand it, this orchard, in my opinion, it was planted almost by dovzhenko himself, i think that every person who worked on mass film has some kind of story connected with this garden, it can be romantic, since it is a garden, people walk here, in the summer there is a huge harvest of apples , maybe even now you can see that there are some apples lying on the ground, we came here, here you go, and ate apples, there are so many of them, for the first time sergei shakkurov
4:33 pm
crossed the threshold of a mass film at the age of 24, having received the coveted pass, he could meet idols of soviet cinema every day, the tikhonovs.
4:34 pm
here are squares, streets, avenues, one might say, and we decided that it would be logical if we called them some names, the names of our outstanding people - nasfilm people, so they named mondarchuk square, there is a square, here we have a monument to shupshin here, but look what they are doing, and what are they doing? i haven’t said two words to you yet, and you’re already neglecting me, but puppets, a great man, this is a whole layer of soviet cinema, well, then the people’s love,
4:35 pm
we all love him and learn from his films how to make real, good, kind cinema , on masfilm, creating a picture. it began with the approval of the script, then a director was appointed, almost everything that was filmed here already at the time when i was working at massilm, well, it will be here later hang a board, they remember that i lived here and did not work, yes, that means the director was given an office, and he began to work on the storyboard, approved sketches of sets and costumes, selected actors, one of the most important, most important stages of the filming process, the choice of artists, we they had to be approved, it’s not like they had to take
4:36 pm
samples, they had to be shown in the studio, first in their association and they would approve or not approve, and then the directorate, and there the directorate would approve or not approve. actors for his film love and doves vladimir minshov asserted uneasy. i looked for vasya for a long time, although in general i had a suspicion that mikhail would be fine. mikhailov was immediately in the mood, when he arrived, everything happened, i see everything, ray zakarovna, i wanted to add a little salt, but it didn’t go down my throat at all, in no case salt is white poison, here’s jursky, here’s doroshina, gurchinka we didn’t do an audition, we already called her right away, filming was already underway, the village,
4:37 pm
few stars of soviet cinema were given the right not to participate in auditions, and young artists used every opportunity, to make the studio known. having a card for a mass film was then equivalent to a lottery ticket, you have a card for your film, sit down at the table, please, drink the coffee, it’s just boiled, what’s your name? bear, abdullov was very worried, he says: “ many of our students just went to the studio in order to be noticed, for example, if you open the door to some group, oh, sorry, i got into the wrong place , so to show off, hello, driver, groom, evgei steblov lucky. an unknown young actor
4:38 pm
accidentally got into a screen test for the film “i walk around moscow” by georgy daneliya. light, do you love me? what "yes? yes, yes, or yes, no? the famous assistant, lika averbakh, she says: “you looked so pitifully that i decided.” and you should do a photo test, and this photo test, it was very successful, became my star ticket, it’s difficult to count how many bright talents were discovered in mass film, how many actors came out famous from these walls, a smile will undoubtedly touch yours eyes, otherwise...
4:39 pm
many directors consider filming, the film set, the hardest, most difficult, least favorite thing, they can prepare, they can edit, they adore it, and so on, here is filming, working with actors, all this is nerves, screams, disputes. finding a language with an artist, in general, this, this is not like, so
4:40 pm
many directors work with the same actors in different films, for example, eldar rizanov, he is my great friend, a wonderful director, i could never refuse him, and i i starred with him, i think, in six paintings, come to me tomorrow, and in general we meet so rarely, let me introduce you to my wife, and tomorrow i will be in leningrad, alone. they wrote the role with the bragin garages, the brilliant performance of gavt valentinovich was sent to me, so i missed this role, because at that time i was producing a play here. my incorruptible one, to betray in time is not to betray, it is to foresee. eldar rezanov shot all his legendary films on masfilm. respect the company. will you dance? yes, please, we beg you. and today he walks around the film studio
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many stories related to the filming of his films. rezanov never spared film on the actors, if the actor said he needed a take, he said to the operator, he needed a take, i won’t forget, the scene was a long shot, so i’m standing aiming at the glass. with this glass, in the general plan in the distance, alexey vasilyevich and petrenko are sitting on the veranda, cracking nuts, which means they are watching this scene, so they filmed it. then monitors had just appeared for the first time, eldar sanch said: guys, guys, go, let's see, let's see, let's see, he 's happy like a child, yes, everyone is happy, that's it, that's it okay, everything, everything, suddenly alexey vasilyevich petrenko, he says, eldorovich, he says, yes, lyoshenka, yes, i’m asking for a take, we thought i was joking, because, well, he’s almost
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invisible, he’s such a figure in the general plan , that, sergei sergeevich, you are not afraid, irizanov stands up in all seriousness and says, yes, comrade.
