or provocations, but that’s why, well, in some ways it’s a logical decision to take a break and rest, and then maybe, but you see, this then maybe didn’t happen, because although prague, in prague we lost, but in prague a contract was signed for match with canada, and bobrov was already purposefully prepared to become a head coach within a year, within 2 years, again in the soviet way, within the framework of soviet...

life, we talk about tarasov all the time, tarasov is the founder of hockey , today we remember egorov, chernyshova, you you definitely mention it in conjunction, everyone knows very well, well, those who follow hockey deeply, who arkadi ivanich is, how influential he was in that team, he was generally the head coach, in general, yes, in general he is a four-time olympic champion, by the way , by the way, yes, this is generally a unique story, yes, that is, 56, 64, 68, 72, yes, and at the same time, look, the show is almost forgotten, why did this happen?

such a picture, he was one of the first, still a future novice coach, in my opinion in the early fifties, he let into the locker room journalists, wow, that is, after the match he let the correspondents light up, uh-huh, you understand, yes, that is, the man understood, and so on, so on, to say, such an absolutely natural talent, and of course, thanks to these qualities of his, he was promoted to media plan to the fore, yeah, and chernyshov in this sense was just a different person, he was more closed, more like that, unlike tarasov, he was still an active coach, he didn’t write books, he appeared in print, but so in general quite official, less friendly with the press, less was shown on tv, in fact there are a lot of nuances that influence all this, for example, chernyshov had a bad back, well, in the second half of the sixties he could not work on the ice, so he was more of a fence in... and tarasov worked on

ice, again, both in the spotlights and in the chamber , of course, the person who is on the ice, yes, this is a gradual shift towards tarasov, it began to happen in the sixties, and has already become established with the help of our canadian friends, partners, which in the seventies, since they didn’t really understand what and how was happening here, they called him like this, the father of soviet hockey officially, now, when we talk about hockey, we talk about his salary, he’s a millionaire whose life has already been successful, who. ..

in any year, yes, and he lives better than the average there, much better than the average person working in the country, i’m for it again. the next important factor is the ability to somehow buy this money for something, yes, that is, without overpaying, that is, to gain access to certain benefits, somehow a hat, a refrigerator, a sheepskin coat, a car, or the classic scheme, but during the season it is issued to a team there, let’s say two

volgas, you buy it at the state price, well, roughly 10,000 rubles. you immediately resell it, well , depending on the region of a particular year, there it could be 14, 15, 16,000, that is, for you right away. spartak hockey players live worse than crystal, that is, this material support, the salary is lower, well, maybe a trade union team, but of course, there was a foreign team, which in saratov was still a rare case, but spartak still traveled abroad or collections especially there sometimes two or three times

a year, but he says, the first thing i started doing was so that the guys had a special pass, a special section of the gum, so that the guys could buy a normal sheepskin coat, dress up, again there are living conditions that wives need. who needs a refrigerator, who needs what to decide the issue, because in saratov all this was decided at once, because how do you lure a player, the salary, the rate, it is official throughout the country, well, with the exception of the army there, yes, it standard, how can you lure anything away, that means you’re saying, we’ll solve the issue with the army, yes, that is, we’ll get you into college, you’ll study, an apartment, living conditions, if you ’re a family member, and so on and so forth, that is, of course nothing changes, so what, who were the hockey players’ best friends with the exception of cosmonauts vladimir vysotsky? the market director, the store director is always the best friend, but what about a soviet hockey player, what about a georgian football player, i don’t know, our podcast is called hockey football, why in our the country has hockey football, hockey football, and for you personally, listen, since childhood i

have been a person who played in the summer, well, as a child, and amateur, played football in the summer, hockey in the winter, and on the same grounds, and... .. at the same time i also read a weekly magazine called football-hockey, and for me it makes no difference, listen, for me it has always been such a seasonal thing, yes, here it is football, football smoothly turns into hockey, hockey turns into football and yang, a common whole, a single whole, thank you very much, thank you thank you.

