it was impossible not to turn around, they just killed me , i sat there, i went crazy, it’s impossible , incredible energy, it’s such a backlog that you’ll just lose your mind from the sea to the faithful rocks, you don’t have to give the surf. sea, take me to the distant distances, a couple of yourselves together with you, the main goal of the voice is to reveal new names to our viewer, this is where the well-known question of our tv viewers comes up a lot, naturally, where, where are these finalists, here they are with you...

i will consolidate the material, the most important thing is that you cannot be replaced by someone else, even if this is the repertoire that sounded before you, you must give a version that will be from volchkov, from spiridonova and from radion gazmanov. radion, in my opinion, the authorship is very much you, in fact, you write everything yourself, yes, i write almost all the songs myself, yes, everything is correct, and in my voice i was wildly upset that i couldn’t sing my own song, they told me, well, the rules are like here in the repertoire is not sung, i...

radion gazmanov, i love music very much, tell me who you liked from the subsequent seasons of the voice, whether it was a mentor, that’s all levels. it’s just

that after the season where sergei won, i i approached him, it seems to me that he was so scared, i think i approached him and simply said words of admiration, because this is mad talent, charisma in general, and i admire him, we have been friends for so many years and perform at each other’s concerts, well, even then, i won’t ask you who is who in currency, when was the choice of the first original song that was written, which i purchased. with whom to sing a duet, namely with a girl with a cool voice, and you know, i don’t want to offend anyone, but in our country it’s not like that for a beautiful girl with a beautiful voice it turned out to be easy to find, and of course, yes, and i suggested that nastya perform a song called love, let's listen to this duet with pleasure, so, dear friends, sergey volchkov, anastasia spiridonova, love.

how high my soul flies with you, how to me. it’s easy to love you, to breathe, as if we were born for each other, as if we had all been together in life, i love you so much, holding my breath. with you i’m flying to the ends of the earth, i

love you so much, now my soul, i... the ocean of my love, if not warmth, under your bright sun voice, how bright it is for me, and the whole world around us, as if on yours... soul, as if we are alone in the whole universe, i love you so much, but i, with you, am flying to the ends of the earth, i

love you so much you, my soul, you are the ocean. my love, how long have i been looking for you, how long have i been waiting for you, i love you so much, holding my breath, i’m flying with you to the ends of the earth. “i love you so much, i’m breathless, i’m flying with you to the ends of the earth, i love you so much, you are my soul,

you are the ocean of my love, i love you so much!” valery sutkin, radion gazmanov are with you, today we lead together. podcast melody of my life, which is dedicated to those artists who shone in the voice project, and with great pleasure i invite you to admire our charming guest raisa dmitrienko, you did

n’t like taking part in all this too much, it’s nervous, i wouldn’t like it if it were true to be honest, it took me a long time to get ready, i didn’t want to, but i found one crazy friend who ... kept pushing me, saying: you should be there, you should be there, they persuaded me for 2 years and i went, i think ok, let me remind you about myself, otherwise i’m afraid they forgot, but i had great pleasure, because all your numbers, in addition to the brilliant vocals, were also very artistically solved, beautiful, you as an actress were simply beyond competition, after your participation in the project, your voice, you, i hope you continue to drink? oh, you know, mm, not as often as i would like, but in principle, well, i managed to go somewhere with concerts, say, tagan rock, yes, tell me, how else did your voice influence your life, began to be recognized on the streets, neighbors came up for

autographs, i don’t know, these kinds of things happened, oh, the neighbors and people around the house recognized everything, yes, yes, they recognized everything in stores , wide eyes everywhere, they said, why didn’t you warn me? rais kondratyevna, let's take a look at the screen together with you and live these minutes again in the voice program.

this is an amazing thing and an expressively human voice, this is fantastic, thank you very much, let's get to know you, what's your name, where are you from? i want to compliment you on your performance of the song that turned us all around like a hurricane just straight from the first one.

monotonous days flash by, with the same pain

, and only the roses fall and the nightingales die. but she is sad too, love ordered me, and under her satin skin, and under her satin skin. sent blood is running,

poisoned blood is running, it was amazing, rais, tell me how...

