she didn’t want to say a penick oath, when the priest attacked her, she put on a patched ring, bitter tears came from her eyes. stream flowed onto my face, i heard in the crowd, they said, what an unsightly groom...

they ruined the girl in vain, i went out after the crowd, there was a carriage at the church, there was a magnificent wedding there, all the guests were dressed up, alone. you were the most beautiful bride, all the guests were smartly dressed, you were the most beautiful bride.

imagine me on an expensive snow-white yacht. tracking down a dangerous drug dealer, zhirkov, oleg zhirkov, victim kirill mazurov, with ninety-second year of birth, well, like telepathy, kushnir, a new level, kostya, well , how undeplorable i am, i can explain everything, i won’t bother you anymore, hands up, both of you, put the gun and cheek down, new episodes, tomorrow after the program time, all! the pizza has been found,

you can close the case, receive gratitude from the authorities, they say the paper must be taken care of now, on the seventy-fifth anniversary of the birth of lyubov polishchuk, everyone is dancing, she always captivated the audience, that is, if lyuba came out, the hall always accepted her, lyuba, lyuba, lyuba, that's it fans, everyone went crazy, yes, let me out, it’s me, vinka, i say, lyuba, don’t be afraid to be ugly, she. sashka, what, what, what are you afraid of? lord, the main thing is to work, play, play. do you even know what i came here for? why are you silent? you smile, blink your eyes and remain silent. if you can, forgive me. i remind you of someone. very strange. recruiter. she was amazing. i have always admired her. two people that god probably created.

for each other, they couldn’t live without each other, as i saw. lyubov polishchuk, last tango, we met, on sunday at the first, we continue the conversation about music and life with zhanna bichevskaya and gennady ponomarev, konstantin aleksandrovich mikhailov and alexander anatolyevich belonogov are still in the studio, i can say, maybe for the first time. tell me, how did you meet bulat makudzhava? oh, this , this, this is a separate song, it was in the house of writers, and before that i sang the song was so ujava, some songs were also bards, and they brought me to bulat and put me in front of him, i say, hello, it’s me, i, i sing yours songs, he says: what, what, what, what, he says, i’m zhana bichevskaya, i sing your songs with a guitar, he says, yes, but it’s interesting to listen, and next to him stood his wife olga, a wonderful person, generally a beauty, i say : here i am, can i call you? he

says: yes, of course, olya gave me her phone number, then time passed, i called him, we became friends, then we met many times, he gave me his collection of poems when... i was so hot, i also accepted him into himself, into his soul, so not a single bad one uzhava didn’t have any songs, they are all of equal value, regarding the numerous, endless, probably joyful travels, both for you and for the public, in paris a certain lady came up to you and sang the novel

by sparuchek galitsov, was it so, was it listen to me carefully, firstly, i came up after one of the concerts in olympia, i don’t remember after.

you see, the fact is that this audience was purely french, well, they accepted zhanna as one of their own, because the musical language, yes, in which she sang songs, was very close to them; for some reason the french love her very much russia, some kind of magic happens here, because the countries are similar, but everyone loves folk songs, all of our russians, because in them, you know, they, they, you can’t deceive people, because from these songs they radiate such love , such kindness,

more, they have three of our names, this is vysotsky, yeah, this is damask steel kudzhavy and bichevskaya, if the poles fell in love with someone, especially since she is from poland, one might say, she didn’t fit in, so i traveled with zhanna poland, and east, west, and north-south, and how they receive her there, you know, now she would came to poland, there would be sales everywhere, let's listen to the song, not a romance, lieutenant goletsin in the original performance. for four days the village is burning, the rains are sweating, the danish

spring is spring, don’t lose heart... little golitsyn carnet, apalensky pouring wine, cornet, and valensky pouring wine, squadrons are over the gloomy don, the country of russia blesses us. parutchyk galitsyn, distributor of cartridges, carnet, aballensky, sedlaytse, horse, cornet, abalensky sedalitse horse, arvaga flashes,

familiar faces, shalina. gypsy rushes into dreams, everything will be fine, lieutenant golitsen. for everything the commissars will receive in full, for everything the commissars will receive in full, but somewhere nearby there are troikas rushing by, alas, but i know what our fault is, i promise.

we need the corse of the ship, lieutenant, golitsyn, or maybe we’ll come back, why do we need, buddy, a foreign land, why do we, buddy, need a foreign land, for the fourth day. the village is whitening, it's sweating with rain,

it's the don spring, throw cartridges at everyone, the border is coming soon, all the officers will put on medals, throw ammunition at everyone, the border is coming soon. to all officers, but there are orders, when you traveled around the world, a beautiful russian girl, singing beautifully, playing the guitar wonderfully, there were probably just hundreds, thousands of fans and no one made an offer, never...

centuries, but i’ve been interested in forever, i say, well, let’s be interested in this listen, he says, well, you know, these are songs, i say, i love poetry, just like i love reading, then we met in tula, i arrived in tula, somehow out of the blue, i had this mishenka administrator, i say, mishenka, let’s seat a chair, out of the blue, well well, when god leads, this is a bell, of course, of course, that’s all.

