is called a proxy server, that is, you go through someone’s server to look at it, well, it kind of turns your traffic into its own, i do this myself, that is, you, you knock on the door of the proxy server, then the next part, we won’t tell you everything secrets, this is the simplest thing, in this case he sees you, well , you violated the server, you violated the zero trust environment, he is someone’s, most likely he belongs to some enemy or a fraudster or just some company. you, but the traffic can be hidden, you can just see your traffic, but the traffic can be make an encrypted stream, for example, type azhps, yeah, then the server installed will not be visible, now we are very complex, here is the second way, the most common, called vpn, when the server in the middle is also someone else’s, it says: i’ll take myself to... everything ,

your entire connection, with whom you want to contact, is there with this one and it builds a so-called tunnel, a tunneled connection, that is , everyone who intercepts along the way will not be able to see who you are, or where you came from, who you are, you are in tunnel, you're in a tunnel, no where are you from, you didn’t connect with anyone, nothing goes through this tunnel, from the outside it’s simple and some kind of connection, strange, encrypted, it’s not clear between whom, but there are several features there that are sad for you, first, this vpn server

to sleep , but at the right time, well, that is, always consider, first, there are no private companies, they are all, they are all someone else’s, they, at least, hand over everything to the special services of their country, so, candidate of physics and mathematics, expert, who has been dealing with this issue for 40 years, claims with one hundred percent probability that by putting... yourself, or rather using a vpn (virtual private network) to connect, and especially leave it turned on, but even at the moment when you are just using it, and even more so if you install what is called a client program on your computer or on your computer, either on a tablet, on a laptop, on a phone, yes, an application, then you give away absolutely all the information from this device, to the point that there are some clients that allow you to do it there without your knowledge.

do some actions, not just collect information, and to do some more actions, we figured it out, the second part of the morlesian ballet, as i say, and public accessible wi-fi networks that are located in public places, but now i’m trying to save money there first of all, generation z and zoomers, going to any period, so what kind of wi-fi do you have, i say, guys, your cellular operator distributes it, that is, you pay pennies there, relatively speaking from a fixed tariff, so in general... well, it’s 200% unsafe, of which 100 % that you will end up on a fake wi-fi, for example, this is actually me i saw fake wi-fi at our novoykovskaya in this very hypermarket and in sheremetyevo, that is, which is the name.

that it is this particular store or this cafe or this airport, it could be a scammer. ok, closed wi-fi, where there is a password for the actual one, that is, for you there, now if you use some kind of wi-fi and there is no lock there, traffic is also open there, but even if there is a lock there, it’s still the same whoever provided you with the channel sees you and sees quite a lot of your information, well, that is, this is a cafe, restaurant, hotel, hospital, and, moreover, here lies you... one such breakdown

between everyday consciousness and reality, man, here we are talking about privacy, it slips subconsciously that privacy is traffic protection, that someone is interested in what i’m talking about now. this is another nail in the coffin of your privacy. this is the easy money podcast, me and its host mikhail khanov. we continue to figure out how to save our personal data

in the new digital economy, cybersecurity expert andrey, phd in physics and mathematics, helps us with this mosalovich. if you remove the battery from your phone. is it safe as a reader or not, even in this case can it do something? well, firstly, in many devices the battery is now technically not removed, i think that this is also done for a reason, but no, firstly, any device can contain a so-called means of undocumented influences, well , a microbattery for bookmarks, bookmarks, maybe micro, well, by the way, a micro battery is a reality, here in a computer. for example, you turn it off from the network, but it remembers the time, yes, for example, yes, there is a small battery that saves these systems, well , system settings for fast loading, in the same way , a small backup battery can live quite calmly in a phone, which is enough to ensure that there are some

signals there at the wrong time submit there or manage your device here is also an exit to the place, this will not give one hundred percent security, but it will greatly protect you, once again, if you really think that you are not... a daddy appeared with the inscription my documents, here is my word, who wrote you? it's already that moment, that is, this is windows, this was written by windows, he already believed that these were his documents, of course, this is not a joke, this is part, unfortunately, part of reality, that is

