guys from the lighthouse, wonderful jazz connoisseurs, which are sometimes very difficult to find anywhere in new york itself, such was malengaur, with whom i worked for mikayan at the factory, he hammered boxes, so he hammered boxes, but he knew every thing of colman's ornate , there is desigelaspie all over the world, so we got some crazy discs to record at night with the condition that we would have a good needle, this is the basis of my current 49 and a half minutes of jazz, right? hello everyone, my name is caroline, my father is an optimist, so he thinks that i am half white. kvn, major league, new season, tomorrow after the program, what do you have in your hands? this is my autobiography, autobiography, read it out loud, read it out loud to yourself? are you going crazy, or what? this is a hiding place, which means a robbery,

i don’t think they would have taken off the crystal chandeliers and the gilded watches, these were not germans, not germans, who are the forest brothers, lithuanian partisans, why did you come to say goodbye, then climb to the front now, you you won’t tell this to me, to svetlana petrovna. "they wanted to either destroy our wounded or help ours, or both, in any case , the group worked, and if he is a traitor, i will shoot him, according to the laws of war, the story continues, from monday, on the first, from the command forest, ask for whatever you want, what is the secret popularity of this

theater? you can just lay out rugs somewhere in the yard and start playing, the whole world is on fire, god bless! there is a restaurant next to us and people come out of it, more tipsy, they think what kind of holiday is this, maybe they missed one, let's see first. join such fun is coming to us, not only the spectators who will then come to the theater, but also just strangers on the streets, these are my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be and not to be , they ask why you want to play the role of hamlet, just because it’s a good role, he would probably be a wonderful king, little bastard. premiere, vladimir vysotsky, i walked out

on the stage as vysotsky broke the chains, win! lyubimov as a director was eager for freedom, there is no stanislavsky system, this is all nonsense, there is a method of work of a great master. yuri lyubimov, man of the century. suddenly leonid ilich says: it’s a good theater, don’t touch it. april 23, on the first. i was accepted into the literary institute quite quickly after the army at the moscow correspondence department in the seminar of the poet lev oshanin, it was extremely funny, i studied there for 4 years, that is, i passed, visited tverskaya 25.

at the same time, i worked in the editorial office of a newspaper called valiant work, i called her a valiant corpse, naturally, i sometimes wrote three or four a day pseudonyms, including the pseudonym olga zhutkovets. the only pleasant time i spent in this newspaper was that i ran the fourth page after the first few months, on this fourth page sometimes i not only had carte blanche, but i managed to print something that was not allowed. was to print, how transport newspapers are lucky to have good writers, and how lucky it was that the newspaper was not bad, some were buzzing, yes, i know that this valiant corpse was read, for example, at the conservatory, which was very pleasant, of course, there in its own time i managed to publish a lot of collages by the young vagrich bakhchinyan, and children's poems by limonov, for which, in general, he received a neck. in the end

, he left the valiant corpse, what happens next, then a rather active interesting period is going on, i joined this group, writing completely differently than i myself would like, than i wrote, it was, now they call themselves the leonozov school, heinrich sabgira, igor hollin, khrikovchane, bakhchenyan limonov, for example, there were others, and but it was such a really poor moscow bohemia, uh, who lived on bad wine on good poetry, uh, and that lasted quite a long time. reading in workshops, getting tired of all sorts of persecution and so on, some part came into conflict with the authorities, became almost an official opposition, turned into dissidence, i remember this was discussed and my

position was simple, my goal and my own resistance was to write, that is , of course, it’s much easier, probably... to take a stone and go, so to speak, throw it at the window of the hospital waiting room, yes, but no less important, remain yourself and write, there was some an extremely bagen-liberal period, which many remembered as a very happy period, when all the girls were in bloom, when booze was easy to get, when you could run away to the south at any moment, when the... geshniks suddenly for some reason became gape, weakened, or they were too concentrated on dozens of figures, it was an interesting period, at that moment, missing a lot, i met one frenchwoman

of russian origin, who completely shocked me, and well, i said to myself that there was nothing even...

i must say that two weeks after this wonderful registration of our relationship with a girl whose name was olga, we quarreled with her, she came to moscow to see me, took a group for a week, for 3 days, for four to translate and everything else, it was fireworks every time, it was a crazy vacation, it was a holiday, and then she arrived.

