hello, hello, ifem at home, no, if kezhu.

ifim, we have very little time, aunt tamara, while we're out shopping, they brought me here to tikharya, so i'm ready to show you my song, mine, you wrote it yourself, yeah, come on, of course, i finished the analysis, yeah, and i came to the next result, your gucci bag.

sneakers from nike, you love murakami, you are a member of the mdk, you are a member of the mdk, you went to london in the summer, played croquet, you love cats, you are very much, but horses are stronger, but horses are stronger. well, well, very, informative, or something, of course, after all love is attention to a person, yes, well then this is your first experience, yeah, you know, i would correct the music a little and the words a little, in general, if you allow me, i would...

combine drums, bass, yes , i’m all for it, but i’ll play alone, what can you say about the duet, you want to perform with me at the presentation of certificates, i’ll gather the musicians and organize a surprise. of course, let's do it, cool, i think it's time, roma, yes, everything will work out.

rom, are you coming out? aunt tamar, we ’ll stay here for the salikam, let’s breathe some air, air, yes, i soon.

so they took everything, they didn’t forget anything, romance, are you ready, how beautiful you are, this is alec, i ’m not ready, rom, open it for him, i’ll be there soon, how

are you, everything is in the best possible way, efim is in place, they connected. uh-huh, great, hello tamara, hello alec, you're beautiful, yeah, come on, you look good too, we 've got to go, let's go, yeah. alec, excuse me, romana, but why do you need a guitar? surprise? school certificates are being awarded across the country. hundreds of thousands of children are saying goodbye today to perhaps

one of the most sincere periods of their lives. life. and we will continue to broadcast live from school number 419! good afternoon, we are very pleased to welcome you to one of the most important events in your life: your school years. have come to an end, we, like any parents, are very happy when our chicks fly out of the nest, we, of course, hope that you will fly to us to show off your successes, now we are moving on to presenting you with your certificates.

odinson pavel yuryevich, please come up to the stage. poldin, roman yurievich, roma, he doesn’t just have a red certificate, he has prepared a surprise for all of you, but it will be later, later, rum, you can take your place for now, yana mikhailovna voronina,

ekaterina evgenievna lyobkina. hello everyone, i’m machine’s dad, masha really wanted to be here, but now she’s in the usa and is preparing to enter yale university. masha

loves you all very much, she recorded a video message for you. hello guys, i'm very sorry that i'm not with you now, but we need to move on, i love you very much, especially you, light. i love you too, you, katya, and you, roma. thank you for the wonderful years, thank you, my dear teachers, bye-bye.

roman yurievich, i lost you, are we on stage soon? no, it’s over, i lost, but you didn’t lose anything, well, who would have thought that this would happen? efin, the plan failed. roma, not everything in life will go according to your plan. so i’m with you now, we need to go to the stage, roma, listen, let’s go without your

uplifting speeches, please, okay, i won’t go anywhere with you anymore, that we’re all gathered here today, yeah, okay, i’ll go alone, wish me good luck, hello, i wish you good luck. good luck, old man, old man, yes, dear guys, now the guitarist of the band magic, efim alexandrov, will perform for you , are you okay, 1 2 3

4.

you understand that you can’t shit yourself, yeah. your bag is from gucci, sneakers from knight, you love murakami, you are a member of the mdk, in the summer you went to

london to play racket, you love cats, you are very much, but horses are stronger, you don’t like cars, you love the tram, you prefer summer and accessible wi-fi fi, you don’t like coffee, tea pleases you, wait, turn around, you ’ll meet my eyes, i’m close, i’m somewhere behind back. stop, just let me on your way, would you like to come with me, sorry i'm like that. right now, before your eyes , an unprecedented concert is taking place, ex-guitarist of the once popular band mag alexandrov on the same stage with a graduate of this school, roman voldin. vietnam, if you want to get a panda, you can get there, but again you’re in my head half the night and again you’re in my head until the morning.