, your smartphone, it is not yours, and the data on the smartphone is already are not yours for a long time, moreover, if you read the license agreement, you will see that they are toga. one little hint, well, it will work easiest for those who have android, in principle, all smartphones have this, but all of them are quite well hidden, there is a function called privacy dashboard, that is privacy management screen, privacy dashboard, if you poke around in the settings for a long time, you will find it, if you are too lazy to poke around, there are such applications, you can download them, well, with that name, progress dashboard, this is a program that shows how other programs are currently spying on yours.

are impersonal, so they don’t require any kind of well, for the sake of which all this is being done, they really are personal control, but these impersonal data are needed for targeting the space of contextual advertising, that here is an advertisement for beer, here in simple language let's say that for marking who

buys what, how, who behaves how, and here's a great example, by the way, from the thirteenth year, now i don't believe it, an angry dad came to the store because there was... an advertisement for pregnant women, and his daughter is a high school student, like, what are you here, what are you hinting at, what are you doing, they shrugged you off, they said, we’ll check now, well, if it’s confirmed, we’ll apologize. a week later he showed up and said: you don’t have to apologize, she really turns out to be pregnant, and not only did i not know, but she didn’t know, that is, the store, analyzing big data on changes in behavior profile, i saw that this girl obviously didn’t go to the doctor, that is , before she went where there were some cookies, now she went there to eat some stars from the wall, that’s it, or there’s salted knotweed, everything is mechanical, that’s it this...

they can’t, because they will choke, they don’t need so much raw data, but at the moment of need they will turn and receive, they will receive what they need, well, according to requests, then the main conclusion from our conversation is that it’s not so scary damn, how they paint it that you are not certainly the object and goal of intelligence services, hackers, spies, and so on, that the main reason for the hunt for data is collection and storage in an impersonal form and use. not by huge corporations for sale, in fact, ultimately to sellers

of whatever it is, goods and services, in order to sell you high quality, yes, well , sell, as we say, there, impose and services, using your predisposition in that or another moment to purchase this product and service, in fact, for this , the whole game is going on, that is, in fact, the whole game is going on in order to sell much better and more efficiently. it’s impossible to list all the things that stick around this, there are also scammers, saboteurs, saboteurs, and spies, there’s a lot of everything, but the main game is on, the main big money is space, such targeted advertising. okay, then let’s end with a list of practical tips, this is what we talked about, ah, that means how to try to protect yourself, your digital profile, your personal data in the new digital reality, the digital economy, that means the first thing... and most the main thing, well, let me first start with the image, everything is built from it, imagine that

you went into a digital forest, well, into an ordinary forest, there are mushrooms in it, these are good ones, there are white boletuses, suddenly you see a beautiful, unfamiliar mushroom, you know , so red, there are these same spots on the cap, you will pull it into your mouth, well , in the forest, insistently, no, why, yes, it’s most likely poisonous, since you don’t know it, it’s not edible, don’t bark, don’t... . do not press, if the button is unfamiliar, do not press, written down, that is, do not press the buttons, which seem unusual to you here, the telephone was invented to call, and not to answer strange calls, you need to call, call, don’t call, don’t listen to who you are there, hang it up, who needs to find you, second second second rule, don’t enter into communication with unfamiliar subscribers, even if it seems to you that you...

