i haven’t seen it, it’s very difficult, it’s still a holiday of some kind of stress and cruel tension, because i really want the film to be there, to be loved, to be reacted somehow, and since to some extent everyone the koda festival is birth, yours or death, then the relationship with this festival is also freudian, there is an easy way to go to it,

i have often heard talk about how kan has long been controlled by the americans, there are four american films in the current competition. tolya, what can you say about the american presence on this festival? well, first of all, american films are not only hollywood films, we are accustomed to the fact that these concepts are synonymous. this year the competition featured directors representing the eastern world.

at the premiere of an american film, guilty by suspicion, and the film is the directorial debut of the famous american producer irwin winkler, who received 12 oscars and 25 oscar nominations during his twenty-five-year career in cinema, but made his debut with the film only today. the history of the film, the director who found himself in black lists, and who is refused to work.

your profession is film director, isn't it? yes, sir. our clients need to care about their reputation. me too. are you a member of the communist party? the commission gives you the opportunity to clarify your past connections. but i have nothing to explain. i was only at one or two meetings. your connections are the connections of others. who, others?

why don't you give them what they ask for, david, all my friends have disappeared, the fbi is following me. i want to know how many communists you know, how many you know, how many you are with work, i want to know their names. the rich visual solutions and brilliant performance of the acting tandem malcolm mcdowell and

oleg yankovsky in karan shakhnazarov’s film the kingslayer attracted much attention from the kan audience. the king sat in the center of the table with his back to the door, her majesty to his left. the heir always played pranks at dinner. after dessert

, coffee with cream was served. at this moment, his majesty always said, raising his voice slightly: you can smoke, gentlemen. he smoked half of the peros, taking a deep drag, having put out the first, he immediately lit the second and smoked it to the end. so, his majesty hid his excitement. after this there was some silence at the table. his majesty stood up and went out into the hall. everyone followed him. his majesty walked into the office, saying goodbye to everyone. oleg ivanovich,

you experienced psychological difficulties playing such an ambiguous figure as emperor nicholas. i am pain, and since this is my pain, it helps, that’s why i went for it so easily, although according to the script the role was written by yurovsky better than yurovsky’s by timofeev patient than the doctor smirny, whom i play, and naturally nikolai, we

play two roles, but for me it was important to play, because i was helped by this seventy-year-old fate of our fatherland, which is so... as a result imperfect and this the pain helped me very easily, just so to speak, look into the camera to play, because behind this there is some kind of core that helps, that’s all, that is, in the role of nikolai you felt in the camera that so, that is, in the role of nikolai you felt more organic than in the role of an actor playing lenin in a play at the lenin consommol theater? i don’t think you ’re wrong now, but i understand that this is such a brawl of the moment, it’s very convenient, i didn’t either... i played lenin, but lenin’s attitude, my attitude towards lenin, because i already say, in a different time i live, i understood what happened, i had my thoughts, so if you remember, remember the performance, then i played without makeup, this was

the decision, you played an actor who plays, and therefore a person, therefore i'm on my own behalf played from himself, genkovsky, played the image. the image of vladimirovich lenin and, as in the film, i play from myself, otinkovsky, the image of nicholas ii, nikolai santi, i am the grandson of the manufacturer. i can do everything, but all i have to do is come to any group, perform there, everyone else falls down, through the night and the wind, i am destined to go, nowhere does my home window shine, i also criticized in the army, so major novikov wrote me recommendations, he is inclined to criticism, but they just push, push buttons all in vain, for for, but there are no roads, for for...

when we cook, make a fusion of cultures, i will have caucasian-greek pita, i will have leningrad crumpets with a greek sauce based on liver, cod, olives, everything will be tahini on top, now there-tararam, there- tararam, there-tararam, bon appetit, premiere, cooks on wheels, sunday on the first, this topic is generally, to a large extent, so to speak, known in the west, but i think, of course, it is better known from the wrong point of view, with which it touches us, because here

the legend is very very popular, so to speak , of anastasia, who escaped, you know several films, and this legend is very true, she, she is a purely cinematic legend, which very much seems to exist in the atmosphere of cinema, she is generally quite popular, that is, they are not they don’t know the details, they don’t really seem to have something completely different, it’s pure. i would say external interest, but it exists, by the way, i would say, it is more, that is , commercial, rather an interest, so to speak, i don’t think that in this sense, the picture that i did, so to speak, we are 100% satisfied there, so to speak, it is precisely the attitude of the west to this topic, although in general, well, since they were selected for candidacy, it means, apparently, they were somehow accepted, so, but it’s interesting . rather, in the west, of course, it is more superficial, purely like that, more commercial. what was the reason for

your consent to the takeover? you know, for two reasons: firstly, well, we had already started making the picture, when mr. brahms appeared and, therefore, offered us cooperation, in general, we would have made the picture in any case with or without him.

