i want to talk to the audience as broadly as possible, i really want the audience to be happy as often as possible, i want my films to be shown on television, i want them to be shown there on platforms, on the internet, there are as much as possible, because after all, i... mm, well, uh, i set myself the task of creating phenomena, big phenomena, and i like it when these phenomena, through a theatrical screening, can somehow excite the audience’s hearts, if they are full aesthetically, if they are filled with the content of these phenomena, then the task is completed. people

are uniting so that the children of the future will rewrite the music from your films, your films , in the same way as when you were a child you copied the music of gennady glodkov from one cassette to another and also using improvised means like a pencil, wait, the cassette is a priority, this is an excellent image, which you can strive for in new technological conditions, yes, you know, there is such a rebas on the internet, yes, why do you need a pencil and how to use it audio cassette, yeah. about the same thing, but i have such an important question, what was the fate of the rooster from your film, he received new roles in other works, but in my opinion, someone from the film crew took the rooster , but i don’t remember who exactly, someone lived in a private house, took it for themselves, if today, today i was filming a rooster, i would take it for myself too, since i live in a house and i... have a place to keep this

pet, today i’m working in a movie more difficult than 10 years ago, when you were just becoming a professional, and that is, it’s kind of in many ways, your creative career had not yet been fully defined and you did not know anything about the bremen town musicians that you would have to work on such a film either 20-30 years ago, today you as a director had to pull yourself together, or maybe the producer told you, that this is not necessary, it’s too complicated, it’s too authorial, let there be a movie. is it necessary to make it simpler there, or is it necessary to do it in such a way as not to alienate the general audience, my partner, producer, general producer of studio tri leonid emilovich verishchagin, he never interferes with creativity, he gives me personally complete freedom, for which i am immensely grateful to him, he and i never talk about how the release will be and how much the film will earn in general, we never even touch upon it.

of this entire topic, because for us the most important point is to make a quality movie, and it seems to me that it is much more valuable if the film remains, there for decades in the hearts and minds of people, let’s say, i am very proud of the film fire, it will be shown on february 23, every year it is shown, and i understand that it is important specifically on... this day, that is , this film became a landmark event on this very day, and of course, i have a dream, i really want some film that we created with our team to become a phenomenon 31 december, at 8 pm, so that russians sit on the sofa, turn on, watch and sing songs, let’s say i really want to please people in this way so that we connect and not

separate. and this was a podcast of witnesses from einstein, where we, film historians natalya ryabchikova and stanislav didinsky, talk about forgotten, cult, little-known works of russian cinema and its heroes, in order to make it more interesting for you to watch them, our guest today was the director, screenwriter, alexey nuzhny. thank you guys, thank you, thank you. this is a podcast 20 years later, its host is alexander anatolyevich and konstantin aleksandrovich mikhailov, our guests are the author, musician, producer, director, igor ivanovich sukachev and yuri aleksandrovich sherbakov, a collector of ancient cossack women. songs and not

only old ones, hello, hello, hello, in 1987 we graduated from the directing department, yes, department, department, studies, suddenly a brigade. we starred in films with shakhnazarov, with mikhalkov, how did it turn out, are there, maybe, a couple of stories, do you plan to continue, well, if you call me, then of course it will be interesting, and so everything was filmed, episodic episodes, well, for me they are valuable , the fact that songs from our region were performed there, that they took them as

their own works, that’s all interesting, purely by chance, what can i tell you here, i accidentally ended up with nikita sergeevich, knowing that was like that... he is no longer viktor pavlyuchenkov, by the way, he played the main role for mishchenko, father, we were there and vasily konstantinovich, i got there too, so there were episodes on the accordion, and nikit sergeevich’s disc came from viktor pavlyuchenko, as far as i was told, then they found it, found it through feedback, rewrote the blank, here you know, i’m watching this film, and you remember this scene. maybe when they are walking, in the citadel, when they are attacking from the head, with handles with their heads in their hands, practically, this is the scene so epic, here they are coming, it means, in this leather raincoat, it means mikhalkov, they

