an invincible bez terminator will be found in the test fold of the word, we have 10 minutes to place bets and we begin hell. i know that we are late, we’ve already been driving around moscow for 4 hours, it still doesn’t end, have you seen this street? listen , we were here, and i don’t know how many streets there are, we were unlucky

, we got lost, but how do you know, the job is to know everything, we determine such things by the movement of the car, the trajectory, seriously, yes you what, i'm kidding? drive past me for the fifth time, we need to be in serebryany bor in an hour, please help, map yes, but how are you without a map? okay, okay, i'll bring it now.

wait, how can i thank you, don’t break the rules, that’s it, let’s leave, leave, quickly, like you, bro, okay, order, thank you, well, as usual, on terminators, there is no market, write a terminator, so, what kind of heating pad ? today our thermonuclear ace is tearing up , today he is fighting with a wolf, with which wolf, where is the wolf from , don’t you worry, he is wild, mountainous, untrained, no chance, untrained, mountainous, no chance, but brek, and brek, come here, put some more money, they say, the wolf is from our area rubs, yes, yes? excellent choice, dear ones,

the terminator will tear it apart, will you put it on snark? kill the terminator, the terminator will win, kill him, songs, yes. “i will destroy

you, prime minister of norway, jonas garstery in a special dance number called “i dance drunk on a table.” a lot of norwegians don’t understand how such a person became prime minister, it just so happens that they are rude. mother for ensa and me, is still the eminence grise of politics, my wife, miss prime minister, is how i will behave to name, we decided to transfer the norwegian f-16, despite the fact that the country is not so big, it is in the top 5 in the supply of military tranches. the ukrainian, handed over his parents to a nursing home, in the same way he will hand over the whole of norway to the nursing home of the american regional committee , conflict can arise at any time in any region, including the arctic.

norway is a spear aimed at russia’s northern fleet; the confrontation with the arctic will largely decide the outcome of the struggle in general in the 20th century geopositionally. russia has several key advantages for...

let's sprint, let's do it again, his heart can handle it, come on.

that's it, let's go, please let us through,

our wolf is fighting there, we need to go there, invite me. there are no invitations, we just came from chechnya, let us in, tickets, are you deaf or something, our wolf is there, he didn’t understand, levon is a clown, hello, let’s go, teach, buckle up, we’re starting,

terminator! wolf!

let the fight begin!

so for now, yes.

i would kill the dog, why blez? it worked out on its own. lessons should be like a sincere conversation, and what worries children, what worries teachers, parents, i’m proud that at 30 years old i have a son has appeared, he makes me happy from morning to evening, if you think about my travels, i have traveled all over

russia, we have the kindest people on our entire planet earth, the most responsive, are they ready to come to each other for help... to put a shoulder in difficult times minute, i ask you not to doubt at all, my grandfather is a cossack, by god i don’t think so, every person who appears in your life is like a piece of a puzzle, he completes himself, so that you remain as you are, because you are there is the real wealth of russia, so that every russian i found myself in this big world and so that we can live, as they say, and not grieve. dear friends, the creative industry podcast is on the air, with you its host elena kiper, producer, music video director and roman karmanov, general director of the presidential fund

for cultural initiatives, our guest today is a real people's artist, composer, author. a huge number of hits that are in our blood in the genetic code, alexander sergeevich zatsepin, hello, hello, hello, i’ll ask the first question from all the viewers, there are a lot of them now people who are passionate about longevity, your recipe , well, there is no such special recipe, it’s just like my lifestyle, probably like this, i didn’t smoke and don’t smoke, try to eat... the regime is not to overeat, yeah, this is a must, well, you need to move in at my age, for example, if i don’t move, i ’ll just sit there, just watch channel one. and how to move, what does it mean to move, well , move or walk, my mother , for example, she was 85 when she was 86, she says, if i don’t walk for an hour, i

feel bad, so i should go, that means she won’t i did all sorts of exercises there, and i do exercises, i know that you wake up and do exercises lying down, 35 minutes, no, well, lying there, you just need to pull your heels, like this with your left, this here with your heel there. no, well, the whole leg goes like this, uh -huh, uh-huh, like this, like this, and, that is, for it to move here too, here is the pelvis and this is from yoga, to me this is lenya derbinev, my poet, said so, says, but you definitely need to do this, well, then a few exercises, well, it takes me about 35 minutes to do this, it’s a pity, of course, it’s a waste of time, but it is necessary, if from yoga, then you sit on the floor.

like an iron robot, like an iron woodcutter , i worked every day from morning to night, from morning to night, to the maximum, it brought me

pleasure, not that i forced myself, and now i’m without work, i don’t even know what would i did, it wouldn’t be interesting for me to live, it’s just that, as i always say, my work is oxygen for me, that is , this is the recipe, you need to work with pleasure, every day from 9 to 13 you have a working day, yes, that is, you don't take any breaks now, no rest and no work, then i have lunch, i had lunch for an hour, so during lunch, breakfast, dinner, i allow myself to read, because i don’t have time to read anything, and while i’m eating, i mean , i’ve already read something, there’s something to read, i still need to read it.