without today, without close cooperation with western companies, there is nothing more interesting and entertaining. filmmakers how to make films about themselves. this brought to life the american

film barten fing. and the writers, joel and eton cohen, both wrote the script. joel coen directed the picture. eton coen was the producer, they made a film about the fictional character barton fink, about the broadway playwright who was invited to hollywood in order to... write a script for a major picture, as he was assured. as the film progresses, it turns out that a genre picture is being filmed, which in america is usually called a film. you just need to unfold it in order to see what is inside

the plot that is usual for a hollywood film. a very serious , very difficult picture opens up about the fate of the writer, about the fate of the author, about the psychological state of the writer’s block in which the creator finds himself, about the hero’s reading into reality of his fears, his hopes, his dreams , his insecurities in life.

it's you, there was just a complaint, no, i mean, i didn't complain, i just called, but i didn't complain, i was just worried, maybe it's none of my business, but maybe there's something wrong with you. sorry, it's all these walls, i apologize, my name is charlie miller, we seem to be neighbors, sorry, neighbor, it will be

easier for me if i treat you, nothing, thank you. well, okay, you are trying to work, look, it helps the work, i ask you, okay, just little by little, little by little, come on, yes, sometimes i forget myself, i feel like a complete loser, everything is fine, i just need to work.

are you excited, are you excited?

hello, this festival.

oft sagt man im streit worte, die man dann später tief bereut, dabei wollt mein herz ganz dein eigen sein, denn ich liebe dich, lieb für dich allein, bitte geh nicht fort, bitte geh nicht fort, bitte geh nicht fort, bitte geh nothing fort.

there is no smoking in this building, mister, what can you do, charge me with smoking, will you tell

us about your relationship with mr. barnes? i had sex with him for a year and a half? i loved making love to him, he wasn't afraid to experiment. i like such men. i love it when people give me pleasure. he gave me a lot of pleasure. have you ever had kinky sex? what exactly do you mean, mr. carelli? what were your reasons for accepting this role? i don't know why other actresses refused to play

this role? i can't speak for others. rather, it was a matter of moral choice. i took on this role because it turned out to be the most exciting, interesting and deep of all that was offered to me. and i'm with i took it on with pleasure. directed by paul verhoveen, basic instinct is a story about the investigation of a series of sexually motivated murders. michael douglas plays a police inspector, and sharon stone plays a fashion writer and the main suspect. working on a new book? yes, i'm working. must be a melting thing, better for all time. yes, it will teach you life. how is that? it is done in a manner called tense disbelief. just think, intense disbelief. what is your

book about? the detective is tailing the wrong woman. and what's happening? she kills. everyone feels that they have the right to judge erotic scenes, not everyone in the audience has killed someone and not everyone has been in a fight, so it seems that it is easy to create tension in such scenes, when you film erotic love scenes, everyone thinks that they can be a judge, so it is very it's hard to show what's unique. show passion, they will say, i wouldn’t do that, what’s the matter, i’m trying

to help you, i don’t need you. this is a very interesting character, the reasons why i chose this role is that my the heroine is very smart, at the same time very sexy, it’s always nice to play a multifaceted role, as if being in those dimensions, you see what’s outside at the same

time... as for filming sex scenes, i worked with incredible people, everything went well very smooth, very smooth. i think you need to come to some kind of inner agreement in order to be carried away by a love scene when you play such a character.

what happened? did you get dragged into this? did you like it too much? i don't know what you 're talking about. tell me about cocaine. nick. in that the day you shot two tourists. how much cocaine did you take? come on.

can you tell me? i didn't kill, no, you did, they didn't even try it, right, the police know, your wife knows too, doesn't she, she knows what's going on.

science fiction, space, these are the dreams of my youth, and i was very interested in working on them, and sex violence, i mean sex, especially in i think, i mean scientific holland, this is one of those things that we we've been getting to know each other almost from the cradle. therefore, there was not so much research here, i it seemed that science fiction was something i had already tried, and sex violence was something i knew more about, the question was about the degree of their

expression, i didn’t make it up, i know it, tell me nicky, were you scared last night, how and i was supposed to do a good job, you shouldn't. play this game, why not, i like it, you know, they will kill you, maybe, but sol will catch my killer, you want me to tell you all my secrets, but i haven’t written anything yet, i’ll write, then you’ll find out everything, yes, i recognize you i'll heat it up, no, you'll just fall in love with me, i'm already in love with you.