gen sang his song on stage, i heard him, i realized that in front of me was a talented person, he needed help, and i gave him my phone number, and the next day i had it right there, when i left tula, i immediately called, he i was just waiting for this, the sky, right, gennady, you can see here, it really is, the stars have risen, fate itself, zhana, she is so complete and perfect that you know, better, this is the best enemy of the good, how could you help her, well, play, of course , i have now mastered this guitar.

i apologize, some priests said that she made her significant contribution to the glorification of the holy royal family, you see, i thank god that the lord sent me.

necessary, and worse, especially, impossible, impossible, wonderful, and zhanna remembers when zhanna sang in joint concerts, he always stood backstage, listened to her, yes, i understand him very much, yes, let's sing a song, yesterday i i saw you in a dream, yesterday... i saw you in a dream

and enjoyed complete happiness, if i could, i would never wake up, trustingly on my chest, we bowed our head gently. i whispered, i love you, you love quietly, they repeated, today i see in reality, i, alas, are completely different from you, no, i will not deceive myself again,

i am self-willed. the evil gaze glitters with a dream, a mockery, and your speech prepares torment, as if it wants to separate, prepare for separation for us, and i thought that i was not living, that my soul was in heaven. mine strives, alas, cannot, pouring, that wondrous dream will come true, your gaze is capable of blinding, everything in me is empty and insignificant, why

am i destined to love? what to achieve impossible, why is it destined to love, what is impossible to achieve. yesterday i saw you in a dream and enjoyed complete happiness, oh, if it were possible for me, i would never wake up, oh, if it were possible

for me, i would never. i didn’t wake up, this is a podcast 20 years later and we and its host alexander anatolyevich and konstantin aleksandrovich mikhailov, our guests are people’s artist of russia, zhanna byuchevskaya and her husband, composer. poet gennady panomariov, young performers are probably watching us and listening to us, they are very different now, very different, please, on their behalf, please give them... some advice to those performers who think that a song is a product, that a recording is a track, that you need to write a hit, not even a hit, that’s what they i need

to understand and hear from you first hand in order to become more interesting, more serious, better, you know that let’s continue the theme of love, many young people dream of beautiful, good love, not only on the emotional, spiritual, but on the mental level . but for this they themselves must work a lot for this, so that the lord will unite them, in order for there to be an equal union, you see, before you look for some kind of your match, you must first of all think about what you are interested in, what interests you, what kind of music, what kind of poetry, are you empty as a drum, yes, or is there something in you -that is, take care of yourself, there is not a single righteous person here on earth, the apostle paul said, but still you need to be interested in yourself... take an interest in yourself from the side of art, culture, ours, our country has an amazing culture, the deepest, take an interest in classical music , listen to

bards, read classical poetry if you if you don’t do this, then you will be unhappy in your personal life, you will have bad children, because you will not have a meeting of love, you will not have an understanding of each other, but most importantly, against the backdrop of my terrible tragic life, i have always... tried to be a cheerful person, tried to make them laugh, even in childhood i made my friends laugh, uh, i say, let me make you laugh, and you give me a treat, and i made them laugh, they treated me, since childhood i learned to make people laugh , no longer for candy, not for cookies, they laughed because it was very heavy people’s lives, you still need to brighten it up somehow, if you joke with a person, it seems like he’ll smile at me, something has already thawed in him. you see, something has already come to life in him, people are now dead, they are afraid to breathe in and exhale, they are afraid of everything in fear, fear rules the world now, and where fear is, yes,

absolutely true, and fear suppresses a person’s free will, fear kills, therefore so i try to be simpler with people, because that’s why i say what zhanna vladim calls me, i say, no, it’s easier to call me, i zhana, i am zhanochka for everyone, i can say what my...

they come up and say: you know, your songs, one day the chief doctor from the oncology center on koshirka called me and said zhana vladimirovna, you know, i brought songs, spiritual songs, songs in the novels of the novel, kanka to the sick, carried them in half so that people would listen, and some patients with the last stage of oncology were healed, and i asked, yes , everyone, he said, a lot were healed, but not all, because the evil ones were not healed, that’s right, because there where... there is no evil god's grace, and god's grace heals, that's why they are spiritual songs, especially with such a performance, now if we are talking about this, about healing spiritual music,

then let's turn to this work of the romana, spring, spring, yeah, let's listen, our guest is the people's artist of russia, zhanna bichevskaya, who turns 80 this year, a poet, composer, sound engineer and zhanna's husband gennady. ponomarev, thank you, this was a podcast 20 years later, its host is konstantin mikhailov, i’m alexander anatolyevich, if you fail. if you are unable to dispel the melancholy, autumn is soft, autumn is quiet.

come out quickly to my spring, in the soft autumn, in the quiet autumn, come out quickly to my spring, behind the spring there is a white temple, a cemetery. old, this is a forgotten land, russia left us, if your eyes are clouded with moisture, splash from the spring on

your eyes. you can cry, cry calmly, who will figure out where the water is, where the tear is, you can cry, cry calmly, someone will figure out where the water is, where the tear is for the relatives.

