suppose there is no opportunity to contact a makeup artist for professional advice, what is the minimum basic set that should be in a cosmetic bag? well, look, let's go from the applied , yes, why do we need makeup at all, that is, we wake up in the morning, we probably just want to look somehow fresher, better, with age we lose the natural blush that children have, perhaps there is a sparkle in the eyes the iris itself becomes not so bright, the iris itself is not so juicy green or... so wait, there is a remedy that can add this brightness, makeup, for example, m , little tricks, yes, and then the eyebrows are not so thick, the oval of the face is not so clear, that is , we have some kind of series, let’s say, but here are the points in which we understand , that once upon a time, when, for example, i really liked myself, uh, now they are no longer there, and yes, with my inner state, with my new kind of maturity, wisdom, i like myself, but i would like to tighten up my appearance a little from that period and then it is

primarily a foundation cream, because it removes pigmentation, it evens out the tone, it hides nasolabial folds, dark circles under the eyes, the oval of the face becomes clearer in moderation and suitable for a specific skin type, for a specific face, in shade, in texture, well, let’s say, on request, blush, yes, it can be cream blush, i, let’s say, take cream blush as a priority, because they are always more lively, they are easier to apply, cream sizes, lighter, much lighter, well, in principle. now the main trend is very beautiful, sleek, polished skin, and no matter how old you are, we all want beautiful, sleek, polished skin, this trend has largely come to us from the korean market, yes, that is, when it’s just a little bit with a dewy glow, and this one with a girlish blush, the main thing is that it corresponded to the natural blush, yes, that is, you can pinch yourself on the cheek so that it appears, you can see there how the shade of the mucous membranes

, for example, and the eyes of the mucous lips look brighter in a second, the face is rested, straight, well, you like yourself, the mood is super , and where the mood is super, then it’s a good day, and then you want to develop, you want to be manifested, to see the world, well, that is, it would seem very, well, that is, a good day begins with your reflection in the mirror, and well , probably from basic products yes it's mascara. with it, as a rule, it’s always better than without it, it’s different for everyone, but 90% of the time , always painted eyelashes open the eyes, make them brighter, more attractive, glowing, so, you can emphasize, that’s the color of the lips, i i remember i had a meeting with olivia shudmizon, this is a person who is such a, well , a makeup guru, old school, french, he ’s such a rather impressive frenchman, he also...

did makeup from keli, we talked to him, and he ’s just insistent, he doesn’t care about these modern agendas that i am a woman, i do what i want, no one tells me, he says everything, a woman has no right to go out on the street with her lips uncovered, just put on something, listen, well, it was impossible to convince him, there are people whose story i also remembered, by the way one who, specifically men, have such a strange... sometimes perception of female beauty, i once sat in moscow at a fashion show, a man was sitting next to me, and he was quite old, i’ll say, he’s years old, he was probably 40, i don’t know what he did at the show, model girls are walking along the catwalk, thin, pretty, i look at the dress, i look, let’s say, i don’t know the figure, hairstyle, face, i look at it, and he sits next to me and says: no, that’s outrageous, what is it? i say he’s

not, well, look, they all have elbows so dry, and i understand that i don’t even look at it at all, where he saw on the catwalk these beautiful, fragile girls, models, in beautiful dresses, he saw their dry elbows, he’s probably a professional show director , most likely he has a truth deformation, he just sees enough, i always look at this, but always look, what else do you pay attention to? exactly in appearance, well, first of all, nikolai zabolotsky has already said everything about this, yes, a vessel in which there is emptiness or fire flickering in the vessel, therefore here it’s as if everything has already been drawn, and then you know, it seems to me that, yes, of course, we paint our lips something, well, especially when we go to some kind of event like now, we are all sitting like this in the light, but when you go to... the mirror in the morning, and if you get scared

, it seems to me that you shouldn’t grab your mascara, you should go to the doctor, you know, because you still have to be in good health so that you can manage your own in the morning... in the evening, but it seems to me that this is the most beautiful thing, and i see, for example, when one of my actresses with whom i i work, comes to rehearsal, just washed, you think, god, how beautiful she is, by the way, i adore people without makeup, girls, so... it all depends on the context, but can al then, since you pay attention to dry elbows , a talented , super-talented person can afford to walk around with dry elbows, he can afford anything, a talented person can afford anything, but it is desirable that this should not be within the framework

of the criminal code, anything, but with not dry elbows, that's what they call it definition, how are people who like it determined?

