tv Vladimir Visotskii 1TV April 24, 2024 12:00am-1:01am MSK
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gestures: since soviet times, in russian times, we have emphasized our readiness for the broadest and closest cooperation, provided the right of access to our resources, to our transport capabilities. i don’t know, i’ve been dealing with relations with this part of the world for many years, i don’t know of any serious military attacks on our part against these neighbors, if...
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small islands adjacent to taiwan, the epicenter of military-political tension in this area. as for europe, there, of course, we understand perfectly well that it is pure demagoguery, our president has spoken about this many times, and i think that serious politicians actually don’t have the slightest doubt that russia is not going to attack anyone in this very europe, i would even say more, sometimes i say this , when... we have to discuss these topics with
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some foreign partners, what do you know, well, if they paid us extra, we still would n’t take this thing that is adjacent to us, because, god forbid, i want to cross myself, so that more of this, as they say, will not come close, and even if possible it would be nice to fence ourselves off with some kind of impenetrable fence, we would do it with pleasure, but the point is that look at the paradox, the paradox is completely obvious, which is clear to everyone, we... they say that russia has approached the threshold of nato, that is, they expanded five times, took steps in our direction, it turns out that we are closer to them, so of course there is a lot of speculation, small countries, the same as i call them, the republics of the former soviet baltic states, they are simply trading in russophobia, but they don’t have any other products, so to show themselves as such cool guys, well , actually, something might break off, so what?
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if they are seriously afraid of anyone, these are the countries you mentioned, then it is not us, but china, and they are interested in us precisely in the context of our cooperation with china, first of all, in order to maintain tension, including among our borders, we need to spend a lot of money, and the debt of the united states, the internal debt, is already three 130% of the gross domestic product, that is, they are eating themselves up, including supporting it.
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that the west did not think very well, did not calculate very well when they decided to provide such blind support to ukraine, for some reason they decided. that their security increases from confrontation with russia, it seems to me that this is a very short-sighted approach. it was a great game, we'll see you on the air tomorrow.
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we've been playing for 10 years, and it's called 10 days, which shocked the world according to john reed's book, and brought the classic hamlet, why was he sent to england, just like that, they sent him for the bag, so they corrected it there and it's not trouble, why so, and so everyone there is so crazy, okay, how did he go crazy? yes, in general they say it’s very strange, well, what kind, exactly what kind, well, you’ve gone crazy, yes, well, on what basis, but everything is on ours, on danish, i’ve been here for 30 years since i was a child, please tell me, for how long?
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is undergoing a constant process of renewal, the taganka theater is dominated by a tireless search, a bold experiment, it is cramped within the framework of the usual dramaturgy and it bravely creates its own, the stage is not enough for it, it transfers the action to the fayet. for power over the summer and as one we will die, the capital has gone to us,
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the american director, and the artists from milan and the residents of copenhagen all share the same thought. art makes us clearer and closer to each other, how much poorer and more desolate our life would be without it. 8 years ago, in the building of the moscow drama and comedy theater, which was without a taganka prefix, just the moscow drama and comedy theater , a group of young actors led by yuri petrovich lyubimov, honored artist of the russian federal socialist republic, laureate of the state prize, he staged the play the good man from xizuan in his final year at the shchukin school. it seems to me that you were too hasty in promising money, it could cost her the shop, they say
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my cousin sell her shop, leave your friends, i understand that you have the intention of marrying a shint, yes, i’m ready for this, oh, so how can you, in that case, don’t let go a shop for a couple of silver dollars, when you need to sell quickly, you always get less, respect, i will receive 250 dollars a month, oh, 250 dollars a month is a lot, but what did you think, i fly for nothing, what a position? it was meant that this theater is conventional for us, after all, and the play the good man from
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xizuan was done in a conventional manner, it was meant that these were the small streets of some small town, that’s why people walked at such right angles, in this performance there were a lot of very songs, and songs, music based on poetry brecht for these songs was written by the actors of our theater khmelnitsky and vasilyev, it was a young, perky group, and of course it was decided to keep it, everyone was very happy, especially... the guys in this group, and of course, the director yuri petrovich lyubimov, this and was the beginning of our theater, which became known as the moscow taganki theater, i understand my cousin and don’t see any particular reason why she shouldn’t follow the attraction of her own heart, my cousin has the right to share the joys of love, and i’m ready for everything that is here turn into money when we can get the day after tomorrow, you will have time to think about it, i give... and i do it solely for your sake, because, as i understand it, we are talking about happy,
