also at my show in archers, so i’m at june 9th. soya, dear, you become the winner of our show, the podcast is not a 2024 format, now polina sergeevna will leave her autograph with this amazing marker, and i am sure that after june 29 it will cost billions of dollars to write yours in russian or in latin, in russian, everyone held their breath, and i was the only one broadcasting on the night air of channel one, my friends, it was an exclusive release, wonderful, this has never happened, especially here in our cozy, wonderful place, we were happy to see all these wonderful people, how young they are, how kind, how talented, right now, while polina sergeevna is writing her autobiography on this convenient golden disk, i can tell you that the guys and i, my wonderful co-hosts, karina cross, vari carnival, gypsy band, we give up this stage to polina gagarina and the singer. soy, they

will sing a song in a duet, this song will be called the sun will rise, i will quietly kiss you by the fire, slowly blow out the candle and again it will be full of anticipation for... a drop to the world binay, i don’t want to tear off the leaves of the calendar, at midnight the seconds burn so brightly, all parts of me are revealed to happiness, where i gently did, no matter what happens, no matter how it turns out, you and i are indivisible, soon our sun will rise.

with bright light above the clouds, starting a new flight, we will become for our beloved cards, we melt near the shore of our dreams, time blurs other people’s traces, all words mine are infinitely pure, and there was no other way. can

to open my secret dreams, to hold my hand from spring to spring, to lift me beyond the limit of height, it seems that this means no matter what happens, no matter how it turns out, you and i are indivisible, soon our sun will go down, in bright color over the clouds of carni. starting a new flight, we will become lovers for us, soon our sun will pass, bright light above the clouds, starting a new flight, we will become lovers for us,

remember that soon our sun will rise, soon our sun will rise, clouds will brightly light us, starting a new flight , we will stand up for our beloved, soon your sun will shine with bright light.

fantastic, this is just fantastic, tell me what you feel, to be honest, i’m generally in some kind of shock and it’s as if you ’ve already done tours together, you know that, well, this is just an amazing field, thank you very much, my, this , it’s just that the launch of a rocket into space was a success, everything was a success, we put on an incredible, incredible show, thank you very much, thank you very much, my dear wonderful, talented girls, and now we are giving up this stage to another new one a very interesting performer, despite the fact that they are young guys, but their songs gain millions of views online, meet the 5:00 am group!

sincerely, i look into the eyes, and from the eyes of years there are sparks, i stand outside the window, then the hedgehog will spend on me, i will seek love, look bye, the city has picked up the weather today, look out the window, let’s quickly escape with you into nature, the sun is sunbathing, you walk out my hand so strong, leaving the entrance along...

hello, this is a podcast 20 years later and we are its hosts alexander anatolyevich and konstantin mikhailov. hello, dear

friends, today we have a wonderful guest, singer, composer, musician, can i say, multi-instrumentalist, slightly, slightly multi-instrumentalist, slightly multi-instrumentalist peter nalich. thank you, good evening, hello, i’m very glad to see you in our glowing cube, i think that you are probably the only one, well, it’s so bright that it’s definitely become popular. thanks to the internet, just by myself, without any production, without any team around, i just took it myself and shot the video literally on knee, wrote a song, the most powerful hityar who just killed everyone, i remember, i went crazy, i was working at a radio station at the time, they sent me a link, look quickly, i’m watching, and somehow it was phenomenally hooked, and the spirit is a little fuzzy there, well, this is a mega balkan spectacle, yes, super humor, super creativity, and i recently knew that you are an artist, that this is a markhi finish? yes, i’m a marhi

finisher, that is, an architect, in general, but naturally, we had a lot of different artistic disciplines, drawing, painting, sculpture and so on, so i have some background, which i am very glad that i received, in addition to all my musical exorcists, in particular in this video i drew some graphics, i also put them in there, in general, yes, yes, i draw, i draw, cool, your parents wanted you were an artist, well, you yourself drew as a child and... when you told them that maybe i could make money from music, well, they wanted me to be an architect, and it’s not like they directly wanted, it’s just that they both graduated from the institute of architecture, i seemed to be fine and drew, and designed something, so they decided that i had a direct path there, although i had already graduated from music school at that time and after music school i played a piano, i began to play something on the guitar myself, some romances, something there and so on, rock is natural there, civil defense, tsoi, well, everything we have is a complete set of things. but somehow there were no ideas that i should connect

my life professionally with music, and i gladly entered the architectural institute, and i am absolutely happy that i graduated from this institute and even worked a couple i’ve been an architect for years, this is an absolutely wonderful profession that surprisingly expands not only my horizons, but i just know a lot, and you know that there can be different approaches to different pro...