we have a digital world, we have a digital economy, but the methods of operation of special services remain the same as they were, remember that if someone needs you, they will come and pick you up, and no one will call you, that’s for sure, and one of the important rules from the information war, if you have already grabbed a poisonous toadstool, well, you will not share it with others, never press the repost button, just never, so you wrote it down, here. in fact , the comparison with the forest is brilliant, but remember, as andrey said, yes, we are in a digital forest, do not

eat unknown poisonous mushrooms, do not share them with others, and what else needs to be done, you need to clean it up and about you need to come up with fairy tales of the cefar forest, after all, well, fairy tales of old generations are a concentrated technique safety, you go into the forest, the forests will be abandoned, there is a bear there, the bear will eat you, now , unfortunately, they have not been written yet, there is a book oshma. perform some atypical actions in the digital space, try to bring them into real life as much as possible. they offer to choose a visit to the office, or click on the button, go to the office, that is, if this really seems important and dangerous to you, then spend a little of your time, go to the office, so to speak,

make sure that this is really the case, make sure that this is a bank or mobile operator or else someone came up with something, but... as a rule , now everyone says that we don’t ask for any data, numbers, and so on over the phone , but in the networks there in retail, grocery stores for grandmothers there are leaflets, so i just read very detailed, very high-quality texts, calm, in simple words, explaining how to behave there, that is, the state, not only states are fighting, large companies and private ones are also fighting in this way... leaflets i suggest you read with these rules, so what else, if we continue the analogy of the digital forest, you are alone there, there are no police or bank nearby, that is, no one will stand up for you, if after all you fall for the actions of a fraudster, the bank cannot intervene because it is indistinguishable to him situation, you really were scammed or you are in cahoots with a fraudster, or maybe you agreed, pretended to be

a fraudulent conversation, transferred money to your friend, and the bank reimbursed you for it, so the bank is shorter. he will not intercede, you must remember that your personal data is your one of the most important assets, along with your health, along with you, your brain, your personal data is really a very valuable asset, which, together with other personal data of such a huge number of people, can become a source of profit, well, actually imposed on you some products, services or goods. everything is so, in principle it’s not difficult, andrey, thank you very much for what we did.

in electronic form and not make the same passwords for the entire device, plus try to replace some small avatar in case of this bank, create some kind of digital image of a card there with a small amount, protect yourself in the case of a bank account, limiting operations there to some amount of an elementary 5-10 thousand, it is different for everyone, in which only your personal presence in the bank can confirm the legality of this operation. thank you very much, i think the topic is endless, we will continue, thank you very much, this was the podcast easy money, and i am its host mikhail khanov, today we figured out how to save your personal data in the new digital reality and

andrei mosalovich, a candidate of physical and mathematical sciences, a cybersecurity expert with more than forty years of experience, helped us with this. you can find all episodes of the "easy money" podcast on the channel one website. hello, this is a podcast hosted by esenstein and his leading film historians, natalya ryabshchikova and stanislav dedinsky. we talk about how to watch soviet cinema now, famous, beloved, perhaps forgotten or completely forgotten. unknown, we reveal the secrets of film archives and show what this movie is about interesting and how to find new meanings in it. today we have a special topic, we will not talk about all soviet cinema, not about any specific film, we will talk about one of our favorite actresses, about one of our favorite actresses who remains

a mystery to us, we will try to solve this mystery, let's see how we do. we will talk about tatyana herself. who has a double anniversary: ​​90 years since her birth and, unfortunately, 10 years since her death, she passed away exactly on her birthday, of course, she is known to us as the star of the film the cranes are flying, but what else happened in tatyana samoilova’s life, in her career, in the films of tatyana samoilova, let’s try to talk about this, well, of course, when we talk about actors or actresses, usually very often biographers... go into details of their personal lives, because well as if this is the kind of content that fills the biography of these people, but still from the point of view of professional film historians.

actually received one of the main prizes? yes, but first we will watch a fragment from this film to remind the audience, what is tatyana samoilova like and what is this movie like? veronica, i wanted to talk to you, but i don’t want to, and please don’t call me veronica at all, who am i? who am i, well, belka, someone, listen, what will you give me tomorrow, a secret, if it’s something tasty, i