i don't like a fatal outcome, never in life. yes, i don’t get tired, i don’t like any time, any year, when i don’t sing in dry songs, i don’t like cold cynicism, i don’t believe in enthusiasm. and also, when strangers read my letters, they look over my shoulder, looking

over my shoulder, i don’t like it when... half, or when the conversation is interrupted, i don’t like it when they shoot in the back, i’m also against... arrows, i don’t like it when they shoot from the back, i don’t hate gossip, sabotage, worms of doubt, honor igloo, or when all the time against the grain, or when iron hits the glass, i don’t like confidence and being well-fed, it’s better if the brakes fail, it annoys me, since

the word honor is written down, and if it’s outright slander behind the eyes, it’s annoying to me, since the word honor is written down, since it’s partly a shame when i see... that here is the crucified christ,

i don’t like myself when i’m afraid, even when they drink innocent people, i don’t like it when they get into my soul, especially when... they spit in it, i don’t like arenas and arenas, millions are exchanged for rubles in them, even if there are big changes ahead, i will never love it. hello, dear tv viewers, the melody of my life podcast is on the air, i’m its host valery syutkin, and today my guest

is the singer who opened today’s program with her song, this is maggie gogetidze, hello, and the son of vladimir semenovich vysotsky, the keeper of traditions, family, keeper of the heritage, track in memory of vladimir vysotsky, nikita vysotsky. hello, hello, friends, i would. i probably wanted to start with you first of all, a song was played, this is your music, yes, tell me what vysotsky is for you, first of all i want to say that i accept it for every manifestation of it in creativity, i can’t somehow separate poetry, music, theater, for me it’s all a whole, and as for this song, in childhood, my father, to the kingdom of heaven, he not alive now.

that performance, i thought, if i do it , i want this melody, in my own way i did it, in my own way with my feelings, how would i say this after so many years, and visotsky himself is a very dear soul to me, i revived him. this melody, which has been spinning in my head for a long time, in its own way, in some

verses in a feminine way, some verses absolutely in their energy, i don’t know, somehow i felt it like this, as it can be heard now, those who perform vysotssky sometimes don’t succeed, but i know for sure, you can’t help but take on uh legacy - vladimir semyonovich not... loving this life, loving our country, because this is the commerton of sincerity, honesty, they say, in order to raise a son, the son must simply see the conscience of his father, and i now turn to... nikita and tell me a little about this tradition in tyumen in norilsk monuments to vysotsky appeared there in kaliningrad, the vysotsky library, there were many festivals, many concerts, exhibitions , a declaration of love for him, and it is very important to me that what megi said now and how she said it and how she sings, a declaration of love, in respect, creative, these are songs for

children, songs about friendship, songs about the homeland, sports. we always open the podcast with the melody of my life with a childhood song, it seems to me that the most prominent representatives here in vysotsky’s repertoire are a conversation on tv when a married couple a couple watches the circus on television, morning exercises, let's listen and watch morning exercises together, performed by vladimir vasovsky. who have deep hands. wider, do not rush, three, four, vivacity of two plastic games, general strengthening , sobering in the morning, if you are still alive, gymnastics, if you are in your apartment, lie on the floor, three or four, perform the movements correctly,

stay away from the influence of change, get used to it to the outside, to the deep inside, smearing. question to nikita, what song is probably associated with your childhood, i’ll tell you this, well, it’s clear, as long as i can remember, that’s how i began to realize myself there, i knew that i had a father who sang songs, no matter what they were, i liked something, i didn’t like something, somewhere it seemed to me that it was too loud or or incomprehensible, but this is my first impression, i have an older brother, thank god, here we are... we had a plush giraffe, which they gave us a gift, his name was zhora, guess where i am, the stumpy one, well, yes, we had a giraffe, here’s the song, here’s yellow hot africa, which is called fat in the big one, so i was sure that this song

was about him, about this giraffe of ours, yellow hot africa in its central part, somehow suddenly in the negraph. it just happened that because of the misfortune , the elephant said, without making out, it was clear that there would be a flood, in general, so one giraffe fell in love with an antelope, then a college student got up and barked, only an old parrot shouted loudly from the vedvey, a big giraffe knew better, so what, what is her raga , the giraffe shouted lovingly today in our fauna all steam engines are equal. if all my relatives are not for her i’m glad, don’t blame me, i’ll leave the herd , where there was a lot of shouting and barking, only an old parrot shouted loudly from the witches, big yesterday, he knows better, because my brother arkady and i, this is him, this is arkady, and

then there we were, jumping on the big bed, throwing this giraffe at the ceiling, father... played for us, that is, we were absolutely happy, that’s why, probably this is it, but in fact i heard other things, i repeat, and somehow it was, it was neva, i generally took it calmly, you know, when when a big one is seen on from a distance, yes, face to face , you can’t see the face, and uh, well, he sings, he sings, yes, i saw that people love, that even as a child, tamika girls in kindergarten asked me to sing something thieves there...

