easily, if he really wanted to, and he is like that in his secular manifestations, brad pitt could easily be like that, he’s just more careless, more californian, more like that, more of a simple guy, johnny deb, no, johnny deb is a rock star , in general, rock stars are the dandies of our time, well, not all of them, of course, can be called a dandy.

agenda, listen, well, for example, oleg menshikov, quite, yes, oleg menshikov is quite and he fits perfectly into this whole could lead the list of our modern domestic dandy, because he is a noted fashionista, and understands, pursues fashion, sometimes a car. hand, sometimes overtakes her, his bow is sometimes daring and outrageous, sometimes careless, but all this falls on dandy’s agenda. these are not lokomshits, we are discussing the aesthetics of the pushkin era. now, if we talk about your clothing style, do you consider yourself a real dandy? well, because i heard people saying that about you. they say all sorts of things about me, and that i’m a show-off, and that i’m a dandy, and that i’m...

by the nature of my activity, and, of course, i need a shot correspond to the task, i try, if i succeed, it’s very cool, if suddenly i give the impression of a modern dandy, very good, it means that professional training takes its toll, but in life i can quite easily walk around in old jeans, in drawn teshorkas, comfortable sneakers, which is actually the highest degree of dandyism, with men, yes, everything is clear, so... what was in

women's fashion, what trends of that time were bright, i don’t know, defiant, traditional, what was happening in women’s fashion? women's fashion, it changes a lot faster during the first half of the 19th century, and here we have this empire style, actually white dresses with a high waist, with puffed sleeves, and this waist too, it will then fall gradually towards the twenties . and these are almost weightless translucent fabrics in the empire era, there are a lot of cameos in fashion, yes, this is stone carving, there are a lot of bracelets in fashion, and bracelets sometimes have such a strange sentimental look, that is, even hair bracelets appear, which are woven from the hair of loved ones favorite people alive or departed relatives, even some such things were done. all kinds

of hair decorations, these are the most varied in the oriental style, and headdresses, and this was still decorated - with additional pins, brooches, by the way, how fashion was broadcast, where they learned about fashion trends, this is generally interesting, but first of all they wrote out magazines from abroad, but there were a large number of magazines in russia, and these glossy ones, the so-called ones.

an age of such downright femininity, very feminine, sometimes even so tender images, how do you like such femininity, do you notice it in our time, i read somewhere that dandyism can be female, i think that in modern times this is also present, coco chanel, all the experts said that she is still this or that dandy , first of all, she really was.

so with these necklines, with these berets, with these, what is this high waist called, here the band, of course, can, because femininity itself speaks for the one who wears this outfit and promotes

this style or represents this style, of course she attracts, this is what attracts me in the first place, of course, a girl in torn pants, in torn jeans and sneakers, it’s clear that... age, but if suddenly she appears in front of me, in this, she will sparkle with other colors, she has other eyes turn on, her gait and movement become different, she remembers that she is not a tomboy, but a young lady. yuli, what connects the fashion of that time with today’s fashion, what is still relevant? in a man's suit, it seems to me, there is practically no change, but in women we constantly see these trends,

but everything should be imposing, calm, frank, and we are all kind of twitchy, i have to admit, and this cliché of the age of speed and so on has affected us, so everything should be simple, these girls with their heads held high, with a fan , with a beautiful neck, and today we are with smartphones, which

, of course, have people bent over, exclamation marks - this is what you described, tatyana, dear, these are question marks, where, when, where, this is this... . vanity turns us into some kind of special class, people of the 21st century, what’s wrong with them, so what, but you can’t do it any other way, we still have a different speed, everything changes with us, you can wake up, you can come to your senses very quickly, it turns out that the femininity of the pushkin era, it’s very uncomfortable in socks, tight corsets, heavy sleeves, multi-layered fluffy skirts and who the hell knows what else was there on the head, yes, yes, that today... for you is a symbol of femininity in fashion, today femininity is about convenience, we can say that in each of our collections we address the coquetcore, here all our things, what coquetcore is, let's explain, and coquetcore is a style that is distinguished by special femininity,

romanticism to some extent, which is characterized by ruffles, frills, lace, again, bows, such bed dons. very feminine, light, so flirtatious, i would say, flirty, yes, the style of a coquette, absolutely true, yes, this is also a very bright trend of our time, something that distinguishes us very much, despite the fact that... very we still borrowed many trends from the 19th century, but what distinguishes us today is that we know how to transform our morning wardrobe into a daytime one, transform some morning clothes into a business dress code, and then supplement it in such a way that it becomes an evening one, this is something that did not exist in the 19th century, and it is absolutely impossible to imagine a girl in the 19th century who leaves the house in a dress that is then transformed. some kind of ballroom, social, evening, this is what our current reality very clearly characterizes, and

