i can’t help it, i know him by the nickname kipa, this is supposedly his music, but i was inspired by this romance with naturally nikolai naskov, i love him very much, dear tv viewers, with great pleasure in today’s podcast of the melody of my life, which we dedicated project voice, raisa dmitrenko sings for you. my monotonous days flash by, with the same will, and only the roses fall. the nightingale is dying,

but she is sad too, who ordered love to me, and under her satin skin. and under her satin skin the poisoned blood runs, runs from etched with blood.

it was amazing. rais, tell me what song, they said it will be raisa dmitrenko’s signature song. which one would you choose from the entire world heritage, so to speak? or maybe even in english. i dreamed of singing one piece from gin vaneli’s repertoire. wow, yes, yes, it's called.

octaves to demonstrate, but if we take our russian-language repertoire, what’s here? and the russian-language repertoire, you know, at one time, i was in love with anatoly dneprov, by the way, the bravo group was also from my favorite ones, when i was young i sang your repertoire, this is the most favorite song of the bravo group, well, an orange tie, raisa dmitrenko is a person with good taste. what you say absolutely rais, thank you for taking the time, please sing, you are great at this activity, thank you, thank you very much, the podcast of the melody of my life is on the air, today i, valery syutkin, am hosting it together with radion gyazmanov, well, experience and skill, remember, that’s what they used to say, gives way to youth, foolishness, i even said beauty. yes,

today we have two charming guests girls, they started their journey in the voice of children project, and then consolidated their success in the voice project; they are no longer children, these are our beauties, ragda khanieva, hello, and elizaveta kochurak, hello, i was disgusted by the thought that a generation of performers is now sitting in front of us , who could potentially take part in all seasons, in all different versions of the go project.

and the road is not long, although it is hard to walk, above you. that depth, with a bright light ahead, you will suddenly hear voices, be patient a little longer, we are the ones. we'll show you kamal, yes, pilageya was more worried, yes,

she was really, very, very worried, where? without a day like love, never, i was afraid of nastya, beautiful country, love, liza, ragda, that’s why these songs, about the song the path that i performed in the finale for the children, it was a joint choice with my mentor.

but emotionally it was just fiery, i guess, when the children heard the voice in that younger age, they are no longer children, it was even simpler in some ways, well, to some extent , simpler, because you’re not a little you don’t understand some moments, it’s like the second parachute jump, it’s scarier, that’s exactly what i wanted to say, the second one is always scary, but the second time everything was conscious and... it was my decision, right from start to finish , well, i want to try this again, first my parents said, let’s go, no, no, no, it ’s always been like that, well, we always discuss all the issues connected with everything,

i also consulted with my parents in the voice of the children they helped me and always help me, but they are no longer children, they seemed to ask me so, well, do you want it? you want to experience again this this this this this this i don’t even know how you should do this how to call it in one word a spectrum of some emotions feelings very different both joyful and sad well we will continue the profession i hope the profession is successful of course the girls continue to sing all the time, i’m happy to constantly see in different projects we go out on stage alone, i present it to the stage with pride because in addition to my voice, i also know from a bunch of projects where we also sang together, so this is it incredibly nice, listen, i, i have a question, the most exciting moment in the project, remember your ragda, tell me, this is where it was just, this is where it was scary, i just can’t, where is the spectrum of all emotions, this is most likely

the finale, the finale, yes, i was very worried about the final for few children, and i was very worried about the song along the way, because i was 12 years old at that time, the song was serious, the song was quite deep, and i needed to complete a number of whole tasks that were not typical , probably due to my age, i clearly understood this and the risk of responsibility was great, but most probably, in general, for all my participation in the show, the voice was incorrect, these were blind auditions for the voice of no longer children, since i already had quite a lot of experience of participation behind me, many are familiar with my work, with the way i sing, and i i had to prove again whether i deserved to stand on this stage or not and... it was stressful, with every success the bar rises, this is important. your moment of fear, tell me, i had several of them, out loud, children, this is probably the finale, but because i sang my mother’s song,