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young love, boxes, bags, pots, everything cocky and ends with embarrassment, but let me ask you, do you have money for a trip together for the first time, don’t get into the bottle, old man, don’t get into the bottle, old man, don’t get into the bottle, and i don’t, but for two it won't take so little, for two, but i'll leave the girl here too, at first she would be for me... frankly speaking, like a callus on my foot, i understand that you are staring at me like a leaky oil can, you can’t jump higher than yourself. and on what means do you think my cousin will live? and i hope you’ll come up with something, i’ll try, mr. yanksun, return me 200 silver dollars until you bring two tickets, listen, brother-in-law, i would really advise
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you not to interfere, you can safely entrust the girl to me, but you seem... to have forgotten that my human cousin has reason. u she has no mind. she was humiliated for too long throughout her life, poor animals. so when i put my hand on her shoulder and say, will you come with me? she hears the ringing of bells and even forgets her own mother. we had a very difficult time with the repertoire; for a long time in a row we played only this performance, good man and sezu. 20 times a month, but then little by little we staged several performances and created our own repertoire. we have been working for 8 years and for 8 years we have always sold out, there has not been a single performance where the hall was not full, and this is the reason. you you know, when you come at 9:00 in the morning, and we come to our theater at 9 in the morning, because
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our actors strive to ensure that the actor is synthetic, that is, we do acrobatics, plasticity, movement, music. so we start warming up an hour before the rehearsal, we do acrobatics, on mats, sports, we do plastic arts, pantama, that's when you come at 9:00 and see frozen people near the theater in the winter who stood in line and celebrated on their hands, wrote numbers, then about just after that, well somehow the hand doesn’t rise to play at full strength, you know, we never play, the hand doesn’t rise to play at full strength. if so with humor, we always play to our full potential, this is a distinctive feature of our actors of our theater, i must tell you that people who come to our theater, leaving the performance, say, some say, well, how did you go to the vologda wedding, this was the writer yashin, he wrote this on the wall of our chief director’s office, some say that we are even tired, but one thing can be said
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it is certain that there is never a dull moment in our theater, maybe... you like it, maybe you don’t like it, but tastes are different, in any case, it is always a bright spectacle, and i think that this is also the secret of success, because art is not may be formless, there must be a bright form for the embodiment of each performance. sun, you haven’t even settled with the bride yet, why would we blame him, but for the future, when the groom won’t need to rent a windbreaker. "i'm delighted with my own son, i always told him he can take any and what is he telling me now, i’m marrying for love, mom, money isn’t everything, why are you in a hurry, the reward increases accordingly, before the wedding, i would like to give you a small entrance
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exam, this is not at all useless in our time, when marriages are concluded so quickly, i have no idea what kind of wife i will have, and this worries me, so, will you manage, for example, to make five cups of tea from three tea leaves, no, sung, this is impossible, well, that means i will without tea, can you lie down on a mattress the size of a prayer book, just the two of you, alone, in this case no, oh, i 'm in despair that i'll have such a wife, we thought we'd make do with one jug of wine, dear chanté, "your cousin is keeping you waiting too long , mother, my cousin, my dear, we are waiting for him, i adhere to the old rules, i believe that such a close relative could be present at the celebration, you must tell your mother that nothing will work out, your cousin will tell me about this, how i hate this city, but i have to, i have to return 200 silver dollars to the risers
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, leave me to take care of business, we will settle everything, my great brother can’t come, how can i understand this, he’s not here anymore, maybe then you’ll tell me how..." do you imagine our future? i thought we had there are still 200 silver dollars, we would return them to the old people and start selling tobacco, forget about it, so i can start selling tobacco on the street, i'm a yangsun pilot, but i'd rather throw them into the river, i'd rather spend these 200 in one night, yours cousin, he knows me, i agreed with him, he will bring 300 to the wedding, no, he's not, he won't bring 300 to the wedding, where i am, he's not there, how mysterious, know, zhasun, know, he's out of your hands, he... won't bring 2300 to the wedding, he said you bought one ticket, it was yesterday, but look, i’ll show him two tickets today, for me and for you, the old woman shouldn’t see them, i sold all the furniture, sleep, don’t show me two tickets, i...