only after his death vladimir vysotsky, a ballad about love, i am a field, lovers in style. let them sing in a dream and on eve, i breathe, and that means

i love, i love, and that means i live, and there will be many wanderings. the land of love is a great country. of her knights for testing, she will ask more and more, demand service and distance, deprive her of peace, rest sleep. but the madmen cannot be turned back; they already agree. to win them over at any cost, and they would risk their lives in order not to let it break , in order to preserve the magical invisible thread,

what the highest self-sufficiency of creativity, look, everything is real , every breath, every note, every word, and even when vysotsky came out later. .. a song arranged by an orchestra, i think, in some french period, when he was already together with marina vlaide, for example, the orchestra irritates me a little, even, he somehow tries to make the sound more fashionable, but nothing is needed, the guitar is not even as a composing instrument, but as such a simple platform on which all this was given out to us, like a separate planet, you see, this type of creativity cannot be said to be a song. nikolai rastorguev told me about the guitar, you said they worked in yaroslavl, he worked in a group

that worked in a big concert where vysotsky closed, and he says: we hear a guitar out of tune and one of the musicians came in just to help, and there was a guitar lying there, a general rattle, and they tightened the string, they set it up normally so that it would sound, and he says, he came out, which means he was announced, he came out, struck a chord, such a pause, he began to let everything go, loosened all the strings, which means then, when he worked, he says who, who took it, this , this is his, he says, i play like this , i need it like this, the song, of course, uh, probably one of his best songs, and it seems to me that songs live when you want to sing them, many people cover it and, in my opinion, rightly so they do it when they put it on a performer, you can feel it, yes, it’s not like... it’s differently, because everyone has their own love, their own idea of ​​how this song should be sung. i want to say that all the people who compose must have their own relationship to

vysovsky, everyone, anyone, when he creates something, because he left such a bright legacy, all people, be it the christov brothers, zamuturman, there , dmitry kharatyan, all the people who try. to compose something that claims to be called poetry, not the lyrics of a song, like your humble servant, so i can’t call myself a student of vysotsky, but at the same time, immeasurable respect , it is precisely this commerton that cannot be done poorly, one must do it the way semyonovich did, because one cannot underestimate the fact that he is for our people, he is for our people, he wrote its essence, in fact, not a folk song, everything it’s still impossible to say that... people sing en masse right at the table, but when a person wants to express some kind of sincerity, he turns to vysotsky. dear friends, you are watching

the melodies of my life podcast, we continue our conversation. a creative person like vesotsky was a gift from god for the people, this is exactly so, because - for example, i’ll tell you a little story, but my grandmother taught at a russian school in kruzi, and there the children did poetry evenings, they read poetry, they sang, including in georgia, very the majority, many people respect and love visotsky’s work, you know, the creativity of a person makes him dear to everyone, i, for example, am georgian, yes, i didn’t grow up in your environment, i mean, i didn’t grow up in russia, but this is dear, dear , as i say correctly,

we return several times a year, we remember him with a very kind word, this is means that a person's life was lived, so to speak, with the clearest evidence of life. friends, now let's listen again, remember how vladimir vysotsky performed his poems, we rotate the earth, we do not measure

the earth with our steps. in vain the stars are wooden, we push it with our boots, away from ourselves, away from ourselves, and from the wind from the east the toga bent, the flock presses against the rocks, we moved the whole earth without a lever, changing the direction of the blow, do not be alarmed when... there is a riddle in place, doomsday is a fairy tale for elders, just land they forgive wherever they go, our replacement companies , on the march, we crawl, hug the bumps, squeeze the bumps, not loving evil, and push the earth with our knees, from ourselves, from ourselves, after i

hear and see... i want to do vysotsky such a small backlash, to exhale only after this to talk, but it’s impossible not to call vysossky a patriot, because everything he did was like how something that we sometimes cannot formulate, he somehow expressed, everyone says: "i would sign up for this, absolutely everything, well, then there is speaking from everyone, you know, and ..." there are a lot of such songs, now his songs are maybe about some, well, how to say, the basic, most important things in life, they, they are in demand now, they are now being downloaded, including by young people, on the internet, they are there, they will be inserted into some kind of vardiy broadcasts, of course, this song was written there, 45-50 years ago, there are even more, military songs, he started