there were five performances in the theater of the russian army, it seemed to be a success and i can’t praise my performance, who praises or criticizes usually when a new work appears, but even if i wrote songs before, let’s say in the cinema i always tried make it out of it if there are two or three songs and says: well, we need at least one hit, but you don’t know which one? will be, and will there be, which means you have to make every hit, and then you look, maybe one song remains there, it’s up to the people to decide, i had

a case, so the film was like this, uh, when you tell the audience, let’s say, who i watched the film brave shirak, such silence, very quiet , no one will say anything, otherwise no one watched, i say, there were two songs, one of which you probably know, now you have work - a fairy tale about tsar saltan also alexander segeevich, that is, alexander segeevich for alexander segevich, in general , wrote new music, new songs. for

someone to fulfill it, there is hope for this, but how will fate decide it? are there any performers that you would be pleased to have them, well, i even have in the musicals that i have staged, and there are artists there that... she has worked on, and there is an interesting singer, performer, by the way, his name is anton, and his last name is zatsepin, what an unexpected, such an unexpected coincidence, interesting, and he a wonderful singer, he sang , he sang a few songs there, by the way, anton , in my opinion, became famous thanks to the first channel star factory, yes, they say that this is like a son, no, this is not a son at all,

but he is the namesake . so it coincided, and somehow all the time i thought that this was your relative, although i didn’t think much about it, but for some reason it seemed like it was true that relatives and children follow in the footsteps of creative people, i wanted to ask, no, how long did you work on - what for alexander sergeevich pushkin, alexander sergeevich, i didn’t i know, i think that maybe about three or four months, of course. because you need to make scores, you need to record everything with an orchestra, you need to do it with vocalists , you need to make claviers, this is all the equipment, it takes a lot of time, you write a score , but how, i always do it, i did it myself the scores of all all the songs, that means you hear perfectly, that is, you had absolutely no problems with your hearing at all, that is, usually musicians have a slight

hearing deformation. so you say that you have been working since the morning, then books, this has always been the case, because it seems like creativity is chaos, you don’t have time, you just have to compose and work, it’s like in temporary slots, when i was studying, i studied at the conservatory, where i had a teacher bruselovsky evgeniy grigorievich from the leningrad conservatory, but not the st. petersburg one, then it was still called the leningrad conservatory, studied with glazunov and here

he is... and a wonderful composer, and most importantly, that the teacher is still a good one, so he told me, then when i like i came in my first year, i also say, i say, evgeniy grigorevich, yesterday i worked until 3 o’clock , that’s what i was sitting there, he says , he didn’t call me sasha, but shura, shura, you ’re going to ruin your health, what do you think, we need to wait for some kind of inspiration, inspiration comes , when you are working, it will come, here i am, for example, there are still some things to do, and then in the evening they work again, but they won’t finish it until the night, because if you work until the night, you won’t finish something, you’ll start think, maybe it’s better to do it this way, you’re having a bad dream, ruin it again health, this is impossible, when you work, at this time

inspiration will come to you, it’s not every day anyway, today you will compose three beautiful works, but tomorrow you will not compose anything, so it will still be such a sine wave, when the monolith of red communist ideology collapsed, many tiny ideological microorganisms flew out of this monolith, there were tolstoyans, non-resisters of evil, there were cadets and grays, there were gumilyovites who professed russian cosmism. he said that if he failed to reach an agreement good to me, he will find other means to silence me. and very soon , at the entrance to my house, i was hit in the back of the head with brass knuckles. belgrade residents were afraid that the americans would blow up the bridge across the sava river, and thousands of belgrade residents stood on this bridge, forming a human shield. i stood with them. premiere, alexander prokhanov. confession. tomorrow on

the first. according to our legend, petro poroshenko is recruiting fighters for his personal private military company. what is the average price for training one soldier? this is the average price for a week of a ukrainian serviceman , that is, ukraine spent so much during these years, well, this is at a discount, even at a discount , poland is largely involved in training the ukrainian army , this gray zone under the army took off one chevron, put on another chevron, this is such career growth, but again many there are mercenaries who first went to ukraine, they went on safari, so it was advertised there, what i think about...

this is a podcast of the creative industry in the studio of roman karmanov, ceo of the presidential fund for cultural initiatives, elena kiper, producer and music video director is visiting us alexander sergeevich zatsepin. in the old days, you literally assembled the equipment for your studio yourself.