near the horizon, placed them in gris, and if you if you are sick, bedridden, then may you dream of a healthy spring, and if you are sick, bedridden, may you... healing radik, behind the spring, white temple, cemetery, old, forgotten, land, rusna. put.

hello, dear friends, today everything is unusual, but the most unusual thing, of course, is you, my dear viewer, you are, as always, a complete

surprise. well, today we will try to be a match for you, this is a fantastic beauty, this is alice, her last name is ten, this is a person who has an interesting name, this is rust pazemsky, and the full name, the full name is rustik, well, it’s just somehow strange to write rustik on posters, so rust, rust, please tell us what you have in your hands, this is viola dagamba, this is the predecessor of velancheli, but...

about this instrument, because we see it , uh-huh, no, now we will still ask questions , we hear for the first time, we will also ask you what this is fence music, finally , the last thing is not meaning, how did you manage such a young lady, you know, in middle age centuries to drag away, in fact, i began to play on instrument, because i decided to sing baroque; in general, i am a singer. i sang different music, i sing, and i studied jazz, and indian music, classical, oh, then i collaborated a lot with classical musicians, but just at

the junction, that is, when you need some kind of jazz vocals in academic music or ethnic vocals, that’s always something at the junction, because i’m not deeply attached to any genre and try different ones. and then i met rust with other borot musicians and fell in love with this music and began to learn to sing it, but let’s try to make us fall in love following you into this immaculate, baroque music. and why am i here with everyone, gaining weight and

losing fur, what makes me cry, laughter, light in my window, alone, as if it were a sin, because... because i am, this is me, because it is inevitable in me melting, serene, like a dream, infinitely tender, like water, endlessly alive, like fire, eternal, like ours, trouble with you, like an empty palm, locked, for some reason, in itself, they promised a clown and a parade, they punished you and took you

home , and they said, no one is happy to see you here. and now i'm here with everyone, gaining weight and i lose my fur, that’s why i am, whether it’s for the sun to melt the snow, that’s why i am, your amulet, your invisible one.

involves a lot of decorations, in music, probably also decorations, melismas, that ’s what it is, yes, in baroque there really are quite a lot of them, i think we need to show what to focus on, come on, come on,

porque do rosenhor dos sombras sejou me vivo.

i do baroque and old music in general, and well, let’s just say that for quite a long time i was originally a violinist, an artist, and it was in this capacity that i began to study ancient music music, well, ancient music, in fact, this is a fairly broad concept, folk was included there, who played the fiddle, then i played the middle ages in the latern magicka, the ensemble was quite famous, and at some point this is the curve of ancient music led me to this instrument.

do something, what is dagamba in the name viola - this is apparently a large violin, and dagamba, what is it? dagamba is legs, that is , viola da gamba is a viola with legs, well then let’s continue to enjoy your art, the night captivated me with its brow, and the morning... a shadow unraveled on the skin to fight evil,

like a friend hugged me, so the evening didn’t immediately recognize me, captivated by the night, sailed like a dashing canoe, unable to overcome what was in its turn, didn’t drag everything away, that night reigned on earth, fire slumbered in hall, the morning has flared up with dry fire, it’s time, it’s already as bright as day, well , get up, go and drink water, and don’t feel sorry for yourself and don’t spill water, the day whispered on my skin, like a deer, it ran through the thicket, wired, packs of wild barking. about you and me, as if it didn’t happen by chance that even he is already completely

not he, no longer young, the slope of the sky is drying up, the darkness is ablaze with sunset ashes, and the prison is becoming invisible, the night captivated me with its brow, and the morning woke me up... i was angry, it seems like the day a friend hugged me, here it is evening , as if he didn’t immediately recognize it, he captivated it. the premiere of i love my country is on saturday on

the first and this. anthropology podcast on the first, our guests are alisa ten and rus pazyumsky, why did this same viola dagamba captivate you alice? well, initially i wanted to understand the style, probably of baroque singing, and began to play on violi, baroque music, and well , it was easier for me through the instrument, it happened that way, singing is just something very extroverted for me, here you just sit with the instrument.

it is not repeated, as it would be in other songs, also we will not immediately find where the typical structure is: chorus, verse, as already said, chorus and bridge, there is nothing of this, apparently a boroch song is a monologue about this or that feeling, yes, probably, but in general, in fact, song and poetic forms, respectively, they were very different in the baroque, including a couplet on there was also a chorus, it’s generally... uh, probably the oldest form of poetry is rondo, that is, it’s a repeating refrain and a changing episode, but uh, in baroque there is, for example, an aria, such a concept as an aria, which it can be said, maybe there is no verse and chorus, but there is a so-called dokapa, which means a hat, this is the form when the first part, the second

contrasting part returns to the first part, there are a lot of these forms, and the point is rather this , what am i trying to do with... does the baroque genre have its own characteristics? of course there is, but since this is a tradition, which, well, is not like indian music, yes, that is, it is impossible to listen to the carrier, but it was very modernized, that is, there was opera, there was completely different music, romanticism, that is, these are direct heirs, but it’s a lot

of things, it was a very active, vibrant, cultural life, someone thinks that we need to look for, maybe even everything... the fire is burning, his light is calling.