we had no way out, our fighters from the center group of troops are helping the civilian population of liberated villages in the avdeysk direction, from ocheretin, it was taken under control in april, people are being taken to temporary accommodation centers, ukrainian militants are raining down an artillery barrage on the village, literally trying to level it with the land, local residents, however, say, the main thing is to wait for their own, they say, the militants in usa introduced themselves like hitler’s punisher during the great patriotic years, sergei ponomarev, listened. i look at my neighbor, the soldiers are standing in courtyard, we are russians, and i stared at them, i was delighted, i said, oh, thank god, thank god, i say, hug you all, that’s how vycheretina ekaterina chernyshenko met our fighters, now she is at a temporary accommodation center, a pensioner with her husband and a neighbor was taken out of the village just a couple of days ago, in the evacuation footage you can hear gunfire,

further along the road of life, the only relatively safe route is from ocheretin to ovdeevka, you need to drive quickly, driving around shell craters and broken cars, peering into the sky to see if there are any enemy copters, the road seems to be long, and just like that, several times a day, taking people out in small groups from the soldiers of the central military district, who are pushing the enemy further and further in the vdeevsky direction , work with civilians has been streamlined, one group carries out direct evacuation from the now lbsa cheretina. from avdeevka to the temporary accommodation point. the queue was liberated in mid-april, our fighters managed to break through the enemy’s fortified defenses on the outskirts, after which the enemy fled, abandoning strategically important settlement. zhanna romanyutinka says that just the day before, soldiers of the ukrainian armed forces were patrolling her street, and in the morning they met soldiers from georgievski.

to russia, and why? well why? this is our homeland, this is our homeland. over the past few weeks , dozens of people have been taken from neighboring villages to temporary accommodation centers in zacheretina. all necessary documents are prepared here. a russian passport, for example, is made in a week and is provided with everything necessary. there is so much humanitarian aid that it uses part of the hall as a warehouse, there is everything you need here, from bed linen to outerwear. here, for example, children's things, baby formula, there are also people with disabilities. after all, a lot of people bring

elderly people to the tap, the majority have not yet decided what to do next, many are invited to live with them by relatives, friends, but almost everyone here believes and hopes that our guys will soon be able to drive vysub away from ocheretin, which means they will be able to return to their home village. sergey ponomarev, roman serebrennikov and sergey suvorov, channel one. joe biden signed new instructions regarding the conditions for the use of nuclear weapons by the united states. as the white house reported, in the future a decision may be made to increase the american nuclear arsenal, the task of containing moscow, beijing and pyongyang. the news came at a time when joe biden was supposed to give perhaps his most important speech in normandy, at least that’s how the western press presented it. the arrival in the amaha beach sector, where the allies landed 80 years ago, actually took place, but it did not live up to the expectation. biden it only lasted 10 minutes; most of the time he simply recounted the events. our

soldiers opposed hitler's aggression. can anyone doubt that they would like america to stand up to vladimir putin here in europe today. so, distorting history, drawing such wild parallels, joe biden again did not say a word about the role of the ussr in the defeat of nazi germany. by the time the allies landed in normandy, the red army had already liberated half of europe, destroying the elite wehrmacht unit, all without the help of the americans.

in tyumen, he was planning a terrorist attack on a section of the sverdlovsk railway; according to the investigation, the suspect entered into a criminal conspiracy with an unidentified person in messenger. the security forces acted promptly and proactively; the court has already chosen arrest as a preventive measure for the detainee. a new boat for fighting saboteurs

, grochonok, was launched in rybensk. the length of the grochonka is 31 m, and the width is 7 m. the displacement is about 140 tons, the cruising range is more than 300 km. fast and... maneuverable, capable of instantly detecting and destroying targets. the boat is equipped with the latest electronics, communications equipment, video surveillance navigation, the arsenal includes small arms, radio, hydroacoustic and anti-sabotage weapons, all with the latest technology. after testing, the grochonok will join the kola flotilla of the northern fleet. a new, happy story of family reunification. through the mediation of katra, with the help of the russian commissioner for children's rights, maria lova belova. a mother from ukraine and three children returned to russia. they couldn't do this for several years. according to this program on 67 children have already returned home. representatives of katra and russia are doing everything to ensure that these returns are safe and that the children receive as little negative emotions as possible. i would like to note that the work is so noble and requires