i don’t know, they are beautiful, even if , i don’t know, they have a contradiction to all proportions, they will still be beautiful, and if they are not molded by nature according to the canons, they will still be beautiful, they will be even bigger why they are beautiful, they will be awesome , you want to look at them, you want to get closer to them, you want to talk to them, and you want to do something for such people, yes, that is, an internal impulse appears to somehow interact, and i can to say that there are... amazingly professionally competent, well, that is , they know their job, and for me absolutely unbearable, that is, tv presenters, yes, who have enormous charisma on the screen and reveal themselves there in some of their roles, maybe absolutely invisible in life,

we all work in the public sphere, this is what is important to you, when you feel, these are the moments you feel confident when you go out into the public field. what, what elements are important to you, every day is different, in depending on what tasks you set for yourself, what you experience, what meetings, what kind of communication, people in general influence your mood, your well-being, every day people, well, for example, you always choose your own wardrobe, or do you have - because you have such a busy schedule, do you turn to the services of stylists? no, no, yes, i don’t like to do all this, so that’s all. so quickly, so quickly, you have a luxurious jacket, i really find it very difficult to believe that you so casually, while running, absolutely saw it, grabbed it and ran on, well of course, by the way, how does shopping go for you, it’s painful, i don’t like stores

, i don’t like all these trying things on, i never try on anything, i grab it, i run and in order to get rid of it all as quickly as possible, it’s not interesting at all, len, what have you got? i even... what feels good to me, what doesn’t feel good to me, and now the internet often saves me, because if i have some kind of need, i quickly identify it in a huge assortment using filters and just understand what i need to buy , it always arrives in the right size, plus, i’m friends with the designers, i buy a lot of things from them, some kind of good, unusual , style cut, so, but it’s also very fast, that ’s all, it makes it very easy...

that is, when you buy your favorite cream in one place, and i don’t know, there are new socks, a new saucepan, cat food right there , all this in one place and it comes to you at once, and this is now such a big increase in their sales, but somehow i’m the owner of a cosmetics brand, i can speak simply because that we see this dynamics of growth in sales on marketplaces and growth in dynamics in online stores, that is, this is probably just when we were all experiencing covid.

about the fact that in our time it is very difficult not to be smart and beautiful in the same person, in

the end we have come to the conclusion that now such large ecosystems are being created, when you come there you get the opportunity to receive some kind of cultural nourishment, and some kind of intellectual activity and the opportunity to get interesting book and movie content, right there you can dress up, try some new makeup and become. smart beautiful, we have a great time we live with you, very lucky, yes , thank you very much, thank you, it was very interesting, and i wish you a beautiful, warm spring, you can’t keep up with the ideal, on sharp turns you can miss the main thing, yourself and your uniqueness, be true to yourself see all the releases are readily available on the former’s website.

dear friends, the creative industry podcast is on the air, with you its host elena kiper, producer and music video director, and roman karmanov, general director of the presidential fund for cultural initiatives, our guest today is a real people's artist, composer, author a huge number of hits. this is a must, well, you have to move at my age, for example, if i don’t

move, then i’ll just sit and watch the first channel, but how to move, what does it mean to move, move or walk, my mother, for example, , she was 85 when she was 86, she says, if i don’t walk for an hour, i don’t feel well, so i can walk, which means she didn’t do all sorts of exercises there, and i’m doing exercises, i know that you wake up and do exercises lying down. 5 minutes no, well, just lie there for some reason , you just need to pull your heels, just like that left, this is where the heel is not there, but the whole leg goes like this. uh-huh, like this, that is, so that it moves here too, the pelvis and this is from yoga, this is lenya derbanev, my poet, said so, but you need to do this for sure, well, then a few exercises, well, approximately it takes me 35 minutes to do this, it’s a pity, of course it’s a pity, but

it’s necessary, if from yoga, then you sit on the floor, one leg here, then... this hand takes the thumb, and you bend all over like this somewhere to the side, then head up, down like that, up, the head is in this position, and that one is twisted 20 times, then the other leg in the other direction you also do this, i cannot do this, unfortunately, except for physiology, if we talk about the psychological state, but... for longevity, in your rules of life, there is probably some kind of, i don’t know , i don’t really do anything, maybe it’s some kind of genetics, you know, here too, it ’s hard to say that alexander sergeevich, somewhere i i met that in your youth they called you iron shurik, why iron, well, maybe

be, i worked like an iron robot, like an iron one. you have a working day, yes, that is, you now do not take any breaks, no rest and work, yes, then i have lunch, had lunch, well , an hour, during lunch, breakfast, dinner, if i allow you to read, because i have i don’t have time to read something, and while i’m eating,

