because everything happened at the same time, the brigade with instantly became a famous group, and it was also seriously staged, in a sense, probably, yes, well, well, no, probably, for sure, yes, yes, yes, because as a construction , i came up with it. yuri sandrovich, you starred in films, with shakhnazarov, with mikhalkov, how did it turn out , are there maybe a couple of stories planned or to continue, well, if you call, then of course it will be interesting, but that’s all. they filmed episodes, but for me they are valuable because songs from our region were performed there, that they took their works for themselves, that’s all interesting, purely by chance, what can i tell you here, i got nikita sergeevich by accident, i know that there was such a one, he’s no longer there, viktor pavlyuchenkov, by the way, he played the main role in mishchenko, father , we are there to see vasily konstantinovich, i also ended up there, it’s like a movie episode.

like this they are coming, it means in this leather crying it means mikhalkov they are coming suddenly, damn it, i see yura shcherbakov, i’m like yura shcherbakov, i had a lot of money, i remember it really shocked me , in general, i am yura shcherbakov, for some reason, a grandfather’s moment i imagined, here he stood before my eyes, on this stage, i imagined. i think, oh my, what

a war it was and how they endured it all, through the same swamp, through meadows we walked, all wet, dear mother. igor ivanovich, are there any plans to film something on a military theme? there is a film script called the call sign panda, so i want to make this picture, but i hope that i will go on the set next year, but now it’s just casting, i’m just starting to watch young people. “tomorrow i’ll be at mosfilm , tomorrow i’ll be doing just that, preparation, yes preparation - yes, it’s a full film, a story about friends, classmates, four guys and their girlfriends, you shot the film midlife crisis in 26 days, how did it happen so quickly, well, there was no money at all, there was no film, so we did it quickly, that’s all, my wife helped me find money for the first film, well, for post -production, for post-production there simply wasn’t

any anymore? , snake, eats its tail in the eyes, flying in the hood fear in the soul, melancholy. she’s sick, she’s sick, and

there’s no other way, but just hit, fate’s right hand woke up the lard, there was a rowan. i really want a paritayan on your finger,

a story, words, a story, put a little money in your pocket and get some ice.

hit, hit, wake up the ruined fate, solo, rowan, vyslopastelche, and come on, paint, everything. up through the forests and into the sea.

long live love, guys, brigade c, uh-huh, first performance on the veranda of the kindergarten. i know, oh, no, this, oh, my god, this is not at all the same, the biographers lied, they lied, in general history is such a false thing, because that well, each of us remembers the same event in our own way, well, let’s ask the author, but in reality, this is not a performance, i

worked for a short time as a watchman in a kindergarten, and just then this same one, as we called him , was born son, just... he was just born, there was no money, nothing, through inducement they gave me a job as a kindergarten guard, then go get a job, i had already started to gather a group slowly, and accordingly, a three-story typical soviet, two-story soviet kindergarten we are dead on the western bridge, i think it still exists, and there ’s a small assembly hall where the kids practice, you know, right? that’s all, and we brought a double bass there, brought a guitar, a combo, uh, drums, did it there, uh, how long did this underground concert last, but probably 15 minutes, because someone immediately pawned us, so, well, continue to bind us let's go,

but everyone managed to get away and threw the double bass over this fence, in general, when the canary came for me and... the squad came running, the squad came running, i was sitting on a cot and reading some book, he said, guys, what are you talking about? what are we talking about? yes yes? that’s how it was, and seryoga golanin already participated, seryoga, no, we, seryoga played in the group guliver, that’s what the group was called, at first it was called a rare bird, the leader of this group was aidonitsky, the son of the composer of aidonitsk, alexey, in my opinion, his name was, seryozhka played there, i saw him at the pravda 80 house of culture, in my opinion, in the second year, for the first time at a concert, and we...