complete dedication, so the ekatori embassy in moscow said that they feel like one big family with the russians. pavel pchelkin's report talks about how great it is to meet your family. office of the children's ombudsman of russia yulia vovk came with her three children sasha vadim and little nicole to thank everyone who took part in their move to russia through the mediation of the kator state. thank you very much for helping us, it’s very nice that there are people like you, otherwise this meeting would probably have been impossible. today we have good news. another family who found themselves on the territory of ukraine had difficulties in order to return to russia, to reunite with their other part of the family, with their grandmothers, today in moscow. on may 23, yulia appealed to the presidential commissioner for rights children of maria lvova belova with a request to help

her return to her homeland from ukraine, migration authorities, who ordered the family of russian citizens to leave the country before june 8 of this year, that is, until tomorrow. she was so scared that she still doesn’t seem to believe that she’s already in her homeland. just in case, i asked not to show the children’s faces. this story began in the twenty-first year, when they came to visit their grandmother in the vinnytsia region, due to covid restrictions they could not leave, and then the svo began, the family was stuck in ukraine. children's office

the obbudsman turned to kator mediators; this is not the first time the country has helped in negotiations with ukraine on the return of russian ukrainian families to their homeland. together with yulia’s children to russia. each time such reunions become easier for us. it seems to me that we already feel like one big family, and we try to make such meetings warmer so that the children do not experience any worries or get nervous. when the representatives of the cadre came to an agreement with kiev, the rest was easier. office of the commissioner for children's rights together with my belarusian colleagues , i began to build the safest route with a red cross. for the first time it was possible to cross the border with the republic of belarus.

personnel changes took place today in three moscow theaters. vladimir mashkov will become the new director of the contemporary, while he will retain his current position as artistic director at the oleg tobakov theater. evrgen gerasimov will be the artistic director of the satire theater. he will also remain in his position at the malaya ardynka theater. konstantin bogomolov will head the roman viktyuk theater. he will combine this position with the artistic direction of the theaters on malaya bronnaya. meetings with teams will be held. in the near future, as the moscow government emphasized, the decisions made will make it possible to more effectively manage

cultural institutions, combine the resources of different platforms of creative groups to update and expand the repertoire. hello, dear friends, this is the podcast life of the remarkable, with you i am its host, writer alexey varlamov, my guest is an art critic, curator, academician, rector repin st. petersburg academy of arts, semyon ilyevich mikhailovsky, hello, hello, semyon ilyevich, and we have gathered with you to... talk about the wonderful artist, who turns 125 this year,

alexander alexandrovich deineka. and here’s where i’d like to start: deineko was born in 1899 into the family of a railway worker in kursk, right? yes, right. it’s interesting that in the same year 1899, not so far from kursk in voronezh, andrei platonov was also born into the family of a railway worker. personal match for amazing to me. it’s also amazing that if you compare the fates of these two wonderful artists who did so much for russian soviet culture, then deineka’s fate looks quite prosperous against the background of platonov’s fate, yes, he lived for 70 years, he reached all possible heights, he had there were many exhibitions; his paintings were known to everyone during his lifetime. platonov’s fate is the complete opposite, it is the tragic fate of a man who died early, whose main works were seen many years after... after his death, who was in conflict with the authorities despite being devoted to the idea of ​​​​building socialism,

is it possible to conclude that artists are generally better off in this life than writers? well, unexpectedly for me, here ’s a comparison with platonov, and a combination, yes, that is, i honestly never thought about it , this is the first time now that this is quite acute and there really is a family of railway workers - it could really be an association or some kind ... well, in general, he’s so favored by the authorities, close to the authorities, and so on - but on the other hand,

as if he also had certain conflicts, both in a professional workshop, and that means there on the outer contour, that is , it’s really jealousy, of course he was such a favorite, well, in the thirties, all his works were published everywhere in huge numbers, and defense petrograd, for example, there are two versions, he made two paintings, one in the tretyakov gallery of repetition, one there in the museum of the armed forces. so, let’s pay attention to this picture, the defense of petrograd is, if i’m not mistaken, 1928, yes, that is, perhaps by the decade of the events described, this, by the way, is a picture, which is where it is in the third section or? then we took this work from the museum of the armed forces, because it was the first, and that one is a repetition, the work is beautiful, it’s just that based on the illustrations, it’s like a reproduction like this, there is no idea about this painting, all these nuances that