it was called a prayer, sung by lyudmila gurchenko, and i was 13 years old, when they gave me this song, well, for several days i... just cried, because i didn’t know how i could convey this, how, how, how this i can do it, but i love it very much. cinema, to some extent this helped me, because i somehow pass each film through myself and take something from each character, but before performing the prayer, i still collected this image, collected all these feelings, sensations, and it seems to me that it worked out, a little i had a different, different look, but it still happened. second point, yes, i agree with ragda, these are blind auditions, but not children anymore, you all over there were

stressed, because it’s not clear, we went through the same procedure, that is, casting, blind auditions, then everything is like that as it was in projects before, and how to turn to us, not turn back, i don’t want to somehow lose face, i remember this moment when we... the choice will seem strange, but as a child i listened very many lines, baby i'm gonna leave

you are just a choice, this is a wonderful choice, sarah jimi paige turned 80 years old this year, he will probably be very pleased to know that here now i have been singing since childhood and of course it all started from the family and with my grandmother i loved to sing cossack songs. they sang songs in two voices, they started it up, and somehow from this i think that i got a small piece of what this is, this is how it is , let’s do it, my beloved, i always sang it with my grandmother, the kingdom of heaven, here she sang the second voice, and i am the first, in the garden nearby i i picked roses and threw them away.

but good taste, i never tire of repeating this, is a reflection of the traditions of our native culture. in the finale of our podcast today, i, as the host, will be pleased to offer you to perform a song with which we wish everyone who participates in the voice project, 7.0 happy moments every day, let them be exciting, but music is the language of feelings. so it’s great that we survived this, it’s great that future participants and mentors

have so many exciting moments ahead, let them be a lot, dear friends, today in the podcast the melody of my life, together with radion gazmanov, raisa dmitrenko, sergei volchkov, elizaveta ragdey and anastasia speredonova, which is also important, we lived together. i’m not afraid of this word, again a moment of excitement, inspiration of happiness, when a voice project united us all together, let this voice last as long as our dear tv viewers want, that is, forever, so today we wish 7.0 happy moments together with this work,

the back of another day , but even i don’t have time will be able to interfere by flying over the ocean and dispersing the creon fog. kissing heavens, hug you soon, dear friends, this is the podcast melodies of my life, we hosted it today together with radion gazmanov, but i am happy to leave you alone with elizaveta and

ragda with our girls, beauties, who will perform a song for you. listen to music. watch the voice project on channel one. i am not there, where your footprints have not been traced on the sand, where the white bird is in melancholy, where the bird sang in melancholy, circling around the foamy one, and you? i'm

only where the sound rips, the desired one piers, and where are your guardian eyes, and where are your guardian eyes, glancing over not, intently. i’m not there, where are you, don’t cloud the white

day. where the pines are from amber tears, where the pines are from amber tears, the caring olya will wipe away, i am only there, where you sometimes look at the door with hope, and like a child with children, and like a child with children, you won’t see the snowy woman, i am not there, where the steamer, at night , boomed abruptly, where i understand the sky, i can see where i understand the sky, that without you i’m already a pirate only

there. where i am not, around you, invisible, you you know, not a day without you, you know, not a day without you, i can’t live, topic! greetings, friends, this is the podcast of the chronicle of the end times and i, evgeny dodolev. today i will tell you about the first, last, and to be the only miss press ussr competition,

which marked the beginning of this format of entertainment in the soviet union, more precisely. actually in new russia, because in april of the ninety-first year this competition was held, it was held on board the motor ship georgia, it was a cruise on the mediterranean sea, and after that, i repeat, this format of entertainment became very popular in the early nineties, what exactly was the trick, as they say, that people who bought a ticket on this cruise, they had the opportunity not only to get ultraviolet light from the mediterranean sea, to see naples. mallorca, alexandria, cyprus, rome, oh, but hang out with the famous, with show business stars, with famous television people.

