not a single one is alive anymore, so there was some kind of connection, she was very close friends with valya malyavina, also my classmate, you see, this is one circle of people, one time, that’s what you can analyze and rightly so, if you you are talking about this, this time, time certain intonations, i mean intonations not in the literal sense, not musical intonations, but such...

inclined, i know, this is what georgy nikolaevich said, and this is true, and this they weren’t filming at night, they were filming during the day, and it was a planned shoot, no lifting, no passing, passage over the overpass, mayakovsky square, well , geno, he was such an elusive person, so they put him in a minsk restaurant, ordered him lunch, and they gave him.

it means he composed the first line there, went out shouting up there, and they said: okay, continue, well, they shouted at each other, so he wrote this, shpalikov had different poems, but they did not fit this musical meter, the poems were, i walk around moscow as one walks on a plank, what is a square right to left is also a square, pushkin once lived here, pushkin was friends with vyazimsky, he grieved.

lay in bed, said that he had a cold and so on, but they didn’t fit this size, so i had to make it up, well, you see , how all this supposedly consists of accidents, but in fact it’s god’s providence, i think well, just speaking about god’s providence, accidents, in the film there is a unique scene with vladimirov basov, that is, everything was filmed quickly, everything was filmed very clearly, but at some moments again.

in general there is little about good people, a writer must penetrate deeply into life, that’s who you are profession, is he an installer, installer, someone?

this character, the tenter, he expresses all these complaints that the editors expressed, somewhat parodicly, only, well, i remember that basov was shooting his picture at that time, he didn’t even shoot it anymore, but voiced it in the ton studio, this is in the old the tone of the studio on the mass film, georgy nikolaevich invited him to star in this fragment, in this episode, this is where his acting began...

all the episodic roles were offered to them, in general they could make good money, and the bulls also appear again. in i'm walking around moscow, she steals scenes literally all with her participation, then one actress appears there, who by that time was completely unknown, we later recognized her, it was inna churikova, and inna, yes, no, she is a horse in the park, you know, ina, i know her from the studio at the stanislavsky theater, she was also a studio member of this studio, just like nikita, she always... stood out, no one knew her yet, she was unknown yet, she always stood out, this one girl, she was always, always talked about as very talented, she had such a reputation, one might say, they invited her, she was a student at the shchepkinsky, in my opinion,

shchepkinsky, and school, she played this episode, yes, these scenes were already filmed in the pavilion, that is, it was assumed that the film will be made. in the summer of sixty-three , everything was done on location as much as possible, but they still climbed into the fall, autumn is beginning, they are already enduring it little by little, little by little, they filmed the pavilion then, this would be now, this is what you are broadcasting, this is the current logic, this would be the case now producers acted, then they calmly filmed in pavilions, you need a pavilion, build a pavilion, there was no problem with that, so... in my opinion, all these pavilions, they were registered in advance, i don’t remember that they were looking for some full-scale scenery, no, all this was filmed in advance, well, no, it’s supposed to be gorky park, but it’s already cold, because the scenes are in the evening and therefore

they are transferred to the pavilion, no, so in general this is not a reason for film production, because it’s cold, this in general, only a film vet or a film critic can come up with such a thing, huh? arts all they are freezing, yes, but look, the final scene in the metro was always not in the script, it wasn’t, and there are different versions, in fact, how it should end, where they should be, near the borodino panorama, somewhere else they are walking or in airport, where this film begins, but in the end the filming takes place on the subway, because the subway has already been requisitioned for a couple of nights.

second fire systems, hail, today only we in the world can effectively work on this class of targets, a cloud of damaging elements, that is, through which... of such a level that the armor can be like a robot, we have eight stars marked on the car, seven enemy planes and one helicopter, you have to be strong, be afraid of the strong and never touch, we have created a direction, which ensures that superiority, by the day of the air defense forces, today. on the first,

i’ll get a document, the military prosecutor’s office, colonel, this is the captain, these were not germans, not germans, who are forest brothers, lithuanian partisans, from the forests, from the forests, and this is marta, he has a daughter-in-law, what’s happening, gregory, there are only forests all around, according to the laws of wartime, new episodes

are coming soon, on the first. now the question is, where is the real map? if it falls into the hands of the germans, they will know the direction of the main attack, that’s all, i don’t even want to think about it. you can say that after this film you woke up famous, that they began to recognize you on the streets, some kind of recognition came, no? no, firstly, when the picture, when it began to be shown in creative houses, in this circle, in the circle of filmmakers and people in general culture, of course, i was already known among students, my classmates there, but there was such a wide public, it was not yet released, it was released later, and i at the time... when it was released, i had already starred in the film goodbye boys, with michal nauch kalik and was on

a film expedition, so i didn’t notice it, then somehow, when i came to moscow, i began to notice that the students there were looking at me usually they really, really watch this, that they recognize you, they don’t recognize you, that’s some stage of recognition, as if now we can already say that i have reached my birthday. 78 years, of which, you see, only 17 i lived, not as a public person, and i remember that when leikoronna overbach and i came with a letter, with a petition from the massfil film studio, to the rector of the shukinsky school, boris evgenievich zakhar, people's artist of the ussr, so that he would let me go with a request, he greeted me very kindly in general... he kindly let me go, but what about mikhail kalik and goodbye boys, expedition, well,