are here there is, but when he wrote this work, he clearly had in mind the work of ferdinand hodler, yes, who would fredska, and there is also this rhythm, because in this picture the rhythm is important, so figures walking in this direction, leaving in that direction, who is at the top? returning from the war, that is, these are the wounded, yes, that is, there is such a cycle here, yes, here, like in balabanov’s film, there is a load of children, and some are unloaded onto the plane, others are loaded, yes, but can this picture be considered avant-garde? is this the russian avant-garde or not? i would, well, i would generally belong to the avant-garde, there is socialist realism, yes, i would not classify daneka as either avant-garde or socialist realism, it seems to exist separately, that is, it is not exactly avant-garde, well in the sense that he did not make such revolutions, yes, yes, he did not change this form and did not, did not make such a turn in art, yes, that

is, he, as it were, traditionally still received and why do we then love and appreciate him ?

where favorsky taught at that time, and he was a student of favorsky, and even the first books, well, the first book that he illustrated krylov’s fables there, it seemed to have been made under the obvious influence of favorsky, and favorsky was an intellectual, he translated german books there, studied composition and so on, his texts have been preserved remarkably well, not only an illustrator, but also a theorist, of course he greatly influenced

deineka, he has amazing compositions everywhere, for example, he feels it, he is connected with... that is, this is his integration into such a world context, with one on the other hand, while remaining a russian artist, and being, well , connected with this country by the soviet union, he at the same time did things that fit well into the aesthetics of the thirties, as a global one, and we can talk about some stages of his work , we can say that he improved there, evolved, moved somewhere, first

there was cubism and he was fascinated by it, and some kind of cubist, broken ones. yes, tense, somehow he was like that, then it was a different time, then he crossed over to ost, entered the ost group, and before that happened, that’s how strong his collaboration with mayakovsky was, windows of growth, these posters, here it was all such a period, they were all, for him it was important, because in the twenties it was easy for him to later illustrate magazines, he really worked a lot there for the atheist of the machine, for him denika has a huge number of illustrations, yes. here it is from 20 there, i’m not mistaken 246 it just works for this magazine for this journaling, well, for artists, well, well, how is there an order for this? listen, well, we need to get rid of these myths that artists exist without orders, it’s naive to think that artists sit somewhere in attics, something like

that, artists dream of being customers, so this order means, naturally, dna, when rents out illustrations, these are generally all magazines and books, at that time, especially in the thirties years and after the war, it was possible to save himself, so he kind of did this, and did a lot, because he made a lot of books, it’s not powerful, this picture is powerful, but then, but it was necessary to find some kind of plot, well , he has a strong job in donbass, by the way, yes, indeed, but the twenties,

it seems to me, this is the most beneficial period, the twenty-eighth, thirtieth, thirty-fifth, this is this period, the twenties, thirties, and then the post-war period, of course, defense sevastopol, such a strong picture with this figure,

the goalkeeper, what, what is it, actually, here he is, the fact that he is like this, there is some kind of courage in this, the courage of the technique, the courage of some kind of decision, incredible energy, behind which there is a huge amount of work , this is what he had, what he drew all the time as a child, he developed this motor skill, and even purely craftsmanship, even if we are not talking about this magical genius, but still he had this incredible skill that few people yes, it’s still divine power, right? this year marks the 125th anniversary of the birth of the wonderful soviet artist alexander dalneki, it is about him that we are talking

today with my dear guest, the rector of the st. petersburg academy of arts, semyon ilyich mikhailovsky. who were his entourage? when we talk about literature, it is very important who you were friends with, who you were friends with, and who you conflicted with. now, if we talk about this artistic world, how everything was arranged then in the soviet times.

he has some kind of sensuality all the time there is also to write it in soviet times and obviously this red background, that is , here, obviously, this connection was completely reduced, but on the other hand, what is beautiful about him, he is interesting, he made this window at the top, but for there’s a city outside her window and there are these flowers here in red . in a pot, uh-huh, so, of course, she has a face, this silhouette and in general, but the face is almost invisible, yes, but you feel her expression, yes, this is the art of the face

you don’t see in this art, in the art of one movements, here which can be placed somewhere in the world history of art, not as avant-garde, not as social realism, but considered as part of a large world movement, despite the fact that he writes all the time about workers, collective farmers, peasants, athletes and so on, warriors and so on and