i understood something about this, the fact is that the person who organized this competition, alexey romanov, a sports journalist who had an entrepreneurial spirit, he understood that by inviting me as a judge on the jury, he would receive airtime on channel one, because at that moment i was collaborating with the vit television company, and had previously been a co-host of the program view, which was actually the key... in the vid company, as a legacy from the vzglyad program, the television company received a broadcast on friday evening, which it filled

with a variety of projects, new ones, because the vzglyad program was, let me remind you, closed to those in the tank, that is, he understood that it would be on air, that is, it was so, well relatively speaking, barter, i don’t know how it turned out with the rest, members of the jury, which we’ll talk about later. and indeed the television company vid made a film called miss ussr. and, by the way, the director of this film was ivan ivanovich demidov, previously unknown to the country, because he was a director, directors are shady people, as a rule, but after this film he launched the muzabos project, became the helmsman of muzaboza, one of the most well-known presenters in general tv gurus, oh well. the song is not about him, so this competition was invented, because in general, in principle, these beauty contests in the last years of the soviet union,

during the times of the end of times, became very popular, that is, because it was such an element of some kind of western life, or perhaps forbidden, girls in swimsuits show themselves, make one or another career, by the way, the first contact of vladislav listiv, the most famous tv presenter, the country's favorite and the first head of ort, actually the first channel,

was precisely because of these competitions, when sasha gypsy showed up in his office, sasha gypsy was such a bandit, yuri shil shits introduced me to him, there was a whole podcast, by the way, about bandits from show business, a podcast. from the chronicle of the end of times line can be found on the website 1tv.ru. and sasha gypsy was such a philanthropist, that is, he really liked to sponsor new projects, he helped such an artist as vlad stashevsky start, so he really wanted to be a co-founder of these cruises, he and vlad - with vladislav nikolaevich listiev did not find a common language then. and vladislav called the then. to the very famous security official rushail, the rebels came here to show people, there was what is called a mask show, well then, naturally, the gypsies were released and he

went on these cruises in the sense that in general these cruises attracted a variety of players in the information field, and businessmen, both journalists and bandits, on this first cruise of the ussr missress, which i will repeat, romanov organized, but behind him there was another... person, such a businessman, golumov, then i introduced him to kirsan lyumzhin, then he spent the last few years in prison, i don’t know for what cases, but this means that he is a former officer of the soviet army, he had an idea of ​​​​where he could make money, he made money on these cruises, in particular, here’s the premiere there was a missress cruise of the ussr, journalists from various publications were selected there. in particular, the tv company vid was represented by yana chernukha, who later got work on air, like almost all

the participants in this competition. as this lure and bait for people who they paid for tickets, for the opportunity to travel and hang out with the stars, quality musicians performed, well, there were rock bands there like a time machine, alexander borisovich gradsky went on the next cruise, we were friends with my submission , and i, since i was a regular,

very many people know him, remember him as the father and producer of decl, there is virtually every face you simply can’t see on this plane, this is some kind of star of one scale or another, that’s what people actually went for, because it was possible with gazmanov, at which just came out, and putana's song and saul, that is, it was thundering then, it was the musical opening of the year, and then...

to a restaurant somewhere in naples, where we went there, i don’t remember the route now , i just remember for sure that we were the first soviet tourists on the island of rhodes, now it’s like such a tourist point has been developed, then, when the soviet union still existed, we didn’t see soviets there, there were separate stories, i won’t go into that to dive in so as not to leave, that’s actually a story about the competition itself, but the competition

... was, it was not a swimsuit competition, that is, in fact, there were very talented and interesting journalists there, very promising, and some even had already managed to do something in the industry, this is the trip itself, this cruise itself, it became iconic for many, in particular ivan ivanovich demidov, who was the director of the film miss ussr, and i was the author of this film, he and i did all this for the first channel, he for one of clips, i think it was a clip of chris kelmi, and he noticed there in this cruise, dancers who were in some kind of dance group and invited them to star in this video, to be honest, i didn’t remember it, i didn’t know it then, many years later, many years later i one of these dancers spoke about this, andrei grigoriev apolonov.

