laugh and empathize, voices by which we always recognize our favorite hero. tonight in our studio there are wonderful artists who gave their voices to their favorite characters. prepare to record. call me, call. i should just look at the actor once. i already know how to work with a song, how to voice it. this is no accident. arbunovskaya street, building 3, building one , you can use it to keep in touch with me , i compiled an algorithm for the trip, as if talking to myself a little, fiona and i became a husband and my wife recognized my dubbing as the best

shrek in the world, you don’t have to worry, i will always be here and won’t let anyone near you, it’s a thankless job anyway, then if they also paid for it, you know, i’m counting on a good fee, that goyeshnik who stopped me, a strict lieutenant, became a little boy, say something like an alf, uncle, let me go, please, i won’t violate anymore, thank you, well, we have a wonderful topic today, voice-over.

what good are these young men, i'll tell you myself alone, because male beauty is in marshchiny, in the middle, in the middle, in the middle. well, look, mikhail sergeevich , everyone didn’t know that you voiced dzhagrakhanyan, that’s what you used at that moment, that’s the impudence, what else can be used, that’s what igor borisovich dmitriev sang, it suited me quite well, that’s why he got excited and couldn’t get excited, in general he was singing, not really, but it was. a very simple song,

and sometimes it’s like those who you had to voice, they weren’t indignant, what exactly did you voice, well, i can’t say that kostya raikin was indignant, but he agreed to star in this film only because i voiced, because i didn’t sing, i’m not a singer, i tried to play in a way that was comfortable in the frame , come on, give us a mustache , you have a sword, where are you backing away, weirdo, i won’t take a step back, you and i fought off this attack, “dexterity, we have excellent dexterity skills , go ahead, first we recorded the phonogram, and then he started phonogram, shkolker, here, and then he, oh, this fits, kostya so danced that no one listened to what he was singing, and dzhegrakhanyan, when you were dubbing, it was also a dubbing at first, and then, no, he just didn’t come to - it was just by accident, right?

that was why he didn’t come to the dubbing, well, ifimov did it in such a way that no one even asked who was dubbing it, i spent that night without sleep, no wonder you didn’t sleep, because you completely disappeared, if she asks, yes i said, wait, let him go to bed, no, they didn’t want to, amazing, let’s watch another fragment now pictures where we clearly don’t recognize the voice, it’s all strange. the invisible

one brought the two of us together for a while, i just sat down, by the way , after the last one, when we showed it, i watched the movie, what a fantastic movie it is, it’s just that i quite accidentally look into your eyes, what’s the matter?

i couldn’t even join in, let alone sing, i was so confused, despite the fact that i was sure that menshov took me for this role because i can play the guitar and sing, that’s the only thing i can do knew how to do something by the age of 15, it seemed to me, very ok, i did it all well, when the testing time came, so to speak , nothing worked out for me, and he called me out, he said, dima, well, you’re good at finishing, but you need to rehearse, i have an hour , i need to record three songs

and then i’m free to rely on your word, you can rely on where when i see you, go away, i promise that you’ll take care of everything yourself, remember, guidai’s films there through one artist, others talk or even

sanovich, this the directors themselves sometimes deladomarin, by the way, menshek has already voiced zhiganova, it’s not seryozha who’s talking, i’ve never thought about it, yes, yes. as far as i was offered, i did it, then i had to repeat it all, everything from everything i could, well, as much as i could, from start to finish, and this dubbing, you can go crazy, you know, it was one phrase , it was possible to voice a whole shift, the director

didn’t understand that it was not like there, but i couldn’t do it like there, i was already there and there was emotion, of course, of course, for example, there was a film, see paris to die, there

right away they will know by this, no gorodomarinov they didn’t see, here are the cars, here are the cars, your business card, now we know that you voiced the crash to us, yes the cars, yes, well, he’s great, well, let’s listen to a piece. what do you think about yourself? listen, the spirit said , as soon as i finish, i’m free, because that’s what they decided, you should fix the road, not spoil it, everything, scrape it off because of the work, listen, fade away, i’m not a bulldozer, i’m a racing star, wow, really, then it’s necessary just to find out who is faster, well, since we remembered barbara brylska with light steam, then in the second part. she was voiced by one of my favorite actresses, anna komenkova, who, firstly