“i need to go rob a bank, i don’t know, or start working as a shoe shiner in the central committee, that is, earn money, tried to restore some contacts with her, nothing it didn’t work out, she sent me in french in russian, which she did very elegantly with all the famous letters, but in the end she said: well, let’s try again, i ’ll send you an invitation, then the worst happened, and i knew that my homeland is my language, this is not the soviet union, this is the language in which i write, because the most important thing in life for me was what i write, that is , language, language in general as a language, and i told myself, ok, well, you eat and you will come back, because a language is a language, you will see how it is there

is happening with olga, you will sort it all out, everything will be okay, this is how my french life began, and i came to my beloved woman and after 2.5 days i realized that she was gone. and that you need to start from scratch and yourself, and if there was no romantic story, would you leave? no, most likely not.

journalism, this article brought me a contract for my first book, which i called “divided people,” and which a year later was published by jean-claude latas, it was a book, they called it everyday life in a union, but it was a mixture political genre and yet prose, because everything that was described was described as small prosaic stories, like what was happening. again, i was a little afraid to write about what happened to me, i even

told myself, don’t write, because many people do this, it’s like you’ll kill something in yourself, but then i realized that it was an exorcism, that it helped me to immediately throw off some big load, to free myself from something for a short while, the second thing that happened right away, literally in the first week i visited... two or three magazines in russian, which were published in paris, having visited them, i realized that i don’t want to publish in russian and never will. what we had in paris, our parisian portcot, it was a fact, it was immediately visible, that they only accept their people, from the softpeace, their former acquaintances, and that we are just as alien to them as when we were sitting underground, let’s say, in moscow, because they wrote for...

well, yes, i’m an absolute incorrigible bachelor now and a freelancer, that’s a pigist in french, what happens next, then i tell myself the following, a little so to speak, literally it was the first week, if i stay to live in a russian colony, i will never really get to france, so i immediately told myself, okay, no...

in spanish, just a man, yes, you can say, say, male chauvinist, yes, you can also say, i’m hardly a macho, to be a macho you need to constantly show, firstly, use the machisto code, the code will be, it means that any man is your enemy, because he can take your woman away from you, and any a woman is your woman, these are the basics.

have - some degree of fear, him you need to emphasize so as not to forget something, but huminghuy was naturally a match, he is a 100% match. yet, but himengui has spoiled many writers, a huge number of writers, and still continues to spoil them, because this possibility of sexual sublimation in prose, it is very tempting, and of many modern writers in russian, many are great heroes, such as james bonds, yes, in

prose, but when we see them in life, they are... ordinary family or non-family, so to speak, boys who, in general, are i have to say, i’m not at all ready for these feats, i don’t think i’m a macha, i’d like to try it someday. what happens next? then, naturally, when a person breaks out of his cage, he begins to travel, i begin to travel, i work as a freelancer for various magazines and newspapers, i find out what africa is, i fall in love with it, and i have been to

the states many times, in the east, in the west coast, naturally europe. naturally italy, naturally a dream, but always move to italy, which is impossible, because work from there or to earn money from there - it is very difficult, to freelance and live on it in france, this is of course a very harsh matter, firstly, in the anglo-saxon world, a freelancer is very respected, it is like an independent person, he is not called a freelancer, he is called just independent, that is , the editor-in-chief cannot influence him.

because that means, yes, it was a little bit later, when we were approaching the end of the jamming, and i compiled the format of what we call a jazz program, it was accepted and i was extremely happy, because i i could do something that makes me extremely happy, i was given carte blanche, i could start collecting disco, choosing records, doing interviews, i worked between munich and paris and we launched this program. moscow, i wrote it for the olympic games, a very funny book, the french

know very little about russia when they go to the union...

uh, after which there was a short pause, from which i am coming out now, i have several books in mind there were several, these several books, they are at the stage, so to speak, half written, but one of them is here is coming to an end, i hope to publish it in france next fall, it is called pasede compose, fikkur sampal, that is , roughly translated, a destroyed past, a simplified future.

