look not with your nose, now i’ll show this thing, look with the back of your head, it looks abstract, yes, look, now i look with my nose, as if i’m moving from my nose, you can see , now i’m moving with my nose at the back of my head, i’m balanced, now i look with the back of my head, if i look only with the back of my head and move like this, a slight arrogance will also appear, apparently, yeah, and this transformation happens from the outside, not psychological, kinetically, for example, “if i want to be a powerful person, but i have everything movements like this, then i will not be perceived as domineering, or vice versa, i’m listening to you, but my hand says to sit. this is a podcast from the psyche, and today we are talking about kenetics, but not from the point of view of physics, from the point of view of psychology. demonstrate how you would walk into a classroom with troubled teenagers. firstly, i’ll walk in as if i’ve been there for 100 years already, yeah, and they’re guests there, but “my guests, if i need to walk in

without preparation, i’ll open the door and slowly walk through, slowly, without fussing, without carrying, i will pass, examining everyone, i appreciated the evaluative look, yeah, then, i will not serve the objects and the process, i will turn the chair around, sit down and i will remain silent until one of them says something, because i decide, if i start talking, i start... losing, if they start talking, let them talk, why i i can say, hello, you can, or you can make them obey, my goal is to become one of my own, but a little higher to make them want to listen to me, my grandfather taught geography for 45 years, his name was count, geographer , so he explained such simple things to me, he says: look, a bad teacher tells, a story is words, good shows, showing is an image.

yeah, they don't understand what's going on, but they get interested if i don't arouse their interest, so how? this is a huge problem for teachers, and they want to give the essence, but they don’t give the form, it fits because no one teaches them plastic movements, absolutely, it fits, it serves as a chalk, then she stands, talks to the board, and talks to someone like that... then, but this is not possible, this is possible, if i want to completely reduce myself in status, it depends on the task, i’m working, i’m with you, here i am working, but i don’t do it. like this

or like this, and also, when i approach the notebook, you can see that i am moving with a downward impulse, so i come up, take it, do something, but my pose is the pose of a beggar, and the teacher is great, now let’s let's switch roles, you are a student who came unprepared for the exam, to the fiercest teacher, how interesting, i don’t know, i wouldn’t do anything special, i would come and say, you know, i’m not ready for everything, but how about you for now ... teacher, he understands what he needs no no, if yes, i’m ready to tell you, good threaten information, teach a person to want to get details from there, honesty is always captivating, and what pose should be, what plasticity should be, let’s start with what it shouldn’t be, if i start begging, especially you know, they do,

they turn on here’s their grace, sexual signals, they try like this, you can’t, you know, this will lead to a completely different result, if a girl starts to seduce the teacher, then the teacher, well, he’s multi-opic, you mean exactly kinetic, of course, that smile, here that’s all, yes, yes, yes, yes, yes, he says , hello, it’s brilliant, by the way, they just showed it right now, yes, if i were a teacher, then i’m copying you, well , that’s not true. in general, if we talk about signals, allow me to tell you what actually works. first, conflictogens work, a conflict-generating state, that is, if a person is tough, if he looks from under his forehead, but the other, of course, tenses up. for example, now i’m making a cold face, predatory, you can feel it, you immediately want what to do with me, you’ve become somehow funny now, of course, it’s funny, a threat is felt, so, the second thing is adapters, pursing of lips, blinking, that’s the behavior, that’s it. i

adjust my clothes, these are adapters that tell me that i am uncomfortable, i am nervous, and my status immediately drops. and the third is sexual signals. why these particular types of behavior are important is because i am a practitioner and a practitioner for now. the picture of the world is in the head, but there is objectively what is on the video, and the greater the difference, the more shocked the person is, that is, the person thinks that he is perceived in this way, when he looked at himself in the video, he says: this is not me, and i didn’t mean this, and what am i showing, and i’m not like that in life, i say, of course you are like that,