orchestral conducting, in the department of orchestral conducting, and i in directing,

that's all, and we met and decided to do the group is new, although there was already a name, but the brigade was born with sergei, it was born as a group together with the two of us, we created it, we created the group together, although he played with different people, and i, it seems, even the name was . but all this is so you know , turnover, turnover, this is because sukachev’s brigade with, well, everything is often a provocation, well , yes, sukachev sergei galaminin, in general, all four of us have the letter s and those people, those people who created this group were present in one way or another letter letter s i don't i know, in my opinion, i was lying about something like that then , well, guys, it would be 30-40 years ago.

well, it’s not soon, not right away, but yes, they appeared, as this one appeared, this is a great group, yes, it’s true, well, this is the first supergroup in the country, i don’t know if there is one now, i just don’t really follow it, but i ’m following, there are no such collectives, yes, in my opinion, we don’t have a supergroup, i’m translating the second supergroup for listeners who may not be aware, a supergroup is a group that includes stars from other groups. that's the story too i'll try

in short, it’s not short at all, because by the year ninety-three it was already clear that, well, at least for me, that we had to somehow move in our own way, so seryozhka golanin made his own group, seryozha, he already made it, then a little later dima groysman helped him and the first record came out. there’s this, well, big crisis, we’ve crossed the thirtieth birthday, we ’re already older, we broke up and were in different groups for a year and a half, as they say, but at the same time, this year and a half, which is called a year over 10, yes, and we've gathered again, we recorded two records, it was all rock and roll and rivers, when we recorded rivers, i said for sure that this was our peak, we didn’t...

i really liked our brigades music, and even more our early music, where there were a few more jazz techniques there, so i don’t even remember either one,

and we were in our little vustyk, which olga later sold so that i could finish the picture, it was all talk, we sat, chatted, chatted , you know, about the fate of art, about the local artist, well , i’m saying this now, of course in different words, but we were somehow on the same wavelength, that we wanted to make some kind of, well, some kind of non -supergroup, oh, no one had done it before us, no, we really wanted to play together when we were there with seventeen-eighteen-year-old guys, we bought various candles there, lit the candles, turned off the lights and for hours and hours, every day, we saw each other every day, played some jams, that’s how this group was born, let’s talk about what’s

happening now, tell us about your project with yuri, this is not a project, this is not even any non... project, this is not even at all project, we fortunately met, became friends, played together, and i want to play together, now we will definitely record another song, i never think about this topic at all, you know, the bossman is a tramp too, because sasha, klyar and i are not at all we thought about it, so what, oh, we’ll release records there, we’ll play there. there are no concerts, we just played what we love and we like to play together, and well, with anya and yura, i really really like it and all of us, the girls and guys of our orchestra, just like it to be together to play, that’s all, and there are some of these plans, but i’ve never made them in my life, now it’s too late to build them,

let’s listen to your joint song: i hear thunderstorms thundering, come on! i hear thunderstorms thundering, lightning flashes through all that exists, the wind has begun to blow, everything that was previously in bloom was broken, they scattered the saga, and filled it with pain and grief, they trampled the flowers, melted the blue mountains, swept away the forests. and the fact that they filled with pain and grief, trampled the flowers, melted the snow, and i look in this depth, still engulfed in heat and screaming, but i will not be the forerunner of her eyes

close, in its depths i know what is so...meant to me, and i only ask one thing, let me resist, i am in its depths, i know what is so destined for me, and i only ask one thing, let me resist, and help us to stand, support us not by now, help the guest. you will not fade away in your marriage, and if i fall, help me gather my strength, so that help, russian god, if i fall, help me gather my strength

to get up, help, russian god, momen. storms on the abyss plays beauty over my russia!

do you hear the thunderstorms thundering, prasail sucking everything say, to the winds, our whole, everything that was once blooming words, scattering the slag, the soul to the field and grief on...

