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Understanding 9/11tv Ivan Lubennikov Zhizn prodolzhaetsya 1TV February 10, 2024 11:00pm-12:21am MSK
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famous artist and dictated her terms to him. in 1937, this station received the grand prix at an exhibition in new york as an outstanding work of architecture. at that time, it really was the brightest technological breakthrough project for underground structures. plus its uniqueness is that there are also deineka’s medallions. ivan lubennikov created a sketch that echoed the soviet mosaics of alexander daineka. but at the same time he was original. ivan leonidovich came up with the color scheme of the composition, as we see it now. our main color is yellow, this is the color of futurism. in general, mayakovsky is a classic futurist poet. as a matter of fact, ivan leonidovich liked this same yellow color very much. the artist created a squared notebook sheet on which he scattered the poet’s famous lines. ivan created a standard one. mayakovsky's rift, this
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is how he wrote the letter t, how he wrote all the other letters, we analyzed it all, created many cripples, wrote the same words in mayakovsky's handwriting, cut them into tiles, this is the first large monumental the work in which lubennikov involved his students, for him it was a thrill, not to sit in a chair and paint a picture, but like a scale, a hangar, where all this is laid out on the floor. a lot of students, you give them a task, when we were putting together the mosaic itself, well, we often used screwdrivers, some kind of terrifying purple color, but we didn’t even pay attention to what we bought in stores, ivan lenich swore terribly, but take away this muck, it prevents me from seeing, from seeing the works, and the artist also decided that it was completely natural cover the underground station with the sky, bright mosaic panes appeared on a yellow background, if danyka’s sky... is inspired by soviet, then
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ulybenikov’s in the spirit of the poet’s love lyrics, that is, this is the color scheme of the sky, that big sky that is above the escalator passage, this one light structure from the night sky, the sunset sky of mayakovsky, according to lubennikov, should have been brick, the color of the current brick is far from red, and ivan had in mind the good old royal brick, we... took out these bricks one by one, including me picked up bricks from the ruins xvi centuries, they were just the real correct red color. i had to look for the multi-colored smalt from which the mosaics are cut, the master brought the students to a warehouse in moscow, where they can find everything. there were boxes from the fifties, perhaps used by alexander daineko. we take out some very beautiful tiles, some very beautiful, mysterious ones.
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here ivan leonidovich is delighted: guys, we need another box, box, no, four boxes are better, no, give me 10, and we start looking for these same 10 boxes, digging through this gigantic landfill. the station was built in a hurry, the concrete on which the mosaic was laid did not have time to harden, the artists were hanging over a giant hole, the escalator was just being installed, but everything was done in time for the opening, today it is one of the most beautiful stations of the moscow metro, a day under the sky...
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this the last interview of ivan lubennikov, recorded in the spring of 2021 in his studio, here in solitude he worked on another mosaic, but few people know about it, because this work was deeply personal, he collected mosaics for the facade of the old church in the village of perkhushkovo, of which he was a parishioner, managed to make the cover of the mother of god and the saints...
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and so father andrei blessed me, our then rector of this perkhushsky church , he blessed me to continue this work, and somehow i. .. well, as if i care about vanya. they met at the surikov institute, she was a student, and he, although young, was already a very popular teacher. lubennikov was indeed very bright and handsome. the girls loved him very much, the guys loved him, because he gave a lot clear and precise advice as a professional, because he himself constantly... worked, this is lubennikov’s habit of working every day since childhood, ivan leonidovich and i studied in the same school, then the school was called the moscow secondary art school named after
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surikov, everything was there built, in general , on a simple thing, on competition, in fact, well, who can draw better, my children studied there too, they started right in the morning. comes there and sits until nightfall, we even have a joke, not a day without a croc, crocs are like that small drawings, not a day without a line, and he himself told himself that after the moscow secondary art school, he entered the institute, suddenly he felt that he was bored, after the second year ivan even thought about leaving the institute, pretty tired of typical picturesque for...
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refused, the young people of the seventies, this is what distinguished them, everyone wanted to be different from the masters, to create something of their own, this is quite a unique situation, in general it practically repeated
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the situation of the russian avant-garde here, when none of the students were not supposed to look like the teacher. what will the younger generation of artists give to the world and art? what, for example, does ivan lubennikov paint? everything that gives him the opportunity to express his vision of the world. well, each new generation sees the world differently. he was very fond of russian brutality, along with the fact that, of course, he is such a french artist, apparently, the west, western gift is close. of course, he knew how to do everything and showed this skill. he loves such a stop of reality, a stop of existence.
