to all those who at least follow the development of the situation, the history, the processes that have now erupted around ukraine, due to the hybrid war unleashed by the west against us. in contrast, the face of german diplomacy is bärbock, the granddaughter of a nazi, the bilt publication writes that documents have been found that waldemar bärbock, a convinced national socialist, read extremist material to hitler’s reading rooms in russia. such information is in the dossier of almost everyone who served in the wehrmacht. my grandfather was an air defense officer and was awarded the iron cross. there is a nuance. the head of mid-germany did not deny the fact of service, but she didn’t say anything about her ancestor’s beliefs, although she loves to remember him. i didn’t know or there was something deeper here. the bill does not give an answer. lyricist, philosopher and a bit of a provocateur. in the moscow gallery, our artists have an exhibition of ivan lubennikov, a monumentalist and painter, very russian, world famous. the master

passed away 3 years ago, he still talks to us today, revealing the meanings in each of his works, gradually, as you dive into the details, most of the paintings are dedicated to a woman, her multifaceted beauty. but what is not a portrait of a stricken man? the viewer who first saw the paintings of ivan lubennikov and his picturesque matriarchy. women, as the continuator of life, the embodiment of love, a caring muse, ready to inspire until they collapse without strength. the story in his paintings is not about vulnerability, but about strength and energy for lubennikov, a woman and her nails are the most powerful manifestation of nature, which is why even red curls are more reminiscent of the blazing rays of the sun, they can warm you up, or they can burn you to the ground, here is his beloved thing, he was drawing with a shadow, you see, the bottom edge the body, which concerns the drooping, is not drawn at all, everything has gone into shadow, and from this

... the artist’s widow, natalya glebova, gives us a tour of the exhibition and tells us that he always drew female curves from memory without the help of models, by hand she led it herself, in the image of the man she seemed to be stumbling, lubennikov himself said so, in his paintings he does not mock, but ironizes at us and at life, for example, he shows how we all go through fire, water and copper in the morning in the kitchen pipes, this picture is about our entire life, and it’s all magic, the magic of nature. the artist depicted his wife with special love and was very sensitive to biblical subjects, in this diptych adam and eve have already tasted the forbidden fruit, the world around them is inexorably changing, lubeinikov’s recognizable style remains unchanged. eva is surprisingly russian, but this is the artist’s view, he imagined eva as russian, soft with...

including oh, what a beauty, it turns out to be a daub, like this, the master himself responded to his own paintings, unique shots, his work in the workshop you can see in in the documentary , life goes on, he worked almost every day and received recognition all over the world, whether you want it or not, you still work, because you have a motivator inside that makes you work, you know, this is of course quite metaphorical.

form of talent cage, yes, but, but it is very similar , in fact, that this is not freedom, talents, not freedom, many of us encounter his talent every day, the main thing is not to look at your feet while traveling on the subway, he designed one from the exits from the mayakovskaya metro station, having covered the passengers with the blue sky, a steel apple orchard was planted underground on the slavyansky boulevard, because at the exit from the station the real one blooms, and the stryatinsky boulevard is essentially a monument to all the monuments that are located on the boulevard. ring. in the film we will see his stained glass window for the paris metro and works that were considered lost, and we will also learn about the amazing fate of the artist. he never fought for recognition, was not persecuted, and was incredibly free and in love with life. for all of us, ivan lubeinikov left a hint on how to do it managed. of course, you need to leave room for experimentation and maximum space for your own imagination. and our own fantasy is what we carry within ourselves. great sensations, they are in us. the film

is air in lugansk, each frame for the audience is like a connection between times and memory. among the same young pilots who liberated donbass from the nazis is lydia litvyak. she died there, and six months before that, just in these days of 1943, she received her first military order - the red star. there were similar stars on board yuyak-1, by the time of the award they were already four. there will be 12 of them in total. fighter ac. her image in this film. viewers do not take their eyes off the screen from the beginning of the show until the credits, this is how the film airs in lugansk , a city whose residents know firsthand what war is, as it was filmed about us, a shell lands in the neighboring yard, here you have

children walking the playground, and there it is , too, well, it’s shown, this is probably what’s most touching in the film, what happened 80 years ago, one to one, only there was german fascism. this is neo-fascism. there are many historical parallels to be found. this is a drama about selfless girls who became pilots. in the film, they fight off german attacks over besieged leningrad. the twenty-ninth meter is on your tail. jump! in 1943, the same brave girls fought in the skies of donbass. this is a guards badge, this is just a piece of metal, well, these are some kind of fastenings, maybe some bolts. these pieces of history about the famous pilot lydia litvyak are carefully kept in a small school museum in the city of krasny luch. exactly students of this school in the early seventies were able to determine the place of death of the most successful female fighter pilot . she has 12 shot down german planes. lydia litvyak was called "white