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for example, this well, what about originality, why is theater like this, i’m talking about the brightness of the spectacle, i’ll give you the staging of the play 10 days that shocked the world very much briefly. this performance, its poster reads like this: a performance with slapstick, antlers, circus shooting, this is not to lure the viewer, but this is actually the case: the performance begins on the street, when the viewer arrives at half past seven, approaches the theater, we have flags flying on the walls of our theater, the actors of our theater in the uniform of revolutionary sailors, soldiers with accordions, bolo-likes and guitars, playing these instruments, sing revolutionary... songs, chistushki, there are such funny, interesting episodes, we have a nearby restaurant, and from people come out, more cheerful, they think what kind of holiday, maybe they missed one, join us, there is such
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fun even not only for the spectators who will then come to the theater, but also for just strangers on the street, well then, when you enter the theater, you are not greeted by fiction writers, but these are the actors of our theater, dressed as revolutionary soldiers with bandages on their arms, with ribbons on... their hats, with bayonets, they tear off a piece of the ticket, impale it on a bayonet, let you through, you enter faye, decorated for the time, for that time, for the time of the revolutionary years old, there are posters hanging, a lot of revolutionary posters, a wooden platform and pyramids of rifles, on this platform the actors are still singing songs in the foyer, cleansers, you enter the hall and think that finally we will rest, finally we will lean back in our chair and it will be normal... our room is small,
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which means they shoot, of course, with blank cartridges, but there is a lot of sound, it smells of gunpowder, this invigorates the viewer a little, sometimes they even take some faint-hearted people into our foyer, where they drink narzan there, but since it’s difficult to get a ticket, then he comes to inspect what what, why are you yelling at me? i’m not shouting, i’m calling out, where is your artillery
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? great bows, and the seventeenth division refused altogether, why, he says far away, i don’t understand anything, they have a commander, alexander fetrovich, we are in a ring, i ’ve identified you. posters, there is truth and slapstick and circus, well, here begins the justification for this very pantami and dramatic scenes, this is 35 paintings solved completely differently. there are no decorations on the stage, only the location of the action changes, we have a lot of light, our lighting crews experiment, so to speak,
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the light is different all the time in each performance, so we play 250 roles in this performance, we play several roles in one and the same same play, there is water, cold water, i am water, water water, the blue shadow of the past i play an anarchist, so it ’s just such a cycle, you have time to change clothes, change your overcoat for a peacoat, a sailor’s coat, after that you change clothes again
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in kirensky, such a stylist. costume, we play some scenes in masks, and some realistic parts in this performance we play with our own faces, my god, this is for me, this is for me, citizens of unfortunate russia, but russians, brothers, i am addressing you, my friends, isn’t it the truth , that some authorities live in palaces surrounded by parks with fountains of swans, spilling caviar for breakfast, here you, other citizens, don’t even have a bar of soap,
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i don’t have anything, really. it's good that there is no bread in the market, the fisherman has no fish, the city fathers ranting about sabotage of the lower strata of the population. don’t you see that people have lost the thread of what is happening, and the ruling spheres have changed the sense of the real, the sense of legal good has changed, i will return to you everything that is lost, these are my slogans, creation.