us camp, but i’ve been living here for 14 years, i already have it here, i already have it here, because time is a river and it’s impossible to enter twice, russia for me is not a problem of geography, by no means, it’s a problem of time, geography absent, it’s easier for me to get to new zealand than to russia, with all that, i really, i have a lot of friends, i i love, i love... this language, despite the fact that it has been changing monstrously lately, gulak has thrown good tubs of his slop into it, then i don’t know whether it’s necessary, in

principle, but whether it’s necessary, so to speak, here can you tell me if i need this? what is happening at the present moment is a completely natural set of difficulties, a monstrous, so to speak, set of difficulties, but this is a return from... from the future, yes, you, us, you were thrown into the future, a false one, and the future at that, and return to the present, extremely difficult. kirkigar, at the end of the 19th century, came to the conclusion that a person who falls out of the present, he, he, this person is unhappy, which means what are the possible combinations: either a person lives with memories of a happy past and is absent in the present, or a person lives in hope of a happy future, our soviet. option and is absent in the present, or he lives a combination of a double happy past, hope for the future and again absent in the present, and

reality is created only when a person lives in now and here, now and here, yes, in any language, only then, only then is he mentally healthy, only then is society mentally healthy, soviet society was so overloaded with myths, here we can make another footnote, a footnote about nostalgia, nostalgia in any sense, nostalgia is not only nostalgia for some reason that is impossible at the moment,

but it is nostalgia for yourself, when you were younger, everything that is included in the complex of what surrounded you, you were stronger or you were i don’t know, faster, more alive, how do you think that what would have happened if you hadn't met ah? their french wife and didn’t leave, but as an option for life, i would write, i know that you are sitting at a table in a st. petersburg cafe, where they play programs from 49, i haven’t heard anything from you for a long time, like canals and bridges, you know, 49 - this is also a bridge, these are two bridges, across the neva and the seine together, oh baby, zoya borisovna. personifies the century, all her life she has been doing what she loves, she creates centers of culture around herself, not to mention her literary works, which have been translated

into many languages. 100 years is a must they will write harmful things, a special attitude towards talents, she felt them right instantly, she is an amazing girl, at 100 years old, she is a very young person, i can’t live without work at all, i have to go somewhere... for the centenary of zoya boguslavskaya premiere tomorrow we'll be back in the fields first.

the simple boy benito mussolini would never have achieved what he achieved if it were not for the ardent support of educated and thinking people. his comrade-in-arms was the prominent italian philosopher giovanni gentile, he published the first programmatic fascist text, the manifesto

fascist. intellectuals. thanks to talented creative people, italians of all sizes decided that they were special, and therefore they had special rights to manage other people's lives. premiere, ordinary fascism. two. on monday, on the first. often in a professional environment. there are stars who enjoy well-deserved respect, but are unknown to a wide audience. today we will introduce you to a man whose work is becoming more and more interesting day by day both in the west and here at home. this is the director of the circus and theater, valentin gneushev.

i came to school to become a clown, but i can’t say that i studied poorly, i studied quite well, diligently, but my

teacher. “kashtelyan, sergei andreevich, he forbade me to be a clone, because he said that you should work with artists and help them become real artists who are related to the art of the circus, and not to the circus that surrounds us, because period. .."

fantastic reality, a circus that is unreal is very dear to me, the circus that i want to make is not essence.

i prefer the circus, which is like a myth.

fire in the star, colors flying through her mind, desert. earth touch the sky, here are the place where she will die, she's looking far away, it seems there is no escape

from the prison without boss, only to follow the bright star, she's running all the way, fatta morgana, only, only yesterday.

sometimes old or traditional circus figures reproach me for the fact that i don’t understand whether it’s a ballet or a circus in general, a trick. this is not visible, it is not a dogma for me demonstration of a trick, my dogma is the demonstration of a human being who is capable of performing a trick. i believe that a real artist, a real artist, a real politician, is individuality in plastic manifestation and even in trickery. after all, he stood up wonderfully. vyshkov stood on the podium and laughed at all the deputies, he had some kind of special gortysky dignity, the dignity of self-confidence, there was a feeling of a very strong person,

just some kind of acrobat, it’s just the trick, so take it, it’s just fantastic, because the audience felt his dominance, a real artist. the circus is the bearer of his talent, he does not play hamlet, he presents himself, of course, there are second- and third- class performers there who rise in price to...