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happy talent, poettushenko nicknamed him, after one of the high-profile exhibitions of young soviet artists, lubenniks. became beautiful paintings, understandable to everyone, bright, festive, in fact he was an artist, of course, thinner from this layer of such an optimistic culture. today his works are presented in the main art collections of the country, in the tretyakov gallery and the russian museum. this painting was painted in 1984. it is exhibited in the russian museum in the hall where the painting geniuses of our contemporaries are presented. we see that these faces seem to have a burnt texture, this hair, this backlit sun conceals a shadow, a woman’s face, some kind of shadow, well, not
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dramatic, he was not a dramatic artist at all, but some kind of questioning, in fact, this is not only about a beautiful couple in a minute. here in this room we have portraits from different times, i want you to see them, this is ivan leonidovich, ivan leonidovich, but he wrote this at the time when i was in my last year of my diploma, but the whole point here is that he draws my portrait on malbert, and i draw him, this is drawn by my hand, and the figures are it was vanya who drew,
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so... “come on, let it be nikolai, he told some stories, memories from childhood associated with his father, and he always felt great reverence for this, both as a person, and as a father, and as actor, he was the life of the party , but he was very lonely, he bought himself a mobile phone, asked me to fill out a notebook, he designed seven phones for me, that was his entire notebook, he was hiding a second life, there was a very strong romance, very beautiful, we met in..." for the anniversary
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of nikolai eremenko, what will we do, ivan ilyevich, fight, seryozha, the legendary film pirates. century superman with delicate skin, this is definitely about koli, tomorrow on the first day, here is ir, here is a portrait of vanya, he is 4 years old, and at this moment we just got our first dachshund dog, this vanyusha is sitting with a dachshund puppy on hands. irina kazachenko is a curator of large exhibitions; one day she called
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natalia glebova and persuaded her to take part in a new project. in the summer of 2023, an exhibition opened in the city of plyos on the volga, with two names on the poster. this is a very rare story, when ... this is also love for art, because you will see a work where an artist with a picture
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came to an art critic, and such an art critic explains to him what he did wrong in his work and love for the subject, it is also very important. with all the scale of lubennikov, in this exhibition with glebov, they are equally significant authors, just as in life, where they managed to preserve for many years. to be together in a personal space, but at the same time completely autonomous in a creative space. of course, internal rivalry in creative families exists, but it is not human.
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at the institute it was impossible not to notice the big, handsome ivan, and natalya, of course, paid attention to him. we just recently met here, i just entered the surikovsky institute, and vanya was already studying, a pre-diploma course, then he went into the army and... he returned and he came as a teacher to our workshop, then we started an affair, and so in general, in our last year we got married, and ivan lyanevich courted beautifully, no, he didn’t court at all, because he didn’t have this opportunity, he just came up
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i immediately agreed with any proposals, the groom was an enviable one, ivan was born in minsk, where his father held a large party post. he did not remember his childhood in belarus; when he was 4 years old, the family moved to petrozavodsk. leonid lubennikov was appointed first secretary of the central committee of the communist party of the korelofin republic. my father, i believe, was an absolute gem. he was born into a non -artistic family; there were no artists, no poets, no performers. here is mom, yes, mom , unnoticeably, she. took care of children, he has three children, there were two daughters, my youngest husband vanya. one day, it was the mother who decided that her son would become a brilliant artist, which means he needed to study at the best art school in the union. for the sake of ivan’s future, the whole family moved to the capital, and my mother turned out to be right. the only thing she was worried about was that he began to write more freely and not in the way that
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the socialist realist, say, the average person imagined. and my mother was terribly annoyed, she says why vanya began to write like that, in general, what influences her, and so looked at me disapprovingly, like, maybe i ’m influencing, so i say, well, he ’s an artist, he’s free, he has the right, she says, well, everyone’s laughing at him, so i say, well, you know, in general- then he was just invited abroad to two exhibitions, this is just like that, well, it’s still a great honor, she says, so why did they invite him, to laugh at the russian artist?
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exhibition, the second - the purchase of paintings through an art salon for export. the paintings of the young people are accepted from the hall, where collectors and representatives of foreign art galleries. ivan lubennikov’s paintings immediately attracted not only collectors, but also curators of large foreign exhibitions.