areas, which you can do here like this... then help, you immediately have such a struggle inside, on the one hand, you don’t want to drag yourself somewhere for free in the morning, sick people, you’ll be impotent, and like all that, yes, but you mobilize yourself, you understand that and then you you even get some kind of selfish energy benefit from this, they have improved there there are some indicators there, i don’t know, well , maybe it’s all emotionally tied up, and you understand that this is absolutely a case of objective benefit from what you do, okay, rock music at school, then marches, architecture, then you begin to understand that

maybe there is music after all, from this moment the realization that music may be the beginning of your music studies before guitars, how much time has passed for your so to speak creativity in idle time, but this cannot be called, this is all becoming there was a piggy bank, yes it was, of course, more like a piggy bank, because idle, well, that is, it’s like a process is going on, something is thrown away, something is left, but there was really some kind of existential break for me, a break. when i realized that for some reason, that is, i didn’t understand, but some vague feeling appeared, some kind of feeling coming from somewhere in the spine, that for some reason i needed to get out of architecture, well, if from the spine, then i definitely had to get out , yes, yes, i always listen to my spine and recommend it to everyone, that ’s why at some point i left the office, although everything was fine with us there, i, being not yet a very experienced specialist, earned good money, and we were like godfathers of the king , we generally walked around, had fun, everything was fine with us, but for some reason there was a feeling that we needed to move somewhere in this life i too... and i came to my parents, i say again, i was already a grown boy, my eldest son was already born, i say, you know,

maybe i’ll hang you up for a year of mockery , a little more , they are like, yes, of course, of course, how old were you, i was 26, 25-26 years old, then, by the way, everything was still they talk about the internet, then computers had already grown to such power that it became possible to record at home multi-track, which we tried before, say, in the second, third year, for example, but there was no such possibility, we were able to record a maximum of two channels i won’t wait there. and then the bass and quickly, quickly, all sorts of household music cards began to appear, and my friends and i also started experimenting with multi-track recording; the actual song of the guitars, half of the first album was recorded by me at home. then there in 2006 overlay, that is, i just took a beat, some kind of synthesized bass or some kind of live bass i played on the piano, backing voices, a live guitar and that one with an aim to show someone so that someone would hear or so, let me try , you know, no, it ’s just that i understand that it’s cool, i’m excited to play, and if you’re excited, then you have to do it, naturally, naturally, i’m an ambitious person and i wanted

people to like it too, but roughly speaking, it was the next derivative of all this process. so i somehow started brewing this interesting broth and then suddenly, my friends and i, fortunately, i was surrounded by very creative , always talented people, and my friends and i shot this video that we were talking about, and it also became possible to edit a video on the computer, again, some kind of graphics , returning to my artistic manifestations , i threw some kind of animation there, it turned out so alive, it really was nothing like a wonderful thing, i checked it on my own relatives, mom liked it, dad liked it.

