i’ll end up here, you’ll find out how it’s like to lie in our land, it’s cold, huh?

get up, well, get up, hold on!

let's go, from the infection, hey, you, listen, you there now don't say that you took away my rifle, but hey, you, how do you like it, huh?

you can’t keep up, the guys can barely drag their feet, who are the avdeev brothers, kulikov, ivan, skhvarukov, petka, oh, trouble, trouble, i feel sorry for the cows, they ran away, look, ours caught them. so, he himself surrendered, he himself gave up the machine gun, the former junior sergeant of the red army, alexander ivanovich lazarev, the boy did not take everything, he stood up. i was walking, and i had a pistol just in case

hidden, touch, go, they have machine guns, a message from the president of the russian federation vladimir putin. federal assembly live broadcast on february 29 at 12:00 moscow time, why did you lead him, would you spank him in the forest, why did he lead, and he thinks he’ll get a lokokov medal on us, what are you looking at, what awaits gray-haired punishment, for you personally in the presence peace, maintain discipline.

be healthy, comrade woman, god willing, we'll see you.

well, man of god, covered in leather, tell me your blitz, just don’t lie, otherwise i ’ll get headaches from lying.

i’ve been wanting to go to you for a long time, you write, you mean an ideological defector, first there, then back, the guy chose the wrong path, he got shortchanged, so i didn’t choose her, she found me herself, my dear.

feet, okay, so another question is, how did you get captured, it’s a long story, but we’re not in a hurry, tell me, we came out of encirclement in august, we walked for 10 days, well, we came across a village, we went, from hunger we couldn’t think of anything anymore, and then the germans arrived in large numbers, and your stoves were destroyed, you fell asleep, you were taken away from your sleep, and so it was, how do you know? eh, it happens, son, they said, your right not to believe, our right to judge you on behalf of the people you betrayed.

i’ll leave you, ivan, i’ll leave in the spring, i’m an artilleryman, i need to shoot cannons, not izberdanok, zemlyachok, shag, not rich, no,

you’re worried, understandably, they’ll spank me too tomorrow, they promised. and why me, i’m only 18 years old, i’ve never seen me in my life.

listen, my aunt forced me to go and tell the police there... that’s it, well, i thought that i would somehow live quietly, they drove us to the neighboring village, nearby, and there, that means, three komsomol members are standing, and they tell me, shoot, and i say, yes, i can’t, but i won’t , they say: shoot, or you will stand there yourself, so what could i do?

talk about how they took you, you came yourself, well, you’re a milkweed, and they’ll take you to the aspen tomorrow.

to get into the station, well, my head is just shaking, before the war i had a doctor friend , the tsar baba , who could easily get snake venom, i met her at the stadium , they played basque then, oh, how they played, what they played, football, have you ever seen football? of course i saw the kids in the village were playing, oh, pawing

, pawing, football is ivan, you can write poems about it, meaningful, so the game is meaningful, this is a whole art, just tell me, where was your wife, when did you watch football with the doctor at home? she doesn’t like football, she kept trying to dissuade her son, but my son played great, now he was already a master, i approached them. i can’t take prisoners, as i remember, but i don’t have a heart, i’m smooth with

my teeth, i’ll kill them dead, you calm down, anger is, of course, good, as long as it doesn’t fill your brains, it’s hard to live and bad to fight. sleep, these are dreams, dreams, listen, who won then, ours won, and that’s good, what are you doing? listen,

hitler is sitting in the closet, crying. vasek, vasek, what time is it?

für feuer! lord!

everything is suitable for the cow swamp, everything is suitable for the cow swamp, i am ill, and only you have left someone, my radimazi zakvannya.

we'll live a while longer, fellow countryman, go where, come out, you bastards, quickly, this is for you, right?

let's go, let's go, let's get up, look, where's the second one, there's a cow standing over there

take him into the bushes for use, why bother his ears , wait, read immediately for use, i haven’t figured it out yet, there’s no time to talk to him, ivan, such a fog will run away, he won’t notice, he’ll run away, what is he to you?