you are wonderful in this activity, thank you, thank you very much, the melodies of my life podcast is on the air,

today i, valery syutkin, am hosting it together with radion gazmanov, well, experience and skill, remember, that’s what they used to say, gives way youth, foolishness, i even said, beauty, and talent, yes, today we have two charming girls visiting us, they began their journey. in the project the voice of children, and then they consolidated the success in the project the voice is no longer children, these are our beauties, ragda khanieva, hello and elizaveta. kochurak, hello, i was disgusted by the idea that we are now sitting in front of a generation of performers who could potentially take part in all seasons, in all different versions of the project voice, no 60 plus is too early, no, not yet, now of course yes, 60 plus and then someone perhaps he will become a mentor again, yes it happens, anton bilyaev is now a mentor, why not, it would be great,

mentors worry more than teaching, but this is a big responsibility, it seems to me that it is very difficult, especially at the stage of fights, when it is necessary do. choice, let us remember together how it was in your case, relive these minutes again, and pay attention to the screen, and the road is not long, although it’s hard to walk, there’s depth above you, bright light ahead.

here in the voice of the children, in that younger one, they, they no longer children, it was even simpler in some ways, right? well , to some extent, yes, it’s simpler, because you slightly misunderstand some moments, it’s like the second parachute jump was scarier, that’s exactly what i wanted to say, the second one is always scary, yes, the second time everything was conscious and it was my decision,

right from beginning to end, so here i am again. i want to try it, in the first one my parents said, let’s go, no, no, no, it’s always been there, but well, we always discuss all the moments connected with everything there, here in children’s voice, too, i consulted with my parents, they helped me and always help, but they are no longer children’s voice, they seemed to ask me like this, well, do you want, do you want to experience again this this this this, yes this is me i don’t even know how you need it? how can we describe in one word a spectrum of some emotions , sensations, very different, both joyful and sad, but we will continue our profession, i hope, of course, i continue to sing successfully all the time, i always see it in different projects, we go out on one stage, i sing it i present to the stage, with proud, because in addition to my voice, i also know

from a bunch of projects where we also sang together, that’s why. i have a question, the most exciting moment in the project, remember your cancer, tell me, this is where it’s just, this is where it was scary, the spectrum of all emotions, this is most likely the finale, the finale, yes, i was very worried about the finale for the children, and for i was very worried about the song’s path, because i was 12 years old at that time, the song was serious, the song was quite deep, and i had to complete a series of... these were blind auditions for a voice no longer children.

a prayer sung by lyudmila gurchenko, and i was 13 years old when they gave me this song, well, for several days i just cried, because i didn’t know how i could convey this, how i could do it, but i i really love soviet cinematography, to some extent it helped me, because... i somehow pass each film through myself and take something from each hero for myself, so before performing the prayer i still collected this

image , collected all these feelings, sensations, and it seems to me that it turned out, a little i had a different, different look, but it still worked out, the second point, yes, i agree with ragda, these are blind auditions, but not children, everyone there was stressed, because it’s not clear, we went through the same procedure, that is, casting, blind auditions, then everything is as it was in the projects before, and how should we turn around, not turn around, we don’t want to somehow lose face in the dirt, i remember this moment when we had this waiting room, our fourth season, i dug up this large bubble tape somewhere. more about this then no one thought, i had just such a roll, so i went out and just gave out these things to everyone who participated with me, fuck, it’s anti-stress, in the end the editor comes in, invites someone and starts laughing ,

because we all sit and click this thing, it was very funny, this is the song that made you fall in love with this future profession of yours, led you to it, this is your ragda , maybe my choice will seem strange, but as a child i listened to a lot of let zeppelin and the song baby i'm gonna leave you just the same, this is not a strange choice, this is a wonderful choice, sarah jimi pei turned 80 years old this year, he will probably be very pleased to know that you have a great liz and i have been singing since childhood, and of course, it all started from my family and with my grandmother, i loved to sing cossack songs, they didn’t sing in two voices for months, they started them up there, so somehow from this i think that... give me a small piece of what this is, this is how it is, let’s be my beloved, i’ve always the kingdom of heaven sang it with my grandmother, so she sang the second voice and i was the first in the garden nearby

i picked roses, tore them and threw them under those gates. it is very difficult to combine together alladzepelin a real cossack song and but good taste, i never tire of repeating this, this is a reflection of the tradition of our native... culture. in the finale of our podcast today, i, as the host, uh, with pleasure, we will now offer you to perform a song, which we wish everyone