writing there , there in... his very first song is already there, his second song that he wrote, i grew up during the leningrad siege, yes, it’s also actually like a war song , they’re playing now, but here you are, in principle, i don’t know, i’d even like to keep quiet , but i want, i want to agree with you, you ’re right when you say that this isn’t the point here that to say some words, he knew what he was talking about, he really was a patriot, not the words we all know, we all know the words, how to, how to talk about our... country, what patriotism is , there was something else in it, it was the absolute truth, what you say, absolute sincerity, absolute sincerity, the feeling of being part of this huge history of this people, he was talking about no one, not abstractly, this was his life, it was that’s why these songs will definitely sound, they are difficult to sing, this word is sincere, it is translated from latin from italian no cart

, literally, just when they worked on the marble... and the marble cracked, to save many days of work, the crack was filled with wax, and the fact that a masterpiece was made without wax, that’s why, how it coincides, so we say , song by vladimir vysotsky, this is it sincerity, absolutely, without wax, without any, so to speak, compromises, so absolutely honest and from the bottom of my heart, when the songs, that’s how mags, vladimir semyonovich’s songs are made. in your arrangements, so how do you feel about this? i can’t say whether my father would have liked it there or not, yes, but i can say that, well, from myself it seems to me that if a person is sincere, if it’s for real, if it’s born of some kind of need not to crush vysotsky’s material. , but to show some kind of vysotsky’s theme, i feel good about it, but in general the songs live, you never want to listen to them, it’s important, yes, well, when we listen,

we kind of feel nostalgic, so i danced with a girl, i played along here or there, i don’t know, under the smoke, now i remember how young i was, when she wants to sing, the fact that vysotsky wants to sing is... very important and i always treat people who do this with great excitement and gratitude , people all over the country are doing this without anyone asking, they just sing because they want to, because they want to sing, when sincerely then they can, it seems to me that vysotsky should be sung, when you say, i can’t help but sing, then it’s possible, vysotsky has, well, such vivid examples, hunting wolves , the giraffe we ​​remembered from childhood, the white elephant. yeah, these are allegory songs, when , it would seem, on the subject that is included in the title of the song, a picture of completely different bright, human feelings is created, before

we talk about the main thing, about friendship, about faith, let’s listen to a song about a friend vladimir lysovsky, if a friend... suddenly it turns out that he is neither a friend nor an enemy, but if you can’t immediately figure out whether he is good or bad, drag the guy to the mountains, take a risk, don’t leave him alone, let him be in a relationship with you , then you will understand who he is. this is from the vertical, yes, from the movie vertical, all the sixties, the whole life of vladimir vysotsky, it is ascending all the sixties, in the seventies, i remember, it is an absolute boom, listen to vysotsky, all

these magnetic tapes, this is a torn film, glued together with my mother’s , nail polish removers, floating, it would seem, voice tape, this everything is on... you are watching the podcast melody of my life, today we are talking about vladimir vysotsky, friendship that has lasted for many years... connects those who help you, nikita, those who truly remember, well, i know directly and the most loyal fans, these are dmitry kharatyan, grigory , leps, i new names appear all the time, because all the dramatic actors who

take on singing, for them vysotsky is an absolute, so to speak, tuning fork, yes, i agree with you, that’s just all here equals time, yes. it's still time that he's younger there i feel a lot more now, yes, i look at him, yes, well, my eldest son will soon be as old as he is now on the screen , here he is - he is a very young man and he is for the young and and the people who perceived him were young, and you name it guys , they are bright, good, these are my friends , i love them very much, it is very important to me that at one time, uh, uh, they supported me, not just me, yes, they, of course, in some sense supported me, they are my friends, but they , they supported this, this topic of vysotsky. i just i want to say that it is very important that people of another generation come to vysotsky, who are younger, and who

