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tv   Torpedonostsi  1TV  February 23, 2024 11:35pm-1:26am MSK

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the two of you will perform 2 bully 2 , not a half-core troupe, but my act will be the most original, i’ll tell you later what you need to try to hang on, why are you going, go, you can’t give me a head, well, smart, yes, that ’s great , this is the guy, gavrilov, come on with... dmitrienko, stop, i’m standing, gavrilov will go with you, with him, with him, dmitrienko, i’m flying with you. come with me, let's go, gavrila, go ahead, comrade commander, the plane is ready for flight, okay, falzon, take care of the lieutenant colonel, comrade lieutenant colonel. please follow me, parachute, we
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we’ll provide for you now, you need to tighten up, comrade lieutenant colonel, the clamps have been removed, that’s right. well, yuri, let’s get it over with, today is shura’s birthday, so we invite you and your wife nastya to our modest family celebration. your invitation has been accepted. i'll help you, help me. well, soldiers, is everything all right? in order. it's not tough for the lieutenant colonel. oh, how, it’s normal. it’s okay, comrade of the guard, major. yes. well, if it’s normal, then
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let’s go, comrade lieutenant colonel, this should be pulled in the most extreme cases, we’ll connect this mother with dad, like this. now i turn you on , well, now you can listen and talk, but here you have nothing, but the overview here is good, if everything goes well, you can record the explosion here, and best of all there, navigator, everything is in order, navigator, order, order, order.
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medio, meteo, time, and my watch was acting up, was pashka right?
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i am max6, everything is fine on board, may i taxi? i allow it. flowerbed, flowerbed, i'm poppy-1, give me permission to take off. mak-1, i am a flowerbed, i allow it. that's it, i understand you.
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shura, shura, go into the house, today without ours it will work out. it didn’t work out, you said something , i can’t hear, i walked in, i said, listen, what’s their car, how do i know nastya, i don’t know anything, and you were scared, sir? dogs, you ask for mercy, and you won’t bite, no, well, get out, here you go, here you go, here you go, this day is late, you know what day it is, november 17th, and what
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is it, a year ago we met, and where are the gifts, attention, gases, thank you, well, be healthy, from... yeah, hello, attention, nice, this is all for us, but not like sasha belobrov, keel, hello, ki shura, belobrov i’ve arrived, where are you, shura, you love it when it snows, hello, how do you live here, really, nothing, come to our hairdresser, it’s warm here, don’t take off your top, i’ll come out, shura, i’ve brought guests, can you warm up, how's the soot there? thank you, well, that’s it, i came, i can’t even believe how nastya
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did, and it was here that he wounded you, yes, here, not here, arms, legs are intact and thank god, oh, why didn’t they write, she’s all yours married, keel? go get some shot, i already brought it, well then go get some water, i went to the factory, mind your own business, as it is, that’s what i’m saying, yes, sasha, that’s it it worked out, but my lips are stupid.
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it was me, i was the fool who dissuaded her, but i thought it would be better this way, sasha, well, wait, well, i have well, she wanted to write to you, honestly , it’s your birthday today, come, everyone will be glad to see you, everyone. you know, well, you’ll come, give me your word, it’s my birthday, keel, why are you doing this, comrade general, there’s an interception, the germans are on alert all along the coast.
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flowerbed, i am livkoe, we worked out, levkoe, i am flowerbed, i understand, flowerbed, i am lily of the valley, poppies are coming. poppies are walking, so we understand, i am the lily of the valley of the club, i understand you, i hear you, thank you. well done, faminka, he came out exactly. flowerbed, flowerbed, i'm poppy-1, welcome. mak-1, i am a flowerbed. the orchestra plays as it should. let's start working, let's start working, as we understand, we'll come. i am a columbus, i understand you. to the day of defender of the fatherland. to be honest, this was unexpected for me. the russian hero called his father first.
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i like to sit on the street and look at what is happening around me, i say: oleg, let me
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kiss you, because this is one of my favorite states, he sits down next to me and looks at me, and i am a young artist, i i say that oleg ivanovich, he says, it’s good to be young, he was playing a dramatic scene, i said, stop, he turned to the camera, he said, so, steak or cutlet, he said, a second after the scene in...