’ll soon forget to eat it, give me something so that it will be a long lasting memory in my old age, kiss me , you know, when you... follow me, i’m not afraid of anything, i’m not even afraid of war, a policeman, a very famous shot with a botal, which has been replicated, a famous movie, a famous role, but still i would go back a little. after all a little bit from the biography, because it is important how tatyana samoilova came to this role, this is her second film role, which made her truly world-famous, as it is...

at the theater institute, she was called in the fifty-fifth year to the film, which is called the mexican, this is such a historical melodrama from the life of mexican revolutionaries at the beginning of the 20th century , alex strizhenov plays the main role superbly, and there are two young actresses who have become just a little more and will become beloved by the all-union, this is nadezhda rumyantseva, she is so cheerful role, she plays a young typist. actually tatyana samoilova, who plays the more serious role of such a mexican beauty, strict, i have a theory why this film was made, why it was

made like that, why samoilova was needed, the film was made in fifty-five, was released at the beginning of fifty-six, in fifty-five everyone was captivated by the argentine film “time to love” with lolita torres, the songs from there, the very image of lolita torres, a brunette, with such cheekbones with raised b... important, after this mikhail kolatozov takes her on the flying cranes, and not right away, other actresses auditioned there, yes, she could not have played this role at all, but

nevertheless she played and played, as we saw, superbly, so that’s what helped her, how it happened, she was helped, of course, by the experience of the director, she was helped by the experience of the cinematographer, who is mikhail kolatozov, this is a man who, at the time of filming the film... well, let's just say, he had a break when he was not filming, but was doing administrative work, among other things he was sent to hollywood to find out how things work in the forties system, large-scale film production, and he returned from hollywood, made a detailed report, which helped to partially change the soviet one. cinema, however, did not take advantage of all of klatozovo’s recommendations, before that the thirties, this is a man who made, well, quite, let’s say, avant-garde films, yes, well, back in the twenties, well, back in the twenties, of course, a nail in the boot, salt with

vanetiy. he generally began as a cameraman himself, when already in the fifties he began working with cameraman sergei rusevsky, a much younger man, they somehow agreed on on this visual basis, yes, on a visual basis, taking, in general , not just a standard play, but undertaking to shoot a rather simple film, a melodrama, a genre film, let’s say, which then, of course, was not called melodrama. about the life of wartime, about the separation of lovers, they began to fill this plot of victor rozoy, it was originally a play, with actors, gestures, shots, light, in this fragment, as we see tatyana samoilova’s heroine, veronica, she is illuminated on one side by -everyday, this scene is in the apartment

veronica, not quite so full of faces, he is sharp, he is dramatic, and it was innovative then, it was a return just to this style of the twenties, on the one hand , absolutely realistic lighting decoration, on the other hand, the opportunity to show with light, not only highlight the eyes, yes, but even make the faces a little conventionally ugly, so somehow...

darken them in parts. alexey batalov later told how they filmed all this in the studio and how they built this cut-off game that they literally found any tin there, they punched holes in it so that there was some kind of glare on each frame. that is, here kolotozov and rusevsky help the actors as much as possible. it is clear that this would not work with any actors, but this emotional feeling from the frame itself complements it.

literally the entire film is the actual awakening of veronica, this is her path to, in general, victory, including over herself, over circumstances, and so on, there is information, there is information that the country’s leadership watched it, but khrushchev did not like it in fact, what veronica looks like, a betrayer, and a hero on the screen, so it was not so easy to play this role, it was not unambiguous, it... was very complex, it was intense, and of course, when the cranes are flying falls at cannes in '58, it's a sensation, it's a sensation from the point of view, again, of directing, from the point of view of cinematography, from the point of view of acting, but plus it's a film that you didn't expect, no one knew that at that time in fifties in soviet cinema, with the beginning of the thaw, an absolute revolution was brewing, which there, well, of course, everyone knew that

