i'm talking about this, turn around, there behind you, see what i'm talking about, he's lush, juicy, fat, can anyone tell me what's wrong in this picture if it's a hard day, and not budge , the state of the economy makes you nervous and scared to go out.

"i just left my rights, buyer, i 'd like to have breakfast, we don't serve breakfast from 11:30, have you ever heard the expression: the buyer is always right. look, i'm so sorry, yes, i'm very sorry too. no, no , it happened by accident. he is carrying a stuffed bag. weapon, now he is heading west in hollywood. sorry, maybe you didn't notice, but there are people here who are waiting to call."

it immediately becomes clear to me that this is not a completely normal person. from this moment on, the entire film is a metaphor for the decline. the decline of my hero of the city where he lives, the society that surrounds him is a metaphor for the descent into the underworld. in this film, i play a negative hero. some people

forget about this, perhaps because of the trust that they transfer to me from my others. roles, the audience falls under the spell of my hero from the very beginning, until the scene when he first commits murder, from that moment he quickly moves away from the viewer, and the reaction i observed in the audience was usually confusion. they can’t believe that they were made to sympathize with the hero, then, as if looking into a mirror, they are suddenly horrified at how easily they allowed themselves to be convinced, it so happened that i started looking through the script while sitting in a traffic jam, i remember exclaiming: yes , yeah, what are you doing with the street, we're fixing it, what the hell is it like, it looks like 2 days ago it...

i'm only here so that passers-by don't hurt themselves during the repairs, i want to hear from you, what happened to the street? i don't know, i really don't know, i mean, i think he's putting patches on the asphalt, what happened to the street? it’s okay, i knew it, i knew she was fine. but now you

guys will have something to fix. nothing worked out, but in the movies they did everything exactly like that, with the renovation of the croix embankment, everything is much simpler than with the palace. in 1960 this year, to everyone’s delight, it was expanded, pouring 150 thousand cubic meters of sand into the sea. two more rows were added to the road surface, beaches with scrupulous care. they restored it with precision to its original form, and just as carefully they approached the restoration of the third symbol of caen, the carlton hotel. the main action of the festival takes place on a small, even modest

-scale caen, in a space that can be covered at one glance: the palace, the section of the croise embankment leading from it to carlton itself, rising magnificently. hotel. the embankment resembles a stage where spectators are allowed stand or walk next to the performers. this simple dramatic move has been very popular with the public for many years. the secret is the world class of actors involved. here the stars play stars.

giljacob, the main organizer of the festival, one

of the most influential people in the world of cinema, enormous power has been concentrated in his hands, for 15 years now, he has been the sole decision-maker whether this or that picture will be shown in the canals and... a friend, so before everything can be reached on foot, all this is a short distance from each other meeting people along the way and talking about cinema, because everyone who comes here is united by a passion for cinema. work here takes place in an atmosphere of relaxation. how many films did you watch for this festival? 663 paintings, almost. of course, this is all very subjective, but i have a selection committee that helps me review films, even several committees, each member informs me of the films that he

liked the most. of course, such judgments may be biased, but i am surrounded by people i trust, this they are specialists of the highest class, i trust their opinion, otherwise i would have taken others.

i would like to make an important message on behalf of the festival management. regarding the absence of vannes in cannes and directors. it turned out that russia currently has a new system for issuing passports for travel. and despite all our actions, requests, appeals to all authorities, mr. hwang is not at the festival now. he won't be at tonight's screening. even before the film was shown, he became famous at this festival as the only one. director who was not own press conference, if we talk in detail, then we need to

once again just kick our native soviet power, which is obviously immortal, i think this is a rather stupid and fruitless task now, it just seems to me that our country has come to such a state of insanity that it the actions seem to be of evil will, in fact there is no evil will here, it’s just insanity, i didn’t have a passport and that’s it, an uninteresting topic, in any case, i’m already here. it's now or never come hold me, kiss me my darling, be mine. tonight, tomorrow will be too

late, it's now one day, my love won't wait, when i first saw you with your smile so tender, my heart was captured, my soul surrender, i spend lifetime waiting for the right time, now that you're near, the time is here, at least, it's not never, i'll hold it again, kiss me, my darling, be mine

when i received the invitation to star in this film, i thought for a very long time, because a certain kind of cruelty stopped me a little in this film, but then -

well, quickly, don’t click, well, well, is this your first time married or what?