4:43 pm
that’s it, i have no strength, i don’t want to cry anymore. torkovsky went straight to me, across the entire pavilion, he hugged me, pressed me to him, stroked me, and said, little knee, he said, what are you doing, you are suffering so, so much, you poor thing, you’re my boy, yes, we’ll cancel everything now, well, we’ll do it somehow later, poor you, we’ll calm down, that’s it, and i cried out of self-pity, it was a very subtle, amazing psychological move, andrei quickly grabbed me hand, brought it to the camera and the first take was, well, just hysterical, i was carried away, he threw this take away, took the second take, where i could already control myself, you think , i don’t remember, i’ll judge you, i’ll judge you, i
4:44 pm
to you, this is your first appearance on the body. when you get married, miss mandro, sometime between now and the future movies, motodorbai normazhin on friday on
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the first. journey through mass film. presto, presto, senora, you were buzzing. the film studio's make-up artists are ready to reveal the secrets of their profession. effects for the sake of the film, not the film for the sake of the effect. and famous artists will tell you how their characters were born. first, the first part was applied, the upper part of the mask, then the lower one. and what did the audience not notice? i was six months pregnant. why car collections? from the film there are no equals, the real thing is possible, of course, and how the most dangerous ones are created stunts in the cinema, suddenly there’s a shooting today, suddenly today you need to burn somewhere,
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a masfilm today is... i’ll really burn you, how many acting destinies! dreams, suffering, actress alexandra zakharova starred in masterpieces,
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including in films directed by her father, but she did not avoid screen tests, because the final decision was not up to the directors, but to officials from the state cinema. we specially selected for you, firstly, and your photo tests, to kill a dragon, you can, yes, kill a dragon and... and i just want to show this and the formula of love is a production project , which is fantastic, it was mark anatolyevich who painted houses, i remember this, he painted the movie frame by frame, this is the beginning, the very beginning, the wheel, the wheel appears , the wheel appears, now i will find myself, now i will find myself, this is it... the second is me, you recognize me, this is there on the road, when
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they are running and the girl is dancing, young zakharova’s partners in the films kill the dragon and the formula of love were experienced, already famous actors, but they did not avoid screen tests, look, you know, what wonderful samples, how amazing photographs, yes, 300% charm, you were not warned that i am sick with all nervous and mental diseases, and three more unknown ones, still, no, i warn you, no, and besides, look, the first make-up, the third make-up, these are the ones we tried , oleg ivanovich, how handsome, yes, mr. narakon, i would like how convincing the master is always in the frame, the blood of the dead guns. flows through my veins, his gaze, his energy, he can play nothing in the frame, just watch and
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it’s impossible to take your eyes off. i understand what your problem is, you are too serious. smart face - this is not a sign of intelligence, gentlemen. often the fate of screen tests was decided by successful makeup, because the image was created by the costume designers and makeup artist.
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does not come from glued mustaches, beards, beards, beards, and makeup - these are methods. achievement and revelation of the character, from the inside, the most striking example is vysotsky, like a razor, the dawn slashed across the eyes , the triggers opened like a magic sesame, first the first part was applied, the upper part of the mask, then the lower one, then petya began to conjure together with taniya, to conjure over the face with this mask, when... i went to make-up, and this often happened at 3-4 o’clock in the morning, we started so that by eight to nine we would release into the frame,
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however, the image that the make-up artists come up with is not always successful, in the film we are from jazz, larisa dolina plays... well, that’s how we met her and started working, and then it turned out that she arrived at the site, she was already pregnant, but she
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behaved heroically. this shoot was, of course, very difficult for me, but they filmed it, no one sees it, the costume designer often becomes the director's main co-author in creating the exact image of the hero, let's eat a little, i wasted the whole day at the station, it's very
4:53 pm
good, in my family there is this wit, if you remember, there is a costume and... this is mordyukova's character who came from the village , her daughter, a former villager , which means she suddenly became a fashionable city young lady, as they say, a man can leave the village, but the village can never leave the man, daughter, well, you really scared me with those glasses, i’m thinking, what’s wrong with the eyes, yes no, it's okay, mom, that's the character bogatyreva. there is plenty to choose from, the film studio stores about 300,000 costumes, the artist creates the image, and that’s what he works for.