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preparing for our conversation with you, i looked at the list of exhibitions, there are the number of exhibitions in... and also paintings by ivan lubennikov. the success was absolutely natural, because ivan came up with his own intonation, such a light intonation, so radiant, this... this is light irony with admiration, and this is the main quality of russian art, irony with
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admiration, the exact definition of this moscow metro station. immediately after mayakovskaya, ivan lubennikov took up slavyansky boulevard. this time the station had to be invented from scratch. he made mustayansky boulevard already as an adult. this, in principle, requires such courage and some kind of youthful fervor, without inspiration it will simply be lifeless, so he was always dashing, very dashing in art, this is a model, scale 1:10, all these lanterns, grilles, inscriptions, that’s all ivan did it, in my opinion, at his dacha just before presenting it to gaev, head of the moscow metro. by
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tradition, he worked on the station with his students, came up with a sketch, and molded some incredible shapes from plasticine. as an author, in principle, he should not think about how to do this in metal later. you see, the author must hover a little above the events. so, then, yes, so artyom and i sat down and thought, how can we do all this? the author came up with an apple orchard that froze underground, while real apple trees grow above when exiting the station. i have an artifact in my hands now - it is from this station, well, this is such a touching detail, this is when we see this steel forest, but he made it so that when a train passes, this steel suddenly begins to sway behind the wind like the grass in the wind. behind the departing train, lubennikov also had the idea to launch the inhabitants of the garden into this underground space, these are the ceiling
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gratings from the slavyansky bulvar metro station, this is the strikoza, the swallow, in general, the inhabitants of the sky, they decided to abandon the gratings when the installation was already underway, for the author it was it doesn't matter overload the station artistically. elements, in general the artistic form is such a capricious aunt, sometimes it seems that it is omnipotent, and sometimes that it is not capable of anything at all, and of course, just like that, in the midst of floundering, take the courage to profess some kind of artistic form that has not yet been tested by others and has not been tested by you, this is a huge risk, a metal landscape in the art nouveau style... presented to the moscow station by parisian shi, this was also the artist’s idea. in general, he loved paris very much, there he received a world
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recognition and first large orders from the gallery. his close friends lived there. it was friendship at first sight. ivan lubeinikov met in the early nineties. already. was an export art salon, it was necessary to establish personal connections, when perestroika came everything collapsed, i had to give up just to the gallery, first american, which i didn’t like, only because i didn’t like the clientele there, then i stayed in paris, well, with blandelm i then started working for 25 years, alain blundel - a world-famous gallery owner, in the seventies he... aroused interest in europe in the artist tamara limpitsky, in the nineties he bet on lubennikov. and this art is timeless and
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beyond fashion. it is based on eternal values. the beauty of a woman, admiring nature, the feeling of beauty, the sensual beauty of a flower, river, forest. i don’t even know which other artist was able to convey all this so emotionally, only 150 paintings by artists were sold at the blondel gallery, mostly women’s portraits, very unusual, sensual, alive. a huge number of press representatives came to each exhibition of his works. it was a resounding success, and yet he was an unknown artist in france. nobody knew him, that’s how quickly his popularity came. in this house, in the suburbs of paris, paintings by ivan lubennikov hang. here it
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what's his name? abrek? this is a robber in chechen. hello, obrek. i want you to bring doom to battle. where did you get it from? they paid it instead of the debt. i won't participate in this. they say your wife is sick, where is the money? you'll get it. rita, do you think i'm a good person? why are you asking if something happened?
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russia allegedly stole russia , one could write anything here, but the united states, of course, in this fake looks like great guys, those nations that fell into our sphere of influence, the russian government tried to bring them up to their level of development, in the city of shakhtersk on routes, supposedly new buses never came out, the one who created this message did not even bother to change the region, and also how the italian journalist vittorio orengeloni miraculously survived after being hit apu. tifake premieres on monday on the first. an unprecedented interest in lubennikov in the west was noticed at home. museums began to buy paintings by the still young artist. there is even a small collection of his little-known early works in the russian museum's vault. this is one of the first paintings. we delicately called it
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a double portrait. although the author called it a portrait of konstantin sumarokov with his mistress, you know, eighty-fifth year, to call the picture that means to put an end to it, but something amazing will happen next, because what is known is that the fate of this hero was sad, he stabbed this mistress to death, in fact, these pajamas, they are like a prison uniform, you know, it would seem that an ordinary banal dacha portrait or a portrait of a neighbor in the dacha.