i mean i’ve already read something, there’s reading, reading, i still need something, what do you like to read, what do you have? it varies, sometimes some new musical, so, well, let’s say we had a fairy tale about tsar saltan, i had to read all of pushkin, but of course i read it as a child, but i still had to read it again, then there are some other versions where all this was written from, maybe this is not necessarily necessary, but before work it’s better- after all, read this, get in the mood, but what kind of musical, here is a musical - the tale of tsar saltan, five performances would be

a hit, and then you look, maybe one song remains there, it’s up to the people to decide, i had a case, that means the film was such, when you tell the audience, say, who watched the film brave shirak, such silence, very quietly, no one will say anything, that means no one was watching, i say, there were two songs, one you probably know, the wizard is not a good one, but the wizard. everyone knows, inin arkady copied the script, when we were working, there were two songs, lyrical and magician, he says, this is the lyrical one, it will be a hit, magician - no one needs this at all, and he’s doing the opposite, you know, how it turns out, i by the way, i don’t remember this film well, because it was released in 1976, and i was born in 1977, so well, in general, but we know the song,

alexander sergeevich, it turns out that you have work now? the tale of tsar saltan is also alexander sergeevich, that is, alexander sergeevich, in general , wrote new music, new songs for alexander sergeevich, and do we have a chance to hear these new songs not in a musical, but somewhere on the air, so that someone then he fulfilled it, there is hope for it, but how will fate decide it? are there any performers that you would be pleased to have them with me? there is an interesting singer. performer and, by the way, his name is anton, and his last name is zatsepin, what unexpected, what an unexpected coincidence , but it’s very interesting, interesting, and

he’s a wonderful singer, he sang, he sang a few songs, well, by the way, anton , in my opinion, became famous thanks to the first channel, the factory of stars, yeah, yeah, they say that this seems to be a son, i’m not, this is not a son at all, well, he has the same last name, but it coincided, and somehow i always thought that this is your family

, the most important thing is that the teacher is still a good one, so he told me, then , when i once came in my first year, i still say, i say, evgeniy, yesterday i worked until 3 o’clock , i was sitting there, and he said, he didn’t call me sasha, but shura shura, you ’re going to ruin your health, what do you think, we need to wait for some kind of inspiration, inspiration is coming , when you work, it will come, so i’m on the line, for example, from 9 to one i work , then lunch, then i go somewhere , i still need a publishing house or somewhere else to go to the composers’ union, some other things, and then in the evening they work again, but i won’t finish it

until night, because if you work until nightfall, you won’t finish something , you’ll start thinking, maybe it’s better to do it this way, you’re having a bad sleep, you’ll ruin your health again, you can’t, when you’re working, inspiration will come to you at that time, but it’s not every day anyway, today you’ll compose it. some beautiful works, and tomorrow you won’t compose anything , it will still be such a sine wave, this is a podcast of the creative industry, in the studio roman karmanov, general director of the presidential fund for cultural initiatives, elena kiper, producer, video director, our guest is alexander sergeevich zatsepin, alexander sergeevich, in the old days you yourself literally assembled the equipment for your studio.

the wrong ones always turn out anyway, there are some mistakes somewhere, it’s like you have to spend time editing anyway, but don’t write out every note, it’s easier, so i took some kind of chord, i immediately have a chord, notes, all these are there , otherwise i would write every note there, it’s a waste of time, that is , you use the most modern technologies, of course, of course, all all the programs now there are such, wonderful, the feeling that there can be less soul in this, less soul, well, how lampish, you lay out your soul when you compose, composed, this is the most important thing,

now i’m still... important, self-criticism is important, i did it, i composed it , and it seems , well, great, it turned out well, i recorded it, 4 days passed, there are 4-5 days, you turn it on and listen from the outside, not a performer, but to listen from the outside, do nothing, listen, oh, not here so, it’s bad here, it needs to be in front, but the chorus is bad, in general we need to throw everything away, then either... you throw it away or finish it or something turns out like this , so because without it you just give it away like this, well , you don’t know what it will be, it will never be a hit, but it can be a hit, like this , for example, there is only a mick, it just popped into my head, this melody all at once, i went to the piano, played it, wrote down the notes just in case it worked, but it doesn’t always

work out that way. there were those too, he says, just tell me, if you’re writing fish, then please don’t write some of your own verses, because that it distracts me, there are words like this, dear, dear, dear, beloved, with all the emphasis mine, from these words, but then he generally refused, and he asked me to sing 10 verses with mine, sing me 10 verse with yours in a sad, sad voice,