the main thing is that there are no holes, that there are no holes, listen, wait, wait, wait, wait, wait, wait, wait, well, what, what, let's call soon, gentle!

4 years ago, the awarding of the palm tree became not just a sensation, but a story similar to a fairy tale; the head of the jury, wim wenders, convinced his colleagues to award the main prize. in the debut film of a twenty-six-year-old director, who had neither a major studio, nor a developing cinematography, nor prestigious acting names behind him. worse, the director was american, which by festival standards serves as a kind of presumption of guilt. america with palm trees without palm trees still rules the cinematic world. fortunately, the kahns did not resist. it was a very good movie called sex lies and

videotape. director steven soderbergh experienced the most rapid rise of his career in history. 1 2 3 thrown, we give you the first move, okay, damn, how could you miss? sorry. this

year, the cannes competition features a new work by soderbergh, who has dramatically changed his style, but has retained his special atmosphere. this is the true story of boys growing up, stricken by the depression of america in the thirties. it seems that the director is filming another paraphrase of mark twain, if not for the strange echoes of the expressionist nightmare of his previous film kavkara.

fortunately i began to understand this, and the fact that they expect me to or worry that i didn’t make it the way they wanted, if i think about it, “i won’t be able to make a single film at all, i just keep moving, hey, come

here, come here, little hanged man, you don't know yet what kind of trouble you're in, you seem to have told me that your father put car in the parking lot, then what is there, what is there under yours, and what were you telling me, this is not my father’s car, why do you think i’m lying, but i’ll explain to you?” “

why are you planning to push the car? get in! to the social circumstances that befell him, i just felt that

he was close to me in some way, aren’t you a smart child, and you can take care of yourself. everyone who has made a movie strives to bring it

to the forefront. anyone who expects to wake up famous one morning knows that it will happen here sooner than anywhere else. for for those who have invested their money in cinema, this is a unique opportunity to sell their film to all countries of the world, in several dozen hotels, the prestige of which grows along with the level of comfort.

the sovereign ordered to leave the cross of st. andrew the first-called in this place and founded a fortification and named st. petersburg from here. we’ll drive away the lights, even the air here is special, it’s the sea, and there’s europe, i wish i could fuck you, your europe, i’m ready to die, for every breath i take with you, i’ve done a lot of crap in my life, now i’m making it back with goodness. transfiguration people forward, we are with

peter will change everything here, we will live happily, the cathedral is on the first from april 29, i ’ll get the document, the military prosecutor’s office, colonel shilov, this is captain yalagina. why, captain, did you not fulfill the order, why did you go through the forest, these were not germans, not germans, who are forest brothers, lithuanian partisans, he is from the forests, from the forests, and this is marta, his daughter-in-law, so what happens, grigory ivanovich , there are only forest people all around, you are afraid, but i feel uneasy, they would like to ruin ours...

may on the first, where is the real map, if it is according to the laws of war, new series, from 1 will fall into the hands of the germans, they will know the direction of the main attack, that’s all. if you have seen at least one of my films, you will have noticed that for me cinema is a work of art that has nothing to do with reality. i am surprised by those who believe that cinema can be natural or realistic, in my opinion, from the moment you decide where to place the camera, naturalness and realism inevitably begin to collapse, so i have always liked cinema that is aware of its artificial nature.

a new one was selected to be shown in the competition. a film by peter greenoe, a famous english director who combines avant-garde exploration and luxurious spectacle. the second half of the 16th century in a provincial italian theater presents a play about the glorification and death of a child declared a saint.