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yamak maki started alone, went to their places, healed.
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navigator, the second one was ours, coming! hang the harness a little, keep it up, combat, in combat, like that. commander, the left tank is broken, gasoline
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is leaking, commander, said in combat, season, commander, the left tank is broken. half, i said in combat. commander, torpedo splashed down, torpedo it's gone, tell me, well, the torpedo has gone, the torpedo has gone, it's gone, yes!
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more to the right, more to the right, turn it, commander,
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a little more, a little more, we'll check again, one more time, okay, commander. okay, okay, nothing, more to the right, more to the right! that’s it, we’re burning, assaults, we’re burning, we’re burning, there’s no point in quitting, there’s no point in quitting.
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sasha has arrived, sasha, i heard, how bad are you ?
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when i arrived, today, i already heard, yes , that’s it, sasha belovrov, welcome, belovrov has arrived, great, hello, hello, healthy, hello, great, commander, we were told that you were transferred to another regiment, yes no, just home, hello, oh, doldon, how are you, oh, you fool, listen, have you seen how the flamenco is? yes, and like carpenters, i saw, sasha, i saw, i saw, my head hurts, i was interrupted, the cable was interrupted, the cable was interrupted.
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at the last moment, fomenko sent gavrilov with dmitrienko's crew. marusenka, fiery greetings to you from the tile. thank you, the story of the belobrof is still stupid. what are you talking about? no, you can't trust a woman. i told nastya. i warned her, wait for belobrov. belobrov will return. and now.
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yes, you're in the garrison, that's right, comrade general, sit down, thank you, just imagine,
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my little boy was found in an orphanage, that’s how it is, but you won’t hear anything about lyalya, yes. it’s a strange story, we now have everything, we have a theater, we opened a hair salon, it seemed, live and be happy, there’s still no happiness
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, shurochka, we need to take a couple of chairs from nastya. sasha, i ’ll smoke openly, sasha, what a great guy, you came, take off your clothes, nastya, mom, you’re a real friend. belobrovik has arrived, hello, shurochka, 3 months old, sasha, wounded, concussed, and wounded, and concussed, i told you, mom, nastya, we have
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guests, take off your clothes, nastya, come out, you have such a face, they feed you well in the hospital, mom, what kind of strange questions, i survived, sasha. look into my eyes, sasha, look into my eyes, they didn’t come back, we were delayed, yeah. shura, they haven’t returned, wait, i don’t understand what actually happened? what happened? the plane
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didn't return, right? well, that's about it. and here i am, welcome back, sasha. but they are alive, they didn’t return, the plane just didn’t return. haven't returned? the plane did not return. didn’t come back, why are you silent, shurochka, shurochka, shurochka, wait, shura, no, this is senior lieutenant belobrov, i told you, this is senior
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lieutenant belobrov, they’re back. mommy! everything is already known!
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dear mother, your son, order bearer, fyodor cherepets, writes to you. i am informing you about an emerging change in my life. her name is maria, she works in nutrition, we plan to have three children. and today my cutlets were burnt. yes, surprisingly good today. marusya, let's walk a little more, otherwise tomorrow it will be noticeable again. mine, with my foot, almost.