here he is to me, i to him. he sang three verses , then edited it, made him 10 or 12, he says, you know, i work, how i turn on the tape recorder, walk around the room, listen to music and write poetry, that’s how he wrote , so he did everything very musically, all the caesuras that are in music yes, he did everything in verse, but in general these are long-term creative alliances, but you’ve been working with derbyanev, how it all happened, it often happened like this, so, well... i’ll tell you one example, a singer came to me, i played some kind of melody, from the melody, which means they decided what key to do where, lower, higher, as convenient for the voice, that is, first of all, the melody, well , first yes, then, then i, so this is for the cinema there should already be some specific topic, let’s say, well, a love song there, for example, or a wizard, like this, i didn’t know

it would be a wizard, i wrote it down. i looked at the poems, so we played everything, then we had to record it, which means you record it first, since the vocalist and i already have an agreement on such and such a key, that means you start making an arrangement , he comes, vitaly kleinot helped me a lot then, such a musician, we they already wrote when music began, rock, the seventies, a little different, yes... everything

came from jazz somewhere, and this came from other music, in this regard, he brought me musicians special ones, those who can play this, which means he helped a lot, a lot , then we wrote, made this arrangement, then a singer came, sang this song, sang, and i had to, i had to sit down and mix all these channels , did you bring it to the cinema, if you please? it means i brought it, he just brought it, well , we already talked about the song, he listened to it roughly , so i just played it myself on a tape recorder, or sang it a little myself or with poetry, he ’s just like the island of bad luck came to him the song was not, because it was planned, it was not in the script at all, the island of bad luck.

all covered with greenery, absolutely all, the island is unlucky. in the ocean there is, there is an island of bad luck in the ocean, all covered with greenery, absolutely all, unhappy people live there, savages, terrible on the face, kind inside, terrible on the face, kind inside, unhappy people live there, savages, derbenev brought this to me, he says , listen, show gaidai, maybe he’ll take it, and gaidai took it, of course, mironov did it well, just yeah... no one after him i couldn’t do that, but if these songs had not appeared in films, they would have had a chance to be sung on the air, you could have come to the radio, there, for example, in those days there was this good morning program and in the evening, there was an evening

program, but that’s where the whole problem was, yeah, so the poems, so this, it’s very difficult for us, it won’t work, but it’s from the film, i say, it’s for you, it doesn’t concern you, it’s not an exhibition. well, it seems like there’s nothing wrong with that, but the advice went through, they looked at everything, everything was handed in, the record was already ready, the cover was already ready, it was necessary even at that moment, someone sent somewhere else up to the komsomol there or

where i don’t know, a letter came from there, it’s not about the weather, change the name, it’s not about the weather, which, logically, changed the name, to the cinema this ... weak people, please tell me, uh, you - twenty-second, twenty-third year , re-wrote songs for a record for vinyl, in the studio, the secret of the third planet, that's all, why is it yes, my manager did it, he released it records, he said, alexander sergevich, can i, so i’ll release records, and that is, you are again on the wave , it turns out, well, this is the merit of my manager, this... now sometimes they still ask for special ones, some come with such a pack with a large one with large boxes so that i sign for them, collectible, yes, please tell

me how you were captured by music, at what age it happened, well, as a child i was sent to study as a fartopian, at first there was a private teacher, he came, then it means, probably, someone advised me, i don’t know why, they gave me a music teacher school and did the right thing, well i graduated from this music school, but of course no one thought that i would be, i myself did not think that i would be a composer, i was more fascinated by technology than music, although i composed something, and technology, although i composed something , even there, somewhere, uh, 10-11 years ago, there was some kind of play there that my grandmother wrote. sat with me, and my grandmother even shed tears, she said how sad, she said , what a sad song it turned out to be, well, then i composed, i composed, but my father was a surgeon, well, he really loved music, on saturday he me

forced, let's go listen to music, i sat down, there was such a potyphon, so we listened to dalchaikovsky there, there were lemishev performers , if he couldn’t, then they didn’t, they didn’t listen, but mostly they still listened, i remember, and somehow, at first it was difficult for me to sit and listen, because the guys there are playing football in the street or something like that, i

can see out the window there, and i have to listen, and then somehow i turned on and listened with pleasure, no, they took the nafiks and sharpened them, where? if the crisis is not resolved soon, will raise the issue of annexing crimea to russia. i coordinate the snipers myself. and this great ukrainian dream, it looks exactly like this. the most important thing now is to prevent bloodshed. transfer her across the maidan. final episode. tomorrow, after the program time. there is information that they want to liquidate you. to the 135th anniversary of the birth of alexander vertinsky. give.