lily". the flower was adorned on the fuselage of her plane; even on many memorial monuments , “lily” is indicated instead of her real name. that’s how she introduced herself as a colleague, that ’s what her husband, alexey solomatin, also a pilot who died shortly before lydia litvyak’s last combat mission, called her. she writes to her mother that her husband died, yes, she says: “i i have a dream." this is in the last letter that stands on the other side of the river and calls me. and i tell him: "i will come to you if the commander is released." she loved the sky since childhood; at the age of 15 she began studying at the flying club, to the beginning war already worked as a pilot instructor , she achieved that... she was enlisted in the regiment of the famous marina roskova. the first combat success was in the skies over stalingrad, after which she was sent as part of the eighth air army to an airfield near rostov at the height of the donbass operation. fighter pilots then flew on the yak-1, the car was distinguished by good maneuverability, but it was almost entirely made of thin

metal and plywood. you sit yourself in the pilot's seat, and it becomes scary. in front of you is a huge powerful engine, small wings at the edges, and a tail behind. nothing more, no armor and everything that flies at you is death. the image of lydia letvyak is partly visible externally in the main character of the film air, zhenya belova, a girl with a difficult fate, who, like the rest of the squad who were not fired upon, seemed to have no place in the war. that's all i am time i think, someone will remember about us later, but they prove that they can fly and beat the enemy no worse than men, experience comes at a high price, losing friends, facing death face to face on the ground and...

what is more important: homeland or a person? the answer to this question can only be found by going through the pain of loss, seemingly inhuman trials, such as those that befell zhenya belova and her friends. sergey ponamaryov, victor averin, ekaterina belova, roman serebrennikov, oleg shishkin, yulia pogorelova and mikhail vasiliev, channel one. hello, i’m dmitry bak and here is a literary podcast under the romantic

title “let them not talk, let them read.” we talk about literature, we talk about books, we talk about writers, but this year we celebrate the anniversary of arkady petrovich. gaidar, that’s why today we are talking specifically about arkady gaidar. and today we are talking with wonderful interlocutors, this is the main library of the moscow library, which bears the name. hello, tatyana valerievna, and the head of the house of the gaidar museum in the city of klin, moscow region, natalya vladimirovna perlina. hello, natalya vladimirovna, and let’s start with this quick survey, what is the most important thing for you in gaidar? you know, this is the first word that for some reason came to my mind - honesty, honesty, decency, loyalty to one’s work. understanding a child, it seems to me that the most important thing for arkady petrovich is that he

always remained a human being, despite the fact that he had a lot of trials, in childhood, the first world war, in his youth, the civil war, in adulthood, the great patriotic war, always remained a man who was true to himself, his ideals and never betrayed himself, so...

not the front, rear bourgeoisie, well, look, i see a paradox in this letter, dear daddy, on

the other hand, as it were teach me how to be a military man, but dad won’t teach him to be a military man, why won’t he, because by and large he’ll join the army, as strange as it sounds, his mother brought him, when his son came one day he said that he was going to the front , mom makes this, you know, it’s clean the female move is a knight, after all, she negotiates with the commander of the first red battalion, which is stationed in farzamas, so that he is the commander. i would take arkady to my headquarters, well, his age is not quite there yet, well, everyone knows that he commanded a regiment for 17 years, it’s like a fact, but why did this man suddenly become a writer, if we talk about what starts from childhood, from childhood he has a very good school in arzamas, in which there is an excellent teacher, probably his most favorite teacher, a literature teacher, let's call the city arzamas again, because the city of arzamas, the city... he was not born in this city, but this is his city, he is a man of the world, he lived everywhere, worked everywhere, and

in the urals, in the far east, and of course, he wrote in a wedge there timur, his team , was happy, the most important thing is that he was happy, i believe that it was his mother, natalya arkadyevna salkova, née, who pushed her son to write, he was still a golik at that time, he was a golik for the first time in the twenty-fifth this year will sound. this can be written down, it will be interesting not only to your children, to everyone, but here it’s kind of the opposite of children, but initially arkady petrovich will write

the story of the rvs, which today is perceived as a children’s story, but when he brings this thing, let’s decipher the rvs, the revolutionary military council, the military council, to the point when he brings it to the publishing house, he will say, i wrote a novel for adults, and there he says, this is not a novel, not for any, not for adults, a good childhood. i think that natalya is right in many respects, especially since she is, in general, very, very deeply knows the biography of arkady gaidar, but it seems to me that this is still an era, that is, this is the time. time made from many people , writers, well, we mentioned that golikov became kaidar, but this pseudonym, which later became a surname, and there are many hypotheses, well, for me it’s kind of like aida or a guide, it’s a slogan, forward, yes, but there are others, well, in soviet times they were very fond of saying that gaydar is from the mongolian word

haidar, what does rider mean, where is the rider galloping in front or looking ahead, that is, leader? unfortunately, mongolians don’t have this words in the language, this was told to me by mongolian students who know the hypothesis, which is a legend, too many legends, and if we talk about some kind of romantic relationship, including gaidar, then yes, arkady gaidar from razomalas d, that’s it the same thing, yes, i heard that a and yot, arkady, the beginning of the goliks are also encrypted there.