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sailors, hurry up, the tide is rising, hurry up, beethoven, table, i ’m waiting for her in the kitchen, although it’s clearly clear that marusya is unloading margarine, we need help, marusya! why are you given equipment if you don’t know how to use it, you had to hook it with a winch, winch, marus, winch, what a winch, what a winch, pest, what’s your last name, black, disgrace bvs, with a fur collar, how could you, it turned out badly ,
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what are you muttering there, huh? i ask you not to smile, stand up when you are talking to a senior in rank, well, what’s your last name, and sergeant, comrade junior lieutenant , but he didn’t want to, well, it’s true that you’re smiling , i’m drizzling, igoryushka is finally arriving, this is life, wait, it’s you who are flying according to my report, yes, you’re semechkin, i’m semushkin, you know, i’m this messer gave from 30 meters. well, how did i give? i ’ve never given it like that before in my life, but it’s flying and the shells are bouncing off it. well, it doesn’t happen , well, it doesn’t happen, syomyshkin, well, i used hyperbole, but i gave it to him from 30 meters, well, he didn’t collapse engulfed in flames, the dog didn’t collapse, well, you ’re a goose, slow down, you’re not just a goose, you goose a science fiction writer, you need to look for such a goose, he uses hyperbole, and sends gavrilov, well-deserved comrades, one might say,
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to sort him out. fuck , together again, well, okay, just think about watching, hey, little sister, wait, wait, little sister, hello, little sister, hello, colonel, and i'm not a colonel, i'm a senior lieutenant, and i'm a little sister, i'm a nurse, wow , political officer to us, hello, ready to fly, ready, well, take a closer look in the air, you will find the plane, there will be an opportunity, try to land,
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syomushkin claims that he could not miss from such a distance, yes, syomushkin is already buzzing all over our ears, and intelligence has information that the germans are installing new night vision sights on this type of aircraft, that’s what we’re flying for, okay, yeah. brov, i got acquainted with your rapport with the rapport of comrade mikheyenk, the story is ugly, ugly history, but what would you do in my place, comrade lieutenant colonel? humanly speaking, i can understand you, but i don’t justify you, let me go, happily, thank you, the train is leaving. message from the president of the russian federation vladimir putin to the federal assembly. live broadcast on february 29 at 12:00 moscow time. in general
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, whistling in the air is a bad omen. again m... i kept asking some marusya to show me, for which a comrade of the guard senior lieutenant is dying innocently, what you really are, what are you, i feel sorry for the whale, there, there, there he
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lies, the german, on the right, where oh, he’s definitely the commander , i see, i see, now i’ll make a circle, we’ll try to sit down, yes, this is the same one that syomushkin drove, so he gave it to him, and here he asked for everything, it’s not clear how he was still flying, well, everything is correct, night sight, eh... there, this az doesn’t bother you, doesn’t bother you, let him sit, oh, how old is he, do you think
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, no older than us, air, fascist, fascist, air, go ahead, sashok. i managed to get it off! i shout to them, frieze, fascist, fascist, they are crazy ! order! comrade commander, what did you take to the right? got it right, right. are you visiting the carpenter? yes, yes, there it is, where is the piece
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of the fuselage, there is the plane, oh how it exploded, huh? yes, it’s a pity you can’t sit down, so, go home!
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to whom is the object of love, why? excites who? her skull, her. what next? further? further, that's what? that means i’m putting on a record, that means i’m putting on a record and i’m leaving, well, it’s like there’s money to be brought, so it’s like i’m leaving, but you’re kind of staying, no, that’s necessary! she
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won’t go, she’s not like that, you have to achieve it, you’ll break the first kiss, everything will go, everything will roll, well, then the sexual attraction comes into force, but you need to kiss, with a bite for a long time, until you’re short of breath , that’s it, she’s not like that.
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“if you really listen to the dry language
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of numbers, then it becomes clearly clear who is flying, who is chattering around the airfields like that, it seems like we are all flying, it’s a shame, this haircut is for you it doesn’t suit you, you look like a watermelon in it.
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well, jester, it’s just, well, it’s time for me, let ’s say goodbye, but your service is such a military one, as if you weren’t already in trouble, okay, let’s
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, goodbye, let’s not break down, we don’t need to break down, for, why should we break? oh, what a meeting, happy holiday, happy holiday, comrade senior, lieutenant,
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there is no smoking here, sorry. but that time spamenka i had to fly away, good evening, happy holiday, i know, at the last moment he replayed everything, replayed everything, well, it’s time to go home, comrade captain, comrade senior lieutenant, it’s me, syomyshkin, hello to the fighters, guys, come with us to the table and sit, but no, we’re early tomorrow. i'm the first one to get up in the city , i need to meet his son, well, guys, when we'll see each other again, it's unknown, but it's such a holiday , what can i do, and i'm olya, here's captain gavrilov, belobrod, and i ask you, come with us, really, we’re waiting, well, belobrov, well, guys, well, persistent, these are heroes, they saved
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my honor, the honor of a combat pilot, this doesn’t need to be stirred up, come on... emergency, what an emergency, well, emergency, where’s belobrov? guard senior lieutenant belobrov, was not found.