an informed source in moscow, tomorrow on

the first. this is the podcast 20 years later. she had a small studio in a recreation center and i began to go there, became interested in vocals, entered the miryakov school at the same time for academic vocals, then signed up there , dropped out for 2 years, then after another 2 years, a year later i entered the gnesinka, also for academic vocals, and this as if mine

even went to competitions, this already happened after the guitar, yes, yes, but at some point several years ago - i realized that it’s still like that, i blame you, i’m used to it singing into a microphone already, in a large hall, well , the alignment of the music of the vocal apparatus is different, and i understand that i’m not trying to heal, you said, this is the third stage, which means that if we are talking about music, the first stage is guitars, the third stage is already opera singing, opera vocals, the second was when you decided in 2012 that you needed to try something less ironic, something more serious, but it was not opera yet, yes, well, roughly speaking, at some point , probably in many groups this happens... it happens when you gain a certain popularity, and let's say, yours is there the first album and then the first one and a half albums, they fill up the entire concert in time, and roughly speaking, you don’t have to do anything further, and you can just scratch these 15 or 20-30 songs until retirement, and that’s it, and the money yes, everything is fine, people know what they want, because the joy of recognition is still, as it were, one of the main

magnets at a concert for people, but you feel a certain impasse, yes, i felt this impasse, we... then like this... then i realized that i need to move somewhere, again to the side, because i’m just turning into in karoki, roughly speaking, i can go out, stand, and people will sing themselves, well, on the one hand, on the other hand, it’s really boring, and therefore misfortune and i began to move somewhere, in the fifteenth year a wonderful, big story arose, very important for me, this is a performance in the russian academic youth theater in northern odessa. director ekaterina granitova script by the absolutely brilliant screenwriters lutsik and samoryadov. it was a big musical story that went on for 6 years, we played live there.

white fish, the quince walked the river, and wildly, oh, i didn’t see it, then it’s as if 15 verses are skipped, as usual in a cossack song, you know, there are endless ones, and there’s some kind of sad denouement. it means she didn’t love him and he went somewhere, listen, but i’m going far, this is a song, this is exactly a song that was specially composed for this performance, and for a long time we were looking for the main

lyrical theme with ekaterina gennadievna, with the director of the play, it didn’t work out for a long time, at some point i got this tune: easy, easy, and there it is, if you look, it seems so simple, in fact , the musical time signature is constantly changing there; when all the musicians come, they see notes. such and what a horror, lord, here are five, here are 10, here are six, here are 10 again, here are four, so she is so quite tricky, she became such a general motive for this performance, somewhere in the beginning at the end, here i admit that this is, of course, i adore the guitar, but this is my favorite song performed by you, i’m very glad, because it’s some other more lyrical and more like folk russian-folk, you know when i listened to her, i remembered that as a child i listened to zhanna bichevskaya’s record, yeah, her romance.

i'm going far, as sung by peter nalich in the podcast 20 years later, i'm going far. easy, easy, you should take someone, you should take someone with you, but there is no one, there is no one, he travels far, easily, easily, so he would take me, that’s me. who did he take with him, but no, i neither him, no, i nor him,

what is this song across the river, who sings it with me there somewhere across the river, somewhere across the river! mana seller combat, seine f,

la dancelle. we continue the conversation, this is a 20 year podcast.

later, we are his host alexandratol. passes, you’re a pop group, here ’s a competition song, but we’ve never even heard about this competition and what’s it like, we just need to send an application, she sent this link, we’re like, well , let’s send it, they tell us , that the song, according to the terms of the task, should not be published anywhere, that is, it is absolutely fresh, we had three sketches there, two more moving and one just this sad ballad in the style of the sixties, as it was called forgotten, well, of course we also think , we probably need something fun, we need something, but

we want to win. that these funny compositions seem to be absolutely not ready, but only this lost and forgotten is ready, we are like, it looks like this is a stroke of destiny, let’s go there , it means the name is so optimistic, we will be in counterpoint, everyone will have fun, and we will sing this vintage lyrics, they sent us there and then miraculously we were invited to the selection and there we won it all and i heard many different stories about who at what moment provided us with decisive protection for... i don’t know which of this is true, we didn’t make any gestures for this, we sang in moscow, passed the selection, then went to norway, a big cheerful group, we had a great time there, well, how very important it is, when eurovision is going on, it’s important, it’s a work process, because it’s very, and anatolvich and i commented on eurovision from copenhagen in 2000, it was with you or in 2001, yes, we felt this atmosphere of some kind of engagement and someone

even hinted to us that it is already known who will win. even before the final competition, again, we didn’t know what was true and what wasn’t true, and we were just having a blast because it was a holiday, you felt this atmosphere of a little bit of untruth, well, that there were a lot of them, let’s say , behind the scenes of some of these mysterious currents, then it was felt, of course, but roughly speaking, we did n’t care about all this, because we arrived, we brought a song that we like, we will try to sing it well, and they will appreciate us or they won’t appreciate it, well, whatever happens, it will be so, of course, i want to win.