who participates in the project to participate in the project voice, 7.0 happy moments daily, let them be exciting, but music is a language feelings, so it's great that we are survived, it’s great that future participants in...mentors will have so many exciting moments ahead, let there be many of them, dear friends, today on the podcast melody of my life, together with radion gazmanov, raisa dmitrenko, sergei volchkov, elizaveta ragda and anastasia speredonova , which is also important, we lived together, i’m not afraid of this word, again moments of excitement, inspiration of happiness. when the voice project united us all together, let this voice last as long as our dear tv viewers want, that is, forever, therefore

today... we wish 7.0 happy moments together with this work, post the first 7,000 above the earth, guldurbin snatches of sleep, outside the window lies a night landscape with white clouds, the moon flies above it, secret.

dear friends, this is the melody of my life podcast, we hosted it today together with radion gazmanov, but i am happy to leave you alone with elizaveta and ragda, with our girls, beauties, who will perform a song for you: listen to the music, watch the voice project on the first channel.

i am not where yours were traced on the sand traces where the bird sang in melancholy, where the bird sang in melancholy circles foamingly, and you, i am only where the sound trembles. surrounded by the pier, and where your fearful eyes are, and where your guardian eyes are, they glide over it intently.

i am not there, where you are, the hair will not be clouded by the white day, where are the pine trees from amber tears, where are the pine trees from amber tears. where you sometimes look at the door with hope, and like a child with children, and like a child with children, you sculpt a snow woman, there is no... me, where parahoy, night

break to prague day, where the vault understands the sky, where i understand the vault of heaven, that without you, astirotel, i am only where i am not, around you, invisible. you know, i can’t live a day without you, you know, i can’t live without you, apparently.

in russian history of the 19th century there were two pavlovichs, first alexander pavlovich alexander. first, then nikolai pavlovich, nicholas i, i would call them, you know, two political fluxes on different sides, and nikolai pavlovich was forced from the very first days of his reign to deal primarily with internal affairs, this period, period the reign of alexander i is the peak of russia’s authority in the international arena. yes, under alexander, according to pushkin from the tenth chapter of eugene onegin, we found ourselves in paris, and the russian tsar was the king of kings. hello, this is a historical podcast russia-west on the swing of history. pyotr romanov and sergei

solovyov are with you, we are talking today about alexander i. historians at the end of the reign of alexander pavlovich, and the reign is a quarter of a century from 1801 to 1800.

engaged, so to speak, in marching and military affairs together with his father, as for education, then you and i remember who raised him, this is the republican lagarb, swiss, yes, who later became the head of republican switzerland, well, klyuchevsky was ironic about this, he said that lagarb is such a talkative liberal book, chatty, that’s how right klyuchevsky was. i won’t judge, but nevertheless , he put some kind of liberal, abstract ideas into the head of alexander i. if we talk about religious conservatism, then here we can also remember that i i don’t know, father paul i. it’s true that he followed such

a winding path of religious ecumenism, and alexander followed such a well-trodden path of orthodoxy, but in principle, yes, to a certain extent we can say that they are both. this inconsistency, in my opinion , stems precisely from the need to maneuver in youth and in childhood and then in youth between grandmother ekaterina alekseevna and , accordingly, father pavel petrovich, because the poles are different, and i had to put on and take off different masks all the time, this is a pretense or according to pushkin, slyness, let's talk about it, discuss it. i think, it seems to me, it became a distinctive feature of alexander i, it is no coincidence that napoleon at one time called him a cunning byzantine, but there was such a thing as for his weakness, you understand, what does it matter, if of course we approach this, let’s say, he did not punish to kill

his father, he did not carry out the necessary reforms on time, did not dare to take them, probably, he can be called weak, but on the other hand, well , listen, during the war of 1812, this same man showed himself. character, right, he did not sign peace with napoleon, even after studies in moscow, and did not run away from st. petersburg, did not run away from st. petersburg, his relatives, his mother, including, wanted to run away, he insisted on staying, he showed a certain courage, because at that moment, after the burning of moscow, well, there is, witnesses tell an episode when he was going to church, the people stood gloomily. absolutely silently, and he, he felt it, rejection, rejection, so to speak, he experienced it all, and he withstood it, here we need to remember the episode associated with the palace coup, with the murder of his father,