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are present, in this work ivan lubennikov is easily recognizable: flying figures, a certain haze, you have already seen this in his paintings, these are women, light, transparent sensations, that is, this is his plot, this graphism, he can draw just one line, these are all the sensations from the female body in space. if for anything critics judged the period when the artist, for his passion for a full-blooded and bright female image, for such a feminine one, your aunts, aunts, one is better than the other, paint everything, paint it, tell me, but this is a favorable thing, very woman drawing firstly is the second half, right? it
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’s as if it’s always interesting to me, but simply because i’m a man, yes, secondly, such, say, in comparison with the same man, quite simple molded plastic, the picturesque matriarchy of lubennikov, the famous critic william mayland once pinpointed his chosen subject. in general, the ability to draw a figure is all he always had; as soon as he graduated from college, he never hired a model in the studio in his life. he didn’t have a nude character, he always remembered it, apparently, it was all inside, so he could draw a thin girl, and a plump , full-breasted woman in the prime of life, everything
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is easy, i say, women love to draw so much, the hand just goes right by itself , but he says, when i draw a male model, the hand must something will trip. “the male model is dry for me, the female model is richer, more plastic, this is how the artist justified himself to critics at the very beginning of his exhibition career, then , of course, he no longer considered it necessary to explain anything to anyone, this personal exhibition of ivan lubennikov, a famous moscow painter, was held in a small district exhibition hall on koshirka. a prepared viewer may be shocked by some subjects, but let the viewer himself judge this, what shocked the audience was the courage of the artist, unusual, even daring images, the professionals were
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delighted, the wonderful exhibition of ivan lubennikov, i remember, a lot of young people flocked, i came too, and i was struck by this energy of his art, but he was very...
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ideological university, they tried to somehow... then to educate in this spirit, and he was a completely free person, he was not shy, he said what was, what he was thinking, thereby making a lot of enemies, he had to leave the institute, but ivan’s friends did not have any special feelings about this remember orders at that time lubennikov had a lot of time, he said that healthy glory helps him, and he always told me, if... no matter how you have, like the artist, healthy cheslavy, you will reflect, after all, he was lucky, because god is his led, and until the very last moment of his life he did what he loved, wanted, considered important, first
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of all for himself. lubennikov distinguished himself so much in the moscow metro that in 2009 he was offered to work for... ivan responded vividly to all this, he said, we will make the most understandable, maybe even elementary thing, we’ll make a russian fairy tale about the ryaba hen, great. the idea was this: to collect a pockmarked hen from the symbols of russia and place the full text of the most famous one on the stained glass window. kyskarski: this is one of the sketches of the pockmarked chicken , in fact, there is so-called space debris in this starry sky, there are stuck bolts, gears and so on, well, everything that connects with the industrial stage of russia’s development.
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the author showed the sketch to his parisian friends, they were delighted. the pockmarked hen is quite funny to see in paris, because ivan fulfilled the sky. problems unexpectedly arose with the text of the fairy tale; the receiving party asked to send an accurate translation into french. lubennikov dealt with it on his own. he had a keen ear, and this ear gave him the opportunity to learn french to perfection. he listened to all sorts of dialects and memorized argo, that’s what it’s called, it’s jargon. yes, some subtle words, modulations,
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what was the artist’s amazement when the french returned him the text with the words, nothing is clear, make a literary translation. in my opinion, they sent a translation certified by the moscow metro service, then we found out that they could not understand the meaning of this work, she laid an egg, they beat and beat, they could not break it, they could not, when it broke, they cried bitterly. at this moment we rediscovered this fairy tale for ourselves. the stained glass window was created in the workshops of the oldest glass factory in russia, the crystal goose. this work is of high artistic value, which is rare in the french metro. in france , the metro is not decorated, everything is given over to advertising, so this work of art is of course visually very impressive. and the very first large monumental work by lubennikov
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caused a lot of noise, they said that he was unusually bold in painting the assembly hall of the trekhgornaya manufactory plant, although only a select few saw this work with their own eyes, well, only photos, in fact, it is really very difficult to show the works of the masters of instant ceph, because here honestly . this way of doing this has not yet been invented, since this is, as a rule, a phenomenon of architectural space that it was very difficult to exhibit politics in one form or another. lubennikov called trekhgorka his first completely meaningful job, which also paid well; with the fee he bought his first lada car. he was entrusted with painting the interiors of the cultural center.