of all my previous paintings, i am extremely interested in it as a means of organizing material, today it is a completely forgotten phenomenon, but in the 14th and 15th centuries ceremonies were an extremely significant event. the sense of ceremony is lost with the western world today. its traces are preserved in the orthodox churches and maybe in spain. ceremony is a kind of special narrative form. and since i am completely dissatisfied with the usual approach to the plot dictated by the psychological novel of the 19th century, from which cinema so widely borrowed, for me the ceremony is an opportunity to organize the narrative into a picture in a new way. you talked about the importance of ceremony in

your work, kan is a special kind of ceremony, you and i are actors who play this event, we play kan, this is a game. which are expected from you and me, but if we leave the irony, this is an opportunity to talk about cinema and be heard by a huge audience, i think that the possibility of our conversation with you outside the kan context is extremely small, so kans is probably a good thing, with your amazing sense of the western pictorial tradition, how you see russia, which ones to choose for her colors. i hope no one suspects me of having second thoughts. about your country, but these are the colors i used in the child from macon, red for blood, gold for church, how about red and gold. leading in front of me

a fertile country, where everything is in bloom, everyone dances, and wives lie down in peace with their husbands. native country, where everything is in bloom, everyone dances, and women lie down in peace with their husbands, i see our high future bright, i see our high future dangerous, i see the confusion of our enemies, "i see the delight of our enemies, i see glory, i see shame,

i see gold, i see death, we will be rich, you know, you are just a child, and how do you know, you are just a prince,

they were waiting for the piano in canes, even before the competition screening the film was seen as a contender for palm tree, this is the third one. film by australian director jen campion. the most important project in her life today. she wrote the script for piano for 6 years. she plays the piano differently from us,

she is a strange creature, very strange, when she plays, her sounds seem to creep into you, this makes you feel somehow uneasy . holi hanter, harvitel, sambnail. teaches an actor. jane's scenario is real

literature that allows you to analyze not only psychological situations, but yourself in the context of the proposed situation. i i constantly hear questions about how it was for me to work with a woman director. this is nothing unusual in my country. the percentage of women working in cinema is very high, sometimes they make up up to half of the film crew. will you be surprised? but they not only stage pictures, but also push camera dollies, work as lighting workers, they do everything, this doesn’t surprise me personally, when i read the script for piano lessons, as it was called then, i wanted to act in this film so much that for the sake of this i was ready for whatever, i think sometimes directors are put off by something so strong.

under tragic circumstances, she has lost the gift of speech, the instrument is her voice, which makes it possible to reveal, understand and discover herself. but she wants him to be taken, she wants to take him with her. yes, and i want this, but there are too few of us, too much luggage, too heavy. what do you have in mind? leave some kitchen utensils instead. we can't leave the piano. "we can't leave the piano, let

's not discuss this anymore, it seems to me that the script arose from my desire to come up with a love story in which things that were very important to me were to be embodied, i wanted to play in the romantic gothic genre, which i was fond of in my youth." and i thought that in new zealand, where i 'm from, there are similar places. when everything that separates us, i felt some kind of coincidence. and from this the script was born.

the piano was well received, jane campion received the palm, holly hunter, the prize for best actress. i never thought about my role, whether it was difficult or not. no, because if i just thought about it for a moment, i simply wouldn't be able to play. i'm a good, kind person, i am.

the blue is unrequited, we went out at night with such a cold wind, we will remember our baked paradise. golden gramophone people's prize ceremony, premiere on april 29 at the first.

jean-claude van damme came to cannes to help sell the distribution rights to a film that had not yet begun filming. by the standards of the production company american independent vision, the budget is expected to be high: $30-40 million. expeditions to europe and tibet are planned. the action will take place in the middle of the last century. van dam's hero, kidnapped by pirates as a boy, ends up in china, where he becomes a martial arts master. the name is typical, but intriguing, search. the actor wants to direct the film himself, hoping that it will become the most epic production in the genre of karate films. i'll be in russia in august on a promotional

tour and we'll all see each other. see you soon in russia.