it was already obvious that a number of scenes were unsuitable for an american a-grade film. you have to understand that the studio could release the picture completely as it is here, now at the festival. if they didn't want to target an under-17 audience, they could have done that. on the other hand, this would reduce our rentals.

i made a good choice, the changes in both options are acceptable to me, otherwise i would not have made them. i think i should take courage decision, allowing this great american film to be brought here. and this film participated in the competition.

our film is worthy of being presented here, the snow is still white in the fields, and the waters are already rustling in the spring, running, waking up the sleepy shore, running, shining, and they say, they say in all directions, spring is coming, spring is coming, we are messengers of the young spring, she sent us out . forward, what , where, when, the spring series of games, on sunday at the first, a month and a half ago,

the parents of lieutenant alexei turbin were killed, from that moment on we have many questions, to which there is still no answer, we will have to follow up on them. no one in the department should know that we are meeting, handsome, our shooter is everywhere, so explain how you manage to appear everywhere first, that the manager is incensed? investigators came to me today, asked all sorts of nonsense, why don’t you pick up the phone, i called you five times, now explain to me why you call him several times a day, including at night, undercover taxi, premiere, from monday on the first, mole, cool, the kansky festival is a festival of stars. but stars do not exist on their own, the phenomenon of stars is inspired by

the media and they understand this well and use it. the star level is the level of reflected light. when an actor goes down to the lobby of the carlton hotel, dozens of people see him, when he gets into a car with festival flags, drives along the boulevard croise, hundreds of people see him, and thousands meet him at the festival’s paledo. and the highest point of a star’s existence is the last step of the stairs to the palace of festivals. when actor.

she looks amazing, beautiful, look how attractive she is, i can't marry you because you physically disgust me. i already

told you this. you can only talk about yourself. you belong to a world that i don't like and that will disappear very soon. listen, camille, she finds me ugly. tell me, is this true? everyone says you look like the devil, but should you worry? ah, camille. despite delon's professionalism, the film became an artistic discovery, which could not in any way affect the reaction of the crowd, patiently waiting for delon for 3 hours while the film was on.

i don’t know how other festivals are, the nokan festival exists for the sake of the spectators, or rather not the spectators, but the onlookers, if there had not been such a crowd during the passage around the stairs before the film, the horse festival would not have happened either.

huma tender!

hello, this is the podcast of mount fire and i, its host denis gorelov, with a story, no, not about tv series, as usual, but about the oscars in 2024, which no longer really meets our interests, but by inertia we watch it anyway, but today according to all information there is talk on the platforms that this time the oscars gathered an audience of 19.5 million, and this is a record for the last 4 years, a record for 4 years, of course, is not the greatest achievement, unfortunately, all this garbage is reprinted by our information agencies, instead of looking into the history of the issue and just seeing

how real this achievement is, which should be promoted. in 2020, the audience for the oscar ceremony reached 23. the american academy did not achieve the result that it considered in the twentieth year of disaster. in 2021, when attention to the ceremony was at a low point, the list of films, in general, was left only, well, i was only preparing

to cry because of this matter. the film nomadland, about a middle-aged woman who hangs around america without work, won in... the competition for the best foreign film, it was also nominated for the main oscar, perhaps an american fiction film

that won this year open gamer, i'm a grandiose event , to be honest, i don’t think so, as a matter of fact, i don’t see any special genius in the director christopher nolan, unlike very many, and visitors to various film sites, the fact is that “while making a movie, nolan refused to answer, perhaps, the most important question in the biography of the creator of the american atomic bomb, robert oppenheimer, the question: was there a great physicist, the creator of the atomic weapons, the very first, robert oppenheimer, an informant for the ussr ministry of state security, the kgb did not exist then, the ministry was renamed in 1953, but there is every reason to believe.” that a great physicist is enough seriously and quite consciously worked for our foreign intelligence,

the man most directly involved in the most secret state secrets, lieutenant general pavel anatovich sudoplatov, said this most directly in his time in his memoirs, he directly said that our intelligence would influence our nuclear industry worked. all the leaders of the atomic project, not only the exposed fuchs, but also oppenheimer, and szillar, and bohr, and fermi, he said that informants on nuclear issues in the manhattan project, there were about 200 people in our direction, many today say that sudaplatov’s memoirs should be treated with some skepticism, but nevertheless, everyone who doubts the accuracy of his memoirs has never had one in their life. the same level of clearance as general sudoplatov himself had. what was the reason for such readiness

of american physicists to work for us? it seems that einstein was the first to say that the possession of weapons with such destructive forces will make america a dominator over the entire planet, and, importantly, can lead to completely uncontrollable mass murder of people, which she already has.