i took part in executions or something similar, i would have come to me. give me a machine gun, citizen, senior lieutenant, citizen , senior lieutenant, i want to fight, your homeland already gave you a machine gun once, you abandoned it, i’m not the only one who abandoned it, what’s not all about, are we talking about you? another question, tell me, my dear, former sergeant, why

didn’t skarnovukh give in earlier, that i was waiting, you were there, where i was, i’m not there, and where i’m not , i’ve been there, i’ve heard this saying, i’ve heard that two of us got away, they caught me, they beat me to death, then, yes, that’s all you told me, tone, deliberately lost tone, hits for sympathy ? “let’s leave this lyric, let’s leave it, at the station on the towers, your guys, the germans, when how are we even inside, on kplova there are germans, well, what, except for a telescope, can’t the koshalans get through?” “ i don’t know, no, they probably bring food there from all over the area, well, that’s what i know about you, listen, here you are, the koshalona could pass,

could, why, why are you so special, well , many people know me by sight. yes, listen, how it finally got away, they gave me leave for 7 days, i took dobsky’s ticket, then jumped off, well, let’s say so, lazarev, if tomorrow it will be quiet in your presence. i’m not going back there, that’s why i can’t live as a traitor, shoot better, why could you before?

broke down, wanted to live, a person has the right to start over once, if the first time life misfired lazarev. before the war i worked as a district police officer in makhaevka, not far from here, seven villages, you know how many of these conversations you’ve heard, different ones, that a person repents in order to live and be sick, and then everything is fine again, what’s

wrong? tuha, they fed, no, tuha, take this former sergeant to the kitchen, let him feed him, for what, what do you need, what did you go for, i tell you i’ll find a younger bathhouse attendant, a better one. go away, orders to feed, people here don’t have enough, order from the detachment commander, that’s right, and 100 g for his appetite, hello, hello, come on,

grandma, don’t delay!

happened, you don’t need a lot of courage to hit the faces of those arrested, you will come to lokotkov, about if you report to everyone, it means hitler is driving around berlin in a car, but no one is greeting him. he is offended, he is in a bad mood, suddenly he sees a soldier standing in the middle of the square, with his hand like that, greeting him, it means he is happy, he drives up, who is he, where is he from, he says a soldier from the eastern front, he says, well, the order tells you for the fact that you show this towards us, it means an attitude, he says, no, i say, i’m not showing a relationship, i say, i’m showing that we in russia are stuck in shit?

a person can drink, here’s another joke, when hitler arrived at the madhouse, well, where they fuck, yeah, ivan igorich, stand at the door, don’t let anyone in, there’s food, there. comrade , now he will eat and sleep, like at a resort, there will still be potatoes, ice cream, really, i need the guys to look at least a little like a german, the german is coming now, pink,

nothing and... k34 eat, get some sleep , i’m smoking , maybe take a break, come on, guys! and you, ivan yegorich, it’s not supposed to, yes, there is a current yourself, a current here, from these sardines, the shadow of the kopanki, the old age died, this... i’m not saying that, so that, well, in general, we understand,

yes, let’s get married, let’s go to lakatko, let’s say, so he can sign it, let’s go. only i ’m a womanizer, a womanizer, and you don’t know how to kiss, well, yes, you want it at night, i want it, vitka, solomin , vitka, you’re here, after all, that’s where your body demands rollers, tell me i’ll come, now, i said urgently, yes go you,

well, what do you need, nothing, fuck off. eh, you, get up, get up, let's go, where, where do we need to go? where to go to celebrate the new year, take your overcoat.

are you scared? why are you so timid?

are you kidding? solomin, yeah, where are you going, to be checked by the junior sergeant lazarev, who sent, ivan yegoryevich, sent you, yeah, and erofeevich. advance, be careful with him there, what? well, okay.

but where do you come from, where, i say, where do you come from? sverdlovsk native, who turns out to be our

translator, will be fellow countrymen, yes, but who did he work for? taxi driver, he drove people, well, that means you go out, vote, i know. come on, then, uh, keep in mind that if anything happens, i’ll shoot right away, so don’t you dare.

all this is in vain, by god, in vain, nothing, let him prove it in practice. bitte, warten sie, herr offizier, mensch, was willst du denn nach hier, du trottel, moment mal, moment!

calm down, uncle erofey, let him deal with it himself, all this is in vain, by god, in vain.