that is, the same red ivanushka, he was visiting me once, we put the cat in good hands, i had such a project, we helped with shelters, furry animals find owners, so he told me that we with him we’ve known each other since the ninety-first year, when he was nothing at all, he was just a boy, and he danced in this video, matvienko noticed him, sent him to moscow, that’s actually how it started. the ivanushsky international project is grandiose, that is, this cruise gave the green light not only to many journalists, but also to many musical groups, although, by the way, it happened to musicians on the laying, i remember that a huge scandal broke out, aziza was there then, very- it was very popular in those years, there was a parking lot in istanbul, we walked through istanbul they returned to the mediterranean sea, naturally, also through the dardanelles and basfort, also with

a stop in istanbul. i don’t remember the first or second stop, but i definitely remember the mega-scandal associated with aziza, and this has nothing to do with music, which means the fact is that naturally in istanbul... everyone then ran to the markets, that is, to buy leather jackets, jeans, it was still the soviet union, that is, it was still a time of shortages, but these shuttles were already importing with might and main, and of course a trip abroad, especially in turkey, was always associated with purchasing some kind of crap, well, in addition to crap, everything else, pills, pills, pills, pills for... for pain, the best -selling ones, which pills for pain you need, about this and much more, we’ll tell you in the program to live healthy , tomorrow on the first, this is a podcast of the chronicle of the end of times, and

i, evgeny dodolev, tell you about the scandals and discoveries of the first and last miss press of the ussr competition, i will return to cozizen. so that i don’t remember, but i already mentioned dimidov and his project uh muzabos, which people of many generations remember, absolutely a cool idea with this jingle, with ivan in glasses, with glasses in general - it was again an idea that was born on this cruise, because - when we left odessa, this cruise, ivan and i were wandering around odessa - some streets and markets, i repeat, i was more or less recognizable, because i acted as a co-host in several issues of the look, and ivan was very nervous that people recognized there,

came up, and not only took autographs, they asked something about moscow, there about gorbachev, about tv, that’s when he came up with it, he says, we need to come up with such a trick, that here’s a trick with glasses, like, you’re finishing, you’re ivan davidov. you all came out on stage, you all took off your glasses, you are just blond, a former airborne sergeant in general, in general some kind of, so to speak, incomprehensible person, this is his cool idea, that this detail with glasses immediately turns you into a trade mark, into star, she was born exactly in odessa, in the city of istanbul, these same glasses were bought, ivan demidov’s glasses, these are the ones in which he recorded his famous jink, in which he - i even remember the amount for how much these brand glasses were bought, i won’t name either one or

the other, but yes, this project was developed precisely during this cruise, that is, those people who filmed this film, they then worked on a musical convoy project, and not only ivan... international somehow originated there, but then a mega-project of youth editorial was born and the careers of many journalists took shape, but to close the topic of show business, i will return to zeze, every liner he pays for parking at the port, and any delay, that is, violation of the schedule, is fraught with large fines, that is, if the ship must leave the pier. that’s how much he has to do it, well , just like the plane, of course, and we all then, i just remember how everyone stood and waited for aziza, because she delayed the departure by about, well, half an hour for sure , for half an hour for sure, here i am, i’m just

standing before my eyes, there were no gadgets then, no phones, no one filmed this, it’s just recorded here somewhere, how she walks with huge, you know these black bags? hollywood films or not only hollywood films, for corpses, these black plastic bags, she with this huge bag, which was actually dragging, semi-dragging , something purchased in istanbul could not only be for the stage. by the way, there is also this cruise, it is also connected, of course, with the fact that many of the artists who went there, in particular my friend kelmi, they still went there according to the old soviet habit with, well, with various kinds of goods - which were sold abroad with the proceeds.