yeah, it seems like a child, but he talks to this reader on an equal and serious basis, like an adult, and you have some kind of book here, it’s my dear, but what about, here it is, gaidar, a volume, this is a four-volume edition , absolutely crazy circulations, very, very

many, many, many houses have such publications. there are bookmarks, it’s so nice, bookmarks , here you go, gaydar and children, there are completely different illustrations, here you are and what year it is, i think it’s the fifty-sixth year, i knew it, shortly before i was born, this is the twentieth party congress, this is just such a warming and a very large publishing program at this time, this is a four-volume green so-called or blue version, several times completely different readers told about the same thing the story of how in the summer at the dacha they accidentally found old

collected works of gaidar, most often from the year fifty-six, in a closet or attic. well, apparently the family seems to go into the closet because it’s unnecessary, but throw it away , well, somehow it’s completely unintelligent and impossible, and these children found it, started reading and couldn’t put it down, then, when i ask these children, what did you like, and the answers were completely different, i just remember this little girl very well, she read everything volume after volume, and i asked her, what do you want more i liked everything, she says, i learned from these... yes, let them not talk, let them read, so we will now move on to the author’s section, i remind you that in the author’s section i either read and comment on

some poem, or a quotation from prose, or i show an old book from my library, it is not a museum, not a state book, but just my book, one of those thousands of volumes, i have 3000, as i used to count, that are on my shelf, today it’s strange. ..dozens

of foreign writers, all regions were represented, don’t think that i’m praising all this, no, because dozens of people were repressed as delegates to the congress, then they simply died, this is all true, yes, this is such a time, and literature was part of the state apparatus, one of the researchers talks about the nationalization of literature, well, that’s an awkward word , but the writers' union is like a ministry of literature, right?

there is also no direct glorification of the soviet regime, neither is there, because the main thing for him is not that in his works, the main thing in his works, in my opinion, is what is needed to love our homeland, whatever it may be, this is our homeland, gaidar would answer this question with his own, his final phrase from chuk and gek, come on, yes chuk gek, another great thing, not everyone, by the way, knows that these names mean, these are household names

, standing, protecting the eternal, yes, as vladimirovna says, but the non-conjunctural , eternal, what is non-conjunctural is completely, this is a person who lived and died for what he considered his, let’s now... we

will talk about the most important works for each of us, i have this list very very simple: this is the rvs, this is a military secret, this is a school and timur, his team, of course, i’m also surprised why you don’t call the blue cup, the blue cup too, of course, the blue cup is here and chuk igek, and chuk, well there are literally a couple more works left, no, not only, but timur’s team is a great work for me, because it is a metaphor for the wheel. i often say this at work, yes, we are a team, well, i run a very large museum, yes, there are 400 people there, and it’s so great when we understand the wheel turns without any dictate , without violence, everyone is united by one thing, but this web is reaching out to someone, and we understand that everything works, and, by the way, many people, when they come to the museum, say, here is your favorite work, i always i speak with conscience, many people say what kind of work this is, why, well, in fact, it’s a work.

very short, literally half a page, but i think that in this story, it ’s not even a story, it’s just that, yes, i also wondered what to call it, but in this work the whole of arkady petrovich is revealed, uh-huh, firstly, it shows the writer’s attitude towards the children themselves, he raises the reader to his level, without babying him, these musi-pusi are not about gaidar, he doesn’t babysit, but he doesn’t give him ready-made answers, yes and this is very... correct, look, the heroine of this story, the story is a conscience, who decided to skip, i remind you in just a nutshell what to tell about, who decided to skip her lesson, a fourth grader hid her breakfast, went to catch a butterfly, suddenly came across a first grader, she, fourth grader decided to say, why are you skipping, and he, this sweet boy, said: “no, there’s a dog, i’m afraid,” she understands that she is starting to talk to him about some kind of conscience, although she herself is acting ugly,

now timur’s oath, timur’s oath, that’s why, it was written after that , in fact, before the very, very war and death, and death, and gaidar, who came up with the whole story with timur and understands what could result from the fact that this very same movement begins , leadership and so on and so forth, as easy as it can be. do, well, mishka kvakin, like this, we remember , we remember, let’s say, bureaucratically formal, well, there is a bad leader, he warns, it’s right there in timur’s oath, this moment is shown there, the guys have grown up, several years have passed, from the moment timurovs, they have grown up, the war begins, stay in the rear and help, well, everyone has their own place.