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“yes, a suit, you need to merge with it , it should become familiar, it should somehow become a second skin to your essence, it should be convenient, comfortable, i have such a core in my soul, an inner world that i know that i i feel with all the fibers of my soul that this thing, my heroine, my woman, will not wear, accurately recreating the costume of a real historical figure is one of the most difficult tasks in movie. with the director, with the costume designer , we choose what my character, my hero, is wearing, and in many ways, what he is wearing determines the character of your character, this is menunhausen, mikhailovna churikova, but this is generally a unique dress, it’s all handmade work, it’s all this lace, there’s no one like that, but just like that to sit down, well , of course there are craftsmen, now they buy fabrics
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about plus or minus, but that’s the average. after the release of the film on the screens of the country, how good it is that there is such a costume room where all the costumes live, just live, alisa brunno, alisa brunno frendlich, a great actress , my god, who is this, it’s me, like me to you, and after the office romance, god, all our teachers
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are in these, in a cage, a dress, the bell-bottoms are so cardin-esque, ter still looks at the suit , oh, you look great today, that’s how i’ll always look from now on, she went to the beating like... a pure coincidence, well, who would have known, who would have known that the blouse of their blouses was 899 pieces, that’s who knew, that in the general mass this masterpiece will hang, akhidzhakova with beads, in this... batniki, everything will be answered, vuzila here she'll get tied up, she'll shrivel up like an old torn shoe, she'll scratch herself for work, as if
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she's driving in piles, lilya chedzhakova, you see, she has a completely different image, well, there she sits in creepy roses, i really remember this characteristic, here sometimes they came up and said, hello, did it offend you that in the film they told you that you were in creepy pink? we continue our journey through this legendary place. actor yuri kolokolnikov is ready to donate a car from maktunovsky to the massfilm auto workshop. it will definitely not go to waste in the hands of these masters. scry! “hello, mikhailovich’s car, i want to give it to the mass film museum, you see, it has rust, and you can go down there
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to look, i never, of course, definitely, let’s go see, the rear oil seal is leaking, but judging by the fact that yes, it stood for a long time, that’s how old she is, 20, 26 years old, her mileage is 110.” well, even according to socialist standards, complete engine repair is still a long way off, in general , professionals and specialists will now take care of it, it will finally get its rightful place, it will serve as a memory of great people, of time, of era, let's go, now we'll start with... the car museum, which, by the way, i only visited once. there are dozens of exhibits in the mosfilm transport workshop. retro cars, carriages, trucks, motorcycles, the most interesting of them
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are exhibited in this museum. this is a replica, yes, no, this is a photo mesh, a real rolls rose , yes, of course, once, of course, this is a rolls-royce, you understand, in general, this car. as a trophy, it was obviously brought during the war or after the war, and was either donated or sold to the cinema, so these were cars, of course, he starred in such films as, for example, the elusive avengers, the regicide, and a stranger among his own, among strangers, i found this in vanyukin’s cell, this is a whitewash.
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the technique used in the filming of the film later appeared on camera more than once in other films. there are cars that are assigned one picture, despite the fact that they have a good film career. as i understand it, this is the same car from the film beware of the car. yes, it was purchased specifically for filming, and then it i was also filming, right? naturally, all our cars are filmed in many films, that is, a career on...
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shtunovsky, a feeling of childhood, yes, the smell of childhood, the smell, i don’t know if it’s dermantine or not dermantine, the smell, the smell of the volga, a very similar smell here in the volga itself is twenty-fourth. which belonged to inaka mikhailovich, this is that motorcycle, you know, this is the same motorcycle that was just chasing yuri detochkin, did you get caught, brother, but you got caught, he won’t leave, what the hell, but wait a minute, what is this like this, some are given titles, a people's honored car, only if among themselves, some kind of bonuses must be given, the most important bonus if the car is worth...
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these small open cars ply around the territory of the film studio, they carry its employees, from the entrance to the workshop, with sites on...