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skull, dear, who is this? aidin's dad, who is his truck? you ask, and i noticed a long time ago that the two of them, the flight guys, are saving up, but what are you talking nonsense about, i ’m asking you, who gave it to him in the eye, i’m talking about nonsense , from the first of the month you will try margarine, then you will say who is talking nonsense , they have one dad, the british are all red-haired, they threatened, pirhar, pirhar here, the sailors do not give up,
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up you comrades, everyone is in place, the last brother was advancing. you beat me, wow, what do you have? this is for you, and this is for your son, what are you talking about, doctor? by god a joke?
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should i bring you something from the city, maybe you need something, well, he’s not there, no, you know,
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you’re always like the table itself, that he’s with the boy, re-views, i love him strong. evenings, how you and i loved trustingly , i swear as a child, if it weren’t for my departure, i
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wouldn’t talk about it, you know how belobrov treats you, i know he’s my friend, he’s my friend, and he loves you, shura, what do you want from me, in the end, mom, come here, of course you heard our conversation? i heard, tell me, am i right, how’s nastya should i enroll? what does your heart tell you? mom, go, go, okay, sashok , now carry the rabbit a little, no, well, i don’t want to ruin their brotherly relationship, then you and the dog, with the rabbit, look so beautiful,
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no, of course, he sells coats too , take more, they already gave it, why thank you, potatoes, ice cream, are you crazy , are you going to sell the rabbit, yeah, i’ll give it away, cheap , it will cost you dearly, by the way, why, take it, take it, train, it’s worth it, faster .
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who is his father, is he his father, is he the father, i igor, i am your dad, i am your dad, where is my sweet one, igor, and i want to write, for the battle on the plane.
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they won’t hit us, no, they won’t hit us, well , because they can’t hit us now, igor, you don’t remember the truth lala, well, tense up, boy, and zhenya, do you remember, no, zhenya, she’s such a girl. do you remember, you rode a bicycle with your mother, with zhenya, i rode you on a bicycle, don’t you remember, and now let’s stand here, who will win who, the rabbit or the hedgehog? what,
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who will win who, the rabbit or the hedgehog? i don’t even know, baby, i want stewed meat, give me stewed meat, i i love stew so much, i can’t do it anymore, let’s sleep now, like this, on the right side, ear on the pillow, eggs, dad, where are you going, i’ll be right there. but the boy is not mine, he doesn’t remember anything, i don’t love, i don’t marry, but your airy, small, big boy is already 5
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years old, well, he should remember. “ he doesn’t look like me, he doesn’t look like lala, he doesn’t have anything in common, he steals food, well, if you’re so sure, firmly, then what, what, if it’s not mine, then it’s mine, then where, what am i?” i’ll say, sorry, she got the knitting wrong, i’m not your dad, yes, yes, you know, but the boy is generally good, he says to me, the hedgehog was scary, yes, well, i mean, they have it, well
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there. yes, listen, we need to help out the skull somehow, marus is leaving him, i heard, uh-huh, they found tuberculosis in her, and mirajjibi said, yeah, they’ll send her away tomorrow, and the skull will have to sit for three more days, uh-huh, we need to come up with something , listen, sashok, turn around, sashok, you have a good eye, look from this angle, when igor smiles, his upper lip is like... like mine, you fool, pelvis, come on, can’t you hear, or something, igoryushka, little one, oh you, stew, damn, lower lip, upper lip, here you and the angle, oh well, maybe amiroji, papazh, i don’t want to, amirojibi, i’m afraid, that’s all.