what i do in the circus is probably the vocabulary of an emotional state brought to trick.

wir schlaufen sicher bis zum morgen, ob menschen noch so grausen sind, oh jung frasen, fraser.

work with specific material, i do n’t mean artists, but dramaturgy, but stylistics, although it is very difficult here, the novel used me very correctly and selfishly in the play phaedra, the maids, he, i know perfectly well what he would like, and he, of course,

invites me, because he himself cannot do this , but he madly wants it, madly wants this to take shape, because he is an overly emotional person, choking, you know, but here it comes out, as they say, painting is a woman’s business, and graphics is a man’s business. and i come, really, doing graphics for his performance, it’s beautiful. beautiful, do you know what's wrong with you? you're lying, guess what, your eye is cunning, a bitch eye, it’s all about illusion, you arrived at your

apartment, so, in reality, what? in fact, this is no longer your apartment, it is mine, no longer mine, because this apartment was given away by me, to whom my heart was given to my lady, maybe something else. woman, whore, it can be more difficult, the sun of my soul, so, everything is paid for, auntie, ask why i gave her someone else’s

apartment, i really wanted it. donate, of course you may not agree to continue running around the police and so on, what will happen to you then, it’s disgusting to even think about it, what i today is kind, gentle. in short, or do you take two pieces? no, mower, if you are enough, you are immediately taken to the station and put on a train, or you continue to fight for your

absolutely fair right to an apartment. i’m not going to share roman viktyuk’s pie and i don’t think that even one tenth does not belong to me, i felt that i needed to take a little break from it. now , almost 3 years later, he invited me, and he invited me quite persistently and persuaded me to work with lalita, because you understand that such a valita, it’s so easy to do

, without this performance for me, let’s say, even some kind of milestone in my life. maybe after lalita i began to undress my artists , olya, que coisa mais linda, mais cheia de graça, ela menina que vem, que passa, num doce balanço o caminho do mar, moça do corpo dourado do sol de panema, seu balançado é mais que um poema. é a coisa mais linda que eu já vi passar, ah por que estou tão sozinho, ah porque tudo é tão triste, ah

beleza que existe galisnar? and nudity - these are two different things, if we understand that our body is capable of not being ridiculed, because i undress harmonious people, why should we hide our breasts, why should we hide our neck, thigh? i don’t know, but all the ancient gods were half naked. and that was the beauty.

i often turn very much, so to speak, to the legends and myths of ancient greece. i am very happy that i worked with such young actors as dima pevtsov and lyosha serebryakov at

the nataganka theater, who participated in the play, and are participating in the play phaedra.

it's the fleetingness that i want to capture. and this is the biggest task, i’m so afraid to put medically in terms of some kind of bias of the body, perception, some kind of complex perception of the nail or youth, i’m afraid that this will irritate me, as it happens to jealous old people, young people irritate who kiss or who are exposed, they... begin to get angry because it’s gone from them, they have terrible pathological jealousy, this is what i

’m most afraid of, i think that if i save it, then maybe i can become wise, this is the most the biggest and most difficult task before every person is to become wise. goodbye for today. that’s it, the program was hosted by konstantin arnst, until

with fabulous ease the provincial resort turned into the capital of world cinema, mr. wenders, why are you repeating yourself, but i’m not repeating myself, my god, are there no doors, in this film i play a negative hero, i’m an avenger, i just left my rights, the script is real literature. thousands of journalists came, this is not a movie anymore, please be careful, jack, damn it hurts, i feel like i 'm made from one piece of cinema, from head to toe, thank you for being here matodore, next saturday at the first, this is