that they didn’t shoot, the german was close , help me, take my leg there , and you got scared again, and you’re brave, brave, not brave, damn, you didn’t get captured by the krauts, but the war won’t

end tomorrow, it started, no yesterday, quiet. ready, it will work like in a pharmacy, that's it, come on, quickly. herbert, was machst du, bleib doch hier, herbert, herbert, sag es dir,

jerofej, objši zusnika. let's laser.

where are you in the back? don’t say a word, your business is the locomotive, you’re there don’t undress your mouth, oh, what kind of officer is this, what kind of german is he, he says quite tolerably, but what does he say, look at his eyes like a cow’s, how about sew on a shoulder strap, i

ate well, i want to sleep when i see fascist, i will not have the eyes of a cow. i collected the document, i collected it, i collected it, lazaryuk , what’s your name, alexander, i ’m sorry, this is not good, i, yes, is nonsense, what?

wait, victor, vi, viter, we got a khorkhma car, in good working order. “we covered her with snow in the forest, and lazarev, the way he behaved, didn’t let us down, okay, erafey!" go, warm up.

you knew that the day before solomin beat lazarev in the kitchen. what? oh, no, i didn’t know. how did solomin die? it’s us, it’s us. we thought fritz was dead, but he woke up, woke up he shot and died, and where were you at that time, and i was searching these prisoners, i had my back turned, i didn’t see how he woke up, i, otherwise i would have hit him, of course, and where was lazarev at that time, and lazarev in the car, he was looking for documents, which means you didn’t see that it was a german who shot, well, who else, let’s answer the question whether you saw it or not. well, it’s not so straightforward saw, of course, that means maybe someone else shot at solomin, well, who else

except the german, answer the question, you saw that it was the german who shot, well, you didn’t see, but how can you say what you didn’t see that how can you claim something that you didn’t see, i’ll go, but i didn’t... let you go, if you didn’t see that it was a german who was shooting, then you can assume that someone else was shooting, theoretically, it is possible, answer, yes it is possible, of course, theoretically, comrade major, theoretically, that means it can be assumed that lazarev shot, don't know. i don’t know, this is ivan yegorovich, don’t do this, comrade major, it’s not human, this is

bestiality, this is, well, stand up when a senior in rank is talking to you. all your checks are worthless, it’s for simpletons, but i don’t believe it, all sorts of self-interested people and enemies are counting on people like you, slobs, you’re a major about this, just don’t worry too much, loves, doesn’t love, believes, doesn’t believe , this is him, let the girls tell fortunes with flowers, and even after the war, but as long as i am the commander of the detachment, i will decide everything here, according to my party conscience. really sorry, you want to be kind, this is when there is a battle of death, but i won’t allow it,

yes, the principle was followed by the mayort, be strict! “they give, of course, he’s a hero, you can’t say anything, but so what happens, ivan yegorich, you yourself picked him up in the forest, i don’t know, half-dead, half-what, you brought him closer to you, and he’s over there what, and in the summer on the bridge, look how he turned then, wow, whatever you want, understand, there ’s also this lazarev, a lad, of course, he’s not a bad guy, but give him up to the major, he ’ll calm down, well, how can it be, give in, are we playing checkers, oh my god,

they’ll get you dirty, you’ll never be able to wash them off, but come on, get up, stand up when you’re talking to a senior rank, why, get up, get up , get out of here yarofeevich, i’m tired of you, you shouldn’t have done this, by golly it’s in vain, message of the president of the russian federation vladimir putin to the federal assembly. live broadcast on february 29 at 12:00 moscow time.

i asked what is not happy, i lost, illuminating the heart of my children, that’s all!

what happened, why didn’t they blow it up? there are people there, igor leonidovich, there are thousands of people there, prisoners, russian prisoners, you’re not a fool to me valya? this is a military echelon , there will be more echelons, you think, because of your slobbering , it’s easier for the front, there are fewer deaths, these are our people, prisoners will run away to our forest, you know how they fight, my son was shot down near smolyansk, the plane was on fire, he could have jumped out now , he would have been among these, but he chose a different path, he crashed into a column of tanks, you understand that, well, maybe they didn’t have such

capabilities, you know, but... i had an order to blow up the bridge, let’s straw , i didn’t find january, but the land is not true at all,

this happened in the morning about 10 o’clock. this is for me they arranged a check, if it weren’t for the war, we would n’t have met him, yes, the war mixed everything up, before the war life was easy, good, no worries,

you’re not tired of me. i'm a taxi driver, it's not a dusty job, turn the wheel, collect tips, houses have been sheathed and furnished. well, i drank after pay on holidays, everything is as it should be, bam war, you see, i understand, there is no need for politics, all i knew about the fascists was this song, we are not afraid of the fascists, we will take it with bayonets, i thought to myself, i am strong, came out, on the contrary, in the camp i only realized for such work of the hand, hey, you know, dobachkov is not rich, let’s find him?