we learned some phrases and, as it seemed to us, from these flowing intonations, which , in my opinion, there are four types in the chinese language, we learned to say something, we are so happy, we come to the market and there they are, here they are so, their eyes light up with happiness understands: oh, the european knows chinese , they also answer us, we understand that we made a mistake, because then it’s like this, then you just show on the numbers on the phone on the calculator like 20 yuan there was such a conversation, yeah, here this was

good question, saved up a long time ago, i announced your team on stage many times, i always wanted to ask, just in passing, how many languages ​​do you know, or at least superficially, to communicate? well , my english is more or less decent, let’s say, decent, basic italian, all the vocals, because we learned italian in the merzlikovka , we learned italian there for all opera singers, well, we already understood chinese, i learned one phrase in chinese, yes, but which of the balkan languages, unfortunately, is not, here i... i ’ve never even actually been to bosnia, the homeland of my second grandfather, although at some point, when i went to eurovision, relatives from there started writing to me, some nephews were found, some were cousins my dad, very nice people, no, they are generally very nice, they just said, if anything comes, we will be glad to see you, here’s what we love, what will we say now, if they tell you that now you have a choice, unravel, then you should do

this just this, what? there will be music writing to performances, singing with a symphony orchestra, or singing with a band, or architecture, it’s hard to say, you know, because of course i adore it. there is some kind of gunpowder, i will do it, but i worked very hard to sing well and for a long time, and often it works out, so of course, i also can’t imagine my life without it, again, these are some kind of different modes in general , the human condition, i don’t know the soul and the body together, because when you sing and the audience and this adrenaline excitement before a concert, it’s like a whole story, which you live every day. since she’s cool, because she’s here you first get up in the morning normally, everything is fun, about two o’clock in the afternoon, i always have such an emotional pit before a concert, why bother, no one needs me, why at all, why go out somewhere to sing , that is, it’s as if everything is just from scratch, all the settings, then you come to

the side check, you start to perk up a little, we are now playing quite well, without undue modesty, i will say that there have been different periods, and the joy is that we play well, funny or sad, well, exactly the way it should be, and people pick it up, sing, listen, where they should, where they should, dance, yeah, where they should laugh, where they should cry, and this is great happiness and of course, i can’t live without it either i can, the format is more original singing, more old songs, more new ones, now i mix like this all the time, and i really like it, that is, old song, new, old, new, middle age, fast, slow, class, one time we often crossed paths, but you don’t know that, i know that because, well, some presenter...

and at some point i started, i said, i need to record it, i have nothing to do anyway, so i started recording it at home, then i published it all somewhere - in a small format and they invited me to speak in this small cafe , the wonderful guitarist vanya zhuk and i were together, and he played the seven-string guitar straight, that is, as if it were so true traditional, and we started playing several concerts, it went so well and i myself, roughly speaking, grew up to that what i can do is so... interesting process, that is, before it seemed to me, some kind of nonsense, nonsense, these romances are all there, sing my guitar, what is this, well, somehow it seemed to me that i was now there something there, then i realized that in this simplicity, in this genre, a lot of buzz can be caught and passed on to the listeners accordingly, and i began

to do this, accordingly we had a format of two or three people and up to pop-symphony compositions of 20 people, at school i played in an ensemble, of course, we that’s just what the repertoire of hardrock was, hardrock, of course, they played loudly, played loudly? which we prepared for today's broadcast, this is from an album of pirate songs, at some point several things were suddenly born, these are partly such pirate shanti, somewhere intertwined with something, well, again, in our case, such a vinaigrette turned out, somewhere this more rock, somewhere more folk, somewhere russian folk and some kind of slavic element flows in and spreads out, so what is it... the status of the song is all complicated if it is a nice fish, which we will now listen to in the podcast 20 years later, it probably won't vinaigrette, herring under a fur coat, and herring under, yes, that’s more accurate, more precisely, yes, so, nice fish, pyotr nalich on the podcast 20 years later.