i think it’s very cool, after all did your customers accept the collection, which was inspired by pushkin’s fairy tales? very good, we have such key models that we produce, it happens for several seasons in a row, and the collection, which was dedicated to pushkin’s fairy tales, we reproduced, repeated one of our key models , the boldujour dress, made it exactly in the author’s style... by releasing a collection based on pushkin’s fairy tales, you force us consumers to go and re-read some of our once-favorite works and look at it. rethink the new, it seems to me that this too there is some very correct mission,

thank you very much, we had a reference to the fairy tale about a goldfish, there was a fabric that we used in studio light, it really shimmered just like scales, and of course it’s very cool when clients themselves give feedback and they say that it’s really like a goldfish dress, a goldfish dress, so to some extent , we can say that we accomplished our cultural mission with this collection. fulfilled a cultural mission and made women feel literally goldfish in your outfits, something that has remained unchanged since then is believed that the desire to dress up, to dress in some kind of status things is still a basic human need, why do you demonstrate strength, you scare away other males with your strength i agree, absolutely, this is camouflage, you are changing the plumage. but the main thing is not to forget for what purpose you are doing it, where you are doing it, because if

you come to a football match in the biggest city, it’s wonderful, there is no need to be weird, that is, there is a difference between dandyism and high-society apatage and just weirdness, it very much exists, but it is very subtle, there is someone to look up to, including in order not to do as some do. there are a lot of shocking characters that you can look at and understand, that’s how you can’t, this is also important, this is that other edge that you don’t need to step beyond, that is, this is some certain corridor of your consciousness in which you manifest yourself in order show yourself off to people, that’s what it exists for the podcast is not shit, where we talk about how to do it and how not to do it, it was very interesting, thank you, thank you very much.

you can watch more about fashion and aesthetics of different eras in other issues, right now on the first website. to the poet's anniversary. friend, my thoughts are idle, my inkwell, my varied age, i have adorned you with you. hello, dear friends, my name is dmitry bak, right here we have the next episode of our literary podcast, which, as you of course remember, is called let them not talk, let them read, we today we are talking about a man who... was all over the place with quotes: he is recognizable,

his spirit is recognizable, his lines are recognizable, guests flocked to the dacha. i see a flower, withered, scentless, forgotten in a book, well, i’m citing more and more famous examples, because you already guessed that we’re talking about alexander sergeevich pushkin, this year marks 225 years since his earthly life began. way, but his eternal way. the spiritual path continues and will last forever, we are talking about pushkin and we are talking today with a guest, who does not need any additional introductions, because he is sergei vitalievich.

although pushkin is still 37 years old for me, what is 37 years old, from the perspective of your age, you think, 37 years old, some, no matter how much he hasn’t done, 37 years old, well, let’s say, the cockerel wrote about the golden one in thirty-four, that is, to him i was 35 years old, a golden cockerel, well, is this for children or not, it’s not really, but of course, pushkin actually has that very

depth when it’s impossible to reach the bottom, when you’re just drowning and drowning in knowledge, because that every time... any researcher gives you absolutely fantastic knowledge, which he himself discovers, and you get to know pushkin for yourself, every year, i don’t know, you grow up, you learn something else, something else, something else... then, let’s say, let’s say, for me it’s just that same astrologer, i don’t know, i read here that he was an eunuch, eunuchs, the same sect that existed, in my opinion, since about 1700, when there was the first condemnation , in this case, the investigation regarding the eunuchs, but... shamakhan, the shamakhan queen too, the city shamakhi, yes, where, so to speak, the eunuchs were exiled, these are also such interesting facts that, in principle, you never even thought about it, you didn’t even imagine that this and this is all pushkin, this is all pushkin, i think that not by chance, although he says that he

stole the story from al-gamra, but stole the story? the beginning, but then all the meanings that he laid down in them, they are absolutely his, they are unique, and this is pushkin, please tell me, he didn’t steal, no, he just borrowed the most and what texts, well, in particular, a trivial question, without which you can't to live, everyone has them, i have, maybe, some poems, maybe some lines, i just said, the first thing that came to mind, but the guests were sent to the dacha, from which anna karenina grew, as we know, what do you have? i understand that it’s strange to ask sergei bezrukov about this, you played pushkin, yes, well, probably this is already at a more mature age, it certainly becomes like this - you know, how it gets into you, here you need to always read pushkin and understand that something gets into you, something you have already grown out of, and something right here is yours, absolutely yours,