you know, that’s if talking about psychology, at this moment, when you do not accept yourself in the video, but i’m not talking about you, but about the viewers, something very important happens, and it seems to me that the vast majority of people for whom the video or... watch and accept it in myself, this is a very important point, if i stopped not accepting myself, started accepting, yes i so imperfectly, but it’s me, i have a different program, don’t trample yourself, but help him open up, put your foot differently, lower your hand, turn your head, stand so that you don’t serve something, move the center of movement here here, start talking. something like this, and you reveal yourself, don’t trample, i don’t want to, and another very important thing, if you don’t like the video in which you are recorded, you have good taste, you distinguish good from bad, here’s what you can do , first, we always strengthen what is bad, what it gives, firstly, a person begins to accept himself

and understand that even in this form - it’s him, it’s okay, no one will throw a hammer at him, secondly, the program that is sewn into him is sewn in, it came from somewhere, why is this a question once again for psychologists. we are finalizing it by using an effective sidebar. efectiygarnik bluma wulfa nazigarnik founded the faculty of psychology at moscow state university, well, that’s it. what are we doing? this process has begun, but is not completed. shield, tightness, i need to make sure that the cheat is completely clamped, not only here, but everywhere. this program will end and completeness will release the energy that has lived in this pattern for all generations. and this is already similar to the paradoxical intention that is used in logotherapy. in fact, you are now several times.

this is love, really, well, there are different types of love, for life, for oneself, for one’s homeland, and for men, women, and now we are talking about what kind of love, well, i would like you to comment on the love between a man and a woman, that is, ordinary romantic love, let’s say, yes, because of course

people very often, especially young people and inexperienced, very often they like this question, they don’t like it, but this is the same chamomile that bothers them, that’s how a girl looks at it. understand, she loves me or she is not indifferent to me, in any case, this is playing with me, this is using me there, i need a video recording of how it works, i’ll tell you exactly how we work with a couple, yeah, men, women come, we are filming, just doing a simple exercise, i say, you are only the right one, you are only the left one, take the chair and move it, but you can only move together, you can’t move the chair alone carry, and if a couple comes, you can clearly see who is commanding whom, who is performing, who is bearing the main load, the chair is vertical, and the distortions are immediately visible. you can immediately see who is in front, who is behind, you can immediately see at the end of the pre-process, who is commanding whom, the process, who is carrying, of course, and the post-process you can see who is coming out of the post-process asking for confirmation, yes or no, love, it is right away, it is a flow energy, it’s instantly visible, look, for example, now i’m

detached and i’m accepting your attention, now i’m clearly reaching out, you can see i’m exaggerating a little, but the essence is clear, this flow of attention is a manifestation, and there are many types of love, even older than the greeks, ludus, yeah. yes, mania, you can look it up on the internet, read the features, but the video clearly shows whether a person is open to his own or not, in the majority. cases, i see an imbalanced state, when one loves, the second allows himself to love, you can see this from the plastic movement of some kind of gesture, and what, for example, can give away a person that he does not love, allows himself to love, i will tell you an example, and we we are filming an online course and we imitate how a girl comes in, a man is waiting for her, her husband is at home, yes, here she is, well, she just pecked me on the cheek, and the camera holds my face and her face, when she imitated, well, here she is kissing on the cheek, and then she removes her

head in just a second , an expression of contempt is written on her face, we catch this frame, we bring it out, she says, this is how i act, she says, valentin, i don’t have that feeling for you, i say , it means it's a habit, she says, it's a disaster, i wouldn't think in my life that when i touch to a man, even if, well, yes, to you, well , i’ll kiss you on the cheek, i feel contempt, it turns out, i feel it for everyone, and i don’t realize it, it’s written on my face, this is a podcast of the psyche, and today together with valentin shishkin, an expert in kinetics and nonverbal communications, we are talking about the kinetics of our psychology, there was an experiment, john gottman conducted it, 650 families one at a time, they called into the house, put holter monitors, cameras on their faces, studied it, here we are now since we are doing this research in mine. let's explain a holter monitor that measures blood pressure, heartbeat, so, and from all

communications, 18 effects were found, the profiler teaches you to see aggression, joy, sadness, we communicate with these things, we communicate with effects, four of them are the so-called horsemen of the apocalypse, please explain, what is the image of a face, that is, some kind of instantaneous flashes, yes, it is not constant, it hangs here once, a flash, once a flash, we even seem to be conscious.