are coming, suddenly, damn it, i see yura shcherbakov, i’m like, yura shcherbakov, i had a lot of money. at that moment, for some reason , i imagined my grandfather, so he stood before my eyes on this stage, i imagined my grandfather, i think, oh my, what a war it was and how they endured all this, through the same swamp, through a meadow, we walked , everyone is wet, dear mother, igor ivanovich, there are no plans to film something on a military theme, there is a film script called call sign panda, so... i want to shoot this picture, but i hope that next year i’ll go on the set, but now i’m just starting to watch the casting for young people, tomorrow i’ll be at musfilm, tomorrow i’ll be doing this, preparation, yes preparation -

yes, it’s complete meter, a story about classmates' friends, four guys, their girlfriends, you shot the film midlife crisis in 26 days, how did it happen so quickly, oh well... there was no money at all, no film, so we did it quickly, here that's it, my wife helped me find money for the first film, well... post-production for post-production there simply wasn’t any money anymore, that’s all, my wife’s name is olga, when i premiered your song olga on radio maximum at one time, and i didn’t know that this song was dedicated to my wife, a very beautiful song, well, yes, well well, yes, you need to read the captions in the album, everything is written there, but i read it, let’s listen. beautiful song olga.

hit, hit, fate will wake up the slok, the rowan syllable is shepherding, in the steamboat, snack of the wheel, up and poppy sailor.

someone is not free to turn on the light, someone is not able to say, no, make a rainbow fate. the snake eats its tail in the eyes of ice, in the chest of fear in the soul there is longing, only it hurts. yes, it’s impossible otherwise, but only, prophet, fate to wake up, layer, rowan layer, in the valley, in the bush, in the dream, in the woods, up and down, the sea.

yes, for you and me, but only after all, after all

, the great-rukh sudbar zbude, slok, rowan slok , knock, in two, powders, snow, pales, up and daddy morek. old woman fate wakes up sulov rowan words

pastoche in two colors in a dream palisa up and papal sea. long live love, guys! the brigade with

its first performance on the veranda of the kindergarten, as far as i know, oh, no, this, oh, my god, this is not at all the same, the biographers lied, they lied, in general, history is such a false thing, because well, each of us remembers the same event, in our own way, let’s ask author, but in reality, this is not a performance. i worked for a short time as a watchman in a kindergarten and just then this same son was born to us, he had just been born, there was no money, there was nothing through connections, they got me a job as a watchman in a kindergarten, then go get a job, i already started to gather a group slowly and accordingly three-story a typical soviet

guy, we went to knit, but everyone had time to run away and they threw the contrabass over this fence, in general, when the little horse came for me and this is the squad. that was the name of the group, at first it was called

a rare bird, the leader of this group was aidonidsky, the son of composer ai danitsk, alexey, in my opinion. name, seryozha played there, i saw him at the dcc pravda in eighty, i think, the second year, for the first time at a concert, and olga and i came, and i remember what he looked like, what kind of bass guitar he had, i even remember row and places where we we were sitting, this is the sixth row, the fifth and sixth place, and we’ll check, yes, yes, yes, yes, on the left, and i told olga, with this guy, i’m...

in the orchestral conducting department, and i’m in the directing department, that’s it , and we met and decided to make a new group, although the name already existed, but the es brigade was born with sergei, it was born as a group together with the two of us created it, that’s exactly the group we created together, although he played with different people, and i it seems there was even a name, but it’s all such a turnover, it’s because the sukachev brigade s, well, everything is often such a provocation, well, yes, sukachev, sergei golanin, in general, all

four of us have the letter s and those people, those people who created this group. one way or another , the letter c was present, i don’t know, i think i was lying about something then, well , guys, 30-40 years ago will be next year, i was lying that i like her, or maybe you i didn’t lie, that it was round, but not closed, well, there were different versions of what it was, that i liked it, well, i was interested in all this kind of bullshit, well, directing, well, yes, well, yes, seryoga golanin, i remember drawing notes on my cheek, yes notes, yes. i also did indian coloring for myself, which, well, then we should separately note, of course, the style in which the group appeared on stage, well, yes, well, yes, and then the untouchables appeared, well, not soon, not right away, but yes, they appeared, yes, how this one appeared, it ’s a great group, yes, it’s true, well , this is the first supergroup in the country, i don’t know

if now, i just don’t really follow it, but i do, there are no such groups. i’ll try to make this story short too, it’s not short at all, because by the age of ninety-three, it was already clear that, well, at least for me, that i needed to somehow move on my own.

brigades and even more our early music, some kind of jazz music.