one might say he behaved heroically, and you want to bring him to the monastery, well, here ivan and the government also stood up, listen, says the major, listen to what the old soberman is telling you, atyl, in general, we helped you out, be calm, give me some more tobacco , and where were you born, straw tobacco, and already friends in battle, so what, let’s smoke? we’re smoking, comrade major, we’re burning tobacco, arrest him, what, arrest him, i

ordered you to go deaf, or what? see him, you're sorry.

look, all the money is beaten, everything is clean, there the snow is hard, like cutting it with a knife, so why don’t i put felt boots on it, or something like praises, look what’s happening, but i need them to fly like sparrows after drying. there lazarev hanged himself, got away from the nooses, oh,

bye, well, what kind of strap did i make, how did he do it? well , you got up, you got up, as much as you can say, don’t smoke, guys, come on , give it a shot, give it up, take it, let’s go, everyone

, yeah, come on, let’s eat it, here it is, here it is, here it is, take it down hot. damn you, get out of here quickly, get out of here quickly, come on, come on!

so guy. tell me, what did the vile enemy count on? with an iron boot, deciding to trample, but what about you? soviet homeland, what did he

expect? tell me, or tell me, what uniform are you wearing, and what am i wearing, after all, what am i wearing, lazarev, for today? i have the uniform of a senior lieutenant in the red army, but for now, on this everyday military day, you are a traitor to the motherland, and as long as this is so, i won’t and don’t want to smoke with you, that’s sasha lazarev. the picture turns out in

colors, this is the picture, okay, you rest, bye, tomorrow you have a hard day it will be, tomorrow you will eat lazarus carnaukha. iskornoukhov's train with food, it 's going to vaterland, it's a joke, it's gone in the other direction, it's impossible for four of you to go to die lazarev, and you can't go without the abyss either, you. we need to bring the echelon, and so that

other people can confirm this, you know?

sie können weiterfahren durchlassen.

don’t wait, i’ll jump on the go, don’t wait for me! hey, on the tower, kutenko, you, lazarev, he’s the one,

had a blast, where were our pskov girls, in pskov! they don’t break for a long time, there’s god’s church above me, the domes are shaking, climb in i’ll smoke, don’t press me to the birch tree, bring back the new smoke, and not at home and not thinking, so let’s go to the gardens. they haven’t given me replacements since i’ve been standing there since the night and they don’t give me half-shots either. the platoon commander clamps down, yes, in front of you, he took 20 20 marks from me in front of me, he doesn’t give it back

, he refuses, i’ll confirm, i’ll confirm. sofort einsteigen. honest, good, happy new year, your honor, your honor, fra jew.

kuku, partisans, partisans, here, partisans, what is it, here, give me a siren, siren, uh, uh, bitch, partisans!

wait a minute, ivan yagorovich, listen! you elbows, why look, you don’t recognize, bolshakov i, denko bolshakov, lieutenant , something i won’t admit colonel, well, how did you lead us out of encirclement in forty-two near kalakhovka, in july i don’t know, you brought in many, you remember everyone today, hello, eh,

ivan yegorovich, gold you are mine, i remembered you throughout the war. wait a minute, why are you still captains? eh, it’s the captain’s kits, but our guns are hitting berlin, and this fact really suits me. for you, for victory, for victory, that’s what, i ’ll write about you, marshal, how you led us out, how many people you saved, comrade colonel, well my word of honor of everything, definitely , comrade colonel, i’ll write to the marshal, comrade colonel

, she doesn’t give a fuck, keep it, i’ll be tormented, i , come on, come on, guys, lads, come on, let’s push it, yes, come on, whoever can , got ready, quickly, come on, guys , yes, come on, quickly, come on, come on, come on, yes, come on, come on, come on, come on, come on, come on, come on, come on, more, come on, more, come on, come on , come on, sons, go ahead, come on, dear ones, come on, like this, and also, well, come on, little ones!