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he dedicated trehgorka to the first russian revolution, which he considered naive and sincere, it was close to him, somehow he painted there a rather serious, semi-tragic work, but very formally intricate, today on the site of the plant there is a business center, to determine which of these buildings there was an assembly the hall is impossible, and also pointless, the painting was not preserved.
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another iconic work by lubennikov also disappeared forever: in 1985, he designed the soviet section of the auschwitz museum in poland. was dismantled. the list of lost works by ivan
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lubennikov should have been added to the station in zvenigorod. we were brought up in the standard way. if i’m making a train station, i should have the sound of wheels in my head, and there’s noise of traffic or something, this is pathos, this is an image.
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in the event that his age exceeds 50 years, but we will try to still this work of art has been included in the list of cultural heritage sites. zvenigorod, dachnikov station, and the wooden relief, painted with light summer figures, turned out to be sunny and a little frivolous, country life, firstly, these are the windows here with such. like platbands, fences, trees , such women in summer sundresses, such rustic carvings, braids with rakes, the same thing, this is an attribute of village life, as the artist recalled, the car i earned on trekgorka helped me a lot in zvenigorod,
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allowing my family to settle in the local suburb and be with my wife and children while working, the time was wonderful, it was a mushroom year, our son learned to walk properly, he had his first words, my daughter also called names to her friends and girlfriends in this suburb , this place is called zavenegorodsky posad, this is the famous painting by ivan lubennikov golden autumn, it is unknown what inspired the artist to paint it. in fact, this man has an image, we rented a dacha, our owner was just like that, an elderly woman. drinking, well, incredibly handsome, reminiscent of some roman character, here, but in fact an ordinary derren drunkard. lyubenikov writes those characters who are around us, who, perhaps,
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are ourselves, so he is clearly understandable to a wide audience of a simple, inexperienced, unprepared viewer. no annotations, no excursions, no comments. and yet, at this exhibition there are, of course, unusual comments on his works in the spirit of lubennikov. we placed the following modern qr codes next to the paintings, the viewer can do this, follow the link, here. come in and listen to selected excerpts from the prose of ivan leonidovich lubennikov, then you can take the book to read even more extensively, so the surroundings, including the road along which they arrived, have already been swallowed up by the gray evening fog, only the log cabins of the twig houses
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that were nearby and the half-rotten picket fences covered with green leaves, and the barely flickering electric light in the small windows reminded of... the reality of the world around him, he suddenly became a writer, an artist, he was already approaching 60, for example, he didn’t work some kind of painting, he was very depressed by this , he put this painting aside, and there was even a moment when he said, somehow my painting hasn’t been going well lately, i said: listen, but you’re telling us so many things , try writing, and he began to write stories. he wrote on the table for a long time, but one day he decided to send a manuscript to a friend, suddenly ivan said, but i wrote, i wrote something, and he said it like that, but he seems to be an artist, it’s like he doesn’t know, i
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say , well, come, i couldn’t tear myself away, i simply swallowed it, yuri saulidi insisted. it is necessary to publish, in total three collections of lubenikov’s stories were published, each time the author doubted whether it was worth publishing? a picture is a picture, he had nothing to prove there, that’s what he was very afraid of, well , because he’s an honored people’s person, all people’s people, that’s it, that’s it, that’s it. she and chamberlain potemkin are constantly talking about something, at all councils and holidays she began to call him potemkin, have you seen potemkin with a crooked scythe? “all this is rumors, my ugliness offends your beauty, the wounds received for the fatherland should not be stagnated, i love
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you, i got up, it was you out of great love for me, my frills were lifting up my hem, i would never have looked at anyone in my life if you hadn’t been cold towards me, adjutant general grigory grigoryevich arlov should immediately leave for moscow for eradicating the plague epidemic occurring there. yes, grisha, look how you have risen above your comrade in arms. get ready. empress grisha, much is given, but not much is allowed. what should i do if i love you? great, golden age, big premiere from monday on the first. what do i want to tell you about? what i experienced deserves attention, among many. the joys and pleasures that accompany youth, i, having become a writer, experienced incomparable happiness, in
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the crumbling village of maala i lived with a blacksmith, helping him forge horseshoes in the forge, with long tongs, i held a white-hot iron in my hands, and he beat it with my ringing hammer, i ask myself who i am, what force brought me out of my... moscow apartment, forced me to cross my native threshold and threw me across continents, across cities, across warriors, across conspiracies, across revolutions, me into many adventures, into many dangerous adventures, what moved me, who i was, who i became, alexander prokhanov, confession, premiere from february 12, on the first. he looked at his characters for books the same way as for paintings in life, for example, fishing , which he adored, he took his son to it from early
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childhood, a separate story, how we all sail in a boat and communicate, landscape, silence, people who talk about some simple things, about how someone’s motorcycle wheel fell off, where some neighbor’s grandmother dropped honey in the wrong place, well, in general some such things, and he listened to it with such pleasure, the hero of ivan lubennikov’s stories, like his paintings, are simple and recognizable. he often makes fun of them, but never mocks them. all the stories, they are all absolutely different, but they are absolutely about one thing, that a person in any situation must remain human and be human, no matter what happens to him. he very subtly noticed the comic line in quite serious events.
