they all the time thought that he was slandering himself so that something like this could not particularly complain, he was always feeling some kind of malaise, he was pinching himself all the time, well, there were no such clinics where to come, you you check all this, that is , the heart has already made itself known, and the heart has made itself known, it tingles, it aches, it burns, but he still overcomes it, and even these days he’s filming at night, and it’s still unknown what this... it will work out, this is the result, that he fell asleep and did not wake up, what a short life he lived, before his death he read a paradox about an actor, that’s how it is, he had a paradox about an actor , he opened this book, he did it, he lived only in the theater, he had no other life, all his correspondence is only about the theater, only empathy that here he is, he walked and thought about how he could play the mayor, because he had. preparations

were about to take place, the premiere was about to take place, he didn’t have something there and something like that was there, he walked around, looked for speech, he looked for a manner of speaking, he came up with let's continue, this is a podcast about the life of the wonderful, i am with you, its leading writer alexey varlamov, my guest is the rector of the shchukin theater institute, evgeny vladimirovich knyazev. and the rector of the shchepkin higher theater school boris nikolaevich lyubimov, i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work, about the vakhtamgo theater today, you know me, so i understand that you have played a lot of work in cinema, in the theater , probably a separate podcast could be dedicated to this, but after all, this is what is personally very interesting to me, i am very interested in zoyka’s apartment, because zoyka’s apartment was a play by bulgakov, which was performed immediately after the success of the turben days in mkha.

well, we were all - scattered there - in this performance, in this piece in the performance with these artists, but here we are alone and there is not a single one, neither popular nor honored, we were all the same year old, came out on stage and played this performance, so i am grateful, well , firstly, this is bulgakov, and the theme and pain, and who played the main character?

nikolovich, what is the colossal success of this performance, it’s big, boris nikolaevich doesn’t think so, but you don’t know, but really, i’m imposing my opinion, what do you say, yes, that a great success is beyond any doubt, here here there’s no need to even argue about the performance, about the work of evgeniy vladimirovich, i think that this is one of, so to speak, the keys to this success, such a one hundred percent fit into the image of the old prince, right? i have a more restrained attitude towards the performance, to be honest, well, nevertheless, that i have the right to disagree with the audience, with the opinion of some of the critics , and so on, and as a participant in this performance, i cannot talk about the performance itself, but there is something in this performance that makes the auditorium is being implemented. into the fabric of this performance, and

firstly into tolstoy, then into myself, i myself love watching my colleagues behind the scenes as they play. how they change from performance to performance, and the most amazing thing for me is that the performance ends at 12:00 at night, by this time not a single person well, maybe someone, no matter how there is such a performance from which people do not leave, the full hall does not leave, and until the applause ends, not a single person leaves, and i understand that this performance has made a ...

i played the most unknown, yes, and the queen of spades, because the queen of spades, as far as i understand, you still have a one-man show, yes, oh, i after that, i when when the play had already left the repertoire, he was the one i already did the spades a lady as a one-man show, but in general she was yes this is this these are two completely different things, because this is a dramatic performance, and here... for the hall a philharmonic society is needed, they suggested that i do a program, and there they chose and chose and said: can you read the queen of spades? i said, no, well, i was playing, but to read, these are completely different things, and then - somehow

it stuck, suddenly they called from the wedge, from the wedge from the tchaikovsky museum, they said, and we will do it now. we will have such a concert, where there will be works by pushkin to the music of tchaikovsky, so you can read something from anegin or from the queen of spades, that’s what he has a work for, i thought, let me try a chapter from the queen of spades , some piece, well, great, they got liza in singing, german in dancing, well, in general they collected everything genres. related to the queen of spades, and there i tried to read for the first time without playing the queen of spades, and it seemed to me based on the reception that this could be the case, then i decided to learn, already learn the entire work, now i play with great pleasure, it is in great

demand today , surprisingly, it turns out, because now there are also a lot of people who are trying to beat fate and... take it, yes, but pushkin wrote an incident, a fairy tale, an anecdote, an anecdote about three cards, it had a strong effect on the imagination, it seems to me that today we remembered perfectly and boris vasilyevich shchyukin, we talked about your work, this is completely unnecessary, let’s talk a little more about shchukin, something or about the school, our school too, maybe potential applicants are watching us, every person is born.

difficulties and hardships to come to this, we live much easier, today, no one is hungry, no one suffers, well , maybe not everyone there eats some kind of pickles, but there are no hungry people, compared to the same twenties, in the thirties, when people had to survive, he was a very rich man, because he had two coats, yeah, a demo season and a winter one, and everyone wore one. therefore, if you have the passion to engage in this profession, and this is me not without appeal, this is the person who comes will tell you that he comes, but those who come are us, i never argue with boris nikolaevich, who go to the shchepkinsky

institute, i don’t stop anyone, who at first treats us well, and then says: but we want to go to the shchepkinsky school , go, because each person determines for himself. our destiny, and since we have a graft of the vakhtangov theater, our theater exists only due to, or in spite of, the fact that during all these... long years, our theater, when it doubled, tripled, other theaters split in two, became upset, but we never we didn’t share, when we tried to stick to the same school, even when a very famous artist came to etush and said that i want to teach with you, he said great, come work for us, but only i would like to change the school, he said: oh, no, you will work for us according to the school that we studied, which we received from...