extinguished the crazy years, cheer, it’s hard for me, how vaguely... hangover, but like wine, the sadness of days gone by, in my soul, the stronger it became, my path is sad, promising work and the grief of the future is a troubled sea, but i don’t want to die by hand, i want to live in order to think and suffer, and i know that i will have pleasures between sorrows, labors of anxiety, sometimes i will revel in harmony again. i’ll shed tears over the fiction and maybe at my sad sunset love will flash with a smile, forgive me, my god, how wonderful it is in your performance and in general how cool this is, you know, i really like the sound, i don’t know if you’ve thought about it or not, but maybe it’s just me seeing the rough sea

, it seems scary to me, your imagination is already starting to get rough, it’s real. the work and grief of the future begins to come to life, the waves of my sea still excite us, and the language does not become obsolete, on the contrary, he invented this language for us, we, of course, in many ways begin to replace those very great and great russian language, everything - still, we must pay tribute to the fact that june 6 is celebrated not only anniversary, but also the international day of the russian language, of course, in our time this is all the more relevant, we are of course beginning to replace in many ways, to replace, i don’t know, the image from... there are a lot now, especially among young people , of such replacements of the great russian language, especially more since the time of alexandravich pushkin, they, together with dahl, are just them, our museum

named after dahl, and just the very first dictionaries, one might say, yes, those very russian words, pushkin gives his ring to dahl already on his deathbed, this everything is very important not by chance, but nevertheless now without a special dictionary... some words are already becoming incomprehensible to, say, vanegina, yes, this is an encyclopedia of russian life, but this encyclopedia without a special dictionary to understand some words, well, yes, a brow made of wax, flies for field tribute, here the whole depth, that is, a cell, a bee, a monk, yes, no, these, these are just those very images, and the field tribute is some kind of foreign person who introduces a bee into a flower, and like a foreign seizure.

of course, i really want, sometimes i really want, of course, to be transported into the past like that, to look at least with one voice, to see how alive he was, because according to the memory his character was absolutely mercurial,

when his mood changed in a second, temperament, and this is not easy, this is not just temperament, it is sometimes even rage, outbursts of rage, and melancholy, at the same time , laughter, i want to hear pushkin’s laughter, because they say that it was so contagious that...

in the squeamishness of many great people, and you are squeamish about this, there is no squeamishness here, there is no, humiliation, here no,

this is a subtle feeling that can be compared to passion, to the flesh, but no, i don’t value this delight, the feeling of madness with the screams of a young woman when she loses her little ones. such intimate, personal, hidden, absolutely secluded things that, well, they don’t say, in general, but he can, as long as the teacher is with you, he can eat the sabbath, but he can, yes, here he is, so he can, so he can do everything ,

when he talks about nikolai pavlovich’s relationship with natalia goncharova, the relationship is therefore a very complex relationship.

a monument and this will make me immortal, but pushkin is cosmically a y, and every time, every time i come across an attitude towards this famous poem - a monument, gentlemen, pay attention, the first line, pay attention, i erected a monument to myself, not man-made, but we have an attitude towards a monument, alexander segievich has already made it clear with the first line, not man-made, not in the monument of the matter. not in bronze, yes, but it is a carbonation, and what does pushkin have that is not a carbonation, that’s what, my monument is mercy for the fallen, my monument is a role a high intermediary between an ordinary person and power, between the state and the individual, here is my monument, not only lines, not only poems, this, and this happened only after the meeting with the emperor in the year twenty-six, which you talked about, and at the coronation, but the truth of the artist, praise is accepted, slander is accepted and

indifference is argued. to prevent the kings from fighting each other and woe is not enough for me to be free or the press fools the fools or sensitive censorship in the magazine plans humbles the joker, he knows all this or words, words, words, other better ones rights are dear to me, i need another better freedom, an attitude towards my own life out of disgust, reading my life, i tremble and curse.

the way of relating to his friends, lyceum students, uh, whom fate practically mercilessly destroyed in siberia like this, this is also a special side of pushkin’s life, i have friends. yes, delvik, yes, my god, some kind of precise, of course, attitude towards friends and the ability to be friends, indeed, he knew how, yeah, he knew and valued friendship, this, of course, is also a rare quality, that is, he is the personification of everything russian, bright, harmonious, but tailored from contradictions, yes, there may be something black and evil here, but the result is a bright sadness, yes, my sadness is bright, and of course, the legend t...