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there are these hands in the air, i say, dad, why do i need this, i’m a girl, he says, so you need it more, because you are a girl
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, a girl should be able to do everything, ivan lubennikov’s daughter is a theater artist, son, composer, as a child i spent a lot of time with him in the workshop, i saw him work a lot, he took me instead of kindergarten, sometimes this is rare, these were the happiest moments, because instead of sitting there with the teachers and eating this bath porridge, and i ate... dry black bread in the workshop, he simply said, if you want to go to the workshop, everything will be harsh, but but there seemed to be just such an atmosphere, but there can crawl on his knees, find a lot of interesting things, when during perestroika they were allowed to travel abroad on their own, ivan loaded his car with paintings, took his wife, children and a dachshund dog, the artist prepared all the documents in advance for the export of paintings, but there was a curiosity, because ... one of them looks like that, says, oh, there’s something underneath underneath, and there’s my father, well, we painters
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write down our work on top, and there, apparently, there’s some other map inside. this picture is called a walk in rome and of course this city made an amazing impression on all of us, on me, on ivan, on our children, the feeling of rome in this cortina is characteristic of ivanov. creativity , this combination of a precisely drawn architectural detail, or some kind of architectural work, and a living model, which seems to tie it all into one, and the sky, i, the beer road and pigeons, a piece of the colosseum, they returned to moscow light, the czech republic, austria, italy, in these countries there were already
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admirers of the work of the russian artist, galleries willingly... lubennikov was always in demand and how muralist, the whole point is that when you come to the architectural space, you begin to live according to its laws, as if yes, well , to one degree or another, naturally, because if you are a professional and you see some opportunities there, like... then generally adjust the architecture, then of course this needs to be done. work on the facade of the taganka theater building, lubennikov began in 1987, he
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enveloped the openwork... iron structure of an old moscow mansion, certainly boldly original. in those days, i'm talking about the turn of the seventies, eighties, monumental art began to lose its, well , let’s say, conventionally social pathos. new authors brought completely different emotional experiences to architecture, they brought there lyricism, they brought there a more meaningful and deeper history, and of course, they brought there... much more of the previously existing experimental art form. i boldly used the lubennikov form in the next project. he was one of the authors of the facade and interiors of the mayakovsky museum. entering this museum, i immediately noticed that the space was completely built absolutely differently, you go down, yes, going down through
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his life. history of the era of that time, it was all in metal, in some designs, it all echoed the color of a very complex game, tone and color, some general image of that era, now i’ll say right away, but you have, well, in this case, your model is a reproduction, turn around a little.
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that means he taught painting, and i taught drawing. and now i’m in the same place, continuing to work. getting into this legendary workshop was a great success, and for some of ludennikov’s students fate. i remember very well, the end of the eighties, the family subscribed to all the thick magazines and the youth magazine. i came back from school, always looked in the mailbox, took it out without a key. magazine, while still on the stairs i saw a painting called tamara come back, i still remember that i was standing on the same staircase, similar to the one on which this woman stands with this painting, next to it there was a painting by the same author, the author had a very characteristic memorable surname lubennikov, the picture was called potato-herring, i was just me
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shocked, how can you just... depict life in general, the second time the incident brought artemy together with lubennikov, already at the surikov institute, wrote a statement, got assigned, went to the workshop door. and there is a piece of paper enclosed on which are the names of the teachers, the lowest surname at the end of the list is lubennikov, yes, fate, fate gave me a meeting, a people's artist, spoiled by orders, in demand by all the galleries of the world, found grace in teaching, his students, of course, idolized him. i remember, i ruined my performance, he came up, said, well, masha, you understand, right?