we continue the creative industry podcast on channel one, our guest today is people's artist of the russian federation, composer alexander sergeevich zatsepin, here do you remember that moment when your song became a national treasure for the first time, that’s your feeling at that moment, that once everything, that ’s the feeling, yes, it was of course , it’s difficult to describe it, but it was of course very pleasant, you know, somehow , well, it’s kind of warm , everything inside is so pleasant, you know, well , it’s hard to describe, it was also a song from a movie, it was a song from a movie, it was a song above me, the sky is blue, the clouds are libitative, that’s the song from the film our dear doctor, blue sun and silver leaves. smiled tenderly at me, the wind is destructive,

flies, hurries after me, like a rider on a horse , above me there is a blue sky, a swan cloud and...

was experienced, no, no, it wasn’t, i was always trying something new, something new, and terpenes too , i sometimes told him, i say, lenya, well, you can’t write everything for a long time, but the most difficult thing, he says, is to come up with something, when i know what, i ’ll do it in 2 hours, that is, technique he had a beautiful one, but here’s how to write songs about love, but here again, he says, well, the song, well... that again i love you and there without you

i’m suffering, that means, here he is, it came to his mind, for example, a mirage, odinsky sang, a mirage, a mirage, there, i’m getting closer, that is, it’s difficult to come up with this, let’s talk a little more about gaidai, how you met and how this moment of grinding happened, after all, two creative people, it’s interesting, yes, when he quarreled with nikita. that means he had no one, no candidate, and he didn’t even know any composers, especially just nina, his wife, nina grebeshkova. she said: well, take it, he says, here is a young composer , he has a good song, the sky is blue above me, he says: i know the songs, they are good, the song is good, but how he will write to me as an eccentric, i don’t know, i have to think, then i still took a chance , here after, and the first song that you showed him, this is what it was, i didn’t show him any songs, there was an operation and

a film, there is no song there anywhere, but the music, in the third novel i wanted there to be a song when they are there showing the house. in the window they seem to be hugging, but also, well close to this, in any case, i say, lenya, yes, i say, let’s make a song here, no, no, no, there’s no need for a song, there’s no need for a song , here, i even told him two or three times, i say, we we don’t risk anything, we’ll record a song, yeah, we’ll put it on, if you don’t like it, take it away, there will be instrumental music, no, no, there’s just no need to record the song, no need, and then he often told me, if only you insisted song.

whether the people will sing or the people will not sing, well, in the beginning it means there was an operation and these songs are there, it means i’m here, i’m just here jumped to the last novella at the beginning , well, they gave me the script, of course he gave me the script , i read it, there were stage directions, so he marked the music there, here's the music of the golob and here the march here the golob here the march there also waltz maybe that's all all that onnu. he means he read it, then he tells me, that’s why you write sambo here and not golob? i say, samba , this, i say, you suggested it to me, just as i suggested it to you, and i say, when i came to your

studio i saw his script was so thick, you know, well, everything is just huge, i think what kind of scenario is this? and it was open, and it was opened in just that place, but it turns out that this means that the artist painted all the scenes, so the volume is very large, it just happened that this artist smirnov, who came from the shower with a stick, it means he’s running after this, and he was all black , i say, well, that’s what you suggested to me, i say, we need to make a samba like this, maybe some kind of brazilian one, where, well... this is where he came from, so to speak, that's all of it, so to speak, that is, in fact, you defended every episode yes, he explained his music why, then here like this, and here like this, here’s a bus, what are you going to do, i say, well , here’s a bus, there’s everything shurik is trying to do to everyone, he ’s giving in to everyone, which means it’s raining, and he’s

giving in to everyone , that means the place is so nervous , it must be like this, and there, of course, it was recorded with a very... complex rhythm, which was somewhere artificial, there was even a bass there, there was a pum-pum-pum-pum, it was made from a ruler, oak ruler, you put it on the table, you do it like this, it’s like that, etc. - i even had the notes written here, what kind, i moved them along this exact line, this is it, then something else, then live instruments, of course, real ones played on this overlay, royal. it means he played ta-ta-ta-ta-ta-ta, but much faster, so he played at first twice or lower somewhere here, and then i sped him up twice and he was so generally very nervous, he i immediately accepted, of course, all this, all this music, but sometimes it happened -