the colonel stood at his meeting with natalie colonel lonskoy, who later became a husband in the future, how many, how many secrets, why, who it was, maybe not dontes, maybe even the sovereign, and then they just played the card, they had to save irinome and set him up, here you go, envoy so they framed dantes, who, in fact, also well, as they say. the rumors and all the correspondence were also far from relationships with women in this case, but here no one will ever know the truth. in the middle of our program there is a presenter's section, it will be

today, even taking into account the fact that my interlocutor sergei bezrukov, nevertheless, nevertheless, this section will be very small, very short, you remember, i have in my hands either a quote from poetry, or a quotation from prose, or an old one. vorin, a famous publisher, well, a playwright, a critic, and a man who published chekhov, but the date is very symbolic, because let’s not forget that pushkin also has such a line, inspiration is not for sale, but you can sell the manuscript, he is the first

professional, this date, the year eighty-seven, it is very symbolic, because it is 50 years after the death of pushkin, copyright rights disappeared, that is, it became... publicly accessible literature, it was according to pushkin that copyright measured its beginning, it was in the eighty-seventh year, 50 years after the death of pushkin, that it became possible cheap editions, that’s how strange it is, the economy and accessibility of pushkin are combined with itself, these are these editions, here is the second edition, i’m already saving this book, i’ve had it since my student years, and you can imagine that it has become available to people of the simplest rank, literate, but from the end.

played a very important role in pushkin’s movement towards the people. this was my entire little column. i have this little book, and i value it very much. and i still read pushkin quite often, which is why dear pushkin, yes, this is a pocket edition, very pocket-friendly publication, yes, yes, yes, let's, sergey, let's get back to your current works, i mean the captain's daughter, which, well , how can i say, is preparing, yes, we have already had a show, the first show to the audience, already you can judge by the impressions that were, uh-huh, here’s the rehearsal. yes, yes, this is a rehearsal for our captain's daughter, this is our sasha novikova,

the captain's daughter, masha mironova and olek savostyuk in the image of grinev, pyotr andreevich grinev, at the age of 16, his father sends him to the army, well, literally a year for everything about everything, ostan pugacheva, he can do it at the age of 18, but no more, they usually play much older, no, no, no, he is young, as well as masha mironova, they are also very young, i need these romeo and juliet, they play themselves myself. this is very important, in lenin hills, there is a film village, village houses, gates, and i made a sketch there, it was more christian, although the music was specially written, even the zongs were written, so a little bit of a rock opera, a little bit, because this is still a presentation, this is still a sketch, it should was to be bright, there were real explosions for the audience, they were practically in the story of the captain’s daughter on eva, that is , surprise me with this...

and pugachev was practically real there, that is, everything was for real, but after 5 years, of course , already on stage, this naturalism will still look a little busky, because well, there is a real torch on the stage, we understand perfectly well that nearby, nearby in the wings are firefighters who, with fire extinguishers, are watching for any spark that falls on the stage of the provincial theater, this impossible. i understood that there would still be some kind of tolerance, there would still be some kind of convention,

if it was real there, because we are in nature, it’s open air, then there is still a convention, so i invented another move, this may be there is our individuality and maybe a fresh reading of the captain’s daughter, who is still for us, for the audience, the very mother of christ, what did you come up with, you know, i started with the ending, yeah, all the events that happen... "i need character reflection about events that have already occurred. i am much more interested in pugachev’s investigation, when once again, or rather for the first time, he is asked to remember what happened in the belogorsk fortress, when pugachev for the first time, barely pronounces, and pugachev said, comments, which is like a legacy, tell me how it all happened, therefore

the literary language of pushkin, the literary language of pushkin, descriptive, comes as testimony, a person who is under investigation, and pugachev can barely pronounce, they squeeze it out of themselves, because you are investigative experiment, to appease the old witch, then it was harsh, it was rude, now, when you are in shackles, when on... like extras in any investigative

experiment, portray the victims, how it was, how it was, like a mosquito, an actor, comes out to play captain mironov, and next to him is an actress who portrays, but absolutely, as everyone said, pomhatu plays the commandant, vasilisa igorna, when the curse that falls, natasha shkolerok does it superbly. with tears with such anger, but this is the actress who plays the commandant, i need this reflection, what are you doing now?