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he came up with an artistic concept for the church of the resurrection of christ in peredelkino, created mosaics for a temple in the village of perkhushkovo, and
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he also created very fancy garden sculptures. these things are the inhabitants of our garden, which ivan made, one might say, from crushed material, here is cement. these are all the stones, this is part of a sewer pipe, cast iron, clogged with cement, and here a mosaic was made in the form of a sausage cut, and people understand that this is a good language sausage, this house is a workshop in the artist came up with the idea of the moscow region himself, he simply drew the project on paper, and our familiar builders built it. who loved ivan very much and said: leonidych, here the staircase doesn’t meet, he says: yes, that’s how i drew it, yes, let’s think about it, they began to think how, that is, not everything was
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perfect there, with his own hands he could build a house yourself, build a boat, i don’t know, build any sculpture, ivan lubennikov came up with an ideal artist’s house, the most part... this is the workshop where we are now, and the small part part is residential, and at first i was very irritated, well, there’s so little living space in my kitchen, there ’s nowhere to turn around, he says, well , i wanted a bigger workshop, okay, now i realized that it was very wise done because you really don’t have to spend a lot of time on everyday life. it seems like a simple idea, but it turned out unusual. even the windows in the workshop are all different sizes. of course, we must leave room for experimentation. and maximum space for your own
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imagination. and your own fantasy is what what we carry within ourselves. great sensations, they hit us no matter what. it is important not to pass by so that i remain unhappy. hello, ivan leonidovich, they are making a movie about you, everyone passing by these pylons at the station most likely does not realize that there is a self-portrait of the author, the artist of this very station, this is actually ivan leonidovich lubennikov himself. in 2007, lubeinikov and his students began work on one of the deepest metro stations in the capital, sretensky boulevard. it is located at a depth of 60 m under turgenev square. this
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the very center of moscow. what is the idea behind this station? all the monuments are displayed here, literal monuments of the boulevard ring, that same horseshoe of the boulevard ring, there are a lot of monuments on it, well, in particular there are mushroom eaters. the thought of discovering the boulevard ring underground. came to me immediately: the deeper the space is, the more i want to feel the air there, - lubennikov decided, so he abandoned mosaics, painting and sculpture, there should be something airy, light, it should be an affort, i immediately said that ivan levich, you you understand that this will be the largest affort in history, perhaps even going into the guinness book of records, but he was fine with it.
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i don’t know, in my opinion, 400-odd sheets includes souvenirs, well, that is, it’s comparable to some three-digit number of square meters, this man did it all in his house, maxim kharlov’s mother, vera ushakova, famous soviet graphic artist, so he actually made the first samples at home, where there was all the equipment for creating affort, for the concept of the meaning of the word afort there graphic technique, which has become a monumental technique, is a metal board covered with a layer of bitumen, well, this is the so-called etching varnish, some kind of design is scratched on it, then in a bath of acid the metal is etched in depth with acid, what is protected by varnish is naturally not etched , in this way it turns out, this very drawing turns out, here is one example of what ivan intended, well, he has such an idea in frequency that these are large affort boards. well, we have implemented the entire
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production cycle and made a print with this boards, by the way, the result was a rather expressive etching, that is, this is using the same technology that ivan told us about, that he wants to see etching boards in large quantities in the design of the station. photographs of houses and monuments along the boulevard ring became the backdrop for lubennikov’s paintings. one such example, that is, here is some kind of photograph with a view of the boulevard ring. and here a woman’s face appears in such a very laconic, almost somehow even grotesque form, this signature eyebrow, ivan leonidovich, lips, in fact, the entire station consists of such intrusions of his hand into photographs of this ring. it took 2.5 tons of nitric acid to etch the sheets decorating the station. the artists washed away more than 100 kg of metal from these sheets. we made
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history: max kharlov, artyom rodionov and company, these signatures were handwritten by ivan lubennikov personally, this is truly his personal autograph. in 2021 it took place in the russian museum.
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he is also an orthodox man, a very spiritual person, so he loves exactly this, this is about this love, his work is everything, we don’t care about drama there is little every day, we have little happiness and little joy, what are you proud of in life, the most important thing for yourself is that there are not many of these.
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episodes, some products, yes, but for just one thing, no, well, not just one, not, well, you know, i was kind of proud of the trekhgorny manufactory, until i was repaired, yes, then i think that i the entrance to the moikovstvo museum was very beautifully designed, with a large, unexpected paving.