stop, turn back, you will meet. my eyes, i’m nearby, i’m somewhere behind you, wait, just let me on your way, would you like to go with me, sorry i’m like that, look, this fima, i'll be where the noise is? it always rains, the dawn sleeps on high roofs, and if yes, and if not, someone is waiting for us, despite interrupted

dreams, down there by the river, someone is waiting for us. let go, the rain will pass, someone like us is still waiting, someone is waiting for us! stop, turn around, you will meet my eyes,

i’m nearby, i’m somewhere behind you, stop, just let it happen. me on your way, would you like to go with me, sorry i'm so, new,

oh, sorry, well done, thank you, thank you, well done, efim, sorry, can i match, selfie, can i, of course, there are guys, and we, you will you go, yes, i'll be right there. hi, i’m yana, i’ve been wanting to meet you for a long time, you’re very special, yes,

stupid word, i’ve been watching you since the tenth grade, and today i realized that if i don’t come up to you, i’ll never forgive myself for this, how did you like the performance, you well done, well done, but, but to be honest, i don’t like this vanilla, what awaits us, despite the interrupted lips, below the river, whoever waits for us, we’ll let us go. we need to sell ours, before naso, then yes

, we are hoping for something, which we need, someone is waiting for us, someone is waiting for us, someone is waiting for us, someone is waiting for us.

hello, dear friends, this is the life of the remarkable podcast, i’m with you, its leading writer alexey varlampov. this year marks the 100th anniversary of the birth of one of the most amazing artists of the second half of the 20th century, vladimir grigorievich weisberg, and it is about him that we will talk with elena kominskaya, curator of the exhibition dedicated to weisberg, which is open at the pushkin state museum of fine arts. well, before we talk about weisberg’s paintings, before we look at the paintings belonging to his works , i would still like to raise an issue related to his biography,

this is very interesting to me as a professional biographer, because i honestly admit, i knew little about this artist, so when i began to prepare to look at some materials, of course i his fate struck him, by the way, do you know if there really is some kind of biography of him, a description of his life? and he has a short autobiography, written by himself , one sheet of paper in size, that’s all. he was born in 1924 into a soviet family freudian, yes, his father was a psychologist, teacher, follower of freud in the soviet union, yes, he tried to somehow propagate these ideas, and apparently, on the fate of the child. it had an effect, this is what i read about him, tell me, is it true or not, that in 1936, when the war began in spain, a twelve-year-old boy runs away to this war, he is caught almost somewhere in

odessa, this is true ? yes, yes, it is true, this is actually a rather tragic story, because this was the very period, adolescence, when it manifested itself mental illness, and this happened in the late thirties, and he, in general, carried it throughout his life, his artistic creativity and... daily practice, very strict self-discipline, they became a way out of this mental illness, but then escape to spain, which, in general, was filled with such incredible romance, and this wave of sympathy from all segments of the population, starting there with state propaganda, ending with just ordinary people, boys, and of course he succumbed to it, well, it all ended tragically for him, then the great war domestic, he gets a shell shock, right? he is here in moscow during the war, he is not, he was - in forty-one, in june, he was in a sanatorium, in a children's sanatorium, he was still a child in age, and

from there he leaves for the city of kansk, where his parents come to him, they spend several years in evacuation in magnitogorsk until the forty-third year, in the forty -second year his father dies, and this was also a big blow for him, from which he could not recover for a long time, but - he was here until the forty- third year evacuation to moscow with parents he returns already in the mid-forties at this moment he decides to become an artist and he takes lessons in particular from an artist with such a double surname ivashov musat, here by the way he is a relative of borisov musatov or is it just a coincidence ivashov musatov is also a terribly interesting person because he was the person whose in 1947 , daniil andreev was arrested in connection with the case and he was sent to prison. the same sharashka where solzhenitsyn was, and solzhenitsyn wrote him in a novel in the first circle, and then referred to his testimony in the archipelago as a result, our hero did not

enter the gulage, he did not enter. he did not enter surikovsky, but he prepared for this for almost 4 years in the studio privts sps, which he directed, one of the leaders of which was ivashov musatov, along with konstantin, of course, this period was student, he was the only essence of artistic education, point of view, it is enough to become an artist in the future, this is interesting to me, including as a writer at a literary institute, let’s say, you don’t have to become a writer after graduating from the literary institute.