take a video of yourself, watch how you go somewhere, if you go to the teenager who annoyed you most likely

has aggression on his face, most likely contempt, most likely this tightness, probably, of course, and what, what will the teenager feel when looking at you, yes, what will he broadcast and feel, the third feeling that is transmitted through the face is protection, well, how could you do this, he says, i don’t know, it happened, it happened, as soon as my shoulders tighten, i become like this, the other person has nothing but... well, in the sense of how, what is happening, and this is the third behavior that will soon destroy the relationship, fourth, it is the most interesting, and the most dangerous for a person. stoning, a stone wall, a person becomes tough, like this, and he, his behavior says: i don’t want to communicate with you, i want you to know about it . so, criticism, defense, criticism like this, defense is this, moan volennen is a stone wall, and the fourth is... contempt, if it’s all there in communication, here we come, here we go, you know, this stereotype , we need to find out what a lie is,

we need to detect it, but it doesn’t work for in practice, it doesn’t work, i have my own laboratory, two profilers work there, serious specialists, with many years of experience, we are not looking, this is all bullshit, yes, what is this, i don’t see this in the cases, you know, i don’t see this in situations, everything works completely differently, so people looked, you know, there deceive me, yes, by the movement of the shoulder, for some reason. and the commercial profession has blossomed wildly, when they are taught to see lies, but it doesn’t work like that, i work with people who are in uniform, sitting on machines, dealing with personnel policy, i... i communicate, i ask how i don’t delve into the details, but they say, yes, that’s not true, let’s look at some other cases that may bother us, you say that a lot can be said about a person, for example, the situation his home, and even the way the food is displayed in the refrigerator, well, you know how, for me it’s more, probably the story is not about whether he’s lying, not lying, or whether he’s orderly, not orderly, but how his

pirandi modes work, that’s for example, an unorganized refrigerator indicates something that a person does not attach importance to it. something does, and he is immersed in his processes, strict orderliness indicates that the person is beginning to change everything around him, he is in control, he is quite tough and clear, and most likely it is important for him to build everything the way he wants, and for other people nearby it will be uncomfortable with him, well , because he arranges everything, not only the milk in the refrigerator, but no, probably such that a good, correct person organizes everything, no, you can’t draw such direct conclusions, but for example, because the jacket that he i took it off, i can to say, he hung it up, just threw it on, threw it or dropped it, it’s the same difference, i ’ll tell you an example, of course, a serious person, i say how much you’re worth, he says, well , i’m moving billions, i say, i want to know what you’re really worth , he says, it’s interesting, come on, i take off my jacket, put it on the floor, stand on

it straight in my boots, i say, repeat, i, well, i say, well, stand on mine , you can’t do yours, but somehow i respect you. i say, i realized what you’re worth, you’re worth less than the dry cleaner of your jacket, you can’t go beyond the barrier, wow, you’re moving billions, i i say, look, the ability to go beyond boundaries, this is a story about what adaptive potential you have, most people, if we talk about real living situations, they are not adapted, they are clamped, energy is wasted on clamping, the first thing we do , record it on video and make sure that the clamp is straightened at least a little, because the energy will stop moving. clip and will become your base, you can use it. second, a squeezed person causes either a reluctance to communicate or a desire to regret, and people who constantly they say: i didn’t succeed, i’m a victim, of course, this is your life scenario, modus operandi, you can only get food, attention and support through this, you don’t want to become normal or you don’t know how. and the third

option, when we start working with video analysis, first the person says: this is not me, then he realizes that he is starting to put pressure on himself, i say, wait, this is not you, this is one of the variations of the manifestation of you, it led you there, where have you come, where do you want to come to another place, and what you must not be, not be, in order to come there, like this, show, showed, looked, not dangerous, but not suitable, but what you need to be, i don’t choose, the person chooses, he doesn’t follow this scenario, already according to this scenario, at this moment a transformation occurs when you don’t serve as a process subject when you don’t...