, is a brilliant actress herself, and secondly, she gave so many characters her voice, let’s see, she was in our studio 10 years ago, what does she say about it says, i don’t tell you at all how many of our artists i voiced, i think that this is wrong, there should even be a feeling that she sings herself, speaks herself, she’s on the screen and... but i, i myself always hide it , i do everything so that they get even more glory, i was looking for love and didn’t find it, i i love you, you looked at me, they look at me like i’m funny, i love you, i love you, i haven’t found love, so i’ll look for gold, i love you, come on, i love you, i can’t be yours, i love you, i love you , stop, don't repent! you should be mine, never, well, don’t let anyone get you, well, absolutely

brilliant, because i could never imagine that it wasn’t larisa who was saying that, so incomparably, but what tanya was saying just now made me hysterical i need to play hysterics in the studio right away, i don’t even i can imagine how larisa would speak, larisa couldn’t do that, well, without sebitova we wouldn’t have gotten anything, zhanna, but you gave so many characters your voice, you drank so much, i don’t even remember anyone anymore, that’s how i it just felt right to me, call me, call me, that’s how they stuck it, call me, call me, everything else is already like that, but mine. which you voiced from beginning to end, yes, well, these are all my songs,

fashion changes daily, but as long as the world lasts, the gypsy woman with the old deck, at least one yes... well, what can i say, what can i say, arranged! so people want

to know, want to know, want to know what will happen, what to say, but what to say, well, people built like this, want to know, want to know, want to know what will happen, bravo, i got to mosfilm, completely by accident, rybnikov invited me to record some vocalist. and the editor came up and said, could you re-sound the old pre-flood film by kotov, there is some scene, a black woman, this is the same thing, with a child, i think, how is it, and we will show you a screen we’ll give it to you and you’ll have to sing it all on this little screen, thank you, god, in russian , that’s all. i can’t say that it was hard, by god, here, well, right away, just like that, that’s how i went, that’s how i went, but

it was never a shame that i was behind the scenes all the time, i never wanted to be in the frame, something... then to perform, but it’s a shame, god, it’s a shame, i was offended because of the last film, because of this, call me, call me, i’ve covered so many quails. a lot of things, but everyone knows that just call me, call me, that’s just all, well, you it’s impossible, it’s just, call me, call, it’s coming to me on the street, but we can’t live without this one too, come on, call me, call.

for god's sake, stretch out the call over time, the voice is quiet and deep, the stars are melting over moscow, maybe i have forgotten my pride, how i want to hear the voice, how i want to hear the voice , your long-awaited voice, call me, call!

then he brought a lot of options, she kept saying bad, bad, bad, then she called him and said that i’ll just stop cooperating with you because you’re not you can write a song, and out of despair he brought the first option, she said, well , this is brilliant, he told me that this is the sixth option, because the first option that he gave me to record was a masterpiece , just a song for me personally, it was for a voice for...

to come to this program to find out that my confidence is that it was muravyova who sang, i ’m playing with you, no, well, it just can’t be that someone else did it like that, no it’s not maybe, maybe, and you know why maybe, because there was tatiana mikhailovna, lioznogo, she said, first look at her, how she even exists at all.

you feel about this matter after so many years, so she answered exactly the way she answered now, which means it was necessary for the film, i can only say one more thing that tatyana mikhailovna, when i had already written all this down, said, i her i asked why ira sings beautifully herself, she

sings superbly, and romance songs, why wouldn’t she, jeanne, be able to sing them. song based on the poems of robert rozhdestvensky, thank you life, she would i would never have pulled out the song, without this song there would be no end, thank you life for what comes again, for bread to ripen and for children to grow up, thank you life for all your loved ones. living in such a vast world, thank life for this generous century. this is how it sounded in me, now with joy, now with pain , the widening of your roads, in which a person,

having experienced everything, becomes himself, because you, a river without banks, for every... your spring and winter from all your friends, and even for enemies, thank you life, thank you for everything, bravo, after the advertisement you will hear the funniest stories and tales from actors who gave their voices to wonderful characters. there is a self-portrait of the artist of this station, this is

actually ivan leonidovich lubennikov himself. for him it was a thrill, the scale, the hangar , where all this is laid out on the floor, a lot of students, you give them tasks, we are here just recently from the time we met, and the handsome ivan lenevich was courting, no, but i immediately agreed. writes the characters that are around us, so he is understandable to a wide audience; a huge number of representatives came to each exhibition of his works press, it was a resounding success , no one knew him, that’s how quickly popularity came, the pockmarked chicken is quite funny to see in paris, it’s so russian, there’s something very rustic and childish about it, he was like a happy river, sparkling river, with great sensations.

will go down in the history not only of our olympics, but in the history of the olympic movement in general. the idea of ​​russia as a magical land in the sky, russia as a floating vision in the clouds. of course, there were a lot of dramatic pages along the way; it was a real test. in russia perhaps something that in another country is not even subject to discussion. a ceremony of such a scale and level.

tonight in our studio we are talking about the actors who gave their voices to their favorite characters in films and cartoons. now, if we talk about who sang for whom, that is , probably, a unique case, we can say that in one film i sang for vadim andreev, oh well, i know. yes, yes, yes, for vadim andreev, well, not for vadim andreev, but for the hero he voiced, what kind of film is this? shrek, shrek, yeah, the fact is that i

indeed, i am not a musical person at all, absolutely, i tried, there were parts, you voiced the donkey, i voiced the donkey, but there were vocal parts for the donkey, yes, and that was it, and you voiced shrek, and i voiced shrek, because i can't sing at all. no, no, no, no, it’s just that at that moment somehow yaroslava georgievna, it was the sound director, it seemed to her that your voice timbre was not quite suitable, but she decided, noted, of course, with you, how you scared them off, i'm crazy, trash, the guards were fucking, cool all of themselves, but they saw the giant squealed, as if they were whining, a magnificent sight, glad to try, merci, good, be free, hey, i would go to celebrate liberation among. friends, but i have no friends, and i won’t go anywhere alone, oh, i think i came up with an idea, i’ll go with

you, because i...