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mukhin burned, the guy was a fool, but nothing, mukhin, well, what does 5 minutes solve, but they don’t solve anything, better eat some chocolate. and i got another one from you, the lieutenant there is a beast, but he loves medals, take off the scarf, take off the scarf, yours will be cleaner, and he stripped me completely, but you know what kind of person you are, mukhin, the air force stands on such people, that’s what you are man, you 're not a very good chocolate, it overstimulates, your whiskey has become wooden, but it's not a shame to appear, come on... just don't overact, you're ours then you’ll give your photo card, and mukhin, you’ll give it, mukhin, you’ll give it, don’t shout at
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mukhin, come on, you’re badgering fellow officers, stop here, no, let’s honk the horn on the porch, i won’t honk. well, as you wish, i went, come on, knock out
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, what are you all and god, marusya, tuberculosis, a healthy woman, a horse, well, don’t tell me, you also seem to be healthy, but healthy, and your nerves, burned out, something from -for your little bird, like a candle. pass the car, well, but now he ’ll start talking, look at your appearance, it ’s okay, i’ll have cake2 in time for the pier, come on groom, what is he doing there? drive ukhin like a performance, a handsome young lieutenant, he left his native land at dawn, the calm floodwaters
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will consume the power of the sun over the sea, he left his bride for a long time, to forgive the canal. there are documents there, shura, be careful, be careful , there are dishes here, mom, step aside, i ask you, okay, noise, okay, take it, be careful, mom, how many times can i repeat to you, stop, what are you doing here, shura , calm down, is that possible, shut up, oh, lord, mom,
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little, dear, don’t be angry, she so nervous, good luck, why girl, are you so offended at me, i thought you were offended at me, excuse me, yeah. finish loading, finish loading, okay, i
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’ll take it, it’s a good length, don’t chase fashion, you need warmth, well , if you fit it a little, it’ll be good. thank you, i'm late, i'll help, come on, sasha, no one will help me, shura, stop it, shura! i said, give it up, stop it, well, sasha is here, mom, go, go to the ship, i said, stop the hysteria, shura, what, sasha, yes, you will, happy, marina, mommy, go to the city, i ask you, well, that’s all
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, come guys, come, oh, yes, now, jump, accept me, and me!
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sorry, you can’t film here, you’re all for the concert for the severomorsk pilots, welcome guests with us, we are waiting for you after the victory, thank you, goodbye, the weather is good, goodbye, goodbye.
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you can’t kiss me, but amirogypi said that i have a mild form and i can have children, nothing, girl, healthy, i’ll get better, beautiful northern nature, yeah. true and useful nothing like it, i live in the sounded apartment, you made it.
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what is your name? igor gavrilov. yes. igor
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gavrilov. guards and major kislov. major ivanov. that thank you, this is yours, mine, what’s your name, guard major boyka, guard senior lieutenant matveev, still hold it, thank you, you? something happened? say something, now, now, i don't know, tell me that
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i don't know, i don't know. forgive me, according to intelligence information , it was discovered in the fifth square.
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you were right, your watch was right, yes, yes, then you were right, take it, stand in build, there is, and now throw away your stars, maybe return to the general's shoulder straps?
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aldosha, good, good, well, are you bored without the brotherhood rabbit? unscrew, unscrew, there is a screw.
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thank you, order! surman, are you okay? in order. shooter, are you okay? alright, alright. then the train departs. third call. bam-bam-bam.
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flowerbed, i am a mak-4, the crew is ready to carry out a combat mission, allow me to taxi, i have permission.
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look out the window, you know everything around, elderberry, elderberry, elderberry, in my opinion, torn mines, navigator, look.
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this is not a mine commander, these are barrels, barrels from our transport! uh-huh, shooter, tile,
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why did you disconnect, try to disconnect for me again. mak 5, mag9, you see, klumba, i am mak4, welcome, mak 4, i am klumba, klumba, i am mak 4, everything is in place, everything is in place, visibility is good, let’s start working, i understand. work, okay, work, poppies, i'm mac-4, we've dispersed,
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we'll punish the bastards, everyone to the bottom, everyone to the bottom, and so on. attack! attack!
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800, 600, punish, punish, punish! i was steering myself, sasha, a little more, listen to me, i’m close, listen to me carefully, everything is fine, sasha, left foot forward, let's go home, let's go home, sasha, commander, colony, get in touch.