i’ll tell you an example directly, come on, powerful, serious, sitting like this, the head of a company, a large company, and i was brought there by the assistant of the main owner, and she’s like this, quickly she tells him that - one day, he’s like this, and i’m filming them on video, and she asked herself, and he got into the frame, i say, do you want it, we want it, i say, look, you have the most powerful connection, you bite him, he clamps down, i say, well, you are doing a very important thing, you are not doing the main thing, you are not you direct. him, you have a modus operandi of capturing attention and redirection, you use him with a bite and he gets hammered, neither you nor he gets anything, lord, turn him to the target, direct him at the enemy and then... do the bite, he’s he will demolish everything, and then, when he returns, where he will return to you, he will bring you all the spoils, you fed him, scratched, stroked, turned to a new

target, bit, he ran, what happened, they looked at the video, he says, no, from her, yes, she is an abuser, she says, this one or something, 3 months pass, i’m coming to this country , the three of them meet me in a car, he is she, he is driving, like this, she is like this, valentin, honestly, did he give you money? i say: no, max is driving, happy with life, he says: well, are we together? when you begin to see the language of the body, which clearly shows that it is really yours that speaks body, firstly, you understand what is being broadcast, secondly, you understand what you don’t need to do to achieve the desired result, no direct cognitive logic can be traced here, we simply begin to follow the path that will lead us to the goal, the brain and the upper cortex are well described here. she thinks, there’s the subcortical zone of the cord, there are 2/3 of neurons in it, when we move, the neurons are connected to oxons in a chain, a current flows along this chain,

you go a different way, a different result comes, because the current goes a different way, we change their movement, 2/3 of the number of neurons change their configuration, this is how the change happens, if you take things that actually work, forget about this lie, take a video of yourself for 30 seconds when you do something, watch. would you like to see this person next to you or not, is he suitable for the role he wants to occupy, if not, you can leave him as is, or you can start to change, which is what i wish for everyone. well, friends, today we have discovered a whole new world, today we talked about the psyche, about physics, about the kinetics of our body and our consciousness. valentin shishken, an expert in kenetics and nonverbal communications, has opened for us, well , a whole new page, and maybe a whole new world, the main thing is not to get carried away and... play out, continue to look for new and new dimensions of our conscious, unconscious, physical psyche. this is a psyche podcast, you can watch all episodes in the podcastplat project on the website

of the first channel 1tv.ru. hello everyone, this is. komshits and tatyana gevorkyan. it’s spring outside, there’s a holiday in our souls, and in our studio guests who literally personify beauty, both external and internal. elena krygina and alla segalova. hello alla, hello lena. today we have such a spring, festive issue, we will talk about beauty, about beauty, naturally, not only external, but internal. and i am very glad that it was you who came, because you personify it for me. well, probably not only female beauty, but human beauty in general, with which we today break the stereotype that you can be either smart or beautiful, because in our time it seems to me

that it’s strange to choose just one thing, and if you haven’t become smart and beautiful, then something is wrong with you, because there are all the possibilities for this, beauty is not only about appearance , for you, what is beauty, talent, first of all, i don’t mean a person in... in general, i mean those moments of beauty that are associated with unique people, for example, for me , beauty is in raised, hunched shoulders galina sergeevna ulanova in giselle. for me, beauty is yulia’s face, which will overpower this space window against the background of the sun. for me , there is beauty when a mother runs towards her children, and what is depicted in this one. this moment is a surgeon bent over the operating table, so this is beauty, this moment depicted on her face, for me beauty -

in which each of us can shine, i understand, yes, what are you talking about, you are talking about this one the aesthetics of a moment, and there can be many such moments in life, maybe few, maybe few, very often it seems to me that they manifest themselves. magnetism, the misfortune is that i am surrounded all famous and talented people, so many of them, of course,