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discussion, i will repeat this again until i prove to everyone, even if it took me 10,000 years for this, well, who can promise more, no one, never, nowhere, no one, never and nowhere, the time of joy and insight is coming, i feel what's coming, the world is just around the corner, women can give birth, the light of humanity, the democracy of the west, which has passed the path on which we are just setting foot, hold, hold, genius, long live, under- brass, long live, over-torn, long live, people of power, what is the secret of the popularity
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of this? theater, there are several reasons for this, in my opinion, again, i’m only saying what i think, well, firstly, the theater has its own position, 14 years ago we, in the play “the life of galilee by brecht,” seemed to declare our position, position, civic, position, if we talk about the artistic side of things, then this is the tradition of street theater, when you can simply lay out a rug somewhere in the yard and play everything, including ancient greek or shakespearean tragedies, when nothing is needed except the desire of the audience and artists to have contact with each other , to tell some something that interests people, and to others to want to see it, to understand it, you need a share of your imagination, you must be participants in this action, imagine that the action takes place, well, let’s say, the life of galileo brecht, venice, in gen. here instead
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of these domes, cathedrals, there is decoration on the stage that helps to more fully reveal the meaning of what is happening on stage, there are gates that sometimes open towards the audience, there is an opportunity to simply go out to the audience, cast, play a role, go out to the audience and talk to them either a monologue or a zong song, because we have a lot of songs, a lot of so -called zongs, this... poems that should be performed to a simple melody, rhythmic directly to the audience on behalf of the theater. true, skinny, angry, naked, crawling out on her workbench, she removes our souls with shavings, chops us with an ax, everything is in
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holding the play and in order to have even more direct contact with the audience, so we go out to the audience, sing or address them with a monologue, so the scenery in general for this kind of performances is of enormous importance, but only not naturalistic, but figurative, or perhaps poetically executed scenery, let’s assume there is such a performance, we have pugachev, the action takes place on the banks of the yaek river, this is a dramatic poem by yesenin, we have no river bank, no steppes, coastal , and there is a platform made of roughly planed boards, which goes down, like this, to the oval stage, to the audience,
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in front there is a block, two axes are stuck into it, sometimes this block is transformed, covered with gold brocade, turns into a throne, and the axes turn into armrests throne, the empress sits on this throne and... and these interludes were written by nikolai robertovich erdman, now no longer living, a wonderful, wonderful writer, playwright, a very close friend of yesenin, so i think yesenin would not be offended by him for that that he wrote these interludes. and
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the court and the empress take part in these interludes, at this time we are on the platform of 14 sen characters, i play the role of a flapper in this performance, this whole tangle of bodies, we play the butt from the naked barefoot. with a chain in his hands and axes, and this whole tangle of bodies with each the further picture, with each subsequent action, gets closer, closer, closer, closer, closer, closer, to this chopping block, in this there is already some kind of poetic metaphor that says that the uprising will choke in blood, that the rebellion will be brutally suppressed. crazy, mad, what are you, death or healing to the collection, spend! take me to him, i want to see this man, i 've been looking for your noise for 3 days and nights, the clouds of the north were falling like a pile of stones, glory to him, even if he's not peter, the mob loves him, enjoy
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the riot, i've been wandering for three days and nights on tracks, the elephant looked at luck with his eyes, the wind ruffled my hair like straw and flailed the rain. cashed, but a weakened heart will never get lost, it’s not easy to knock this head off the neck, the orenburg dawn of a red-haired camel dropped milk into my mouth, and through the darkness i pressed the cold, gnarled udder like bread to the exhausted eyelids, lead me, lead me to it, i want to see this person, “take me, take me to him, i want to see this person, well, that’s what i told you, what about character roles?”
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" : an opportunity for this, well, suddenly i played galileo and hamlet, i think that this did not happen suddenly, but so to speak, probably the director looked closely for a long time whether i could or not, well, i’m like... a person, and since our theater is conditional , and we , we don’t, i repeat, we don’t glue beards, but most of all he is interested in the human mustache, we don’t make gray wigs, for example, galileo, i play without makeup, although at the beginning of the play he is 46 years old, at the end of 70, and for me, when i’m on...