i already had to go on academic leave, but the teachers somehow treated me favorably, it’s clear from boris evgenievich himself that i was later reinstated in my course, i didn’t lose a year, well, i understood that i understood that many were jealous of me , and i tried to behave somehow delicately towards... my comrade, and in general i’m such a non-boastful person by nature, i just remember that many began to behave very complimentarily with me, and i understood that in this complementarity there may be some kind of flattery, the calculation is, well, some kind, that i have become famous, that vasya is with me, so it demonstrates some kind of closeness. this is what i understood and i somehow differentiated, i still tried to discern the true

attitude towards myself, but this is also natural, natural, because it was we who drew the lottery ticket, well, well, something was really lucky, so i i didn’t just end up in a movie, in my own movie. films are now turning 60 years old, well, if you read the moment of the premiere, 1964, and the logical question, of course, is yes... what are you looking for here, and they tell him that they need it most of all, get out of here, now they’re digging, and they’ll dig it up, so it’s necessary, as if you don’t need to know this, this young generation is asking questions , asking questions, today yes, when new viewers who are watching this film for the first time, why do they need to watch this film, what are they doing to give lectures for film universities, a logical

question arises, why should we watch these... film students say: why should we suffer, we’d better go, let's see, we'll download something from the internet, let's watch some tv series and so on, what can it give us? the film i'm walking around moscow today? and i think that this old black and white movie will always be new at all times, so i’m walking around moscow, because it’s truly a miracle that the lord brings us all together, all the authors of this film, yes, all the participants and co-authors, so to speak, and something about...

something we sang on the theme of time, to some extent we voiced time, there were some scenes that ultimately were not included in the film in which you starred, well it was at first, here it is when i come to nikita, i started, he picked it up, or i don’t remember, we started singing this song first, and yasha, yes, yes, and we learned it, i remember in the chukin school in the audience they learned that anything can happen, he...

for the sake of our relationship without reverence, on the contrary, on the contrary, some kind of benevolent and condescending, the miracle is that they were filming, it seemed like they did it somehow naturally just like that, suddenly it grows, for example, a miracle, one it’s also a miracle that president nixon came on a visit to the ussr, and walked and walked guard of honor. he was met there at the airport and they walked to our song, there was a march in a marching version, everything is good in the world, you won’t understand what’s going on right away, it was a surprise, and this is no longer just a social sound, but such a global sound,

oddly enough, this intonation of our film is completely optional. as if on the one hand from the point of view of brute reality, on the other hand such a piercing time, i would say, you know, now we are talking about this topic, i have already said several times, how much we have already noted and the fortieth anniversary of the painting, the fiftieth anniversary, i remember when we celebrated, it seems, the fortieth anniversary, at our demonstration, i walk around moscow, which, in general, everyone knew. the whole beach gathered, then, when we left, they interrupted the broadcast, well, there was a celebration there, our appearance on the stage, then we walked through the hall of this winter theater, went out onto the street, to the square, square, on the square there was a film broadcast at the same time, and

there were spectators standing there, a whole square, all this was broadcast, it was just some kind of... folk celebration, then we went there to the beach, where there was, that means, a georgian restaurant, fondant for georgy nikolaevich, his homeland, and there a table was set, they celebrated, that means this is the fortieth anniversary of the painting, in my opinion, only there were no polish gali there, but everyone was there, thank you very much, evgeniy yurievich, we are finishing our podcast, our episode, in fact, my last question. not to you, to natalya. why do you think this film should be seen today? well , it seems to me that evgeniy yuryevich said very correctly that this is a snapshot of time that was taken. very fast, very easy, and like in some kind of capsule, it really preserved the breath of time, it’s in what yusov did, it’s in what you actors do

on the screen, in the way danelia put it all together, in the way shpalikov wrote it, and to truly immerse yourself in this time, it seems to me that there is no better film, as i swagger around moscow, yes, yes, yes, you are right, yes, then it is the form that is so optional. there is nothing intrusive, you see, we got such a breath of the sixties today with our dear guest, evgeniy steblov, thank you, thank you for coming, and we we say goodbye, this was a podcast of witnesses from einstein and its hosts, natalya ryabshchikova and stanislav didinsky, film historians, you can see all episodes of our podcast on the website of the first channel 1tv.ru, thank you and goodbye, thank you, goodbye.

oh, yeah, ho, ho.