a festival where there are films for everyone, this is cannes. hello everyone, this is tatyana gevorkyana and not a bad thing. today we have turned our studio into a thriving laboratory. we will study the art of alphabet. what it is? let's figure it out together with perfumers kirill. and polina kazakova, what kind of profession is perfumery, and where is it studied and is it necessary? study or is it talent? of course, there must be talent at the core, or at least some kind of inclination or love for perfumery and interest, but is there any need for a heightened sense of smell, the sense of smell is trained, it’s like a big muscle, the alfactor memory is trained and the sense of smell is trained, if an ordinary person can

listen three or four notes and his nose gets tired, then... he can listen, but 8-10 hours a day and his nose is trained, and of course you need to learn this, i studied myself, i studied for a long time, this process is definitely long, and i still more i’m learning, i think every perfumer learns throughout his life, and by the way, i wanted to add that it’s never too late to start making perfumes, because in essence our olfactory bulb is the center of the brain that analyzes aromas, it develops throughout life , that is , you can improve your sense of smell at the age of 20 at 60. how did you even understand that this was interesting to you, how did it start? in 2018 i wanted to create my own perfume brand, before that i was a marketer, worked in marketing for 10 years, and after looking at the shelf, i realized that - in stores there are no russian perfume brands that could compete with foreign ones, i searched all over russia for perfumers, realized that there were none, and decided to become a perfumer myself, i

studied at the city institute of perfumery, this is a course that allows... to learn the basics, further, as kirill said, yes, but as kirill said, it’s true that a perfumer must constantly improve his knowledge, study, study, it’s like an architect, for example, if you graduated from an architectural institute, you first need to build something small, bigger, more, more, at the end of your career, you can only do some global things, well, i went into the perfumery of the country of chemistry, that is, i researched the compositions of fragrances, i saw a lot of these compositions , i learned how to make them myself, that is, this is what i like about perfumes because... you invent your own science, you develop your own thinking, and no one can instill it in you, only it is yours, from 2024, together with the mendeleev russian chemical technology university, and we are developing a program that will produce perfumers, technologists, perfumery and cosmetics production, it will be a two-year master's program, that is, it will be a master's program that will train a chemical technologist who can

create formulas for perfumes and candles. it turns out that it was invented in russia, in general, in principle, we had an institute for the synthesis of chemical substances, fragrant substances. and how the process of creating fragrances happens, it's like a chemistry laboratory where you sit, mix aromas, or you get some kind of inspiration when you walk through the market with spices, where these aromas are mixed with the aroma of flowers, and you think, well, this is the

very aroma that i want to recreate. no, the aroma begins with an idea, so after the idea appears, there is also inspiration, even from the eastern spice market or travel or by sea. a salty sea wave can just give some kind of inspiration, inner strength, you want, i want to make this fragrance, you go to the laboratory, select it for each fragrance that you have in the perfume composition that you want hear, a certain component, you make up this formula, catch the balance when you hear that i came exactly to this sea wave, these are these stones heated in the sun, they smell like that, that’s when the idea was realized, that is, perfume begins with ideas. sometimes an idea can change, that’s okay, there’s nothing wrong with that, it can come during the creation of perfume, another idea, here, but they are taken from some different places and in a completely random order, but really, like perfumers, this is

art , this is not science and in no way science, but as an ordinary person it’s very difficult for me to understand, for example, as polina said, i want to recreate the aroma of salt water of stones heated by the sun, what is this, for example, from what you... brought, what did you use? well, for example, we take mineral notes, but we can take adoxal, we can take aldehydes, or ambraxane, yes, let’s - for example, this just smells like salty sand, yes, salty sand heated by the sun, this one aroma will not convey , of course, the full picture, that is, here you need to add, add citruses, and in order to feel the explosion of a wave, this one, it’s like... a sea brist like that, yes, yes, indeed, but if you add it, for example, the same ambraxane or citrus notes, then when combined together, they

will give a feeling like this this breeze or stones heated by the sun, this is ambraxane, in fact, it adds to the sea the feeling of air, the feeling of salt, together, ambraxane is what is used in perfumery as an addition, yes, to reveal. can also serve as an addition, that is, as a functional note, and it can clearly be heard, for example, very familiar, yes, yes, yes, it is in almost all perfumes, and also take this, this is strange, this is something very strange, this is just adaksal, this is salt water, that's right, take citrus notes with sand, this is clementine, clementine essential oil, this is how a perfumer works, we take several blotters, put them together and understand how it sounds in that direction.