stars come to caen not only to participate in the festival, but also for advertising their new films, their visit is arranged and furnished with all sorts of

effects by the companies producing the film, in the non-competition screening of the film in the palace of festivals or the appearance of the star who starred in it on the steps of the famous staircase.

the merit of the change is not in the formula, but in the form. in his opinion, cliffhanger is the first vertical film, the action, containing a full set of adventure tricks, unfolds in the film on the mountain slopes, on a steep vertical. back, back, jesse, run!

directed by renny harlin, tough a professional with a relatively narrow specialization in certain genres, he easily picks up other people’s themes, developing visual motifs found by his predecessors. the most notable paintings in his career are a nightmare on elm street 4 die hard 2. okay, kuela. i brought what you need, come on, come closer, take it, come closer, closer, closer, closer,

damn you walker. the second premiere of columbia is supposedly

the main hit of the future film season, the last hero of the screen, whose real competition can only come from spielberg's park. both films will be released in the us in mid- june, and both have not yet been fully edited. in the canals, columbia presented a promotional video for the latest hero. even a person ignorant of festival affairs could do it. journalists, photographers, film crews and thousands of television crews came to the festival. returning home, they will talk about the film. this is how the film is advertised on a global level, which is why it is so important.

he will someday grab the prize, only on the very last day he realized how to behave correctly voice acting, yes it happens, yes, i don’t like it, it’s possible that an actor. in general , he was going to change the image, so he proposed not to use the image of a weapon in the souvenirs accompanying the appearance of the last hero of the screen. now he believes that the public is tired of the violent films of the eighties. in his opinion, now we need less violence on screen, more humor and adventure. we need multidimensional images, such as the hero of the last film. directed by screen hero john mctiernen, one of the best genre directors hollywood, which previously filmed predator.

who said i'm beautiful? to be or not to be, not to be, colombia pictures is honored to present the screen's greatest hero, jack slater. don't even think about it, slater, you hear, this is the lieutenant governor, if he does anything to you, call me.

you'll be on fire this summer. i 've killed people smarter and younger than you. an explosion of admiration. i hate it, but it happens like this all the time. he took the ticket. now i have

power, real power. he crossed into my world, in this world the bad can win, the door should still be open, let's go, if i go with you, how will i get back, it's coming at you on both sides of the screen, where i am, this is not a movie anymore, please be careful, jack, it's different here, damn, it hurts , arno schwarzenager as jack slater. even such heroism has its limits, and jack slater is all about it. the last hero of the screen, a big ticket to the cinema of ninety- three, i'll be back. you're not going to say that, are you? but do you always say that? isn't it the first festival from.

i feel like i'm made of a single piece of cinema, from head to toe, i am like a single piece of cinema, this year at... a gathering

at the palace of festivals a panel was hung, representing world cinema in the faces, in the center of it is the main axial figure, connecting the past and present of cinema, akira kurasawa. opposite the palace there is a billboard with a drawing by the director himself, chosen for the poster of his next thirtieth film, madadaya. the film is participating in the festival out of competition. eighty-three-year-old kurasawa did not come to kan to argue with young talents. here he is a teacher, just like the hero of his new film, a revered university professor spending his last days surrounded by caring students. my friends and gentlemen, thank you for being here.

according to our custom, i will drink this large glass of beer. this glass has become smaller again, you came up with it, the glass is getting smaller and smaller. you can’t call it a big glass anymore, even this one is too big for you, stop complaining, drink!