delight me when i come. i immediately have questions about how to put on makeup, but i always mean that beauty cannot exist without some kind of inner beauty, either harmony or protest, harmony, when there is this calmness, beauty in the look, in movements, in relaxation, and makeup, and the image, it immediately plays differently, you seem to see how beautiful a person sees the world, and you are inspired by this, or protest, this is rebellion, this is tala. troublemaking,

let's say, in a female version? violation of the rules, violation of just these very stereotypes, the manicure should match the lipstick, and the color of the handbag shoe, a stereotype, how to paint correctly if you have such and such eyes, and how do you like this makeup that is now it’s very popular on social networks, they show you practically how to apply it, and this heavy contouring, heavy layer of foundation. pronounced eyebrows, eyelashes, this is beautiful, this is beautiful for, first of all , the audience of the middle east, that is, it is makeup different in aesthetics, yes, that is, there are always different directions and different aesthetics . this is not suitable for scandinavians, in russia it is predominantly the same, but it seems to me on the contrary, for a scandinavian type of face , heavier makeup is more appropriate, but for girls with an oriental type of appearance, that’s all

-they are already bright. heavy makeup doesn’t look good, it’s more of a stage makeup, there’s no specific rule, it’s just why you see it on social networks, because social networks are filmed , well, that is, everything that is posted - this is a camera, the camera has certain makeup requirements, you know very well that your makeup for the podcast recordings there, it will be different from your daily makeup, the same goes for those who develop on social networks, including earning money, how- then it manifests itself, that is, they use it in order to... it looks cool on camera, that’s why you see this makeup is quite bright, stage-like, heavy, because well, let’s be realistic, yes, that is, today’s youth have largely social networks are their stage, but not in in many ways, but just now the number one means of influencing the minds of not only young people, but adults, by the way, al, how do you feel about the fact that social networks greatly influence the way we perceive ourselves

, yeah. well, it depends on the person, for some they influence, but for others, such moments as a social network do not exist at all, because they are busy with other things and are deeply involved - in their profession, in their implementation, their own upbringing, education, culture influences, which is inherent in you and which you have developed in yourself, here it affects.

his perception, again, well, besides, of course, books, theaters, where my grandmother took me, i was influenced by the mtv channel, which i watched, these were music videos, that’s all that concerns aesthetics, perception, these were clips, these were foreign fashion magazines, either about fashion or about music, because in music magazines there was also a lot about fashion and makeup, and then our television began...

to thaw out and show some programs where it was permissible to talk about beauty, not only about victories in production, appeared first. mtv generation, i grew up in surgut, this is a small northern town, where, in principle, there are five house designs, everything is gray, snowdrifts, and there are several clubs where children can develop, there were very few opportunities to apply oneself creatively somewhere, but

this charge was , then you turn on the tv, there are just all the colors of these clips, you know, our pop culture, these groups are all brilliant, no matter who, western culture, and you sit in the evening, cut these jeans, insert lacing into them, to be like in this fashionable video, you twist yourself a some curls and you perform on your stage in front of a mirror with hairspray, it was a wonderful, bright time, we glued some appliques, made ourselves some tattoos from rhinestones, and thus, well, somehow we learned about our world of this adolescence we watched what he broadcast from there, and this... greatly influenced us, then, this knowledge of what was going on there, and how they made such choreography, and how they learned to sing like that, how they are they do their hair, it forces you to do something internal incentives to develop in

the direction in which you are cool, that is, i went in the direction of studying makeup, there is plastic makeup, makeup, all this beauty, this is the same industry of show images, beauty. well, from the age of 6 i went to study at the hermitage, to the hermitage school, that was the inspiration, the marsky theater, then the kirov theater, then i had access to the closed collections of the public library, where from the age of 10 i could watch

the office for most people, completely closed and unthinkable to achieve absolutely. object, so the affiel probably also influenced the stage costumes very much, well, naturally, but this is such a level, the culture of women is so high, this is the sixties, seventies, what came into my hands, so of course it was all very it’s important, well, that means there’s not such a big difference between us, because the poster is the same gryan and we had it too, no, we have it. in the late nineties, yes he appeared, these are not lymshits, tatyana gevorkyan, and today in our studio we are talking with the actress allai segalova and makeup artist elena krygina, it seems to me that cinema has always influenced

fashion on the perception of beauty, in particular women’s, but today it seems to me that it especially influences, especially on fashion trends, that is , last year we had barbicore, which we ... the creators of the film imposed barbie, mermaid kor, and mermey kor, as they say, then old many also came to us from the cinema, and, of course, at the end of the year the series the word of the boy fell upon us, so everyone began to imitate this gopkor . i think that we all want to watch with interest extraordinary people, extraordinary people.