the glorious fish lies at the threshold, the glorious fish sings a song of its glory, the fish boasted, even though i ’ve been lying here in the crap all my life. the glorious fish has not seen the sea,

has not smelled salt, has not lived in mud. we carry guys korist thoughts, nice fish in fried masa.

the fish in the sea choked, peter, what's the story with the song of the bird, yuli kim, yes, yuli kim, but the song of the bird. entirely ours, my text and my music, our common performance

with musicians, but this is a big musical and theatrical story that began several years ago, and on the initiative of ekaterina granitova, the mentioned director of the play northern odyssey, yeah, and she found kim’s text based on the twelve-block, which yuli chersanych wrote in the nineties , well, somehow they wanted to compose something with dashkevich, as he later told me, well, something. it didn't work out for them and they abandoned this thing. tirin found gennady. this is so extended, written in its magnificent style with these folk elements, poetic, text. we began to rework it with my friend german magilevsky, who has this connection to the screenwriting craft, we began to rework it, at some point quite a lot of material accumulated, and even ekaterina gennadievna staged this story at the gitis educational theater, and just in the past year i came there. it means in gitis, the guys started dancing and singing, and i thought, what a cool

story, why am i sitting here, i need to record all this, i began to record, expand the tracks, turn sketches into full-fledged songs, also rethink some compositions, arrange them, i contacted yuli chersanych, he gave the green light, okay, let's get on with it, guys, then we started finalizing the text, now a teaser came out some time ago, as we call it in a cinematic way, five songs with such a literary twist, introducing a little into the course of action, but this is exactly what happens, these are fragments for now, in the spring it will turn out to be a complete musical, theatrical, theatrical story, we will release it in the format audiobooks, we will perform on stage, like an opera in concert performance, class, and at the same time, naturally, we are throwing all these fishing rods into theaters, so that cool, funny musical directors will somehow take it all in, for the first time on television a song: birds from peter’s latest album navich,

no matter how much the rope is, you will still get caught in the whip, i came to where the songs and clear-voiced birds sing. i came to where the songs, the ringing birds sing, and today the birds sing, songs of bitter love, i want into you. to love and enjoy you, but i can’t find you, i i’ll go wandering around the world, i’ll fly like a bird,

i’ll sing this song if i suddenly get sad, i’ll sing this song if... suddenly i get sad, and i’m sad, late at night, when the stars are at peace, it’s like heaven, eyes from heaven , angels look at me, like heaven, eyes from heaven , angels look at me, i found you far away, you don’t want to live with me, so i’ll be lonely, like angels

high up, like a ringing bird circling. i found you far away, you don’t want to live with me, so i’ll be lonely, like angels on high, circling like a ringing bird!

hello, the theater podcast is live and i, its presenter anton getman. today our guest is the incredible prima ballerina of the bolshoi theater svetlana zakharova. hello, sveta. hello. please tell me, is it your choice to choose the fate of a ballerina, or is it still? my mother participated, well, probably in childhood, at the age of ten, when you need to go learn this profession at that moment, of course, i had no idea what it was, that is, i saw on tv how ballerinas dance, what ballet is,

basically i had an idea because i myself studied in different circles, went to dances, went to gymnastics, that is, well... my life as a child, it was so very rich in different circles, different areas of study, and but exactly what professional ballet is, of course, i i just realized when i crossed the threshold of a professional choreographic school, and it was completely the idea and dream of my mother, galina danilovna zakharova, who at one time, when she was little, she dreamed of becoming a ballerina, but her parents did not take her, because that she was an only child, in the city where she grew up there were no vocational ... schools, but still her life was ultimately connected with dance, she graduated from a cultural education school, she danced, danced in groups, in ensembles, in the theater dramatic, there was also a group in which there was ballet, let’s say, she performed there, that is, she was very...