, who join, include him in their repertoire, simply in the sphere of their interests, this, this, this is very important, come to vysotsky, me it seems that life with him , it... it is richer than without him, not only him, no need to say there, but i’m not like that, that i’m just more vysotsky, i grew up in an intelligent family, i love pasternak is there, i love gomilev, i love yesenin, i love brodsky, so i love modern ones, i don’t know, there is red , a wonderful poet with a tragic fate , there i don’t know, and many whom i love, but with them, with them it is better than without them, with vysotsky - better than without vysotsky, you know , i really... liked what was said here today, because we will talk about vysotsky, when he is 90, our children and grandchildren will celebrate other round, already three-digit dates, maybe by numbers. as christian dior said, if i’m not mistaken, it’s not enough

to catch the eye, you have to stick it in the memory, vysotsky is engraved in the memory of our people, absolutely forever, magic... what are your love songs? this is the word love, everything that fills you with this word, this is the song association? there is such a song called. there is such a drink there that i walk on a rainy

street, there is the smell of rain, the same houses, the same trees, the same people, and i walk along my school road, and i realize that i will never be a child, and then it begins that this smell brought me back... childhood memories and they suddenly came, and i i realize that it’s being repeated there again, but that ’s all, it won’t happen again, it’s already happened, these are mine, and i left my heightened feelings on this street, like a memory from me, then there ’s such a text that only you and i know what the colors of the sky, only you and i know how the sun can warm. this is a novel in a novel, you can call it so to speak, well then i am reality and

childhood, all these feelings pass into each other, and the melody i have two children, sidonia and barbary, i played with them, played with them in my head subconsciously , i was looking for a melody for this text, and i found it, specifically this: მე და შენ ვიცი თუ რაფერი აქვს ცას, მე და შენ ვიცი, თუ რა თბილია მზე, მიყვა,... ხარ მეთქი და ვერ და გაჭერე, მიყვარხარ მეთქი და ვერ

მოგახედე, ლაე ლა ლა ლა ლა ლა ლა ლა ნაწვიმარ ქუჩაზე ნაცნაბი სუნი დგას ნაცნობი კადრებით, ნაცნობი განცდების ისევ ი ს ხები. სახლები, ხალხი და წლების მერე

მე სკოლის გზას გა ვდივარ, ვხვდები თუ როგორ მარტივად გავზრდილვარ, მარტივად გავზრდილ ვარ, ისევ ის ქუჩები, სახლები, ხალხი და წლების მერე მე... სკოლის გზას გავდივარ, მ არტივად გავზრდილვარ,

მე და შენ ვიცით, თუ რა ფერი აქვს ცას, მე და შენ ვიცით, თუ... რა თბილია მზეო , მიყვარხარ მეთქი დ ა ვერ დაგაჭერე, მიყვარხარ, მეთქი და ვერ მოგახედე

. ბის მერე მე, სკოლის გზას გავდივარ, რა მარტივად გ ავდდივარ, წვიმის სუნი დგას ნამიან ქუჩაზე . და მე ვხვდები, რომ ვეღარ ვიბავშვებ, ვეღარ ვიყავ შვებ, მე და შენ ვიცით, თუ რაფერი აქვს ცად, მე და შᔃ ნ ვიცით, თუ რა თბილი ამას,

dear friends, we remembered today and will remember tomorrow about vladimir vysotsky, because he is always now in our hearts, he lives with us, many thanks to megga, gogetidze and nikita vysotsky, they were our guests today on our podcast melodies of my life. life goes on, but we will always remember our heroes.

hello, this is the schrödinger's cat podcast and i am its host, grigory tarasevich, editor-in-chief of the popular science magazine schrödinger's cat. and my co-host, the real-life cat barry. our podcast is about popular science, about how to simply understand complex things, about how to see complexity in very simple everyday things. and today we have a wonderful guest, maria kalinina, doctor of chemical sciences, professor of russian academy of sciences, leading researcher at the frunkin institute of physical chemistry and electrochemistry. probably, today we will talk on the one hand about very complex chemistry and about very simple things, for example about soup, we will try to tie them together, yes we will, so let's start with soup, well , all of you have at least ever eaten soup, but sometimes they cooked soup, you cook soups

, of course i do, and what kind of soups do you like to cook, but i, probably like everyone else, like most housewives in our country, first of all steal... that we take for him, any volumetric object that the listener looks at, he can mentally imagine that he is crushing it into some nano-sized pieces, such that are no longer visible to the eye, and if all the substance in the volumetric object is inside and ...