the title of the film is taken from the story of hide and seek, for children ask, have you already hidden, madadai, this is the answer, no, i haven’t hidden yet, or i ’m not ready yet, this is a true story about a teacher who... once took students to his birthday, they established such a custom among themselves, then it turned into a tradition among them. i will reproduce it exactly in the film. a glass of beer was placed in front of each of them and after the glass was drunk, he said: “madadaye, not enough.” i'm not ready yet. in anticipation of your question, let's agree right away. i'm not that teacher. i have not yet achieved that perfection, that wisdom. each has its own glory, oscar is a grandiose

film show, berlin, politics embodied in films, venice, cinema amgard, aesthetic sophistication, in cannes, they just show films, different, box office and elite, this is a festival. where there are films for everyone is cannes.

to put it bluntly, making one film compete with another is the stupidest idea. this is not the olympics, where you win when you run faster or lift more weight. everything here is completely subjective. in the end, only 10 people make the choice, and what chosen as the best, may not be the best. when the festival ends, the city will be empty almost instantly;

it will be difficult to imagine that just yesterday the whole world was watching what was happening here. caen will again turn into a provincial resort, where vacationers will leisurely discuss who came and who was given a prize for what. the city will fall asleep. relationship between man and fish, the man stands between life and death, the man thinks, the horse thinks, the sheep thinks,

the cow thinks, the dog thinks, the fish doesn't think, the fish is mute, expressionless. the fish doesn't think because the fish knows everything. autumn celebrates with a farewell ball, but fate does not expect mercy and whist.

they melt in a slow circle, sadly perform a dance near the ground, the leaves burn without regret, even when the summer period has not expired, but they managed to serve before they fell into ashes on the sand, they fall, fall, fall, the leaves fall, well, let it be transparent. memory, memory, memory, in the memory of faces, those who are not around today, leaves are falling, falling, falling, falling, well, let it be the light is more transparent, in the memory, in the memory, in the memory, in the memory, those who are not around today are falling, falling, falling,

leaves are falling, well, let it be a transparent light, in the memory, in the memory, memory, memory of the face, those who are not around today, those who aren’t around today, hey, those who aren’t around today, hello everyone, dear friends, you are watching an off-format podcast, as always, in our studio , my wonderful knowledgeable karina cross and valya carnival, i anton lavrentip, behind me is the group gip, and this is guitar, roman, drums, anton. keys natalya and bass guitar alexey. u

our guest today is the composer, musician, film actor, thief of women's hearts, alexander buinov, the tracks of our second guest can replace a trip to a psychologist, for example, a girl with a multimillion-dollar audience, incomparable, amazing, adored asia. hey, hello, asiya, please tell me, this is a pseudonym, yes, in fact, what does it mean, in general, asiya from ancient arabic, in my opinion, is called the healer of the word, translated as the healer of the word, and in my youth, when i took this pseudonym , was of a very romantic nature, and you know, i think whatever you call a ship, that’s how it will float, in theory i’ve always focused on the lyrics in my songs, it’s probably something like this, wait, in my youth, well, yes, me, how old are you now, okay, they don’t ask women their age 26, i’m familiar with your work,

you can honestly say, you don’t have to say, you have a musical education, yes , of course, you can hear it, because you use scales like that all the time, how cool is it that you have such a move, there can be harmony as if the harmony is not so rich, but this is not necessary, by the way, i myself am for simplicity, but i have this one song, it’s actually written on two chords, but you just started singing right away, and the hums went back and forth, everything is there.

which i sing always, everywhere, which we sing with friends with a guitar, when we have some kind of spiritual gatherings, and let this song, let us sing along to you, someone will say, all roads are similar to me, someone will say the song is sung by everyone , and i walk with careless steps, i go against my fate, someone is hiding behind a stone wall. someone has fallen asleep and i'm rooted to the bottom, and i'm screaming, everything is burning with a blue flame, i just drink

one thing, well, let’s sing together, let sadness come to me again, let sadness begin in my heart . i will smile at all of them with a year, i will sing again to i can’t hear you, alexander, your career began back in your school years with such a fundamental, probably acquaintance with alexander gradsky, but tell us in more detail how... it happened, and you know that i have a little surprise, look, here, and now back to the story, you know, the story is like this, specifically in the ninth grade, i began to become interested in rock and roll, one day i i accidentally ended up in one group to play, then it was fashionable, you play at school,