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this is the burn with fire podcast and i, its host denis gorelov, today we are talking about the military cinema of the soviet union. and its legal successor, the russian federation , as for war cinema, this was the absolute know-how of our cinema, which may not always be fully realized,
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but completely natural, since frankly speaking, our people knew much more about war than all other peoples, more or less commensurate with us, about military affairs, only three nationalities had representation, the germans, the japanese and the yugoslavs. but the germans and japanese, as the losing side, could not afford to speak out at least somehow about the heroism of their armies, they had to apologize to the whole planet to show how their guilt was not redeemable in any way, thus ours turned out to be the only cinematography that completely and speaks adequately about the hard times of war. over the decade of war cinematography, we produced 22-23 truly outstanding classic films about the war, i will name most of them
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during the podcast, many may think that 23 is not a very large number, but for comparison i will say that there are about five decent polish films about the war, about five at most, german ones too, and the americans didn’t shoot a single decent one. film about the second world war, more or less the first 20 minutes of the rescue of private ryan showed what the landing in normandy was like, but spielberg was simply afraid that all sorts of pregnant spectators would start giving birth in horror right in the hall, each shot was cut off by 2-3 seconds, taking out everything that was most shocking, so i ruined my own picture, it’s even impossible to talk about it, seriously, in some ancient years i put together a rather funny periodization of war cinematography, which, in my opinion look, is fully consistent with the periods of trends and styles
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of culture and art in ancient centuries, and the first part is military cinema during the war, immediately after it it most corresponds to the fundamental... to the last degree of extremes, as for evil, then the bearers of evil are always short, lame-legged, short-sighted and sometimes one-eyed , they always wear german helmets with horns, they look extremely unpresentable, in these pictures from the very beginning they are already by their last names, as if...
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absolutely out of step with bad reality, very bad finishes, or sang, or commits suicide, or dies out from cough, and approximately in this direction the heroes of the films of the late fifties , almost all of the sixties, acted, and these films were necessarily about very young people, and it was guaranteed that all his heroes would die in the finale and even from the very beginning.
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it was often clear that they were not residents, the very first romantic film in history was andrzej wajde's film canal, in which a chain of heroes of the warsaw uprising walked through the ruins of warsaw, a voiceover warned: all these heroes will die by the end of the film, you see their last hours life, and approximately in this degree the rest of our heroes existed. already of our cinema, necessarily carried away again in some kind of dreams flashbacks to a former peaceful life, which of course was idealized, but it was all very similar to romantic escapes into idealistic dreams, this was, of course, in the film chronicle of a baking bomber in clean ponds, in the film
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talanks in the invasion. finally, in the best version, in the last picture of a romantic movie, the azori here are the elements, there are flashbacks to peaceful life in memories of beautiful men were colored against the backdrop of a black and white war, of course, this total sacrifice was very much in demand on international film festivals, which precisely... at that moment switched to pacifist cinema, tried to read the same message from our films, exactly at that moment soviet cinema had the greatest results on international film stages. in 1958 , the film “the kalatozovs will fly away the fats” received the first and only golden palm at the cannes film festival. and a year before that
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, the film received a special jury prize and a prize for the script. chukhraya, a ballad about a soldier. another 4 years later, the main prize of the venetian andrei tarkovsky had the golden lion festival with the film ivan's childhood, there were films that were winners of slightly less significant festivals. finally, ozori here of the elements was nominated for an oscar in 1972, although it lost the modest charm of the bourgeoisie to buneeli’s film. all this happened. really in demand, in the cannes festival, for example, our film zhavornak participated in the sixty-fifth year about how in germany, and during the war, on the anniversary of the beginning of the war, he escapes from a concentration camp along with a training tank, the crew, uh, movie, of course, it was the forerunner of our modern film t-34, but it was much more honest, in
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the middle of the film the crew... understood perfectly well that they were not residents, that they only had a few hours left to live, they decided to arrange a real vacation in an amicable way to make this whole nightmare the rear of germany was a harbinger of the clang and roar of the advancing guards tank corps, and the film was a success, but had no prizes, in the same year a wonderful film by yuri lysenko was released, no mines were checked, filmed by him together. with a yugoslav director, whose last name i will never remember, but this is a film about how our people, together with the yugoslav partisans, took belgrade, at the height of the general war. dancing, fun, hugs, flowers, they suddenly find out that the city is mined, that groups of sappers and german saboteurs are operating in the sewers, and that the explosion is scheduled for midnight, this is the total contrast between
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the general fun and joy of liberation, and the terrible panazhism explosions, swearing, shootouts that constantly go into the dungeon just ten steps away.