and mannequins, yes, the famous film three series, i say, and what do you understand, there there is one problem, in the first song, arkady sakovich cannot do the syncopation, i say, okay, he says, well, i give you my word, you can do it, i’m coming, that’s it, joka, genodkov this entin is sitting, i say, what should i do here?

sometimes in glory and honor to everyone, hey, man, hey , mannequin, don’t you recognize your own people, come just look, look, look, this place is passing by, he says, listen, well, look, how good it is, why did you torment me? yes, yes, he didn’t recognize you, no, he happened, no , he said, no, he said, you see, i’m doing it well, that you pestered me, that’s it, yes, that’s it, anyway, you know , so, when you watch and listen to all this now, imagine that one person is voicing donkey and bruce willis in all the films, you’re

right, you’re right, i shouldn’t be doing that. you know that it was in vain that you kissed me in vain, but he ordered me to wake you up gently, i know, i know, yes, at least a taxi , remember, remember, badabum, big badabum , boom, boom, big bada boom, there in my taxi, i, i after all, the driver, look, is an example of masculinity, of heroism in general, suddenly he’s a donkey. how many other artists are you? well, bruce willis, jim carrey, well, this is what hollywood approved of us, hollywood affirmed us , affirmed and assigned all these voices, you also voiced cyrus richard, yes, but this it was in the eighties of the last century, and robin williams, so it turns out you, well, yes, kolya, how much you and i don’t know. but

i’ll tell you the funniest thing, my friend, with whom i ’ve been friends for many years, is sitting at this table, and it never occurred to me that she could voice someone, usually when the film ends, you turn off the movie and don’t watch these credits, suddenly i accidentally, you know, something was delayed there, i didn’t turn it off, at the end, when i read the name that it was mariana schultz, i was shocked, so... thank you, maryanochka, then look, julia roberts, nevopa cruz, kate winslet, who else, well, cameron diyas, and there’s a lot of him there, are you familiar with dr. kuzimana, yes, you are, or were someday his bride, this is impossible, sir, judge, how can you get engaged to a married man, you have tisvik. what is needed, if

black could be made white by talking, this would be a job for you, thank you, because i am experiencing. a young lady with some kind of crazy beauty or something else, in general, i’m very glad that this i jump in, it’s as if some other person has appeared in my life, tell me, if we do such an experiment now, we’ll show,

let’s say, penelope cruz, you can say it in the voice with which you voice it, i ’ll try, but i i can’t repeat this story, it’s always some kind of, well, some kind of element, everything carries me somewhere, i really don’t know. he had bruce willis, i loved him very much, i am a lazy person, i liked to voice bruce willis precisely because he is like that, he speaks sluggishly, he is so very quiet, the speaker is pleasant, very convenient, and the voice is not your own, and you also voice kevin cosner, kevin cosner, this is a long time ago.

i’m telling you, genius, no, these are connections, just connections, no, this is also talent, this is also, let’s look at one plot, i somehow arrive in secret, you weren’t in secret, well, a film was invented about the parrot kesha, valya karavaev invited me to watch the samples, when i saw how this parrot moved, i realized that... it would be very good, goodbye forever, only death will save me from heart flies, he says who can voice him, i said, he turned out to be simply magnificent in the role of kesha the parrot, oh so, that

's how you are, that's what you mean, the most interesting place, oh, but i thought it was only a polystyuk on motorcycle, and you, of course, i didn’t think that such a thing was waiting. gen, please tell me, first a miniature parrot appeared, then a cache or vice versa, of course, the stage parrot was born earlier, it was the end of the seventies

of the last century, century, and then sasha kurlensky, i didn’t know any of this, they conspired with karavaev. well, they invited me, there was no picture yet , they didn’t draw before, they put me near the microphone and asked me to talk, and talk and sped up the speed a little bit, well, in short, i’m just like kurlyansky , i did not imagine that i was not counting on such a result; in fact, nothing more was possible. and not to do, and so, go around asking everyone if you have ever hidden, but the most important thing, today at this program i can say loudly, we are not bad here, but

if you allow me, i will remember another artist in the soviet union. there was an absolute favorite foreign comedian, louis de funes. i would like to say that... in many ways, the success of louis dauphines in the soviet union depended on the fact that it belongs to an amazing artist whose last name is kinikson. moreover, when funes heard heniksson, he said, he is better than me, that’s right, he said, fantamas, fantamas, and fantamas here, and fantamas there, fantamas everywhere. this is the first time we have so many witnesses, mr. commissioner, we need to