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i remember that vanya is no longer with me, the first snow began to fall outside, i mentally say, vanya, the snow has fallen, i understand that he is not here, but this is a habit, for many years we always have something interesting and the best thing that happened in this life, we told each other, 1023 natalya glebova completed her husband’s work. where is it not included? she installed a mosaic in the last empty niche in the wall of his beloved temple. there is an opportunity to bleach it. now
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the façade is decorated with four works by lubennikov and one by glebova. they go out together forever, because the mosaic is durable. it will remain forever as long as the temple stands. hello, this is the creative
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industry podcast, i'm sure you remember these immortal lines, times don’t choose , people live in them, they die , there is no greater vulgarity in the world than crying and blaming, as if you can... they ’re like exchanging them at the market and the nursery led me to the house where pushkin lived first, they said, wait, i asked, is this the neva river ? hello, i'm glad that you invited me, well, since i write poetry, it will be i started writing poetry very early, probably
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at the age of 9-10, to formulate the main topic of our conversation, i think that a child’s knowledge about death... early knowledge at 4 years old, at 5 years old, contributes to growing up, and maybe even somehow influences future poems. my father returned from the front, he fought on the leningrad front, reached the port of pilau in germany, and, by the way, received the order of the red star back in 1942. but we remembered, i didn’t remember, my mother and i lived with relatives , my father’s older sister was hungry in childhood, one day my mother worked, she worked as a typist, typed on a typewriter, brought a bun from work, and it
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was absolute happiness, in my eyes, i don’t see any buns in the world anymore, only bread, in kindergarten for... at 4 years old, at 5 years old contributes to growing up , and maybe even somehow influences... future poems, so, well, that means i can read,
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let’s say, i took a big book with me, uh, so i’ll read the poem that was included in my book , the first impression was called, you know, this is 60, 1962, can you imagine? how long ago, when i’m very bored, do i get a book? note, don’t shout , don’t sigh, i’ll call someone, oh the voices of my friends, thank you, thank you for being at home late in the evening, for being in a difficult bind, and forgetting your grief, how you live, you said nothing, behind
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the ordinary words there was such kindness, as if god was standing behind you, telling you then, and imagine, all creation with the word god was published in the soviet... i don’t know, and this is not boasting, st. petersburg i think it’s very beautiful, the only
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condition is that you have to come in the summer, oh the building of the main headquarters, you are a roll of yellow paper , unfolded from left to right, concave like the sky, oh the sky, oh the drawing sea... oh , the cold sky above, oh, break away from the hands of the italian, curl up into a tube again, under his gray cloak, under his arm, so that the shoe would be torn, so that the italian would walk peeking in the shade of st. petersburg gardens, in the wind in the wild cold, and after looking after him , i would understand that there is no particular difference between a century and a moment, more
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than slender buildings, i will love the features of the city, this cheerful consciousness , their mysterious instability, quarenghi was a classicist, and i didn’t like baroque, but shoot me, he said so, but when i pass by... smolny cathedral i take off my hat, and i really want to take off my hat, that’s the thing, because really, the city is so beautiful, why is it all crossed by rivers, where you will find such an avenue as the nevsky, which is crossed by the car wash, and the fontanka, and the mushroom canal...
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i see ekateringovka, glare, reflections, horseshoes, a bold reflection of oil, i see a gray
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tint, a car wash. woman, from ont hooks, climbing wall, buckle, karpovka, smolenok, styx, cocytus, yacheront, you see, i connected to st. petersburg rivers, two ancient afterlife rivers, well, because st. petersburg has not seen anything in its lifetime in its history, it has not seen enough, you will come home, noise... than wiping the rain from your cheeks, is life still mysterious, mysterious yet, not there must be ghosts, shadowier, darker without that, ah , more provocative, even stranger, more mysterious of all,
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life is dear to me, close-up, unevenness, and the light in it is seen from... as if through a strong microscope, a biologist will say, the screw is circling, that you can’t see i mean, i don’t know if we have a soul, but he will say to the cage, there is, and he is all the more embarrassed because he is dedicated to the secret, well, that means you can live, still mysteriously, yet, you will come home, home, your hand in the chalk, as if you were propping up this night, and this darkness, and the stone portal, marble and granite teach us, not to remember insults, but to remember how the foliage flies, creotites at your feet, how the world sways, hold on, it’s no longer a leaf from your cheeks,
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i decided to brush it off, put it into practice, the soviet government scolded and the soviet press scolded, on the other hand, i typed a lot, can i tell you why? now i’ll read it and you ’ll understand, after all, i feel confident, and so that it does not take over my soul for a while
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