this is the podcast life of the remarkable with you, i, its host, writer alexey varlamov, are guests we have a wonderful producer sergei silyanov, hello sergei mikhailovich, and today we will talk about the director. but now i would also like to see the trailer of a documentary film that was recently shot about alexey balabanov, who is called alexey balabanov afterwords, this is the topic of my brother, it appeared there for the first time, but i never thought about it, creator, he is not the master, others can

analyze, he himself can’t do anything, i can’t, and i don’t want to. once gathered a crowd of extras in a cafe just because the bututs were famous there will play a song, i didn’t take him as an artist, but as a person who, well, together with me, heroes appeared, everything immediately appeared brother brother, i first talked to the people who were sitting in these pits, they told me such terrible stories, now people think that we are completely frostbitten, i wanted to make a black film.

she died, i have an idea to act in films, myself, it’s just really, just learn the words. "i wished that it would rain, then you will understand everything, only in the sky, so we watched the trailer of this film, and i i understand that you have already talked about alexei balabanov many times, well , we all came out of the soviet union anyway, yes, we all still came out of soviet culture, from the soviet environment, we are still soviet people, we want it, we don’t want it, we like it." we don’t like all this, that’s how it seems to you, it had an influence on balabanov, or in fact, what i’m saying doesn’t matter, i don’t often talk about

balabanov, oh well, that means, well as part of labanov made films of himself, this means that a significant part of his life was spent in the soviet union, in this sense, the question , well, the answer, that is... a wonderful, let's say, non-fiction , documentary film by nastya egor, it was also filmed in 1987, that is, when this was also the soviet union, that is, yes, but

this, well, this perhaps explains something, and , and something else, i don’t know if this has any significant significance for those who love films... by a person, and this is not a soviet person, and the period his creative, growing up and

maturity there, fortunately came at a time when he could already afford it, this internal freedom, including unfolding in his paintings, they are different precisely because he was not a slave to the lamp, that i have found some kind of intonation, some kind of direction, so i will do it persistently. he was not a person, well , they often say about writers, he writes one book all his life in the good sense of the word, yes, that he is cultivating some topic that worries him, which he feels, understands, which dialogue with the reader, he had the maximum, yes, yes, so intense, mutually comfortable, that’s what he needed, he loved cinema, no doubt. yes, but cinema is different , and therefore you can love it, as they say, from different sides, and he did it, it was all

very organic, naturally, it was not some kind of, say, calculation, now i ’ll film something like this, and then i ’ll shoot something like this, and then i’ll shoot something like this, in the first half of his creative life , he was creative, as they say, out of creative excess, please tell me, when you met, you immediately understood the scale of this man, his talent, we met at the highest directing courses, because they settled us in one so-called block on the sixteenth floor of the hostel in gika, well, naturally, we immediately started talking about cinema, we immediately realized that we were in some sense on the same wavelength in relation to cinema, it was exactly the year eighty-seven, and we just... of course, we talked endlessly about cinema, about all sorts of ideas, and so on, so on, and they just became friends and were friends, made some plans, of course,

then we began to implement these plans, get closer to their implementation, and alyosha, the first of his kind, let’s say, an adult the film is happy days, which seem to be according to becket, in fact, everything was invented there, well, it doesn’t matter, well, with such an atmosphere. and he told me about it, in herman’s workshop he was given such an opportunity, he took it off, called me, naturally, to the first viewing, where herman himself, well, such...

in the end they decided to take the first step, contacted the norwegians, yes, they were also interested, although they were somehow amazed by the free treatment of the gentleman from their point of view, although all the freedom was in what i included there, including the story about

the same hero. which is the same it was written by hamsun, and there was such a structure where the novel and the story were connected , they were actually confused by this, basically it was, well, everything was according to hamson, the norwegians said, yes, well, okay, we’ll probably participate, let’s go to his son, to the heir to the rights, and it turned out that 2 days before the visit of our norwegian representative, an american producer came to his son and... bought the rights from him, well, that’s it, this story collapsed for the second time, i haven’t yet film studio, but lyosha filmed the happy days of german’s workshop, which means the next film his castle was there, we also wrote a script together based on kavka, yes, and then, when i finally opened my own studio, as they say, then yes, i was the producer of all his

other films, the next one was my brother.