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that he made a huge mistake, that he renounced his teaching, that this threw back science, and he, despite the fact that before this was a decrepit old man, in the last monologue i speak this monologue on behalf of a mature man, but absolutely healthy, who is in full health and mind, understands perfectly well what he has done, i will now show you a little from this monologue. scientific activity, it seems to me, requires special courage. science spreads knowledge obtained through doubt, obtaining knowledge about everything and for everyone, and strives to make us all doubters. but the rulers plunge the majority of the population into a sparkling fog. superstitions and old words,
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a fog that hides the dark dealings of those in power. our new art, doubt, delighted thousands of people. they snatched the telescope from our hands and pointed it at their oppressors. and these selfish rapists, greedily appropriating the fruits of scientific work, suddenly felt a cold, probing feeling on them. the view of science, they showered us with threats of bribes that weak souls cannot resist, but can we renounce the majority and still remain scientists, the movement of those who rule over people is incomprehensible, thanks to doubt the fight for the right to measure the sky, but thanks to blind faith, the roman mistress is losing everything... everything is losing the fight for milk, i am now working
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on crime with punishment and will play the role of svidri gailov, the staging in our theater, which will be on, is called not a crime, punishment, it is called radion romanovich raskolnikov taken more. the whole story is that this is how svetrigailov says about him, that he invented a theory that he is unable to step over without thinking, because of this the child suffers. sofia semyonovna was talking with radion romanovich, and i eavesdropped, you eavesdropped, yes, yes, yes, he's a killer, your brother, no, no, no. “no, this
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cannot be, this cannot be, lies, lies, if you know it, i myself would not believe it just like you if they told me from the outside, but i believed my own ears, here a kind of theory, napoleon was very fascinated by him, he suffered and is still suffering, only from the fact that he managed to invent a theory, but was not able to step over it without thinking, because..." the age is not brilliant, and this is for a young man with pride humiliating, one that century and especially. is he really a novel about all that... was troubled in this world, let’s put it in a special order and never was, mind you, it’s a novel that time is becoming more playful, russian people, general people in general, especially your sister,
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so what , can i tell you? let's kill, oh, damn it, why is she so good, it's not my fault, i didn't give the snake, just a mask, and the masquerade will end now, this time i failed, in fact people, it was the last time, well, of course, test meetings, evening conversations, teachings, teachings, begging, begging, even tears, the fact is that schoolchildren, especially young people, write a lot of essays, for example, essays under the title of schismatics, the hero of our time, yes, yes,
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true, true, that’s what they teach in schools that some children, and i think the majority of those present and i, up to a certain moment , thought so and felt sorry for him, dostoevsky? did not want this effect in any way, and often emphasized his arrogance in communicating with people, in the fact that fellow students did not like him because the convicts beat him for the fact that he did not want to pray, all sorts of strange things that many people passed by, this routine explores the problem of a young man, in my opinion, in my opinion, it is very modern now in connection with what is happening in the world about the terror of all that.
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because a good role is a brilliant role and the best role in world drama. the time was cruel, people ate meat from a knife, slept on skins, in general, this man who was ready for the throne, and if fate had not turned out this way, if he had not been on at this junction of times, if he had not been at the university, if such a strange story had not happened, he would probably have been a wonderful king, let's say... he is crazy, it is necessary to find out the reason for this effect or defect, because the effect itself is defective due to the reason , and what is needed is what is needed, what follows, i have a daughter, for my daughter, this is what my daughter gave me out of obedience, judge, listen, i will read, the heavenly idol of
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the beloved soul, this is a bad expression, hackneyed expression, not cursed, hackneyed expression, listen further, to your white breasts, well... “that means it’s good, i ’m making love, and my son is not so scary, i refused that he was all like this, but if he had an affair, it’s wonderful, in any case, he was raised in a very cruel century, therefore, there is a lot mixed in hamlet, in it, on the one hand, he has in him the blood of his father’s entire family
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on earth, who thought so seriously about the meaning of life, what he was angry about, that without fear of consequences, he spends his peace in his spiritual being. ? he himself admitted that he was not at ease, but why didn’t he want much, he didn’t ask her gives in, as soon as it comes to health, the speech indicates with the cunning of a madman, to be or not to be, that is the question, to be or not to be, that is the question, to be or not to be, that is the question, to be or not to be, “worthy to endure resignation in the shame of fate, or is it necessary to resist, rebel, take up arms?