arrest everyone, that is, interrogate them, god, what am i i say, interrogated, interrogated, what's new, uh , say what's new, excuse me, mr. commissioner, but are you sure that it was a journalist fondar, hmm, even my crazy, i'm hallucinating, sorry, mr. commissioner, i don't give a damn about yours sorry, after i stopped voicing the inspector, they stopped watching the film, yes. i tried to watch it all in french, it’s not no, but mikhail sergeevich, to be honest, i ’m so funny, it’s probably not that funny at all, louis the definer, a great artist, but this voice of kinikson, he improved all these roles, in many, many, many times, but i have to say that i've never seen kinnickson on stage, i've never seen, i can't imagine after. that i heard funes in the variant, imagine

watching some kind of theatrical performance, where a person with this voice plays on stage, that pencils, imagine, it was surprising that i, for example, i heard directly the messenger told such an amazing, even how can i say, it was a touching story... about the voiceover in the new year, it was his, which means he says, i had, they called me to the new year to voice some kind of stock recording, on gorky street, in the telegraph building there was a radio committee, he says, and we celebrated the new year, we were supposed to celebrate it in the oragvi restaurant, he thinks, well, of course i can handle it before the new year, there are two steps to the restaurant oragvi, and the messenger says: i came there to my mountain in squeaky new shoes, they creaked, and i took them off and put them... near the entrance, and we sound, and there was a wonderful

company at the head, yes, there were dances there, who was also in a hurry to celebrate the new year, there there was vicend and so on, there was generally a company there too, god forbid , he says to everyone little by little, they are releasing them for the new year, the messenger says, i look at my watch, everyone says , happy new year, happy new year, goodbye, there are rastislavyans, that’s it, all the best, and the messenger says, i’m left alone, he tells me, i still need to write literally just a little bit 13, and the messenger says, i... i understand that there’s still 5 minutes, i’m running to aragve, i’m on time, he says, i have time to finish writing all this, i say, they tell me, zhenya, thank you very much, goodbye, he says, i say goodbye, i look, and my shoes are not there, which i put at the entrance , there are no shoes, i’m wearing socks, he says, i ’m going down, there’s a doorman, a cloakroom attendant, i say, is there, no, no one, i haven’t seen, i don’t know, no one, but maybe , someone by mistake, he says, i can give you something, well, you are wearing socks for me... he says: i can offer you, our cleaning lady left

her slippers with pom-poms on the heels of the slippers, and the messenger says, fuck it if i were with them, i ’ll put on these slippers, i’ll run to raghvi, and he says, i ’m going out in these slippers with a pompom, he says, i’m opening the door of the radio committee, on there is a taxi on the street, a guy is sitting in the taxi, he has my shoes in one hand, a bottle of champagne in the other, and he says: zhenechka, how could we? leave your friend on new year's eve, you know, we decided that we will celebrate the new year here, with you and the taxi drivers, and the messenger says, he poured champagne, he did it, he came up with the idea , and the messenger says, it was the best new year in my life, the bastard told jokes and all that, after the advertisement you will find even more surprises from the actors of dublizh, we will talk with our guest, the founder and artistic director of eterno music, the outstanding

conductor teodor kurendis. what is the task: to bring the public out of a state of comfort? this is not comfort, what we are looking for, but how can it be comfortable when you always want to create new, new, new, new. in general , mortier is not the creator of brilliant performances; what he did, he opened the boundaries.

a great spectacle, his name is, i said that i would bring the best fighter, volodya ignatiev, afghan, sapper, this is such a guy, these are mine money too, and i want to fight for it, rit, what are you talking about, i don’t know, some kind of premonition, girls, i’ll deceive you, there won’t be a concert, you promised us 40 dollars each, these are our girls. i’ll put everyone here now, he ’ll kill you, well, hello, jaeger, she’s nobody to you, why did you get involved in this, it’s him, the one who

saved me, you’re nobody to each other, this is chechnya, we can’t do that, well, tell me, sopen, whose path did you cross, i can’t live without him, you idiot. premiere of a serial film tomorrow after the program time, whatever i want with it, let me do it, go away, let me buy it from you, tonight the topic of our program is voice-over, messenger, because i knew him for many years, and he told me, i don’t know how true it is, he... told me how he once got screwed he’s a sneaky traffic cop, he had a red lada car back then, and he says: i’m leaving the theater, from the theater opposite near the metropolis he stops me, i see a completely drunk traffic cop under the date, i open the window,

the policeman comes up, and your documents, he says, i’ll fire you, drive through. alexander, since you took the floor, you voiced all the characters, planets in general , stalons, denira, you also have palpachin in your arsenal, god, there were many, many, jean paul belmando, it was, i would like to appreciate it already.