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complex stunt stages , today stuntmen are working on one of them, now we are approaching the second so-called full-scale stage, hello, we will see how complex stunts are prepared, every self-respecting stuntman has such a gentleman's one in his trunk set, yes, suddenly today is filming , suddenly today you need to burn somewhere, but in the cinema nothing happens by chance,
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the stoves were prepared from trauma-safe resin, one of the three stunt coordinators in his , which we got somewhere in st. petersburg, brought here, and he made both glass and bottles, they cast a lot of different bottles there, but sometimes they made mistakes, apparently because...
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it takes more than an hour for one actor to perform a trick, you need to check everything before the “motor” command sounds, the shooting angle is also important , and movement in the frame. in order to indeed, all this went safely, you need to take into account which side the wind is from
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, if you are on a location, depending on this, the stuntman must turn so that the flame does not get into his face, that’s it, andryukha, you work as soon as you lie down, this serves as a command for us that we are coming to you. fall, stuntmen carefully prepare for filming scenes that will last only seconds. if possible, try to cover the entire body. exposed areas of the skin and hair are lubricated with a non-flammable protective composition. it's transparent gel. he won't notice in the frame. we are now showing you everything in fragments, now.
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be in the mountain, after which the extinguishing occurs, get ready, the engine is running, and do not throw unextinguished cigarette butts in the wrong places, start, fall, fall, fall, get up,
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the stunt did not work, the stuntman remained alive. if today we conduct a survey among mass film stuntmen, which film they consider a classic of the soviet stunt genre, almost everyone will name alexandra’s film, crew. this film was shot brilliantly, all the stunts involving a burning plane and burning people, who jumped there. when i ... started making the crew, i had no idea that this was a genre that existed in the world, the genre of plane crashes, almost a dozen such films were shot there, all the bicycles were reinvented, the director
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had no skill in adopting experience, the crew - the first soviet disaster film, for... this is because the whole technology was a novelty, we tried everything for the first time, we poured kersin into the plane at night so that it would be soaked from the inside when we opened the door in the morning, combines with air and spontaneous combustion happened 6 hours before the start of filming, we
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had to wait until the evening, but it burned down during the day. alexander mitta found a way out of this situation, this is what pushed me to... work using the old technology with models, how the mass film was born, living witnesses of those events will tell about this, mom and dad loved their work so much they loved theirs factory, they only called it a factory, fed me cutlets with pasta. what miracles happened in these filming stages, creating an absolutely childish feeling, i i ended up on a construction street. for us, the film was shrouded in mystery. we walked as if into some kind of magical world, like
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tsarist moscow grew up in a modern metropolis, this is a set , it’s called, the set is old moscow, small toy houses, but in the camera, when you look, it is full of a feeling of naturalness. well, it's time to reveal all the secrets of masfilm, the full impression of metal. a tour of the film studio can last a whole day, and even that is not enough to see all its treasures. some especially valuable items are exhibited in the museum mastfilma. now i will show you the room where unique costumes are collected.
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reminds me of one such master: she was working on andrei konchalovsky’s sibiriad, they put a sample on it, which means it was for us , oil workers, but something didn’t suit her, we were already there , rolling on the asphalt, rolling in the mud, i say no , well, there’s some kind of falseness coming, but this isn’t there, suddenly she comes running to me happy, sanechka found a suit for you, she found it, wait, the costume designer accidentally saw it at a worker at a nearby
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construction site, they thought, well, a crazy woman, as a result, for the sake of humor they say, yes , you will have 150 rubles, because this robe is dear to us, she took out her own money and bought this robe, imagine, and she had a salary then, well, god forbid, if 200-250 rubles, then i gave my entire salary for that... the living image of his heroes, you will wait for me , i will wait for you all my life, well, you
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know, what is a masterpiece, what is not a masterpiece, no one knows and how it happens, no one makes masterpieces , a movie is made, and then it either becomes or doesn’t, it depends already from a lot of different circumstances, when the picture was made, almost all the objects that we see in the frame are the result of the artists’ work, these are not only clothes, but also interior items and decorations. previously , mosfilm was shrouded in mystery, we walked as if into some kind of magical world where miracles happen, imagine, where in the pavilion of the city streets you could film there, well, anything you want, imagine, there was...