so, at moscow state university, in zone b and the faculty of economics, a group plays, but they don’t have a keyboard player, there were no keyboards then, now then there was only a grand piano, a piano, so i was breaking the piano, with... these fingers, and there was a guy sitting there on the steps of the dkmgu in a bunny hat, he had this kind of one ear sticking out like this, he had a guitar - called a clergy, she lived with him for a long time, and he plays on it, something so familiar, i got hooked, he says, what’s your name, i say, sasha, and he, me too sasha, let’s create a group right away, well, you recognize gradsky, yes, yes, yes, i even have a name, he says.

and for the hands they were cut out, so these are the benches, we were like that, we rehearsed, we looked for other musicians for a long time, well, the first performance we had was the three of us with drummer volodya polonsky and i had some kind of unfortunate piano, they took off all its covers, they hollowed out everything from there, only now bare strings, that means hammers, and i’m chopping up some kind of rock roll there, gradsky sings, he had a signature song, house of the rising sun, here you are, you knew, the trick is that this song goes through mine. institute, come on, and my friend and i remade it in the russian style, the main character was lev nikolaevich tolstoy, the song sounded like this: come on in the village, in a clear clearing, oh, lev nikolaevich

tolstoy lived, he loved the village and the bathhouse, he went. in general, the whole story went on there. asya, please tell me who influenced your music, do you have any idols? i probably didn’t have such directly great teachers in my life, but there were those people who really gave me a lot of warmth, they may not have realized themselves in

the musical field in any bright way, but at the same time they put faith in me, my vocal teacher at the institute said, nastenka, you’re just a diamond, you’re just worth cut, despite the fact that i sang crookedly past. this feeling of love, in fact, i had such a complex for a long time, i come from a fairly happy family, i’m lucky, somehow god leads me along the red line and into... mine, my whole life is filled with a huge love, that’s why i probably have so much of this love in me, stand up, you want a story, here we

want it, in fact i have a song the last weakness, this is my first such youthful song, i wrote it on such an endless rush of emotions, just a boy, who i really liked, he proposed to another girl, i found out about it, i was upset, boundlessly, literally a month ago this boy wrote to me and said: nastya, i’m sorry, i was a fool, i offended you so much, but you’re great, be smart. performed the song the last weakness, but not in its original version, and we decided to jazz it up a little, this is a song, my last weakness, my last weakness, here you go, wedding day, and i’m on to success, even good. that you didn’t come, i’m not crying, it’s in the city of interference, i’m covering up my feelings,

you’re going to be a loser with a stupid laugh, and i’m on the way to success, it’s even good that you didn’t come, i’m not crying, it’s a hindrance in the network, cover up your feeling with a stupid laugh, that’s love, baby. by the way, they divorced for the centenary of donatatos boniones, i’m going to dargagate, can you explain to me what happened, hass, his trace again, that’s all for now against us, no photographs, we need a person. who could identify him, pamilti, why me, why? well, thank god, and i’m

ladennikov, how is he going to go on stage, it’s low season, he’s an actor from god, there ’s a story behind him, how did you live all that time, did you love someone, i don’t know, he was handsome, elegant, impressive , such a foreigner, at the same time ours, no matter how many... there were artists in the frame, i wanted to look at him. thank you for liking my pun. creates his own heroes, so completely unique, behind whom there is a whole life. i played there more as a human being about my youth. if wishes are not fulfilled, people will forget how to dream. he was a man from another world, in general, from a different time period. and the premiere of the documentary film. i must tell you the work of a scout. requires a lot of self-esteem, patience, tomorrow is

the first, my fight, the line burns through, my fight, to the end, period, beloved, beloved, beloved, roads, roads, roads, we run away on different roads, don’t guess about love, happy eyes, we we know for sure it will melt ice, the silence of midnight and the wolf will sing, it’s a long day, this long one is so short, it’s so hot for us , it’s whispering something, hugging, the ice is melting and melting, you’re a sailor, i’m a sailor, you’re a fisherman, i’m a fisherman, take a walk, april on first. i wanted to say, first of all, thank you very much, you