i watched how this man works , at first, turtle, we are his skulls, you know, this is a wonderful phrase, i really like it, that you have to live life in such a way that a ninja turtle is named after you, but now at least we have seen human people, who voiced leonardo, raphael, you were michelangelo, i was rafae, and then, well, whatever and... and the boar, i created such a thing, it was, and this one , and mine was this craig, it’s in the stomach, these ones, there was a lot of things there, it was so interesting, alexander, i want you in the voice of one of yours they said the hero, but let them guess what

kind of hero he is, this is a very popular hero, i have to say, yes, but i won’t succeed, well, of course, i have to get it. there is a payphone on the street, but you can ask for a coat, why? you said there was a payphone on the street, right? that means i’ll need a coat and a hat, if you have them... eat, yes, yes, and also

quarters, yes, of course, you don’t care for me bite for a quarter, no, you're not from around here, from minnesota. it seemed from somewhere further away, from florida, yes , tatyana, but today it’s a discovery for me that in the cartoon you voiced ulyanka, but i didn’t know that for sure, you know, my memory has been bad for a long time, but i i myself didn’t know that it was me, they tell me, yes, this is something there for my lifetime, something like that, i say, yes. not me, i refused, then i realized, yes, that it was me, it was a very, very long time ago, they watched the wedding, well, everything

more than this was described in the newspapers, young people vanya was tied up in the house, only this princess vanka doesn’t need a ben, she had a ready suitor abroad, vanka took the kakugan grena for himself, oh, my heart feels, she will show herself, vanya, i’m yours forever, well, really my dear wife and i won’t open up, van , where did you get this wealth, my handsome boy, tell me, van, let’s go to him, the ulyankas told us about scarope on a magic ring, this ulyanka is worse than karosene, right? and what else, what else sounded, also, well, the other day i sang myself, it

was terrible, and khrennikov himself approved me, i i didn’t hit a single note at all, it was a nightmare, i was so ashamed, well, such a gorgeous romance, yes, and it remained like this , the birds whispered the ores of love, as if my darling was singing somewhere loudly and quietly. oh, barely audibly ringing, further and further, beckoning me, don’t be bored, ah-ah, yes, wait, wait, wait, forever, yes, yes, i’m with you, don’t be bored, ah-ah, in the rains, wait, wait, forever, yes, yes , i’m with you, and there was such a funny incident, i was driving a long time ago, or rather, i was catching a car on gorky street, i was in a hurry... and a lada pulls up, and i get in, but i also have memory, another property suffers from me

, i don’t remember faces, you know, no, this is not after the pandemic, it’s generally from birth, i don’t remember faces, and i sit down with him, it was tikhon khrennikov, i get into his car , i said, i’m going to the satire theater, and we’re going, he gave me a quick ride, and i give him 3 rubles, i say, can you imagine, he says, tanya, are you kidding me now or what? for a long time i couldn’t understand who was in front of me, you know, it’s completely incomprehensible to the mind, that’s how you are when you’re like this romance in fact, which has become iconic in the duen, but many people don’t like to listen to their voice from the outside, i really don’t like you, i really don’t like it, i’m terrified, one time i was walking at home and the tv was on, i feel, god, how unpleasant voice, how unpleasant it is, how bad this voice makes me feel now, i’m going to turn it off. i see that it’s me, yes, i don’t like , i don’t like, i don’t like at all, well, of course, one cannot help but remember leonov, an absolute genius,

but he is such a genius that everything was forgiven for him, that’s all, he, he never didn't know he didn't knew who i was, what my name was, and there was no need, and no need, i knew what his name was, it was, and he was in a hurry all the time, in a hurry, because he also had to go further, because we had to sit with him on one, on the same horse or... he was, i don’t know, and rush off, and they brought old merin, whom you had worried about something else, he stood there, he couldn’t move, we i had to at least take a few steps out of the frame, and i’m already sitting, and i have to pull him there, but he’s heavy, huge, you know, and this horse is already starts to freak out too, and i was so scared, in general, once the horse threw me, the second time everything threw me, because i couldn’t pull him in, in the end they made the horse, in general, he began to back away, and then they did...

the main thing is that he accepted any game and any improvisation, he was very good at improvising, brilliant, and of course, his favorite thing is vinipuh, which we all adore, if i’m in the back of my head, it doesn’t matter, there’s sawdust in my head , yes, yes, yes, but although there is sawdust there, there are chants in the sawdust, as well as noisemakers, nozzles, i compose it’s not bad, sometimes, someone writes