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mountains are drawn with a fountain in the background. at night, nothing depends on the weather, it grew production of paintings, mosfilm pavilions grew, in general mosfilm during its construction consisted of this building, like... in which there were four pavilions, in which all the classic films of the thirties were filmed . the history of mass film began in january 1924. the new soviet studio was named in the traditions of that time. mos cinema complex. mom and dad loved their work so much
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, they loved their factory so much, they only called it a factory. when masvil began, there was a village here, there was nothing here, but when the village of potylikha, that’s where it was a little further in, when it began to grow, houses began to be built around masvinu, because people began to live and work here; the massfilm film studio received its name in 1935 . vladimir zeldin personally communicated with the founders of the studio and remembers very well how legendary films were filmed in its pavilions...
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the action can take place in our days, in soviet times, in tsarist russia, this is a set, they call it a set of old moscow, in its time, its built by the wonderful artist lyudmila mikhailovna kusakova, for my painting, a horseman named of death. go! such a collective image of old moscow, we made these sketches, then we made a very large model, took a fairly large team in 2 months, and in general we built it. the set of old moscow occupies an entire block in the mass film. walking along its streets, you can see a pharmacy, a bakery, and a grocery store. many
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modern tv series and films were filmed here, state councilor, for example. the decoration is unique for many reasons, one of them is real paving stones, which is usually used in decorations such a rubber one, there is a special rubber block, but still it is visible , it is not real, the curtains on the windows hide the emptiness, here it is magic and cinema, on one side there is a wall of a residential building, on the other there is just a plywood board, small toy houses. but in the camera, when you look, it has a complete feeling of naturalness and scale, although even the lights are there to look at, they are smaller than necessary, when we were filming, we needed st. petersburg nature, that is, we actually filmed in st. petersburg, but still for us it was also necessary to have
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some objects on the full-scale site, and one street was simply redone, here is st. petersburg, it remained like that, do you know what makes it different? i’m from the sovereign , i’m sorry, the sovereign gives a divorce , and no one is better off, but i divorced three people , it became better, what are you talking about, i’m so happy that i did this thing, because i’m sure that... karenin didn’t will retract his words. most of the houses, streets, apartments that we see on the screen are most often scenery. the irony of fate or with light steam was filmed in the same mast film pavilion. it didn't fit only the leningrad and moscow apartments of the heroes, but even the landing. well , now that we are alone, man to man, what were you doing here? right here, right here, i’ll tell you now, for god’s sake, don’t worry, what kind of scenery will this picture be filmed in, did the authors think about it even before
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the plot of the film was born? one day emil braginsky, an author with whom we worked for cinema and theater, came with this idea and said: “listen, let’s write a play to earn money.” i said: “come on, i responded!” he said: for this it is necessary that the play have a minimum scenery." there are very few characters, i say, a good idea, well, let's think about the plot , 30 years later, similar scenery was erected again, konstantin evgenievich lukashen, well, here, well, finally, here i am, third street of builders, building 25 , cluster 12, yes, i realized that we were in the wrong place, the pavilion that was being filmed was exactly depicted as a kind of copy of that very apartment.
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i can and do watch this lyrical comedy, lyrical, endlessly. wait, what are you calling me? ilyushka, what a wonderful thing.
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it doesn’t seem affectionate, but you succeed. kindly. the very image of just such a soviet good man. as for the soviet good person, in general there is such a longing for such soviet good people in the movies. ilyusha, do it like this.
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one day, alexander shirvint and alexander abdullov were invited to star in a new film. its action took place in venice. we soaped up and were already waiting.
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happily leaned over the gondola and asked: well , guys, how is it in venice? in venice, even in winter there are days full of sunshine. in the last picture they built me indian temple, they surprised me , they surprised me, i actually have an indian temple with water in my tricky place, they built it there, it was amazing, absolutely, thanks to chekhov we know that at that time the russian steamship petersburg was sailing past the andaman islands, on it, raja went to russia, subsequently settling on khitrovka.
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from what kind of litter is the rustle of grass born? is n’t our grass withered yet? and which rooms at mastfilm are especially guarded? here is semyon semyonovich’s pistol from the diamond hand, if you remember when he was fighting, semyon semyonovich, well
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what are you saying, mask has equipment that can only be rented here for filming, for example, military vehicles, a collection of weapons. the best in the world, definitely, so here are 200 units of armored vehicles, and everything is on the move, everything drives, at the moment it is unique, since it is the only base in the entire post-soviet space in which so many pieces of soviet-era equipment have been preserved in working order. the masfilm military base is located 50 km from
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moscow. people from the crowd participate a lot and run around, there are no amateur performances here maybe none, here everything is as the director said, everything is only on command, it’s our job as gunsmiths to make the weapon fire, how to load it, show everything to the actors, filming using military equipment is always particularly difficult. in the film they fought for their homeland, andrei rostotsky performed a trick that no one has dared to repeat until now. his hero, corporal kachetygov, dies under the tracks of a german tank.