in his artistic opinion, ivashov musatov lived a long life and outlived his student, they communicated from time to time, but he was already in such mature years, the seventies, when weisberg became famous for his canvases, white on white, he argued with him, to say, like this this is conceptualism, this is all a tribute to fashion, they differed on this, but at the very beginning and in the forties he essentially replaced his father at some point, because he was completely lost when he arrived in moscow, and his occupation of painting, a he writes in his autobiography that he began painting in thirty, in thirty -five, respectively, at the age of 11, they, of course, were such a way out, a way out of this emotional psychological impasse, therefore, in many ways, classes with vashov musatov served in the formation of his personality , and not just art lessons, vedberg is called an unofficial artist,

but that’s something. unofficial soviet painting in general, he has a generally unique position, he belongs to both official circles, so to unofficial ones in 1900, well, this is unique in 961, he was accepted into moscow without education, nevertheless, without education, it was necessary to prove, but in fact he entered the institute in 1947, but was not accepted , was not accepted precisely because his teacher was arrested, but he passed all the exams, so at our exhibition we are showing these works, which in general are quite worthy of applicants to the su... institute, but nevertheless, and so, after some time, having already completed hobby lessons impressionism, post-impressionism, having learned his lessons, weisberg willy-nilly joins the so-called other art or non-official art, of course this has never been officially announced, but nevertheless he is with them with this circle of these artists, and this is primarily lionuzovskaya group, this is a circle of writers, poets, philosophers, probably

yes, he is just friends with them, exhibits at one-day exhibitions, there at the apartment of alec ginsburg, for example, with whom he is very friendly, and he was connected with him through his brother, cousin, yudin, that is, these are such long-standing, strong youthful connections that were very natural for him, were not something that he aspired to, let's see, but your exhibition is called colors to light, which is dedicated to the whole berg, and so from color to light, first we look at color works. yes, this is ityut kush from 1947, that is, he is still very young, he is very young, this is the summer of 1947, when he is preparing to enter college, we have a whole room dedicated to this period, here you are already you can see his first such tests regarding the chromatic layout - the colors , in principle, of this lich of the same period, this

too, this too. mastered by everyone by that time, this is already a later still life, this is the end of the fifties, the mid-fifties, here we see, of course, this is absolutely the fifty-sixth year, here it is signed, and we see such a riot of color, in a couple of years this contrast will cease interest the artist, he will focus on some more complex combinations, but here in general there are signs of the times, this one the bakelite lamp is wonderful, the sardines are laid out, the eggs are like this, in general, they are simple.

which one way or another served as the basis for his painting experiments, this is a completely different work, i will allow myself to linger on it a little longer, if possible, but what year is this? 1958, yeah, and before us is a wonderful girl, young lady, anna blinova, and the wife of a famous collector, orientalist igor sanovich, a legendary collector, now the work is in the collection of the famous moscow physician mark arkadevich kurtser, he personally knew anna blinov, she really valued this portrait and she herself left a most interesting memory of how she posed, so she told me that she had to come to the artist. there were about 20 sessions in total and to turn into an apple for 45 minutes, you couldn’t move your eyebrow, scratch your nose, think about something abstract, you had to focus on the moment that the artist was actually experiencing, and he was

very strict with his models, myself, the session lasted 45 minutes, then 15 minutes as a break at school, and there were three or four such sessions per one day, yes, yes, but here it begins gradually... such a decomposition of color, especially pay attention to the outline, of course you need to see this with your own eyes, but even here in the reproduction you can see it, and you have it in the museum, this everything is at the exhibition, this is, of course, one of the most important works, here we see direct contact between the artist and the model, which will then be lost, this is such a borderline thing, in the halls you will see that this blue is decomposed into a myriad of shades, this absolute jewel. of course, because weisberg’s strength lies precisely in this picturesque surface, which is absolutely like a gem, i told you, don’t mess with him, something happened, volodya disappeared, i’m either very

stupid for trusting you again, or i love you , open the state security committee, we have an order for an arrest and a convoy to moscow, nazarova, let's go, wait, what is he accusing me of, wait, you have no right, allow it, show the order, you have no right, subtle matters, on sunday on the first how could you, i trusted you, i defended you in any situation when everyone was against it, and you, at first it works - this is a term from the art of the old masters, the one with valeurs, as you remember, valeur yes, this is such a tonal essence of color, and it lays out the chromatic layout color by thousands of units, he even kept a count of this,

in fact, this report at the institute of slovenian studies, it was precisely about this, this is the chromatic layout, it was so detailed and so wide that... which allowed the work that we are now seem white, invisible, make it colored, and that is, this is color work, there is underpainting, there is ocher, there is umber, which then, but it is simply painted with small kolinsky brushes, which completely makes the texture invisible, he was interested in the pictorial surface, he i wasn’t interested in the plot, as we see, these still lifes, they are devoid of any symbolism, here you don’t seem to think of some kind of people, they are often called a metaphysical painter. it seems to me that this is a very superficial judgment, well, how could there be something explains, but not everything. in our exhibition, the last two halls are dedicated to these late works, these are the kind of halls that are built from works of approximately the same size, as a rule