i don’t, or rather, sometimes i just pay a courtesy visit to those with whom i work. message from the president of the russian federation vladimir putin to the federal assembly. live broadcast on february 29, at 12:00 moscow time. but still , returning to the film brother, look, a man films according to becket, films according to kavken, that is, such a kind of intellectual cinema. with the western direction, how after these films the idea of ​​a brother suddenly arises, everything happens simply, how a person wakes up, who has it, so oh, what thought came into my head, some idea, something behind it, through a magic crystal, something has dawned there, yes , look, i’m thinking here, there’s something about this, yes, why not, and well, that’s it... well

, it’s just just happening to me it seems there is no need to look for any artists, his difficult path, his contradictory development, all this is not about us, well, like a dog who is looking for grass, which she needs there today for some dog reasons, all this is to the touch, all this is very sensual, all this is not very rational, and this is like - that’s how it works, in my opinion, there is art, whatever you call it, creativity, something came into my head and settled there, i wrote the script very quickly, simply because there were a lot of different ones. what do you need, but you don’t have a pill for your head, pashka is injecting drugs, you’d better drink vodka, no, i don’t care tablet, i don’t know yet who will

act in the film, i can’t write a script, you know, well, let’s go like this, the story is born in advance, but when you write it yourself, you have to write for specific objects. well, this is a different film, well, this is a different film , but that’s the task, in fact, we said with one voice, when, listen, with one voice, literally, this is not a figure of speech, what will brother two do, we will do at the same time, only in a different way , only it would be a different film,

it was clear that due to the fact that the film brother became very necessary for our people, it was it’s clear that somehow brother 2 probably won’t comprehend it, but no, it’s better that’s all. no, he will probably , well, be quite noticeable, at least, yes, there was no calculation in this , in fact, back when the film was being filmed, brother, we said something about the fact that he went to moscow, and what next, well lyosha said , well, next is moscow, and then america, so it was said in advance, but, but not in advance, we kind of assumed, well, lyosha assumed, yes, what would happen...

with audience cinema, of course, there is more rational goes into work, that's good there must be such a statement from an american, otherwise you haven’t solved it, in the case of a famous producer who says that an american director is making a movie and is thinking about how to make it so that everyone likes it, a european director is thinking about how to make it so that i i liked it, they are both honest. the american director believes that he was given money, yes, he is obliged, it is his job for the money to be returned, he, he has no right of his own, to invest something there, if he likes oranges there, and the viewer likes apples, he must, of course, give the apples to the viewer, and

the european director, if i honestly don’t manipulate these dramatic techniques that americans hook the viewer, i will do it honestly, and it will be fair to... i really want everyone to like it, but this is so that it’s mine, so that i don’t lie, don’t manipulate him, but so that i speak honestly, and everyone would love me, so it turns out to be an author’s cinema, as the question begs, and a russian director, audience cinema has become a producer’s cinema in russia, the role of the director spectator cinema is extremely large, but it is not rare. exceptions, the initiator, he is invited to work, there is a script, this is a huge responsibility, well, no, as a rule, these are producer’s developments. but returning to balabanov, this is a great pity, because we suffer from

the fact that directors practically, well, very little actually come up with their own ideas, and those, moreover, that are well, well, well-founded in this sense, that is, there are ideas that speak well , ideas are sometimes sent by directors ideas that do not meet the criteria, yes, here the rational comes into play, and it’s clear that, say, they won’t watch this movie, despite the fact that... well, let’s face it, it’s very bloody, and today’s russian audience won’t watch it , because we don’t watch films, for example, about bandits, but i say, we don’t make films about bandits, we make films about bandits, about policemen, about doctors, we make films about people, just in films about bandits some very important meanings for cinema are exposed, here that’s all there, it makes it possible to raise the question about...