because alexander himself knew about the coup, that it was being prepared, and he actually gave it sanction, so he actually did not order the death of his father, there was such an episode, small, but very characteristic, when... he shot the duke of enghien, yes, yes, bourbon, who was kidnapped from a neighboring state , there was a caustic skirmish, yes, yes, caustic, then alexander, since russia was independent at that time, had not yet fought with france. reacted very harshly to this, they issued a diplomatic note, to which napoleon responded by saying, truly simply slapped, he said that if your imperial majesty knew that the killer of your father was a couple of kilometers from your border, would n’t you have taken all measures to capture them, despite the fact that all of europe knew that the murderer of alexander i’s father is in st. petersburg in its environs, so alexander, of course, then perhaps slid into the position of such a mystical conservatism, sometimes something completely rabid.

somehow cowards can’t, they can’t, they can’t,

after all, if we talk about slyness, then it manifested itself, in my opinion, in the story of asperansky, who was called up, an outstanding reformer, whom klyuchevsky called the second reformer after the order of nashchekin, a reformer of the 16th century in the russian hierarchy of politicians who stood at the throne, spiransky turned out to be in demand after the terzite peace, after the defeat of russia under ustyritsam and fridla. "the country needed reforms, a lost war in general often leads to reforms, spiran, who did not come from the upper class, created a whole program of reforms, there is the state duma, there is a division into three estates, there was a gradual abolition of serfdom, but the conservative nobility opposed it, alexander, after the telezid peace, was even called in court circles napoleon's clerk, and the specter of a coup." under this pressure, alexander i sent spiransky, for no reason, in general,

exile to siberia. then spiransky will restore his position, but the reforms will remain buried. in this sense, with his liberal convictions, it seems to me that these were still the convictions of his youth during the times of the secret committee, when only immediately after his death paul had an attempt at reforms, when these princely youth were grouped around him, and alexander i changed all this. two historical figures who opposed each other, alexander and napoleon, two such policies, you need to understand why, strictly speaking, the war happened in 1812, if before that, you can find various other motives there, because alexander there , he took upon himself the obligation to protect someone something there, and here something.

this is a joke, but alexander responded

accordingly, if you do so to continue, then, well, i’ll just leave, that’s all, so napoleon immediately calmed down, but i have the impression that in erfort alexander already felt, well, had a presentiment or something, that he would become the head of the anti-napoleonic coalition, because he had already begun to speak like partly. as a pan-european leader and as an opposition napoleon, finally, well , there are several reasons for the war of 812, but of course... the most important, probably, is the issue of the continental blockade, right? it should probably be explained that this policy of napoleon, with a ban on trade with great britain, which should was to undermine british power, ban europe, controlled by napoleon, from trading with great britain, which was supposed to undermine british power to bend britain to

the french emperor, because napoleon’s main opponent from the very beginning of his career to the very end was, of course, great britain, yes, but. .. it turned out that - a blockade is a blockade, if there is 1 meter at least on the free border, then everything will be trampled through this meter, everything will be trampled, but it turned out that since for russia trade with great britain was extremely important, well, in fact, the main trading partner, of course, is why at a certain stage russia. began - one way or another to open the border, so to speak, including the beginning of english ships flying the american flag to come to russia, so for napoleon he would have a simple choice: either he abandons his entire policy of continental blockade, because the meaning is lost, or he

had to force russia to really join this blockade, to follow this blockade, to war? both countries were preparing before in the twelfth year, that is, russia was also preparing for war, it’s just that france managed to prepare first, napoleon was the first to recruit a great army, alexander was also ready for war, things couldn’t have happened without war, but here it must be added that there were other contradictions, related to the eastern question, because since 806 there has been a war with turkey, it has continued all this time. alexandrovskaya russia, led in this case by kutuzov, appointed commander of the russian army against the turks, let me remind you, before the war of the twelfth year, yes. managed to defeat the turk in in the eleventh year in two battles, and napoleon then sadly stated that the turks had a talent for being beaten, but kutuzov ended the war in a month, peace was signed in may, and napoleon reached russia in a month, and although alexander did

not treat kutuzov very well with from the time of the australasian, because then kutuzov warned alexander that there was no need to give battle to napoleon, it would end badly, well, i’m exaggerating of course, but that was the meaning.