made my dream come true, you, you would know how many issues in a row, guys, i wanted to sit here and eat something, impudently imprison, i i read that you were born in very musical family and that you were literally chained to musical instruments, you say, this is it true or is it a lie and provocation, which of us has not been tied to'? and my friends and i even have a saying, if you were beaten for music, then you are a musician, if you weren’t beaten, then you have no relationship with anyone, i don’t know who it is, even mozart is a genius, anyway, his dad forced him to study, you know , i had the same story, everyone in our family were musicians, i mean, my mother was a conservator and four brothers, two graduated from the conservatory, i was the third, i also had a younger brother and, uh, as if my mother said, that you should just get an education, my older brother, well... he probably did more for some kind of stibalov, because he tied chains around my leg, we

had a big dog like that, with a chain around my leg and my legs were crying , where is the joke. me mom once, the only conflict i had with my mom was serious, i sat on sundays playing the piano while she ironed clothes for the week, one day she went to the bathroom to do something there , and you burned the piano, i kicked it, i she kicked it, but it was an acoustic piano, a real one, impossible to find. for a tuner in our city, i’m from the city of belova, kuzbass, this is generally a small city, and my mother came out of the bathroom with some kind of towel and chased me around the apartment, she said: are you kidding me, this is a wonderful musical instrument, how can you so, in the end, yes, since then somehow i ’m much more sensitive to this, i received it, i realized it. alexander, well, there is something that you

play for the soul now with love for instrument? and you know, come on. so i’m a little carried away by the work of scriabin , as if i were playing his preludes and i just have an imitation of scriabin or memories of him. well, in that spirit, well, bravo, you have a lot in common, you have experience, well, in

the film industry, asya, by the way, wrote two amazing tracks, you have a soundtrack. it’s useless while everyone is driving along the highway, you ’re dragging along the side of the road, barely breathing, but you want to live, and in order to live, you have to move forward, they hope that someone will pick you up, during a storm it’s pointless to look for a pier, it’s pointless to survive, your main goal is to survive, because all that shines for you is just

a light bulb, how much have you suffered, my... point, one day clouds will develop over your head, but for now, on your own, wait, wait, all that shines for you is only honey, how much have you suffered, my honey, one day the clouds will clear over your head, but for now, on your own, wait, wait, wait, dear, and please tell me, how did your parents raise you? a flower, yes, in a flowerbed, my mother comes from a very large family, there are 14 of them, i have a huge the number of nephews, brothers, sisters, and these are not always prosperous families, and since childhood i observed, communicated and saw, and i just understood from childhood that i was lucky,

because there is such a life, and there is one like mine, and this even, probably, it was more like... an appeal to my, i don’t know, sisters, brothers, who were feeling bad, whom i saw there before my eyes, everything is fine, alexander, but you also had such a family that they put you in buttons, it’s all beautiful, everything is so strict, and you went out then, that means, a cap, this beret , you know everything, i got ready, but i had a story like this, if i went to music school, my mother made me like this, my coat was altered from my fathers. a jacket from a military man, he was a military pilot, then short stanishkas on help, and i guessed, stockings, stockings with elastic bands, and i went, i have these stockings, some boots, this is a must-have music folder, and a beret , i hated her, beret, it means i’m like, i’m

an intelligent boy and i have to walk among of all our punks, you know, you go into the yard and the dirtiest curse was from the intelligentsia, that’s it, yes, well, of course i was ashamed of the whole thing, i immediately had sheds with firewood where. well, there were stoves in every room, i crawled under mine under the barn, i had something to change there, a ticket to go there, that’s all, i put on three-ruble tatar trousers like that, some kind of low-top sneakers, something like that, so i went out, here i am i felt like a normal person, alexander, in fact, i have been connected with you for a very long time by one story, the thing is that, well, i’ll now show you a photograph of one person, so...