more and more people were filming there since... since the era of little karting in the early fifties, film production in soviet cinema is increasing tenfold, this is a big discovery for european film festivals, which are beginning to open soviet cinema again, after everyone, of course, knew the films of the twenties, and the revolutionary ones, but the asian cinema of some beauty begins to open, which around the same years becomes known in europe in a new light, soviet cinema, in general, responds to this trends, it... responds to the request of the time and opens up new names, yes, everyone is literally delighted with samoilova, they award her, in addition to the actual palme d'or for the film, they also give her a separate prize, an orange tree, i think it's called there almost real oranges were involved in this, she became a european star, in the early sixties several films were released at once, which were joint co-productions of the soviet union and european

countries, at first there was which became famous for its certain he was a journalist by first education, and his approach to revealing the topic was, of course, his main muse, his most famous film is bitter rice by silvana mangan, and perhaps he saw samoilova and saw something in common between them, well, who knows. i remind you that this is a podcast of lisenstein's witnesses and today a special episode dedicated to... the anniversary of the great, beloved actress tatyana samoilova, but in none of these films, including the italian soviet-italian, they go to the east, samoilova did not have such roles level, like the cranes are flying, she, by the way, still

managed to work again with urusevsky and kolotozov or kalatozov and urusevsky, in a modern role, a modern girl, a soviet geologist in the film an unsent letter, but there in these joint productions, there’s samoilova in general it feels like they are taking her precisely because she is samoilova, not because she is an actress, but because she is an actress from the film the cranes are flying, that is, on the one hand, she is a representative of soviet cinema, on the other

hand, she is this sign, she is veronica from flying cranes, in the film leon's mountainous friend, she is actually an actress and singer, she plays such a rather eccentric person, who, in principle, the plot is there... this is how the frenchman is looking for his comrade in arms in the soviet union, that is, this is a film such as a journey through the ussr, it’s even semi-documentary, yes, that is, yes, well, there are documentary footage, yes, the restoration of the economy and so on, that’s why all this is happening, so he is looking for a friend, and there is also a girl natasha, having quarreled with her beloved, brother , which the translator of this same leon goros and his company is leaving, they are looking for her all over the country, some kind of insert number is as if in this... well, only there is an insert number for the whole film, yes, she is such a jealous girl who is going to do the same veronica is getting married, but then the pilot has to urgently fly away, she is leaving on a creative business trip, so she travels around the soviet union, and everyone is looking for her, she gave

an interview after this to a french television company, where they actually asked her what kind of role it was, how it was play, she she answered very seriously, these are very, very interesting shots. watching them now is terrible, terribly exciting, she really thinks about simple journalistic questions and says: well, i haven’t seen the film, but this is such a role that is unusual for me in the genre, eccentric or eccentric, i tried to play it as a comedy, they ask her, in life, and aren’t you yourself eccentric, you don’t have some qualities, it was difficult for you to reincarnate, she says: no, well, of course life is so rich, different things happen in it, and they asked her, what in general... to do, she says: i love the period between between jobs, when you can think, i used just such a word, think, you can read, you can watch something, go to the theater, that is, fill yourself with something , that then you can , as it were, give off in a role, but convey

it behaves like an atypical star, or i will say an atypical star, because european stars, of course, do not behave like that, who usually pestered in full splendor, in a glamorous image, here she is in general something so dramatic appears. actress, filled with self-reflection, generally embarrassed, and the journalist tells her at the end of the interview that how would you be the shyest or the most modest, the most modest actress of those with whom i had to talk, well , there seems to be an inevitable story about the fact that european the producers are exploiting samoilova’s on-screen image on the wave of fame of the film, the cranes are flying, and she herself is somehow not comfortable with it, yes, that is, she tried once, twice and somehow slowly began:

you approached her, yes you said, yes , tanya, read anna karenina, he says, and i i read it, and he said, read it again, then she told him that she even somehow offended her, this is so easy, he came up like that, said something, left, he himself doesn’t know how kind he is, and what he not