igor ivanovich, not only a composer, singer, film director, but also a theater director. well, yes, there is such a thing. in the theater, how many productions are there already today? well, there are only three of them, one together with mikhail olegovich, this was a very long time ago, the villainess or delfinov’s scream in the chekhov moscow art theater, this was a long time ago, when oleg nikolaevich efremov was still alive, and so , accordingly, the anarchy that was going on at the sovremennik theater, and now i'm in sovremennik staged a play called sasha shishin based on the novel. can you say a few words about this play? he told me quite a lot when, well, anarchy had been going on for probably two seasons, and galina

borisovna invited me to her place and said: do you want to stage something else at the sovremennik theater? i say: yes, of course, galina borisovna, i will definitely do it, i just need to find material, so he says: well, okay, look for material, the theater sent me some plays. my friend misha gorevoy sent me plays, because he is generally very modern, modern playwrights knows well, much better than me, he sent plays, i was looking for something myself, it didn’t warm me up at all, and in 2016 the novel, sasha nikolaenko, kill babrikin, is coming out, i must say that sasha nikolaenko is actually my close friend friend, i’ve known her since she was eighteen. she’s actually an artist, she started writing stories at such a young age, and one day, when

she was 18 years old, she let me read her stories, i read them, i was completely fascinated, i said: don’t stop, you’ll be a great writer, that’s for sure , absolutely me i see this, here comes the murder... brykina, she gave it to me, not yet having received a russian booker for it, i read it, it is the most complex, this novel, written in blank verse in the first person, a most complex, simply extraordinarily, complex novel, and i said to myself, that’s it, i went to galina borisovna, first with this book that she gave me, and sasha, i say, i found galina borisovna, this is what i gave her. i’ll put it on, she read this novel, a day later and two days later, i came to her again, so she said, you are this, how are you this are you going to do this at all, i say,

i have no idea at all, so i have no idea, that is, her reaction was ironic, no, no, she says, i don’t understand how to stage this, this is a very complex work, how staging this in the theater, how do you imagine it, i told her honestly, i don’t know, so she says: why are you going to do it there? i say, i’ll just do this, i don’t know how to do it, it’s hard, either i’ll go here or there, or i’ll throw myself out for the cat? so she says: well, go ahead, i believe in you, it’s a shame, this st. petersburg, she is from st. petersburg, olya pogodina, a wonderful playwright, i knew her at that time, read her plays, i love her plays very much, i called olya and said: “olya, please read the novel.” “let’s write a play, and we wrote the first version, then the second, well, galina borisovna died and

the pandemic began.” then they just called me from the theater, i returned, the theater asked me, would you like to return to the happy walls, i said, yes, i will return, i have some debts to galina borisovna, well, that’s how it happened, igor ivanovich, a legend and hero of many of his staircase landing, is already not bad, already normal, a hero of many bike, i just want to check whether this is true or not, i was told, in my opinion, by verandochka, igor ivanovich is having his meal, then the guys from the security agency come in , whom we all know, in general, they always guard all sorts of imported stars who come, the guys from stand around the perimeter, in the four corners,

the person who enters. guards, this is the boxer evander hollifield, no, it was this very englishman, this gentleman, the guy with dreadlocks, yes, world champion, yes, well, yes, yes, it happened, yes, they recognized me, yes, yes, yes, they recognized me, i know these guys, oh, garynovich, great, i say, great, and he’s like that sitting inside them, crouched like that, and so tense, i say, guys, you tell him that i won’t offend him, let him relax, yes, it happened, he relaxed, but they came up, you said, he banged, well, how- then we shook hands, let's listen to the song, your next one together, my life flows and rolls, come on, this song was written by alexey medvedev, he is from the city of murom, he wrote this song when he was 26 years old, we are all a little the same age, a young guy, and when i first heard it, it made a difference.

i played it for him, he says: what are you doing, you fool, let's go, let's go, now we'll rehearse it, we'll record it, so we recorded it, this is a podcast 20 years later, its host is alexander anatolyevich, and konstantin aleksandrovich mikhailov, visiting us there were igor ivanovich sukachev and yuri aleksandrovich shcherbakov, and let's listen to the song “my life flows and rolls.”

anything can happen. sometimes i don’t even want to live, sometimes i don’t even want to live, i ruin my souls, but my life, flows, flows and rolls, flows and rolls, stream wheel.