you have to spend time editing it anyway, but don’t write out every note, it’s easier, so i took some kind of chord, i immediately have a chord, notes, all these are there, otherwise i would write every note there, this is time spend, that is, you use the most modern technologies, in general, your work, of course, is all, all the programs now exist, wonderful, there is no feeling that there may be less soul in this, less soul, somehow, well, soul, you pour out your soul when you compose, you composed, this is the most important thing, now i’m still important, self-criticism is important , so i did it, i composed it, and it seems, well, wonderful , it worked out well, i recorded it, 4

days passed, 4-5 days there, you turn it on, listen from the outside, not not a performer, but to listen from the outside, do nothing, listen, oh, it’s not so here, it’s bad here. i played and wrote down the notes just in case it worked, but it doesn’t always work out that way, well, a good melody can be ruined for a song words, then it’s great, it seems to me, well, derbanev didn’t spoil it with words , but of course you’re lucky, it’s great this meeting, this

meeting of two great people, he wrote, you know, the poet often says: give me a fish, we called it fish the poems are so simple, but the size, let’s say, is everything for us. “sing me 10 verses in your sad , sad voice, here he is to me, i sang three verses to him, edited it, made him 10 or 12, he says, you know, i ’m working, how do i turn on the tape recorder, walk around

the room, listen to music and i write poetry, here it is as he wrote, that’s why he did everything very musically, all the caesuras that there are in music, he did everything in poetry, but in general these are long-term creative unions, that’s it. delbanev and that means i played

this for him, he says, well, give me this, that means , give me, write me, all the music, and he, he wrote poetry, when he wrote poetry, he came to me again, but then he didn’t there were phones that i called, listened to, said everything, everything, i had to come, he came home, i looked at the poems, so we all played, then it was necessary to record on... that means you record first since the vocalist and i already have an agreement on such and such a key, then you start making an arrangement, it comes, vitaly kleinot helped me a lot then, such a musician, we were already writing when the music started m rock , the seventies, a little different, before that everything came from jazz somewhere, but this came from other music.

all covered with greenery, absolutely all, there is an island of bad luck in the ocean, there is an island of bad luck in the ocean, all covered with greenery, absolutely all, unhappy people live there, savages , terrible on the face, kind inside, terrible on the face , kind inside, unhappy people live there, i brought this, he says, listen, show gaidai, maybe he will take it, and gaidai took, of course, mironov, you did it so well, it’s just that after him no one could do it like that. and if these songs had not appeared in films, would they have had a chance to be sung on air? you could go to the radio, there, for example, in those days there was this good morning program and in the evening, there was an evening program, but it was still there the problem was, yeah, so the poems, so, this, this. it’s very difficult for us, it won’t work, but it’s from

the film, i say, it’s you, it doesn’t concern you, you didn’t order it, or in this form, or you don’t take it, no, i’m not saying anything, i won’t redo anything, they took it, but a new song that was not from the film, this was a problem, that is, cinema was the surest way to deliver it to the audience, and cinema had more opportunities for the text, the attitude was different, that’s all i had. case, i made a gramophone record on a melody and it was called, it ’s not about the weather, well, it seems like it’s okay terrible, but at least the council went through, everything went through, they looked at everything, everything was already handed in as a record, the cover was already ready, at that moment it was necessary to send something somewhere else up to the komsomol there or somewhere else, i don’t know, and from there it came letter, it’s not about the weather , replace the name, it’s... not about the weather , which, logically, replaced the name, it

would work in a movie, please tell me, here you are - twenty-second, twenty-third years re -wrote songs for records for vinyl - to studio ones, the secret of the third planet, that's all, why is it yes, my manager did it, it was he who released records, he said, alexandrovich, can i, so i’ll release records, that is, you are again on the wave , well, this is the merit of my manager, well, you could have refused to say, let’s not make records, that ’s right, i i think he did the right thing, right now... yes, he asks for some special ones, he comes with such a pack, with a big one, with large boxes for me to sign on them, collectibles, yes, please tell me, how did the music captivate you , at what age it happened, well, i was given away as a child to study piano, at first there was a private

teacher, he came, then, probably , someone advised me, i don’t know why, but they sent me to a music school and did the right thing, so i graduated from this music school, but... it turned out to be a delicious song, well, then i composed, but my father was a surgeon, well, he really loved music, on saturday he forced me , let's go listen to music, i sat down, there was such a potyphon, so we listened to dalchakovsky there, there

were lemish performers, well, that's it, that's it , all, all performers all

i knew, then and... it was a song from the film, it was a song above me, the sky is blue, the clouds are liquid, this is the song from the film, our doctor, the sun in the blue, in silver foliage, smiled tenderly at me, the destructive wind flies, hurries after me

like a rider on a horse. above me there is a blue sky , a swan cloud, and the plant is floating on a long journey with them, irmek sirkibaev sang it , he is a people’s artist there, but he all the time, when he... went to moscow, he did a lot of concerts in moscow, he sang classics , there is figora, figara, figara, this one, and of course my sky was drinking, but then this happened to you more than once, the songs became popular again and again and every time this feeling is this.