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i would like to welcome you to the performance, with pleasure, i am glad to know that he has such a tendency, young people, continue to encourage this passion, let us not be depressed, let us make every effort, stand up, arm ourselves, win or perish, die, fall asleep. and to know that by doing this you break the chain of heartache and thousands of deprivations inherent in the body, isn’t
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this the goal, that everyone wants to die, fall asleep, fall asleep and dream, that’s the answer, to be or not to be, that’s the question. it is worthy to endure resignation to the shame of fate, and you need to resist, rebel, arm yourself, win or perish, die, fall asleep, and know that by doing this you break the chain of heartache and thousands of hardships inherent in the body, isn’t this the goal that everyone desires, to die, fall asleep, fall asleep, and see dreams, and see dreams, that’s the answer. what kind of dreams are there in that mortal sleep? dream when the veil of earthly feelings is removed, this is the solution, this is what prolongs
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past, but the order of actions has been thought out and we will not turn it away, the end of the road, i am alone, everything is drowning in pharisaism, live life, not in a field , someone looked out for a raft that did not sing, did not sing, or it fell over the trunk , fell, here's a song about someone who didn't sing, didn't sing, and had a voice, didn't recognize, didn't recognize, maybe they were at odds with fate, not at odds, and bad with chance business, business, and a tight string on the lod, on the lod,
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with an imperceptible from... it lay down, lay down, he began timidly with a note of the house, but did not finish it, the fugitive runner did not reach, the fugitive did not reach, did not reach, did not gallop , and his star sign taurus, the cold milky way, lapped up, it’s funny , isn’t it, funny, funny, and he joked, or joked, or tried the wine, and didn’t even take a sip, he was just starting an argument, an argument,
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hesitantly and not. .. slowly, like drops of boiling water, the soul, the soul was oozing from under the skin, the duel had just begun on the carpet, on mat, barely, barely started, just looked around the game a little, and the referee still didn’t open the score, didn’t open it, he wanted to know everything inside and out, but he didn’t get to it, not to guess, not to the bottom, to the bottom, did not get to the depths, and the one who was alone, he did not love,
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did not love. didn’t like it, didn’t like it, it’s funny , isn’t it, funny, funny, but he was in a hurry , he wasn’t in a hurry, it was left half-finished, everything that he didn’t complete, not a single letter, i’m not lying, i’m not lying, he... was of pure style, a servant , a servant, and wrote poetry to her in the snow, snow, unfortunately, they give snow, snow, but then there was still snowfall, snowfall, and the freedom to write to the snow, big
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snowflakes, hail, he... grabbed cubes on the run, on the run, funny, isn’t it, funny, funny when you don’t have enough seconds, missing link, and not long enough, and not enough, and not long enough, and not enough, it’s funny, isn’t it, well... it’s funny for you, and even for me, a galloping horse, a bird in the ice, whose fault, whose fault, whose fault.
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the very end of the seventies, 5 am, winter, huge. there is a line at such a strange time near the theater on the toganka, and people are discussing, that now other students will take them out of the queue, i want us to just go through the details, so that you tell small stories, we don’t have any conciseness, there will be so much interesting material, we will do so much, it will require four. we’ll make four episodes, there will be eight, we’ll make eight, a few years before the centenary, i thought, we need to come to an agreement with petrovich and film many, many hours of his
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interviews, because i somehow internally hoped that a man born in the seventeenth year was so important for mine country, so revolutionary, in the best... sense of the word, should live to be 100 years old, he was born on september 30, 1917, during the intermission between two acts of one mystery, between the february and october revolutions, when the newborn opened his mouth to announce his arrival in this world, along with the cry, the virus of revolution penetrated into it.
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that you were even at lenin’s funeral, yes, that’s true, true, but so that, i won’t tell you, my brother brought me, tell me, he took me at night, it was cold, terrible, like in the finnish the war, when he took you to this funeral, he explained to you where you were going, he said, you need to bury him, this is lenin, he did everything, i say, why all this, what is needed at night? it’s fucking cold, for some reason you have to go, you have to, you have to, you’ll remember this, the father got angry and said: “you, not only did the idiot himself go,
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who were you burying, the evil nasty journalist, he started somewhere, how can you , he received a slap in the face, then my brother defiantly left, i followed him, he told me to return the little one, and this fool should ask for forgiveness, you when was the first time you went to the theater? well , what’s left is the queen of spades, but the first performance was - it’s a blue bird, according to matallay, because at the beginning of the century all the children were taken to see the blue bird, and dad had a box there, but tell us about it, what was yours like? father? he was lucky, he graduated from a higher commercial school. well, it’s clear that before the revolution he was engaged in commerce, but what, how did he live after the revolution, he was arrested several times, but money, money, not politics, and he’s there with...
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