i performed my songs, i told my friends that alexander, and they all believed, well, naturally, i also told all my relatives that my dad is alexander vuinov, so it turns out from 7 to 13 years old you were my father named, so to speak, my mother every time alexander buinov performed, she turned off the tv every time, because i told my mother, no, because i said, well , look, this is possible i 'll take photos with you for mom, come on, come on, because well it seems to me that she really dared, i’ll even

film a video now, mom, well , you can’t turn off this tv, hello to you, thank you very much, listen, no, the story is so touching, we laughed, of course here, but here i am i’m imagining you, when you’re there, how old 8 9. i’m imagining the moment when the tv is just playing in karina’s house, mom means she’s there vacuuming something, making bitter honey on her lips from the tv, oh my god, oh my god, turns off the tv quickly that’s just how it was.

it wouldn’t have worked out any other way necessarily with everyone with these physical hugs there , kissing with flowers there, i don’t know, well, at that time, that it was there somehow like this and like that, and it seemed to me that that’s all. that’s it, i had practically no parallel romances, a bird sang to me that you have a country house for guests, where there is a giant tent, you have a great time there, guests and artists come to you, you constantly do some kind of concerts there, the house appeared like everyone else's, first let's build a dacha, come on, where is the plot, there is, it's in the area of ​​the kryokshino station, well, they set it up foundation and for five or seven years we just watched it fill with water, i said, maybe we won’t build it, the pool turned out great, in the end we built it and, as the cartoon says, a house of friendship, well, we built our house of friendship, and then alena herself came up with the idea of ​​putting up a tent, and i

came back from a tour, i saw a miner standing there, a huge tent, well, i know, maybe with this studio or where you can see it now, it would be amazing, but like the shepeto circus, yes, we had a record number of 180 there man, wow, this is all on the table, with tables, like a wedding? scene the scene is like this is the scene we have and we started, i had a dream that some musicians would come, guys i knew, they all sat down at once, yes, these went seon somehow to play there to rehearse something like that to create an atmosphere yes, but alena said no we will do everything to do as i like, but she made it so that you go in there and you don’t seem to know and you want to immediately give the administrator the money for the corporate party and immediately want to take off your shoes. no, it’s just really cool - the stage is on the floor , this is where the instruments stand, all the drums business please play go all asia you

go to corporate events yes yes yes yes well look no seriously i mean most of all i have a corporate song it’s called thank you it’s always sung by the newlyweds at weddings but by the way i have a story connected with it that’s not very pleasant for me, probably, but i’m used to the fact that usually the guys mark me, that here we are to the song “thank you”, we dance the first dance, “thank you for the song”, here, then, we come to chelyabinsk to our friends and organize there.

there's a wedding going on, a party, i'm thinking now, well that’s it, now the guys will be happy, and i’ll be glad, how great it will be now, i go out and no one understands at all what to show up, what happened, and i’m like, yes, this is an idiot, that is, people pay, are ready to pay money , so that i pass, then i myself took the initiative and came up, i said, guys, well, maybe they found out, i said, thank you for dancing your first dance today to my song, it’s an honor for me to be here, to congratulate you personally, she says that i say, i am a feather, she says, but she understood, i say, i i wanted to give you a song, you can sing something, she says, i don’t know any more, i just gave you a bouquet and left, but i think, well, they just let me down a little, they said i don’t need any initiative of my own, this is not moscow there was an act just now, this was it, yes, it was an act, an impulse of the soul so noble, noble, well, in general it did not live up to any expectations, asya, well, i didn’t just

ask you about this. to get into the tent with alexander bulnov, you need to change your repertoire a little, we have a set the best corporate event, any, so now i’ll give you these songs, yeah, and accordingly, i need you to perform them. meet with love problem difficult planet pushes round round not easy not easy to fall in love on it svidvarskaya.