, lives well in the world, blame and rest, that’s why he sings these songs out loud, and it doesn’t matter what he’s doing if he doesn’t lose weight, but he won’t lose weight, unless, of course, he eats in time, yes tramparapapa , brilliant work of the sound engineer, he composed livonov’s voice, and of course, it’s a little faster, but how sergeevich moved, tell me, i don’t know the secret, but it’s clear that it’s a little faster. well , modern cartoons are, of course, one of our biggest hits, this is masha and the bear, and it was bought in more than forty countries, alina, this you voice, it’s your voice that sounds, bravo, tell us about this work, this is a wonderful

job since i was six years old, here. the beginning of years, yes, now i’m 22, i also accidentally got into a casting as a child, my whole life continues in this, there was a casting, so i was the smallest of all, all adult actors, i without any education, acting school, nothing at all, i just stood up, said a couple of phrases, okay, we’ll call you if anything happens, well, a few weeks pass and it’s approved, well, just like that... this was the first once it was just a cartoon, and then , when 3d technology started to work, they already set up a camera and made a wave to my facial expressions, great, let’s listen, and i rolled up for you for breakfast, so that it would bite, you need

to feed the baby. i would like something sweet. well, it’s not my fault that i’m craving sweets. alina, please tell me, you’ve been doing voiceovers for so many years, has this work stopped or is it still going on? i stopped working with masha at the age of 15, my debut, my voice has grown, so now yes, there are some advertising videos, the voice acting continues, then in masha, i

voiced her for my sister dasha, often. well, masha never lets me go, great, well, i think the whole country lives with tatyana’s voice, we want it, we don’t want it, your voice is everywhere, in my home, say it in your signature voice , tell me, the route has been built, don’t forget to give us assessment in the application, even by me, who does not drive a car. in my life , to be honest, i thought that one day i would write it down for 6 years, i closed this page, alice is now 6 years old, she is written periodically and now we will be adding something again, something is being invented and so on, i have such top, top five voices, i can say,

i’ll try to demonstrate now, my back is to you, my dear look. i ’m sorry, that’s it, but it’s precisely the movie you’re listening to, yes , you’re hearing, but not seeing me, now let’s try to portray, uh-huh, yeah, hey, bro, it’s me, the black one in... come on from the avengers, i’m always i’m ready to help, but unfortunately, i was leaked in the last part, and this is me, now, now, who knows, and this is me, harley quinn, and what are you looking at right away, i’m probably with the joker, he will break your neck, so, stop, kemerandios, bad teacher, today we’re all retaking bad grades , you’re at double rate, you understand, tor, tor, dear tor, it’s me, yours... i’m here, what a pity that you’re now in kazakhstan, well, well, alice , i’ve already demonstrated this, tell me, do you have alice at home, you use it yourself, now i’m thinking how can i

answer this more competently, well, i can say so, they ’re gathering dust on my shelf , but that’s because i can’t do it, first of all it’s a professional deformation, it’s enough that i’ve been writing it for six years, yes yes, you know, mashenka wrote, but it’s been there for 10 years, that’s why it’s not necessary. i have some kind of inner ear, an inner instinct, moreover, i have never had such work on myself that i voiced it like that, i’ll go to the cinema, see how i did it, because then you’ll become clichéd, and you always need such fresh, always so fresh updated, that’s why i have them, and i can use the navigator, i think our navigator is good, well, of course there are some, now i know for sure, that when one of my friends talks to alice, that alice. so charming, thank you very much, really , thank you, thank you, thank you, really, but the idea is that for everyone alice should be individual, and why not there isn’t

a face on the column or something else, because she selects a script for a person, how she communicates, yes, she recognizes age, your interests, so every person should have it, not everyone who uses it, there are those who don’t use it, that’s also an option, well, really. i shake your hand , i understand, that is, it should be my own with mine, i don’t like, i think that many people do something for me, i do too, i really love real life in general and i love real people people, friends, faces, here are the funny stories you yourself have had so that you sit down , listen, hear that, well, oh, well, of course, when that’s why a taxi, because i suppose i’m often in a taxi, i want this all the time at the end at the exit sky yes, don’t forget to rate us or don’t forget seat belts

when we leave the schoolyard, there are no sounds of an aging waltz, the teacher leads us to

the corner, back again, again in the morning, meet him, teach him, again. say goodbye when we leave the school yard , the door at school is always open for us, there is no need to rush to say goodbye, well, how can we forget the ringing of the bell, the mine and the girl, then... brought the briefcase, let nothing happen again for us always, open at the school door, walk along

the quiet school floors, a lot has been lived here, there was a timid voice, the chalk in his hand trembled, but you ran home victorious, and if suddenly... luck is gone, walk through the quiet school floors, thank you that there is no end to the lessons, although you are waiting with hope for a change, but life is a special subject. will give new questions in

response, but you will certainly find a solution, thank you that there is no end to the lessons, thank you that there is no end to the lesson, after the advertisement we will get acquainted with the official voice of the first channel. she and chamberlain potemkin are constantly talking about something. they began to invite him to all councils and holidays. potemkin, you saw potemkin, crooked, askew. slutki all this. my ugliness insults your beauty. wounds received for the fatherland should not be ashamed. but i love you.

yes, little is allowed, but what should i do if i love you? great, golden age, big premiere, from monday on the first. what i want to talk about is what i experienced that deserves attention. among the many joys and pleasures that accompany youth, when i became a writer, i experienced incomparable happiness in the circular village of mala. i lived with a blacksmith, helping him

forge horseshoes in his forge. with long pliers i held a white-hot iron in his hands, and he beat it with his ringing hammer. i ask myself, who am i? what force took me out of my moscow apartment, forced me to cross the threshold of my home and threw me across continents, across cities, across warriors, through conspiracies, through revolutions, plunged me into many adventures.