put it and maybe, we don’t know, we can’t have an extra one, wait, this is some kind of dead meat, but the doxal is completely used in micro concentration, now we have torn off half, move it to the distant plan, you can even use one finger, that is, this is what is called, as there are predominant notes, and dominant dominant ones, and there are such secondary ones, yes, but this does not mean that they flogged. and not the main ones, they are all together, that is , maybe a fragrance has been created, take flowers, the same ambraxane, some leather notes, but if you want to add a little saltiness or minerality, a microdose, then

some kind of aroma is added as a percentage this or that aldehyde or some other aromas that permeate this perfume and it becomes special, and how do niche fragrances differ from mass market ones? well... by sound, of course , by sound, since massmarket is, well, perfume for the large masses, as the name implies, they are the main function of massmarket - to smell and everyone likes it, because of this , massmarket has no character, that is, when you smell, you it smells either like a freshener or something abstract and incomprehensible, but it’s not very correct to say selective niche perfumes, because any scent can be selective, the one i choose will become selective, i can choose the mosmarket, that’s what they notice. because they have a more obvious character, and because of this they lose a lot in the audience, that is, someone doesn’t like flowers, someone doesn’t like skin, yeah, we immediately cut off this part of the people, and the essence of niche perfumes is that they are most often

unisex, in order to attract a little more audience, we cut off a very large part and combined them a little, and if you look from a commercial point of view, niche perfumes have almost there is no budget limit, the mass market should cost concentrate. a kilogram, for example, 50 dollars, from a kilogram of concentrate you can make a huge barrel of perfume, when we make low-end perfumes, we can use those rare oils, even... these are the most expensive, the cheapest, tell us what is the most expensive, here dear rose, absolutely dear, i have vanilla absolute - what is it, and this is an extract, madagascar vanilla - 13,000 euros per kilogram, here that’s 10 euros for cakes in this quantity you add, out is 40, 4000 euros per kilogram, what is it made of? in fact, this is

a tree that was eaten by a fungus and subjected to it, how many thousands of dollars am i now inhaling 13. here is 10 g, this is what it smells like 13,000 dollars, smoked sweet and a little leathery, that’s just vanilla, if it’s not vanillin, yes , which is added to baked goods, real vanilla is so perfumey, it is not sweet, it is so leathery. what are the cheapest components? the cheapest ones, well, these are the ones that are used everywhere in household chemicals in powders, these are it could be limonene, it could be musks, it could be aldehydes, so we showed it so fresh. is it possible to inhale your aldehyde?

you can, of course, it’s an aldehyde, you have a lot of them , which is c10, and i have c12, let’s compare now, we didn’t agree in advance, this is the same class of compounds, but they come in slightly different structures, this is such a pure powder, i think i’ve stopped feeling, but after drinking some water, well, i ’ve lost my sense of smell, c-12 is the aldehyte that sells coconut. by the way, yes, very often in stores they offer to smell coffee, because it seems to refresh the receptors, and i noticed that this does not work, so kirill confirmed my words, yes, it does not work, since it is another smell that is also strong, maybe even stronger loads your nose, here it only works if you’ve smelled very few aromas and you just need to switch from the previous aroma, you... you smell coffee because it’s

a familiar aroma, you switch and you can smell another one, but if you smell a lot aromas you sniff it, it won’t work, it’s best to drink water by the way, you can ask for water in stores, i think they’ll pour it for you, or go with a bottle of water, well, by the way, aldogite is not bad, it’s easy to clean, right now it’s an air freshener, because in many air fresheners contain a lot of aldehyde, they are cheap and yet they are integral in perfume compositions. here are any beautiful, expensive components, if you mix and don’t add something that will invigorate them, like the bubbles in champagne, then they won’t sound so beautiful, by the way, there is something about champagne perfumery, in which this champagne aroma is added, is given, of course, this is an accord, yes, that is, from champagne no extracts or natural materials are obtained, i really like alcoholic notes in perfumery, it’s often juniper, if genie notes are like that - i really like the notes, yes.