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many actors today still strive to perform complex stunts themselves, they want to live it all, so he jumped into the water, into the fire entered, shoots, and jumps and falls, but directors and producers prefer not to take risks like that, i don’t allow an actor to take risks, an actor shouldn’t take risks, this is a different profession.
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the association of professional stuntmen of russia was born in mass film, founded by oleg sovosin, who literally invented all the stunts in soviet films. oleg ivanovich sovosin talked about the filming of awkward avengers, that all the stunts on horseback were filmed for real, rehearsed many times. preparation of horse tricks, depending on the degree of difficulty at masfilm may take several hours. up to several weeks, sitting confidently in the saddle is an art that takes a long time and diligently to learn. all the actors of the elusive avengers learned to sit in the saddle right during filming, literally, they learned it on the fly.
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today, an actor is simply obliged to take horse riding courses if he has to ride a horse on camera. in order to sit confidently in the saddle, you need exactly one horse.
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involving horses are performed by professional riders, in the movies everything is not easy, a large number of people work on one stunt scene a group of specialists, there will not only be shooting and killing, there will also be a fall from the roof, the stuntman will... fall from this construction booth here, and in my time we were empty boxes, this is also not very pleasant, but in any case it’s great there can be no injury , what is premature, in the language
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of firefighters, spontaneous combustion, this landing explosion does not cause any harm to the stuntman, only the costume suffers, but i had bruises on my chest for four months, in addition to the landing they charged the blood, this was done using a device, which is called a condom, it cost 4 kopecks back then. either paint or cranberry jam was poured into the condom
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, it was tied with a wire, the artist then had to play, he was just dying, not a single action movie can do without makeup and special effects masters today, here we are...
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this spectacle is not for the faint of heart. the novel is alive, don’t worry, that’s all, we show what russian cinema consists of. another secret to a successful stunt, which does not depend on the skill of the stuntman, it’s all about the sound. aristark, negotiate with customs. and now
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the same frame, but without sound. sound is the most important element in modern cinema. is a person running on grass or on asphalt, what kind of shoes is the hero wearing, how old is he and what build is he? all the nuances are important to the sound engineer. let's not be here. the noise design studio at massfilm is one of the best in europe, well, look, when you walk in, you get the feeling that this is a junk shop, but here are the shoes, in fact, all these things, look at how many bottles, they, they always collect all the noisemakers. all sorts of things, we do everything, and we open the windows, close them, so
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these are the kind of rustic ones, again the old type entrance doors, all the cabinets, locks, you can open the lock, close it, close the lock. we also type on a typewriter, we masfilm masters are able to create the noise of wind, rain, surf, all this magic is created from improvised means, with the development of technology, snow is already written a little differently, well, the basis still remains with it, this is its crunching, just everyone already adds it to their taste, well, just like cooking porridge, you can add millet, you can, yes you can. add semolina, who knows what, snow
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because there are a lot of expressions, it can be wet, it can be frosty, you can do everything with synchronized noises, well, we have the surf, for example, this device, a painting - it takes 90 minutes, so he does everything. while in the flesh live, this is the most terrible blow
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later on the perception, this is a very difficult profession, very difficult, and as a rule, the people who are engaged in this profession, they are the only ones, no one teaches this, these are real fanatics who really love their job , they have been decades, they have been learning from each other, and here it is necessary... today in an unusual role for himself,
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there were probably horses and people, so they were all taught and prepared for this filming together. this achievement of mastfilm is still legendary. what film studio in the world could boast its own cavalry regiment today? the scope of this masterpiece film is truly in the best traditions of world cinema, and this grandiose plan was born here, within these walls.