5 years in the month of may, in general the museum was opened in the eighty-ninth year, it must be said that in 1947 the people who gave arkady petrovich a bed before the war, they left klin from 1947 to 1988 , it was ordinary municipal housing, only in 1989 the house museum was opened, the museum is small, only two rooms, but i’m pleased when people come and say: this is your grandmother’s house ,

village. i know this very well, so it’s nice that it was in our wedge that arkady petrovich found his personal happiness, one of the master’s daughters, dor matveevna, became his wife, yes, yes, of course, she became his wife, it was also a marriage, well. .. didn’t walk, didn’t dance, at least with a lot of guys, everything was adjusted to her , all the guys got a blow , gaidar himself came to the wedge, it turned out to be a miracle, a couple, he is a gaidar, she is a gaidar, and it seems to me that this is just such a simple, you know, unpretentious, human happiness when he found a complete family, dora matveevna had...

a period of war, then we realized that we need to scan it all, put it all into an album, there is an electronic version, well, here is one of our great treasures, a unique edition, this is an illustration by kanashevich, completely unaccustomed to military secret, by the way, we didn’t include it in the ponteon, i called it, called it, remember, i said that such a gift? yes , yes, it’s complicated, it’s complicated, because it’s the death of a child, and he’s a gaydar, he rises so much above

something familiar and really abnormal, the death of alka is this very story of a boy , a kibalchish, a wonderful illustration, yeah. in wonderful company, my interlocutors today are tatyana valerievna rudishina, chief librarian of the arkady gaidar moscow library and natalya vladimirovna perlina, head of the house of the arkady

gaidarov museum, tell us, do they go to the library, such a trivial question, they go, are the library and gaidaar’s book in demand, are they re-publishing it at the same time, right away yeah. a two-part question, we talked about the klin museum, now about your library , they go to the library, thank god, they come, on weekends we work on saturday and sunday, these are most often family events, going to the library, on this day there are always some events , meetings with writers, come organized groups, where there is a teacher who for some reason is ready to bring children from the other end of moscow once a week, who goes, what kind of people, these are visitors, these are residents of the wedge, well, somehow people of all ages come, of all categories, yes, family too , well, if i may allow you, returning to the mulchesh kibulch, they said that the death

of a child was shown there, it was difficult to tell, i want to tell you one story, when a group from moscow came to us, first grade children , but when such small children come, i say, let’s do it a little. let's talk about arkady petrovich, we'll show the cartoon film of the big boy, you know what one mother told me, i don't allow this cartoon to be shown to my child, because there are scenes of violence on children, it traumatizes the child, but... it is known for certain that arkady petrovich he really loved meeting with his readers, so while meeting with his readers, one day arkady petrovich heard a question when the guys asked why, why did you make your boy die, the boy kebalchishe, because it was possible, you author, you are a writer, you could, this is a fairy tale, you could come up with any ending, an amazing answer, arkady petrovich said, of course it was possible to imagine that the red army would have time to save maltish, kibaltish, it is possible, why not, but it would not be true, here i am. children cannot be deceived, said arkady petrovich, so, to answer your question, who

comes, i really, really like it when mothers come, with children and with their parents, that is, grandmothers, children, and grandchildren, everyone has their own gaydar, everyone has their own gaydar, we were talking about the story of chukko and gekko when you read chukko and gekko to a child, the child sees the adventures of the boys with their dad, yes, when you are a mother reading this book, you see.

he timur is not for the first class and not for the second class, it happens, it often happens, we

perceive walter scott and fenimar cooper and even as children’s, they are not children’s, children’s, and in general it’s very interesting, i’m very interested to see, for example , at the blue cup through the eyes of a child, well, yes, well , we quarreled with our mother, broke the cup, left with dad on a wonderful trip, it’s actually a trip around the globe.

what a modern person or a child can find for himself, what he can, in what he can recognize himself, because it seems like an event from quite a long time ago, well, after all, for a child, well, the thirties, well, a very long time ago, can i say about the book smoke in the forest, this book was written in our klin, a purely klin work, you know what ’s surprising is when arkady petrovich met with readers and read his book to them, by the way, he had a phenomenal memory, he i read my books by heart, so... yes, he wrote the smoke in the forest into a wedge and how...