oh, you birch, you are my birch, curly, my birch, my candy, icy, i saw through

you, and you are sour, oh, vladimir, everyone came to visit, oh, the accordion and i were also in a hurry, my candy, fragrant, i saw through you . and you are meat, ah, we know, we know where we will go, ah let's play, oh yes, let's take a walk, my sweetie with the label, i figured you out. and you are sweet, my candy with marmalade, i have crushed you, and you are sweet, dear friends, we

once again... why hide it, arrived in our beloved, one of our favorite cities, in the city of murom, with which i greet you all , dear, congratulations to you too, dear tv viewers, what is the city of murum, zahar, help, well , it’s a historical land, a holy land, ancient, older than moscow, if anything, yes, look, there’s a monastery behind, how right it’s called blagovechensky, there are holy relics there, among the saints beloved in russia, they come here to ask for god to send a child and to live peacefully with their spouse and to send a daughter-in-law or a groom, yes, yes, peter fevroni is here in a trio, and the annunciator is here, konstantin mikhail and fyodor, that’s how you- then the local knows everything and this monastery is called something or that these are two monasteries, two monasteries, both male, but no , one is female, well, as it should be for peter fevron, male and female, beauty is here

ilya murym. karacharov’s homeland is here, not far from where he was born, the aka river, here interesting, here on one side, that means the vladimir region, and across the eye is already the nizhny novgorod region, from there we have evgeniy, we have a joint duet, you are holding this, you want to give it to us, it smells amazing, we are very happy, i welcome you igramo murami, we love you very much, the famous murov kalash, it has an interesting shape, i forgot what the story is there, that somehow it was called eating to the handle, this is the handle. reached the handle, the famous expression comes from the murom kalach, who doesn’t know, friends, now the handle has already become bigger, than the kalach itself, a little bit so that there will be left for later, hold it, zakhar, you respect this kind of thing, yes everyone respects it, it smells like the imac tv is broadcasting to you, and there is something like that too, some kind of caraway, not caraway, oh beauty, well, hello from murom, well, what a song, a song is needed, friends, we ask, we ask,

she played the bell song, disturbed my soul, the famous one around is loud, i am her dear.

together goes through life over the hump behind him, i forget, in the whole world, when i hear the golden voice, i forget about everything, when i hear the loud golden voice. i'm not lying, i i’ll say openly, gratefully and bow to him, a russian-souled man, i’ve been in the dark for many years in the country.

the accordion sounds and gives people light, gennady zavolokin is unforgotten, he has lived for people for many years, in your own way, in your own way, you go through life together, you will harmonize with yourself, i forget. i know about the whole world, when i hear the voice of the golden edge, i forget about the whole world when i hear the voice of the blood, well done. i forget, anyway, when

i hear that... thank you for the meeting moore was behind the river, just like she was behind the river you sit and spin the aviaries like a river , look at me, don’t cyrus, i see only one person looking at him. he doesn’t sleep, he doesn’t walk, one gypsy doesn’t sleep, he doesn’t walk, here’s the sigremi, here’s the grain, here’s the sistors, you sit and spin, look at me, the kids are eager, i see, i’ll bury the little one,

he’s looking at the gypsy girl, he’s looking at the gypsy girl, he’s looking at the sun, here time, lost, these are the rubbish.

roki kok leli leli ali-lali leli leli. shyroki stood oh leli leli leli. oh leli leli.

kampaneva, samabelo. oh leli leli leli leli herself white blush ahalikavan alilitikam full of games black oh yo-yoli leli leli games black black blackgrove.

this is the ice that you will see from below, it was very cool, so, have you decided what you will cook? yes, i’ll cook muksun, i ’ll also cook local fish, why are you painting the ice for you, i’ll spread it on bread tomorrow, you’ll have such smarebrod, yes, the premiere, cooks on wheels, today is the first one. romcastra product stellar group vodka veda product lar group cognac old barrel

product stellar group burbon stirsman product lar group whiskey mancacher product steller group. eternal choice: city or village, why are you going with him, you need to wash, they will pamper you, they won’t take you outside, i won’t love you like that, i won’t feed you either. hedgehogs come to me, they love sausages, i’m surprised how much hedgehogs eat, i can’t feed them, i have a husband, you’re a florist, you signed up for some courses, your eyes are so innocent, you can look into them and you can forgive everything, let’s sing a song , let's sing, you saw the video, watch with us, the premiere, today is the first, a chance.

and he wears his hat on a panama hat, and his boots

wears for renovation, three chords, new season, watch after the evening news. the assumption white stone cathedral, the oldest in

vladimir, was built a little over 30 years in the 19th century, and anyone who comes to the city of vladimir, of course, rushes to it, and the orthodox rush inside, because there are unique frescoes and generally a very beautiful place of worship .

well, the weather in the city of kovrov, i’ll tell you, it’s cold here, and it’s manic, but your hearts are burning. little one today is such a veteran , yes alexander ivanovich, who is unlucky, well, with the weather was unlucky with the accordion, lucky with the accordion, lucky the accordion ivanovich got it from behind the edges, started what? you’ll have a custom one to play, and this is the funniest thing, he took it from a friend, but it’s not mine, it wasn’t you who ordered it, another person showed it, and you’re standing here like gogol with it, well, let’s play and we’ll play it in kovrov’s style,

i start to sing the chorus first elementary, i want to cheer up the sad audience, they make fun of me that i’m thin, i’m all yumchek, she ’s big, they say about me that i’m small, i’ll stand on a bench, the ceiling given,