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the transition from romanticism to realism was an american film, the longest day in 63, which told about the landing of american troops in normandy and showed a wide... three-hour panorama of the heroic actions of american paratroopers, american marines, american sailors and local french resistance, which , of course, was completely made up, because there was no french resistance did not exist in nature; if there were any underground activities in france, they were mainly armenian, yugoslav and jewish underground groups, the french had almost nothing to do with them, but... the film was generally quite interesting and lively, but it completely infuriated the politburo because in the three-hour film there was not even a few minutes to talk about the actions of the soviet army at that moment, and
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despite despite the fact that it was not shown in russia, quite a lot of furious reviews came out in all sorts of collections like on the screens of the world, where i clearly remember in one of the texts. the author compared this picture with the creations of the nazi channel leni riefenschal. to be honest, there is no connection with riefenschal was not in the film, but the author managed to criticize the film. in response to this film, we launched a multi-part epic film called the liberation of europe. as everyone understands, the word of europe disappeared somewhere during the filming process. the film eventually received simply the name liberation, a rhyme with the longest day, there in the finale there was, if the american picture ended with the surf on amaha beach, where the american
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marines landed, a wave of waves on the sand, a hole in the helmet of a killed american hero, then in liberation, as everyone remembers, the whole story ended. the fact that the nurse zoya went down into the underground passage and saw the kazka of her beloved deceased captain tsvetaev in the rising waters of the flooded berlin metro. the rhyme was completely distinct, but only those who saw the film the longest day could count it; at that moment there were at most several dozen of them in the country. exactly from that moment on , something began to penetrate into cinema. dry military prose, product certificates, commandant's orders patrols, some completely random victims without any, any kind of system, if in the films of classicism people were not
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killed at all, in the films of romanticism people were killed without exception, then here comes reality, no killing of people during the war is completely unpredictable , to say that they kill the best or, on the contrary, kill the worst , is completely impossible, they kill everyone they come across, in the sixty-ninth year a film was released in the war as in a war, in the seventieth year the film officers, which is a separate discussion, in in seventy-two they are old men going into battle, in seventy-four there is hot snow, in seventy-five they fought for their homeland, they fought for their homeland, by the way, it was a rather unique picture, because no one was killed in this film, the fact is that.. ... then mikhail aleksandrovich sholokhov, who wrote the script, did not intend to write a short story. it is immediately obvious to everyone who read it that a gigantic sweep was made here. for a novel about stalingrad, but he simply no longer had enough
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gunpowder and some of the writer’s already crippling abilities, he limited himself only to rearguard battles in the don steppes before stalingrad, but since he assumed that all his heroes would fight in stalingrad and some would die there, he left them all alive, all these films no longer made it to international film festivals, continues now message of the president
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of the russian federation vladimir putin to the federal assembly. live broadcast on february 29 at 12:00 moscow time. with you is the podcast mount with fire and i, its host denis gorelov. our conversation today is about the military cinema and film officers, the main picture, without which not a single holiday is complete on february 23, which is always. is shown on the air of central channels , especially the first, and the film officers tells about three generations of the trafimov family, who serve the soviet union in the most important shock troops of the ussr, in different periods of the development of the red army, first the cavalry, the second generation in tanks, and finally the third airborne troops, and shortly before the painting was secretly published. new soviet doctrine
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army, which said that from now on the main striking force of the army is the airborne forces, in the film this was the first time it was said, this is a serious line, just as the blue beret appeared for the first time in the film, a new thing for our paratroopers, unfortunately, he is in. ..