going? my god, how sad? take off these fur coats from me, i ask you, did they let serge have dinner, everyone will forget, but he wouldn’t forget, but narkaidon arrived, what nonsense he is, you say that he won’t forgive, because you don’t know him, no one does not know. and i’m alone, no, no, i’m not afraid of you, i’m afraid of death, dramatic moment, dramatic role, again well, a role that requires some kind of passion, some kind of sadness, and zarkhi, in fact, when he saw her, he... he thought about who could play anna and, in fact , it was important for him to first find

an actress, and then really throw himself into the script, he thought about this film adaptation for a long time, many soviet directors, in general, any film adaptation begins with finding an actress, as a rule, this is probably really the case, because this is one of those roles that, well, really anna karenina, well, it’s like actors’ hamlit, yes this novel, which has been filmed many times, starting from the era of a little cinema, and this is the comerton that one believes in... and film adaptations too, yes, because, well, how, how can tolstoy be transferred to the screen, how can one fit two parts of a novel, karenina and konstantin levin in one film, yes, someone throws it out altogether, zarkhi left it, it was important for him to somehow preserve this design, but, of course, a lot of people attacked him, firstly, when it was announced that the bot would be directed by anna karenina, this is the mid -sixties, the film was released in the sixties seventh, 10 years later, after the anniversary of the cranes, they announced that there would be anna karinina and anna...

in general, as if the dispute around charm

meant only the cranes are flying, but in an actress who may not have or has atypical beauty, say so, he raised samoilova and many actresses of her generation with a new urgency, because there were certain standards that were presented to celebrities, to stars, and at the same time there was alexandra khokhlova, who did not fit into these stations, but she was, as it were, a little bit in the canon therefore, she didn’t get it, but lyubov orlova and many...

there was material or something, but it didn’t grow together, it didn’t match, she was considered for the main role in the film sunday, another film adaptation of tolstoy for the role of katyusha maslova, mikhail swiss, also a classic. at that time , soviet cinema had already developed, but it didn’t work out, they chose tamara syomina, perhaps it was in the classics that she needed to play, but somehow it turned out all the time that her filmography, if we look at it now, yes, it consists of rare such big roles, then something very ordinary, maybe

the audience wanted her to play unusual, maybe she wanted to play unusual, but they offered her something like this, then she plays - someone’s wife, then she plays... something like that , well, okay, she can play some kind of cipher girl, spy, and so on, but still this is not the main role, so she has two big main roles, the cranes are flying and anna karenina, in general this is of course enough for any actress, well then don’t forget that cinema in the seventies, including soviet cinema, is changing, they are starting to win genre - some examples, people go to genre films, and one of these later roles... tatyana samylova and this, of course, is a role in a genre film, absolutely yes, diamonds for the dictatorship of the proletariat, a set of words that is not even very clear now, what does the proletariat mean, what is it even , actually, according to yulian semyonov, this is a plot from youth, the beginning of the twenties,

the baltic states, spies, white officers, russian intellectuals. the secret of tatyana samoilov’s talent is apparently, also my hypothesis, that she couldn’t play episodic roles, she got lost in them, supporting roles, the main one, yes, in her she shone in these roles, where it was necessary, as it were, not to shine, not to pull the blanket on herself, well, somehow that’s all this is a little out of focus,

including today’s, well, at least we can again see what it looked like, see how she played in these diamonds for the dictatorship of the proletariat... in my opinion, it’s still wonderful, you love him very much, maria nikolaevna, i love that you ready to do everything, everything, everything to save him, then please answer, what code did you use to write the message about varontsov? why do you need this? the more i know about what is happening at your embassy, ​​the faster i can warn varantsov about the danger. i don't understand. well, why not understand here, vari nikolaevna. i, as you probably already

guessed, am a resident of germany in tallinn, and viktor vitalievich is one of my assistants. directors can use it freely when they are already accustomed to color and can use black and white use the image for certain purposes, and as a contrast, when they actually came to a wide-format image, when , by the way, the cranes were flying, the american critics, when the film hit american screens...