his deputy on nuclear issues, colonel terletsky, in general, he could not be called a full spy, but the fact that one of the most important creators of the bomb shared with us all his achievements was quite obvious, there is every reason to believe that oppenheimer did exactly the same also. frankly speaking, if in the film oppenheimer there had been even an echo that robert oppenheimer

was, after all, an informant for our intelligence, christopher nolan’s entire scheme would have gone to hell. basket, in fact, today the film corresponds more or less to the traditional agenda of the democratic party, whose nest has always been hollywood, which...

fortunately, the picture of the killer of the flower moon, despite the age of eighty-one of the applicant, meets the highest standards, but this year scarzeza flew like veneer over paris, as he always did, almost always over the previous 50 years, in fact, his relationship with oscar. things always went badly for martin lucanovich, perhaps the most the academy's first great disaster occurred with the first of corcese's great films, taxi driver. in 1976, an outstanding movie, maybe even the best movie from corseze, lost to sylvester stallone's film, rocky 1. actually,

it's hard for me to imagine any competition at all, even a competition for films about a boxer. at the same time, it did not completely trample the masculine essence of film academics; they decided to at least somehow respond to this then feminist agenda with a knockout, the film taxi driver was not very suitable for this, after all the main character was not unconditionally positive; he was preparing an assassination attempt on an american senator, and only an extreme accident

forced him to change his plans to become an american hero. in a fight with brothel pimps, and secondly, after all, he was a completely outspoken gainer after the vietnam war, thirdly, trying to somehow get a young lady from the election headquarters together, he took her right to hard porn, which was then in the united states was demonstrated quite legally, but i’ll explain what the point was, the fact is that the girl from the campaign headquarters was played by cybil shepard. in fact, the dream of all american men of that time, but the fact is that for the first time in the entire history of the american screen, she appeared on the screen without anything in peter bogdanovich’s film the last picture show, it was the year sixty-nine, america had slowed down very much in matters of nudity , europe and even the soviet union

were very much ahead of it, since the film was aimed specifically at... a teenage audience, talking about how bad it is when you are drafted into vietnam, and how wonderful you sometimes have classmates, in particular the blonde cybel shepard, all generations of american men fell in love with her, of course, right away, such a beautiful girl, a dream, a freak taxi driver travis bickle, played by robert denier, tried to take him to hardporn, of course, on this against the background of stalon's sylvester, a little stupid, but certainly.

but it seems to me that the cocktail party is the best, you have to laugh a lot, push with your back leg, push with your back leg, are you interested in something else, besides fencing, of course, like chess, when they take the dice from you hands, what are you doing, sitting and what are your fingers doing? i don’t know the moment, and how many years ago, you just put it together, yes, better than anyone, the new season, on sunday on the first, this

is still the podcast mount with fire and i, its host denis gorelov with a story about the main films of the american film academy oscar 2024 year, i decided that now the favorite film about boxing was a film about the famous heavyweight jake lamotta, raging bull, a wonderful movie, made in the style of the then glamorous magazine photographs and onions, the film ordinary people lost in the picture, at that moment reagan won, he was attentive to the simple. to the ordinary person, the academy decided to comply, again, with the current agenda, a mad rush flew by, in the ninety-first year the film scarce for good felos lost to the films dances with wolves, about the antics of an american

officer with the indians, the casino film in the ninety- sixth year did not get into the main pool at all oscar contenders, he had the only nomination for sharon stone as... which she also lost. finally, already at 21 century, the film walks wall street lost to the film 12 years a slave. it seems that all these films are significant, important and tdp, but if the films raging bull, taxi driver, casino, walks street, say something and are known to any person who even started yesterday.

the original, which in itself is quite strange, was shut down; now it has been nominated 10 times and has not received a single statuette. why is all this happening? but the fact is that the main message with carsese was in general the awareness of how great it is, how it's nice, how sweet it is to be a complete son of a bitch in america. all his films are success stories of complete scumbags. beaten moral monsters, sometimes simply not the most pleasant characters, such as boxer lamotta or stand-up comedian robert papkin in the film the king of comedy, well, there was still an exception.