it would seem, what kind of stories, got lost, changed the groom or changed clothes there, but the young peasant lady, well, nonsense, it seems, yes, a shot, a story about a duel, about a duelist who repents, yes, well, now, to be honest , the scriptwriters would say , that this is just a fashionable new move in order for it to have a great run - in the cinema, of course, it’s just an absolutely, absolutely new move, just like that i mix it up, you get an absolute blockbuster, yeah. screenings on a wide screen, listen, i'm talking about this i didn’t think so, because it’s really a new move, this is a new move, there’s a pointe everywhere, there’s some kind of twist, of course, absolutely, and this one catches the other, all of this is united by belkin, so here it seems to me that this is absolutely absolutely, it was, to some extent, even the innovation of alexander pushkin, he foresaw these very

modern scenario moves, new ones, it’s a very complex structure of prose, because there are five mirrors, like a small tragedy, it still seems to me that the system of mirrors is very important there, the girl says there ilp or lieutenant colonel, or someone, and witness silvio tells him, for example, and he tells belkin, and belkin is published by pushkin, yes, belkin’s stories published by ape, this is

a very complex system of mirrors, because a very simple person, who is ivan petrovich belkin, what an insignificant, ordinary person, but he’s talking about duyalts, right?

it is necessary to refresh, just as in love it is necessary to update impressions, emotions, and in the family it is also absolutely necessary to declare emotions to update emotions so that feelings and emotions are like the first time, it seemed to me so, having removed the crap of christ from this indisputably brilliant work of genius , i got to the bottom of these things. emotions, emotions, emotions, what is most important, the artists themselves experience emotions, this is very important, the director never sits there crying, i certainly cry, i am a very emotional person. i , along with my artists in the hall, worry with them, but the artists themselves are for them, for dima kortashov, who plays pugachev, he

played that pugachev, i say, dima, now you are playing a completely different pugachev, that you played, by the way, they don’t like you, they understand you, they fear you, no, they fear you, they piss on you, you are dangerous, but here they love you from the very beginning, they empathize with you, understand you. they condemn, but they forgive, and you are a new pugachev, a new pugachev in this story, like all the other characters and we are green, of course, and of course, the captain’s daughter, because as you know, when a hero commits a heroic act, he does not call masha so that she in this case, no, yes, do not jeopardize her psyche, so he is ready to die execution, strictly speaking, is the death penalty, again thanks to merit. he was pardoned, which means pardoned, defamation in those days, defamation, what is defamation the solution to everything: for a nobleman

it is better to die, to be executed, than to turn up, that shvabrin is just getting defamation shvabrin is getting defamation shvanovich also received defamation surgut, that’s interesting, but we all understand , surgut, something so modern-sounding, he was exiled to sorghot, it’s clear that... he performs a heroic act out of love, that’s devotion, or as the ancient greeks said, yeah, love, that same one, the seventh, the seventh feeling, yes, the seventh feeling, the highest love, agape, self-sacrifice, for the sake of a loved one, but i’m interested, of course, masha is ready for self-sacrifice, and i want to see it self-sacrifice, yeah, come, look, i’ll definitely look, well, we understand what to destroy the memory, destroy. traces of real events are impossible, we talked about this today, that’s why we celebrate

pushkin’s anniversary this way, it would seem that this is such a date no more, but no, not just the date, this is a very important event for all residents of russia, for everyone who reads pushkin, in the original, in translation, it doesn’t matter, because alexander sergeevich pushkin leaves no one indifferent, that’s what we talked about today with sergei bezrukov, huge. thank you, sergey vitalievich, i am sure that we will see you again more than once, to you, our respected interlocutors, i, as always , with emphasis and confidence, say my favorite phrase: read with pleasure, dear friends, believe me, when the mosquitoes around you are blinder a swarm of magazines is flying around you, don’t reason, don’t waste polite words, don’t counter the insolent noise with writing, neither logic nor taste, dear friend, there’s no way to humble their stubborn, angry mouth. sin, but suddenly swing and slam them with a nimble epigram. to the poet's anniversary.

hello, dear viewers, you are watching the podcast lab with you. and its presenter tatyana krasnovskaya, psychologist, psychotherapist psychologist psychotherapist sergei nasebyan, our guest today is love, hello, love, hello, tell us why you’re coming to you they came to us, i came with such a request, it sounds like this, why do i always feel not enough, but inferior in some things, despite the fact that there are certain successes in life, there is a happy family, my husband and i have been for 8 years together, and... there is a business, successful, profitable, and at the same time, with everything, depending, yes, the feeds are social.