is it still possible to say that of course the success of this film is largely explained by the main character, yes, it was a great happiness that sergei god was found and no one else could have played this, well , it would have been a different film and it’s not a fact that that is , well, it’s quite obvious that he wouldn’t be like that, yes, yes, of course, seryozha, such an unusual character, and then we sat on the beach in a cafe . i think they drank beer, i don’t remember,

it was during the day, it was sunny, it was day, i i tell him, let’s make a movie together, but there won’t be any money, he somehow said so simply, let’s do it, why did you say to make a movie together, what exactly did you mean, but because i... on the compiled elements, it’s all

together in him, it’s an image, try to make it out, the kind of killer that makes you freeze with sympathy. some kind of empathy from everything, from all this, and this is the author’s statement, it all the more presupposes such, well, like the creation of images that are absolutely full-blooded, that is, internally contradictory, as if, in general , its premiere was at the kakansky festival, then it went to another 80 festivals, then we stopped following, well, still indirectly, as it were, emphasizes that nevertheless it is an original work, yes, because they are festivals of course, they are interested in auteur cinema, the question about festivals, after all , i have the feeling that balabanov’s films did not receive additional international prizes, or am i wrong? i also have the same feeling, well, well, okay, how do you explain this? don't know, probably, he somehow didn’t get along with the selectors of major festivals in chemistry, but for him it was important for

balabanov? well, he wanted it, yes, yes, it wouldn’t be important to me, well, somehow i wanted it in a simple way. he somehow valued this attention in his own way, despite the fact that at the same time he didn’t value it at all, as if he sat, didn’t like any events, didn’t like going anywhere, didn’t really like giving interviews, if the journalist, the interviewer managed somehow somehow come into contact with him, then he was ready, this there was instant chemistry, again like that. well, it seems to me that an example of just such chemistry is this film, which is called the afterword, and alexey balabanov ’s afterword, it seems to me that it really shows that the journalists managed to get him to talk, yes, forced him, if so, then he will feed him and let him spend the night , will be ready to talk for a long time and talk about himself, including things that

seem somehow impartial from the point of view of others, and even further strengthen and emphasize them. to fray a little in addition to these wonderful people, somehow this energy disappears with age, and cinema is energy, i always said that after 50 you shouldn’t make films, well, i made kochagara after 50, people make films in different ways . there are people who make movies just out of thin air, and i from myself, if he thought that a person was good, then he was as open as possible with him, friendly , etc., but this rarely happened, so yes, the merit of the authors is indisputable, that they

somehow found him, managed to charm him, to talk, yes, i’m actually here, so i understand that what... i, of course, we also work as best we can, here, here, well, what is it called, memory, or something, balabanova, yes, and i, of course, i appreciate everyone who , with some respect, with some kind of even respect, yes, does similar work, we continue the conversation, this is the life of the remarkable podcast, our guest is producer sergei selyanov, i must say, well, i practically didn’t know him. the only time he invited me to a premiere, not a premiere, but he was there showing the film morphine, yes, since i wrote a biography of bulgakov, maybe they told him, i don’t know how, but in any case , i was on morphine and i caught myself with very strange feelings when i watched this film, because, well, let’s say , morphie was based not

only on this story, but also in general on the notes of a young doctor by bulgakov, in principle , the notes of a young doctor, from my point of view, this book is very bright. a joyful book, yes, this is a book about how a person overcomes all the hardships and adversities of life, this is a book about victory, and not about defeat, so to speak, the book is lighter than dark, this is my perception, the film is so, well, creepy, and yet i really liked it, so i had the feeling that this was not bulgakov, but this is exactly it balabanov, then i found out that it was sergei badrov who wrote the script, i don’t remember, i told him something.

did you have anything to do with all these things? well , that is, you told him? i had an attitude, yes, after karmadon, that he was not the right word, he simply erased himself from life, he wanted to die, this is not a figure of speech in the case of balabanov, this is probably difficult for people to believe, but he really worried that he was somehow alive, he wanted to die, he would just be happy if he were there in a day - two or three he would just die, but what about us... well, as soon as work is possible , something can somehow, because for others there may be something else, but we definitely don’t know how to do this, and

he’s okay, of course , i didn’t want to do, well , if the so-called stream, here comes the script to the studio, i watched them, including, first of all, from the point of view of lyosha, then there, he himself didn’t want to write no scripts, nothing, uh-huh, this is such a blind man’s buff script, blind man’s buff. he read it and said, well, yes, so let’s play all the roles with very famous actors, he says, yes, go ahead, and he took off the blind man’s buff, yes, well, and yet this state did not go away, well, in general, it’s in in a sense, it didn’t last until the end of his life, well, there was just such a period, there it was just again, well, here’s valery matsakanov. the main script doesn’t hurt me, i read it, i say, but the melodrama is weak for you, i say, then there are different genres to work with, yes i am.