so on. well, it’s like, well, it doesn’t overshadow his artistic connection with some kind of creative direction. is it possible to draw a parallel with this famous sculpture of a collective farm worker? come on, in '37 - that is, this this wonderful sculpture was shown , and with this impulse, yes , three works by samokhvalov deineke poleksey fedorovich were shown in the pavilion, of course, that is, you walked along it and up. there it went up and up, and at the end you saw this big work, that is, he came there, samokhvalov was there, so they, it means, were unfolding these works here, there, that is, this is just interesting, he received a prize even at the paris exhibition of 1937, that is , this huge work of his was shown there, you see, this is what you see at the end of the pavilion, it’s not here, they also showed maykovskaya, a model of the maykovskaya station, for

which he made mosaics, that is. imagine that you are showing all this in paris at the world wide, yes, just like that, yes, this is called the day of the country of councils, yes, and this is the day of the country of council, that is, you go, it starts from dark then to light , how interesting, this is what is now on mayakovskaya, different states, that is, you can come and see, here is the dark sky, here is the bright sky, it is changing, and you know where they made mosaics at the academy of arts, and he made one mosaic, well, as it were. he didn’t lay them out himself, yes, that is, he made sketches, several sketches of takhmaze have been preserved, by the way, in our academy the art has been preserved simply, then the mosaics, those who worked, by the way, before the revolution in churches, yes, absolutely, isa , well , the wrong selection has already died, probably, here is the church of the resurrection of christ, of course, here they are, it means from the imperial mosaic, imperial, there they laid out icons, portraits and so on, here they seem to be

did the same. and it is of course interesting that from these preserved ones, from those preserved from malta to the revolutionary one, such things were laid out, it’s quite difficult, when you walk, you look, it doesn’t seem like some kind of ease, yes, yes, incredible, but magnificent station, these are darlings, she received, yes, she also received a prize in 1937 in paris, that is, it turns out that iofan, vera mukhina, was so brilliant for a day there. influenced by the soviet artist, well, that is, such a recognized elite, of course, and samokhvalov also showed there, so soltykov and shchedrin, when deneko was abroad, he painted some paintings, yes, there are his drawings, there are his paintings, especially rome, here in italy, there is the fora italica, there are various others, here he is, the streets of rome, and he seemed to be doing all this, he can see it, but how he likes it, of course, he

looked at the old masters there, well... he didn’t feel very good there, he writes there, well, i don’t know, we they read the letters, yeah, well, he wrote there that it’s hard, i’m suffering, i’m suffering there, i can’t do it, well, everyone complained, and maikovsky complained to america, and yesenin, yes, yes, but nevertheless, as if he existed there quite happily, his works and paintings were preserved, and there i don’t know, gouache, and pencil, whatever you want, and he brought them here, or everything was left there, he brought it, brought it, that is, he was valued here too and... he is also recognized in the world, yes, well, not like that, yes, not so that he’s absolutely top, but in any case, who the most valued of the soviet artists of that time in the world, well, i think he’s sorry, let’s say, korn, nesterov, that’s how, well, there are fewer of them, there are fewer of them, yes, well, yes, less, it was not so interesting, i know less, yes, less, but this one is just real, and you had to understand what it is, and this is right here in the twentieth years, thirties, it was directly in line with all some of these big directions, time,

of course, and not only time here, but also the era in general, time, yes, well, yes, and during the war, what did he do, i i remember he has such a picture very... and these faces are very expressive in fact, it’s true, and in general daneyka has very expressive faces, uh, you see, all faces, and it’s just such a drama, just such a tragedy, suffering, because when you

watch dnek, he practically doesn’t have it, yes, he has such harmonious world, yes , all such athletes, here it’s different, even the defense of sevastopol, there is an athlete, yes, that’s the other side of the war, well... beautiful, well, here, for example, this is a slightly recognizable character, this girl, and then , as far as i understand, after the war he began to have some difficulties, yes, when he went the fight against cosmopolitanism, against formalism, against all sorts of such forms, there it is, i think it’s just inside the workshop, that is , you had such a period there, yes, there was the thirty-seventh year, well, well, the thirty-fifth, trips there and so on and so on, here our war ended this period. and as if there was an opportunity, maybe he was even the rector, yes, he was the manager there, something of a workshop, i remember, then somehow there was jealousy inside, a workshop struggle, you know, that’s when they had these

meetings and in general they condemned, and the artists also gathered and condemned the meeting, absolutely, yes, but how they had these permanent plenums, who was the most important artist of the soviet union, organizationally, the most important alexander geraisem, alexander mikhailovich geraisem, he was the president of the academy. for many years, yes, yes, but then it was removed, yes, that is, then it was removed and he is already completely debunked, but he walks down the street and well, alexander mikhalovich, i’m like a rejected rembrandt, oh, like rembrandt, you know , that is, too, here is gerasimov, such here is a happy life, there is a guy from kozlov, he goes to visit varashilov, varoshilov elevates him to the academy of art, becomes the president of the academy of art, someone could become.