the fact that cinema really influences this mass culture in such a way, and this is good or this is bad, but this is normal, this is the norm, such waves today have a good influence.

just aesthetically, because it’s important for work, there’s a conventional series called the crown and it’s on the list of must-haves, what movie are you watching today? well, of course i watched everything that was nominated for an oscar, and of course i watch all our tv series, because in all of them our tv series are now my students, so i endlessly go to the premieres of all the films, because all the students are calling and i have to go, i’m a devourer, a devourer of films, i’m generally a devourer of everything

great, and in order to understand that you i like it, you need to watch everything, all the fashion shows, because you won’t see more fantastic performances, for example, margiela’s last show, well, it’s just fantastic, but it’s impossible to imagine better theaters, it immediately pushes your imagination. some of your further steps are reflected, this is very cool, always always, but how do you think the canons of beauty have changed? what have we come to today ? how different is it all from the last century? at that time, when there was no longer a woman in a man’s suit, there was already a woman in a suit, well, that is, as if for me this was not a subject. exclusively men's wardrobe, i no longer have a clue whether a men's shirt or

shirt, men's trousers, i buy a lot vintage clothes i’m just a fan of the biggest possible vintage, and i buy a lot of some old men’s collections, because there are clothes for me, they suit me, i feel cool in them, or they don’t suit me, i don’t like them and i put it aside, and i remember it very well in childhood, my mother, it reminds me of surgut, yes, that is, not the most fashionable place where you can find some...

these are not lymshits and tatyana gevarkyan. today we are talking about female beauty. with me are makeup artist elena krygina and actress alla segalova. linen, you and i touched on the topic of how appropriate this or that makeup is in different cultures. tell us how not to make mistakes and how girls really should apply makeup correctly so as not to look, well, let’s say, funny or stupid. funny and stupid are not always bad either. yes, the question of self-expression, the question is always how you behave. you feel, that is, here is a professional makeup artist, he can draw you on your face alone 30 very beautiful pokanons of some kind of golden ratio, inspired by, i don’t know, ancient egypt or for the middle east or for i don’t know japan there, modern make-up artists can even

draw a rushing train on your face now, it’s true, there are no limits, it’s true that they can select for you an infinite number of these foundations and... some kind of endless packaging of this cosmetics, but if you feel uncomfortable, if you look in the mirror and you say, oh, well , it’s beautiful, of course, but it’s not me, it all doesn’t have any meaning, that is, makeup in the first place and in general the whole image is one in which you can sit and not think about that i don't know how you like it sit down, how they will look at you, what they will think of you, in creating an image you need some kind of concentration on this, yes, that is... what we call an image is an image where everything is combined with each other, this is when you realize, that this is all an ensemble, yes, well, well, what advice can you give to people who, for example, do not have the opportunity to turn to a makeup artist for professional advice, what is the minimum basic set that should be in a cosmetic bag, well, look, let’s go

from the applied, but why? in general, we need makeup, that is, we probably wake up in the morning we just want to look somehow fresher, better as we age. the natural blush that children have is lost, perhaps the sparkle in the eyes becomes not so bright, the iris itself is not so juicy green or juicy rough, wait, there is a product that can add this brightness, makeup, for example, hmm, little tricks , yes, the eyebrows there are not so thick, the oval of the face is not so clear, that is, we have some kind of series of, let’s say, well, points in which we understand that once upon a time, when i , for example, really liked myself ... uh, here they are no more, and yes, with my inner state, with my new kind of maturity, wisdom, i like myself, but i would like to tighten up my appearance a little from that period, then this is, first of all, a foundation cream, because it removes pigmentation, it evens out the tone, it hides nasolabial folds, dark circles under the eyes, the oval of the face becomes clearer, in moderation and suitable