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at a left diagonal angle. anyone interested in the russian character and the russian national idea should definitely watch this picture and film. oh, the class of laconic legionnaires, who, to every damn crevice of magabedkhan, always respond with clear and furious answers. movie it was directed by one of the brightest, box-office directors of soviet cinema, whose name is unknown to anyone, vladimir rogovoy. it so happened that soviet cinema was subordinate to two main centers of power, on the one hand. a party that, through its lured critics, promoted
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statist cinema, sergei gerasimov, sergei bondarchuk, stanislav rostotsky. on the other hand, the unconditional force was the creative intelligentsia, which very strongly lobbied for intimate cinema, such an intelligentsia with a mood where the intellectual huddled in a corner on the guitar, playing, as zhvanetsky once said, overbach's films, shipitka's films, films.
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i have never made a film in my life that would have grossed less than 27 million tickets and 27 million viewers. the script of the film was written by the well-known author of the elements here, boris vasiliev, a paratrooper who was once blown up by a mine, after which, after
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recovery, he became an armored officer, in fact the most important writer writing for military romance. but sometimes in honor of special sentimental effects, especially impressive - excited young ladies, he sometimes allowed himself the most complete nonsense, in particular , the final scene of the meeting of the two main characters caused a lot of complaints in the film officers. imagine that the commander of a tank division, a major general, summoned to the new district commander, a lieutenant general, might not know his last name. this is completely impossible, especially since varava’s surname is quite rare, frankly speaking, not ivanov, of course, he should have known who his new boss was, so conversations like the old devil found out were completely excluded. vasiliev always
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answered this that he intended in the script and in the final film to draw a line of arrests, which...
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it looks like the fact is that even in matters of arrests, vasiliev was going to release a completely impossible scene where kamkor trafimov is in a cell in the lubyanka meets the inscription on the wall: i’m dying, but i’m not giving up, long live socialism, comrade barabbas, also, in general, some kind of sentimental nonsense, but the film , in general, as a result came out quite realistic and correct. in this picture there was a historical measurement of two people's artists, yumatov and lonovogov, but the fact is that 15 years before the film , a black cat ran between them as a result of the vicissitudes of the filming of the film pavel korchagin of the dovzhenko studio,
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yumatov was initially approved for the role of korchagin, but after the front, after severe injuries, which he suffered there, yumatov was still a drunkard and after the first day of filming he started drinking, after which the film director and naumov removed him from the role and replaced him with lonov. lonovoy was not at all to blame for this, but it is absolutely clear that there was no longer any friendship between the artists; everything was corrected only by the officers, where they became friends again. as a result, after the officers they played in four more films and became our main action duo, approximately the same as kirk dougloss and bert lan custer in american cinema. and in the key scene, komkor tarafimov returns from a mysterious business trip, which he does not tell anyone about, a business trip to spain, and
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in the morning he informs his wife that it is time for them to move to a new duty station, which causes him to do so. strange, because absolutely all are officers families moved across the territory of the soviet union in protests, but protests even in several neighboring countries of the union were constant, on average once every 3 years. and the top military authorities quite rightly decided that it was necessary to prepare officers for war in any climatic conditions, and if a lieutenant began his service in the far east, then he continued it as a captain in the arctic, then moved to central asia as a major, and ended up as a colonel somewhere in a group of soviet troops in germany, in completely different climates in different conditions, in the film the hero... says that it’s time to get ready, the wife categorically objects that the child is already changing the sixth school, she can also be understood, but at
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a critical moment she notices completely new holes in her husband’s back that appeared after a business trip to spain, it is clear that this episode looks rare overkill, it is clear that at the moment of return, the husband and wife were loving each other to the fullest, and it is strange that she did not feel new holes in her husband’s back by touch, but still, our sentimental people forgive the creator of the picture, this is a logical assumption, let’s look at the fragment : well why can’t you just once in your life bang your fist and demand something? i’m not even talking about myself, thinking about my son, i won’t allow him to be disrupted in the middle of the school year, he’s already changing his sixth year.

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