of the real cultures that were destroyed by europeans, from all points of view the incas and otecs were head and shoulders above in a cultural and civilizational sense. today every brazilian is a little indian, a little european and a little african, and that's what enriches our people. the cuban revolution is one of the most important events of the 20th century; it was led by a group of revolutionaries led by fidel castro and ernesta chiliwaara. latin america is one of the advantages of the modern and future world order. is there a separate latin american civilization? some believe that no, others are sure that there is a latin american civilization, here it is. civilization premier. film four. latin america. on thursday, on the first. on air tonight with nikolai

tseskaridze on the first. alexey neklyudov, official voice of the first channel. thank you, alexey, for being with us today, it’s very nice to finally see you, not only hear you. please tell me how you got this job? this is not a job. yes, this is happiness. how old have you been? 27 years old official voice, what can i say, it’s like another role, how did i get it, just konstantin lvovich, he said that... with the soul of the channel you want, and i say, i mean, well, on the first one, i say that on the first one, we knew konstantin even before that, i didn’t understand with what soul, i say, well, how is the theater, cinema, sound, parody, i have a lot of everything

, it’s, well, in my soul, it’s been 27 years since i ’ve felt it, whether it’s true or not, well, it’s a perfect hit, instantly recognizable , something else like that, come on, come on, please , blues willis and sigorniver in the most ambitious project of the year, well, then any name, and also new year's, and new year's, well, when everyone is at home, let's look at the screen. he has everything you could dream of, talent, success, the russian federation, it’s nice when everyone is at home, a real bachelor party there must be culture, secret, i won’t let you in,

vasily, noisy, obsessive, ice, you mother don’t say, but i didn’t drink, i didn’t drink, luke and the pigeons are on the first floor today, it’s wonderful, honestly, you’ll say now, get up and come out, to be honest, i thought you didn’t exist, i was sure that this was some kind of invention, then i suddenly saw you alive.

walking almost in a raincoat, his friend with whom he studied at the conservatory, he says: oh, who do i see, how is life, he says, well, how did he write a symphony, probably not before the premiere i'll live, there's absolutely nothing to eat. nothing, yes, old man, well, symphonies , you know, i do small forms, he says, that is, he says, well, i heard an advertisement

, i wrote it, it’s not bad, thank you, i understand, i understand, i’ll go then, then . what i wanted to add is possible, of course, of course , i’m adding, i just think that this is some kind of, i don’t know, i’m passing on some, maybe something, these are small forms, i remember, yes, i’m now i’ll go, because now they insulted me, they said, no, under no circumstances, i was sure that it was, well, gennady viktorovich, here i am, here i am, i am in front of you, you are now me, the network looks like this, i am now you remember when it was directed by you.

yes, not only on the first one, i hear you in a taxi, i hear you when i’m on my way to work, we have long arms, thank you, thank you, alisa, come to us at the first one, so, gentlemen, i want to connect another one now a voice from a neural network, but they don’t like it much, yeah. olga, say something in that beautiful voice, firstly, good evening everyone, secondly, this is the only thing in all my acting work, this...

everything else is said in a different voice , good, normal, but for some reason this cruelty, it befell me, and the worst thing, well, i was also 90, i ran to voice the advertisement, a text message came: olga, there, there well, work, lord, yes, for any work it’s necessary, i start writing, it doesn’t go away. “i start calling, i ’m on my own in the center of moscow, you don’t have enough

funds, kolya, in general this topic is separate programs, about whom khazanov didn’t know, those about whom khazanov didn’t know, look at the first one, by the way, well, it’s very interesting when someone says : “is that you? oh well, well, i say that ’s wrong, no, well, he’s taller, firstly, and so on, yes, i say, yes i’m 180, normal , but no, what are you, i mean, not at all , absolutely, sorry, but i would like to say that olga has wonderful works, where she voices some of the most desirable women on the planet, olga, imagine them, i... don’t have many of them, your desired women, this is angelina julie, that’s enough, gena, so

now i know your taste, continuation right away, continuation of dismembered women, he says, you don’t have enough, then who, in this case, gennady viktorovich, i will speak. you don't have enough funds for this. charlie steron, definitely michelle pfeiffer, well, all the beauties that could happen in cinema, but you know, today we talked about a unique profession, i want to express. and from millions of viewers i am deeply grateful to you, but one thing is possible, it is possible,

it is possible, let’s take this opportunity, and the fact that gennady viktorovich finally revealed me, can i have my poems, sometimes, we all, we all we write, but this is to all the women, thank you, who are charming here, tanyusha, no questions, we just played the cherry orchard together. and firs was played by evgeniy sanchev stegneev, it was brilliant and unforgettable. who did you play? yes, just you know, wait, no , you just need clouds, you just need, yes, you need to lean on your elbows, and who, epihod, epihodov, yes, did you shoot at zhora martirasyan, that’s what i remember too, that’s me, i remember, that’s me . i support, i also support, poems, women, to you, to everyone, when there is

sadness in the soul, sweet hops in the heart, i repeat a prayer by rote, the same one, really, but there’s no beginning or end to it, believe me, it’s like a clown without a face, or even funnier? you can’t catch her with your hand, you can’t take her by surprise, she’s like a fish under water, like the wind, a light sigh, there’s no rhyme in her, not even words , there’s no words in her, believe me, just knock on the door, love, repeat it quickly, thank you great, i’m sure we will return to this topic more than once, thank you.