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and if he said: i only removed war and peace, i would consider that my life as a director, as an actor, took place. after filming was completed, the prop shop received a huge replenishment; 9,000 costumes, dozens of carriages and carts were made for war and peace. the filmmakers used it. for filming, authentic furniture and accessories of the 19th century, this is a special door where the most valuable props are located, we will see what every person in our country recognizes, this is a light little horse, beautiful, yes, yeah, a good horse,
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please tell me , you don't have the same one, but without wings? leathering no, no, yes, no, we will look for the one with whom mekhkov fell. director, why did you, why did you abandon the horse? what other treasures are hidden within the walls of a mastfilm? this is the most important storehouse, one might say, of our country. props are what treasure fantasy. we will reveal the secret from which they can be born. a film masterpiece from the trash heap , i was walking through the yard, i saw such a ball, of course, it was such a phantasmagoric story, and what does mostwell live with today, misfortune in life, that i can come here to make a movie here, actors have returned here, wonderful directors have come here, some kind of life
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is in full swing. a set of stage and staging equipment and props. props. massfilm's collection includes more than 80 thousand items, from buttons to works of art. each storage unit, as it is called here, has its own track record. this is the most important storehouse, one might say, of our country. so. for example, this hunting horn, like this. he filmed with us akhvadevil, hussar's matchmaking. this is the wine glass from which we have
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nikita sergeevich and we love everyone friends, this particular glass, it’s the only one we have, our beloved one came to us. props are what add value to your imagination, this is what gives you a feeling of penetration into the very time you are playing, because the authentic props you work with immediately create a feeling of authenticity of your own existence. the world in which the characters live, the pictures, the objects that surround them, is created by the production designer, and the mood of the entire film depends on his imagination. sometimes, if
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a really truly big one appears an artist, then he creates some kind of his own world , builds his own world of fantasy, as it was built by mark anatolyevich in the film an ordinary miracle. famous mass film artist lyudmila kusakova worked on this painting by mark zakharov. she has preserved sketches for the film an ordinary miracle, all the details of the situation are written there, this is a sketch of an ordinary miracle, director mark zakharov, it was a very long time ago, there was such a whole complex of a wizard’s house, it was a fantasy, and this ship with millet, and this globe, of course... it was like that a phantasmogorical story, if foliage, real grass had intervened there
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, maybe this world would have been destroyed, we will reveal a little secret from which masterpieces can be born, from a garbage dump, i was walking through the yard, i saw such a ball lying, pulled out by someone, they were supposed to take him away, i looked , i thought, what if this ball is hung there so that it sways a little, and something else, extraordinary, she doesn’t look at all like a royal daughter, an artist in a movie - that’s of course, completely another profession, well, there will probably be more to invoice this fireplace, in fact it is cold , and it doesn’t open there, it doesn’t open anything, everything...
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i was already in quite old premises, so i need to invoice it, i need it to look very authentic, this is quite a difficult task, for selection of items that...
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there, according to the drawings of that time , they approximately made this tricycle, soon the whole world will travel on such machines, no ops, no horseshoes, no coachman, nothing is needed, director leonid gaidai, at one time needed ridiculous piggy bank cats, they were invented from... they were made in the prop shop of a mast film, roll up, here we have cats from the operation, the same ones, yes, the same ones, these, of course, are not books, these are props, these are all props,
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since it’s very difficult to carry all these books... sometimes in the movies they show a huge library, if we set it up to carry it, these are the kind of trucks we need. there is another reason: yuri kolokolnikov hardly remembers what a shortage of good books there was in the ussr; the responsibilities of a prop master include not only picking up things, but also to ensure their safety during filming. 10 chairs from the palace, why from the palace, sit. and don’t rock the boat, sometimes they prudently make more items than are needed for the scene, for example, for a film there are 12 chairs, they ordered several identical sets, after filming only three chairs were returned to the film studio, so where are the other nine, the question was left during the filming, tell me honestly ,
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admit it, maybe there’s something hidden there after all. rip it open, where are the diamonds? we watch our favorite films dozens of times, remember all the characters’ lines by heart, we remember what dress the heroine was wearing, what car the hero drove, what vase was on the table in the final scene. one day they may appear again in a new film, which will become more than just a movie for someone. on masfilm they shoot films that are completely different in genre, in idea, in mood, it is
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"costumes, props, 400,000 storage units, and of course, the cinema center is a multiplex cinema, four halls, such construction has never happened in the russian film industry, well, for the last 30 years, 100% of this scale, it can be said, a new mass film, not just to keep the brand, but this studio has everything to create real cinema today, a cinema doomed to success.
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hello, evening broadcast. news in the studio ekaterina berezovskaya, here are the main topics: the general pain in the lpr is mourning for those killed after the terrorist attack in lesechansk. as a result of the ukrainian armed forces' strike on the bakery, 28 people were killed.
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