for a specific skin type, for a specific face, in shade, in texture, well, let’s say, on request, blush. yes they can be cream blush, cream blush, let’s say, i take priority, because they always look more lively, they are easier to apply, cream sizes are lighter, much lighter, well, in principle, now the main trend is very beautiful , sleek, polished skin, and it doesn’t matter no matter how old you are, we all want beautiful, sleek, polished skin, this trend has largely come to us from the korean market, yes, that is, when it’s just a little bit with a dewy glow, and this one... with a girlish blush, the main thing is that it matched the natural blush, yes then there, you can pinch yourself on the cheek so that it appears, you can see there how the shade of the mucous membranes, for example, it looks like on the mucous lips, the eyes are brighter in a second, the face is rested, straight, well, you like yourself,

the mood is super, and where the mood is super , then it’s a good day, and then you want to develop, you want to be more expressive. watch the world, well, that is, it would seem very, well , that is, a good day begins with your pleasant reflection in the mirror, yes, and, probably, from basic products, yes, this is mascara, with it, as a rule, it is always better than without it, it’s different for everyone, but in 90% of cases , always painted eyelashes open the eyes, make them brighter, more attractive, glowing, you can emphasize them, that’s the color of the lips. i remember i had a meeting with olive shadmizon, this is a man who is such a make-up guru, old school french, he is such a rather impressive frenchman, he also did grayskels. makeup, we talked to him, and he’s just insistent, he doesn’t care about these modern agendas that i’m a woman, i do what i want, no one tells me

not a decree, he says everything, a woman has no right to go out on the street with bare lips, just apply something, listen, it was impossible to convince him, there are people from whom, by the way, i also remembered one story, from whom , it’s precisely with men, they sometimes have such a strange perception... of female beauty, i once sat in moscow at a fashion show, a man was sitting next to me, and he was quite old, i’ll tell you , he was probably 40 years old, i don’t know what he did at the show, there are girl models walking down the catwalk, thin, pretty, i look at the dress, i look, let’s say, i don’t know the figure, the hairstyle, the face, i look at it, and he sits next to me and says, no, well, that’s outrageous, what is it, i say, what? him: no, well , look, their elbows are all so dry, and i understand that i don’t

even look at it at all, where did he see on the catwalk these beautiful, fragile girls, models, in beautiful dresses, they have him i saw dry elbows, he’s probably a professional show director, most likely he has a deformity, he just sees, he’s always on it i look, and look, always, what else do you pay attention to, exactly in... appearance , well, first of all, nikolai zabolotsky has already said everything about this, yes, there is a vessel in which there is emptiness or fire flickering in the vessel, so that’s kind of all there everything has already been drawn, and then you know, it seems to me that yes, of course, we paint our lips something, well, especially when we go to some kind of event like now, we are all sitting like this in the sanctuary, but when in the morning you you go to the mirror and eat... you get scared, it seems to me, you shouldn’t grab your mascara, you should go to the doctor, you see, because you still have to be

healthy so that you go to the mirror in the morning and say: oh, how wonderful, i’m good, for the night, for example, as in my case, well , everyone there already manages their evening in their own way, but it seems to me that this is the most beautiful thing, and i see, for example, when one of my actresses with whom i... therefore, it all depends on the context, but can al then, since you pay attention to the dry elbows, talented , a super talented person, he will allow himself to walk with dry elbows, that’s all, he can afford anything, a talented person can afford anything, but it is desirable that this should not be within the framework of a criminal case. how are people determined who

like talented people, because i, for example, know to myself that i am a sapiosexual, because i like smart people, that is , this fascinates me first of all, yes, this is a trend among young people, it’s so nice, what i don’t have, i know how much you don’t have, but, but you are still a beautiful young lady. with my friends, and we were talking just about men we like, the conversation initially started.