netaetsya.

flows and rolls, flows and rolls, stream, kikaryso! taking everything in pairs, i still don’t want to, i don’t want to go in pairs, i have

a lot on my mind. and my life flows, flows, flows, flows, flows, flows the wheel, in short , the wheel, and my life flows, flows, bakes, flows, kikasa, karchiyot kitalisa. and my life flows and katitsa, flows and katitsa, a stream and

a wheel, and my life flows. chutikatitsa stream and my wheels, silyotitsa, sicherts, we will break and butt, mine.

ladies and gentlemen, look carefully and don't speak. what they didn’t see was the sawing of a person. andrey will be inside this special apparatus until the very end of the trick, no matter what happens. also, let's pay attention to this metal saw, the diameter of which is more than 1 m. this saw is designed for cutting large tree trunks. and today it will pass through a person. we launched this disk at its partial speed, we don’t want to destroy the entire studio here, and nevertheless, these low speeds are quite enough for the saw to pass through the illusionist’s body. this is happening right before your eyes, friends. and

now the long-awaited core of the trick, the so -called prestige. we, as viewers, want to know whether the saw actually went through the illusionist's body, and if so, is the illusionist capable? divide your body into two parts. andrey, i'm ready, are you ready? look carefully. there are no devices here, no tricky systems of mirrors; sitting at home, you see everything the same as if you were here in this studio with us. so, just before your eyes, an illusionist divided his

the body into two halves, and this is a fundamentally new version of sawing a person, it differs from previous versions in that the body of the illusionist is not inside a wooden box, it is not attached directly to the collision props, it is not hidden by blankets or screens, everything happens right on your eyes, this is the most modern, most advanced version: sawing to date. now let's check if the illusionist can restore his body after all the deadly manipulations? you you think that this is impossible, that it’s all computer graphics or editing, but in the world of magic and enchantment there is nothing wrong. possible.

hello, you are watching the focus podcast. and we are with you, illusionists, the safronov brothers, andrei, ilya and sergei. to be honest, i see how some magicians still perform the same tricks that their colleagues performed 20, 30 and even 100 years ago. and the viewer is still surprised, and even utters phrases, well, this is something simply incredible, we have never. i’ve never seen anything like this in my life, it would seem the most common a trick that is in the arsenal of any magician, and sawing a person, a classic of the genre, but in fact this trick is a little over 100 years old, the premiere of this trick took place in 1920, now by the way i’ll tell you how the illusion genre developed using the example of this classic today the day has already seen the number of sawing a man, so on the screen right now is the same illusionist who first...

performed a trick in one of the london theaters, which so in 1920 the premiere of this interesting thing took place, the premiere took place in absolute secrecy, so you understand, neither the press nor the theater administration were present in the hall, there were not even spectators in the hall, there were only theatrical agents there, and selbit did this on purpose, he wanted it. so that the secret of this trick would not go beyond the boundaries of this theater, secondly, he wanted to patent it, that is , he kept the secret secret until he patented this trick, a month later the premiere of this trick took place, which means what the trick itself looked like , the illusionist was demonstrating a wooden box on stage, it stood on a stand, a charming assistant, a classic of the genre, she occupied a horizontal position inside the box, the walls of the box were open, the illusionist took two ropes, with one rope he tied

the assistant’s legs, with the second rope he tied the assistant’s neck, then he invited several people from the audience who were supposed to hold these two ropes, one held the legs, the second held the girl’s neck, the task was to keep these ropes in a taut position, thus he fixed the girl’s body, demonstrating creating the illusion that the girl was not going anywhere until the last remains on this table, absolutely right, and the assistant brought out a large... hand saw, they began to saw this box, by the way, the saw is really real, the saw is real, the tree is real, you can imagine how long this illusion lasted 100 years ago, that is, can you imagine how long it takes to saw this wooden wooden box, so, it means that selbit and his partner sawed the box, then they moved the two halves of the boxes apart, the viewer saw the space between the boxes, moreover, the ropes remained in a tense position, after which the boxes were connected... and the assistant simply, he was a stunning success, it