here are the forties and fifties, here denika has problems, and the transcripts are printed discussing the stalin prize, they say, well, why is deineiki, no, well, they began to say, it’s graphic, it’s a poster, it’s as if there’s no such painting in it , he’s already like, well, what is he on, he’s on the posters, he has all the graphics and so on, that he’s not a painter, we’re painters here, you see, when you read this, you understand that these are fighting with these, it’s inside.

the brightest, but of the post-war works, it’s probably, well, well, it’s not late, but in any case there is this tension in it, which he can’t achieve later, well, yes, well, because we’re later work,

there we can take these huge figures, yes, this, but the strongest, yes, well, what kind of movement, yes, and, as it is written, it’s just some kind of levi’s paw. what are the features, they tried to copy this the work, it turned out, says that it is impossible to copy, it is impossible to repeat it, that is , where is such a brush and where is such power, and the composition is again how it was made. perhaps, no, you can repeat it there in the drawing, but this is what he wrote right away, some work would have been some year and later, later, everything that is later, it is somehow much weaker, well, medicine could , and of course, the influence is absolute, photographs, cinema, all this is visible, he shows these figures, movements in close-up, he built these mes en scenes, he is absolutely brilliant, that is to build everything, you need to connect it compositionally so that... and his compositions are quite classical, well, that

is, there is a sharpness, but at the same time he does n’t seem to distort the world. dear friends, this is the podcast life of the remarkable, with you i, its host and writer alexey varlamov, and my guest, the rector of the st. petersburg academy of arts, semyon ilyevich mikhailovsky. well, returning to this picture, it’s also interesting if you compare it with future pilots, there ’s such an idyll there, so wonderful. the picture is very romantic, yes, with that aspiration to the future, age, these children’s age is very important here, yes, they are at least visible from the back, but it is clear that they are boys of different ages, and he very subtly feels and conveys this, yes, at the same time, it would seem, alone, yes, well , it’s kind of a naive story, but at the same time, he also points to this, yes, this uh, uh, airplane, yes, and he draws a lot of airplanes, by the way, well, back then it was a craze, he had . there really is a lot of this topic in books, he has a flight

there, he has all this, but it’s interesting that these, in fact, if we remember the defense of sevastopol, then we can assume that these are the boys who will be in a few years when they grow up, if this is the beginning of the thirties, and in the defense of sevastopol forty-second, now 10 years have passed, these are the boys who will defend sevastopol from enemies, well, probably yes, in the same crimea, so i just read somewhere that denneko responded so very much when... we were talking about the great patriotic war, he responded specifically to this story related to defense sevastopol, that this land was very close to him, and this city was very close, he loved it very much, so his heart responded, which is also very important, of course, well, there were events, they were such serious events, very tragic, so the fact that he painted this picture, it became an iconic painting, that we have the main iconic paintings about the war, this is this painting, one of the most, of course, to say, this is a painting, painting, exactly, this is a painting about the war, this

is this money, this picture is exactly 100%, then if we can say about work, it’s not necessarily these early works of the twenty-eighth, twenty-seventh year, then about the war this work is definitely recognizable, it’s always right everywhere in the books, it ’s true, by the way, and interesting, how the defense of petrograd and the defense of sevastopol, and the civil war, the great patriotic war, have something in common, but it is interesting that... where there is a civil war, he does not show the enemies, yes, there is only the red army, this is true, but here it is very important, but he has another third picture, actually a downed ace, yes, a downed ace, exactly, i remember where a german pilot is like that, falling, that is, there is only a german pilot, but here it’s just like, yes, civil war, yes, well, it’s like the artist needs to find some kind of downed az, it’s amazing, because there is one figure falling from the sky in such a... canvas, yes, a vertical canvas, and this is a falling figure,

that’s how you need to come up with something like that, do it that way, that’s easy you feel it, it’s just happening before your eyes, and show it in close-up and so on, well, tell me to me, these were also paintings made to order, so someone took it and ordered it for him, well, on the one hand, yes, on the other hand , he felt that today, this is what is needed, this is needed, and it’s like, well, no , we can say about the artist that they hover there not without... well-being is a home there.