zvenigorod, station in the moscow region. at first glance, it is not particularly remarkable. waiting room, cash desk. there was once a buffet here, but... it has been closed for the last 10 years. only the cleaning lady occasionally penetrated behind the iron bars, but chance decided everything. i stopped at the station, it was all closed, and i took pictures through a crack for my colleagues, then in the general chat. the regional branch of vapik posted these photographs and my colleagues write to me hurray-hurray, it turns out that lubeinikov’s works have been preserved, oh my god, what happiness! a commission was urgently created under the society for the protection of historical and cultural monuments. the task is to preserve the painting on the wall of the old sideboard at any cost.

soviet monumental art on railway stations in the moscow region have practically not survived anywhere. here. this is the only work that we can see at the station, and it is also unique and incredibly expensive, this panel makes the name of the artist, we suddenly see that ivan lubennikov painted it in 1983, he painted it himself with his own hand. a lucky talent, the poet evgeny yevtushinko once called him, and, as happens with poets, he prophesied. it seems to me that he simply knew how to be happy. ivan lubennikov lived an unusual life for a genius. he never went hungry, was not persecuted, did not fight for confession. harmony, this is the main word for ivan lubennikov, harmony. at the same time , he had his own opinion on everything. in his youth he was even known

as a non-conformist. he was a completely free person, he was not shy, he said what... there was, what he was thinking about, thereby making a lot of enemies. lubennikov was so gifted that he wanted to quit the surikov institute out of boredom, but in the end he became one of its legendary professors. and he left behind a huge mark, just countless students who were truly personally devoted to him. favorite theme of nu. his nudes gentle ladies gave the artist world recognition at the lubeniks. in private collections in western europe,

great britain, usa. the success was absolutely natural, because ivan came up with his own intonation, such an easy intonation, such. he is the author of the most russian metro station in paris, three of the most extraordinary in moscow. museums, theaters, train stations. monumentalist lubennikov famously coped with everything. i have to give it to ivan, he maintained olympic calm in the most catastrophic situations. ivan lubinnikov was fearless as a creator. a person is capable of this, who is confident in the path once chosen. it was a man. to the one in love with life. well, the coach of the russian national team, zintula beleleddinov, said that columbus defender

nikita nikitin needs time to get used to the court. i watched his actions in the nhl, he really is there. whether you want it or not, you still work, because you have a motivator inside that forces you to work, you understand, this is, of course, a rather metaphorical form of a task, but it is very similar in reality, that this is not freedom, talents, lack of freedom, this interview with an academician, people's artist of russia turned out

to be sincere, without ceremony, because his daughter was talking to him, frankly... to force him to stop and not work, he was like a river, a big, happy, sparkling river, and of course , he came across some stones, there, logs, probably, but this river could not be turned around, it could only be stopped, well, when life stopped, then the river stopped, anastasia glebova’s documentary is called a picture, fragments. interview you today you’ll see, they weren’t included in it, they are being demonstrated for the first time, you have talent, it puts you in a certain coordinate system,

you live in it, yes, i remember myself at your age, i ran all the way to my workshop, just to do something there - then to draw again, so that again there, you know, this is what is needed, we need to somehow release this park, which is inside, it would seem so internal. yes, there is an internal movement, one might even say, such an inflating, you can no longer do anything else, here are the monumental works of ivan lubennikov, in unlike easel paintings, everything can be counted; in moscow they were preserved for the most part not on the ground, but underground. in 2005 , a new exit to tverskaya street from the meiku metro station was opened. authorship of lubennikov. the difficulty was that mayakovka was born long before the famous artist and dictated its terms to him. in 1937, this station

received the grand prix at an exhibition in new york as an outstanding work of architecture. at that time, it really was the brightest technological breakthrough project for underground structures. plus its uniqueness is that there are also deineka’s medallions. ivan lubennikov created a sketch that echoed the soviet mosaics of alexander daineka, but at the same time was original. ivan leonidovich came up with the color structure of the composition, as we see it now. our main color is yellow, this is the color of futurism. in general, mayakovsky is a classic futurist poet. as a matter of fact, ivan lenidovich really liked this same yellow color. the artist created a checkered notebook sheet. on in which he scattered the poet's famous lines. ivan created mayakovsky’s standard font, this is how he wrote the letter t, how he wrote everything...