appeared safe and sound, this act was true, and this man became the richest magician of that time, but the illusion does not stand still, not even a year has passed, how a new magician, an american magician of polish origin, garazi goldin, flew into the genre, yeah, he shows, in my opinion, a completely unique thing, that is, it is relevant even to this day, he changes... a two-handed saw to a huge structure with a circular saw, this dangerous, he demonstrates how dangerous it is, how real, real, metal it is, that is, they pull out a log. they cut the stage, saw it in half, the viewer understands that there is no deception here, then the same beautiful assistant appears, but here is the next principle of the evolution of the genre: look, the assistant no longer lies down in a wooden box, she lies down on an open table, that is we see her body from the beginning to the end of the trick, that

is, every day he had new assistants, well, it looks like yes, in general it’s a faucet the air still lifts the wall, the saw saws it in half, the two halves are separated, after which the crane lowers... the halves, the halves come together, the assistant is safe and sound, surely some assistants could have really suffered, there are some facts about those accidents that happened during the performance of this trick? indeed there was such a case, the illusionist’s name was kostanos kasfikes, by the way, this is an illusionist from the soviet union, despite the fact that he was greek by birth, kostanos kasfikis, but his real name was konstantin mikhailovich, but you know that many lysionists took a pseudonym to make it look more, well, yes, konstantin mikhailovich somehow sounds non-magical, non-magical, yes, and yet, he also had number of sawing an assistant, this tragedy, he really died from his circular saw, but this tragedy did not happen on stage, it happened during his spanish tour,

which means he was moving from one city to another, and he was driving his truck, in a truck , in the truck just in the back there was that same illusion device and... that same circular saw, during a collision with another car, this saw flew into the cabin and dealt him a fatal blow. but you know that the history of other facts that the illusionist or his assistant was injured during the performance of a sawing act, the history of illusions does not present us, but despite this , we still seem to realize that this act is really dangerous, because that’s how we know that these numbers use a real pilot, we just seen in the photo, this is a real pilot. iron, or it’s a large saw, round, that is, one wrong movement, or something with the mechanism, or if the assistant did something wrong, then she could really get hurt, well, we’ll talk about the danger of this a little later, now it’s very interesting to know , that earlier illusionists one way or another covered the body of their charming assistant and only creating the illusion of cutting the body they sawed some

i don’t know wooden boxes, boxes and so on, i’m sure the viewers who saw now our trick they ask themselves one question: before there were five safron brothers or what kind of magic this is that defies any explanation, how this trick was born here, i think it’s interesting for all our viewers to hear, well, as a rule, it’s a long process to come up with something worthwhile, first the three of us get together, three brothers, sit down at the table like this, come up with an idea, draw a drawing, sketch it out, then we connect our technical part, they help us draw the drawing more specifically, we do all this we'll try later in workshop, first on a small mock-up, then a larger one, and after about 3 months or a year a new illusion appears, this is quite a big process, here andrey cheated a little, i must say, i’m stronger, then ilya comes up with tricks for us, not only that he sits day and night on these drawings, works out every detail, and after that he gives these drawings to the workshops, and does

it very cunningly in order to keep the secret a secret, we also saw this from my dad, who worked at the tushino machine builder. factory and they were given a fragment of parts for a buran spaceship, they did not know what they were doing, they were simply given a drawing, they made the part according to the drawing and sent it, which means it was there to the address where it was required, only then did they find out that it turned out that it was a fragment burana, so we work using the same technology, in one workshop we order, roughly speaking, one part, in another workshop a second part, in a third a third, then we assemble it all at our secret base, and it all comes out of it. an on-line device that has no analogue in the world. how much does it cost to create such an illusion device? listen, well, you and i know that an illusion device can cost 1.0 rubles. or it can cost like a good, expensive foreign car. and returning to that, remember, we used to think, when we were just starting, how we get inspired in general.