, they gravitate towards a square, this is a meditative passage, each picture is such a portal into a special reality that you completely captivating . i understand that now i’m saying some strange things and... i once again urge you to see this with your own eyes, because these are not plot things, these are all his steps towards the very harmony that can to be created only on canvas, as he believed, there is no harmony inside, there is no outside, it exists only on canvas, these are his words and we quote him to the audience. and how his contemporaries and colleagues treated him, but what a reputation he had as an absolute guru, he...

had a whole collection, in ninety-seven there was an exhibition of her collection in moscow, and

all this, of course, attracted attention to him, these exhibitions at costakis, for example, for him - his jewish nationality had some significance, it’s hard to say, for me, honestly speaking, there is no such information, but his first exhibition, his first personal one, was created in israel, thanks to him, and during his lifetime in the mid-seventies, but he had no thought of going there. at least, well, i don’t know, no, as far as i know, but his close friend, well, one might say, student, jan rauchweiger, a famous israeli artist, in the year seventy-three, he took a collection, a large collection of weisberg’s works to israel, and actually collected there is his first personality, then it was in the tel aviv museum, that’s all i know about him jewishness, yeah, for this last exhibition of his, which opened in paris or berlin, where... in 1984 in paris, and in the gallery of garik baspandzhan,

such a dealer, gallerist, he could go there, he could, but he was not given a visa, he could have gone to dresden, let alone the gdr, yes, the first exhibition in europe also took place in the mid-seventies thanks to the initiative of such a young, very brave curator who collected graphics from eastern european artists in the drawing department, but probably other artists went, they didn’t trust him or what’s the problem. i just think that either he himself didn’t really strive, no, he did, he really wanted to go to paris, he had a dream, since he was, cezanne, of course, he was a fan of cezanne, he really appreciated it, and seemed to understand , yes, that paris was the capital of modern art at that time, he really wanted to go to paris, but he was not allowed to go, the first museum collections were soviet, russian - this is the new jerusalem museum, around the same time the first drawings were purchased by the pushkin museum, and ...gradually

the eighties, the collection begins to replenish, here are several gifts, as i already said, the heirs end up in our museum, the kova gallery, but the same heirs, the same galina mikhailovna germina, she sends several works, the lazanne museum and other european museums, because she i wanted the artists to know that this is another issue that we understand at the exhibition, but we don’t talk about it directly, this is the context, so i hope. podcast life of the remarkable, we talked about

the outstanding artist of the 20th century vladimir grigorievich weisberg, and my interlocutor the curator of this exhibition, museum employee elena komenskaya, was the curator of this exhibition. the writer alexey varlamov was with you. hello, the program is about the most notable events of this day. critical range. having destroyed the missile treaty, the americans are distributing them around the world. russia endured for 5 years. what's next? statement by vladimir putin. the art of managing, which

projects were presented to the president by graduates of the sixth class of the school of governors, including participants in the special operation. the most expensive medicine in the world. it was introduced for the first time in russia a boy with deadly schen's disease. circle of good foundation. the support is unique. it was abrams, artillery hit the top ten. sites, features of the procedure and future relations with russia. unconvincing joe biden has lost his points in the eyes of padimparka's comrades: will he withdraw from the race himself or should he be asked after the failure of the debate with trump. all roads are open for russian schoolchildren at

graduation with full sails. a grand celebration on the neva after midnight, broadcast on channel one. russia, in accordance with its security interests, will have to develop a response to america's destructive actions. apparently, we need to start producing medium- and shorter-range missiles and then, if necessary, decide where to place them. vladimir putin raised the question today with the permanent participants of the country’s security council. kirill brainin will tell you more. almost 5 years ago, only 2 weeks after the us officially withdrew from the treaty. about medium- and shorter-range missiles , a cruise missile with a range of more than 500 km was tested in sunny california, confirming the worst assumptions about why the americans needed to bury the treaty, but at the end of the five-year plan, the threat became even more tangible. as you know, several years ago the united states, under a far-fetched

pretext, withdrew from this treaty and announced that we would produce such missile systems... in 2019 they announced that we would not produce them, and we will not produce these missiles place them until the united states places these systems in some region of the world. today it is known that the united states not only produces these missile systems, but is already they brought them to europe for training, to denmark, here. quite recently it was announced that they are in the philippines, it is unknown whether they took these missiles out from there or not, in any case, we need to react to this and make a decision about what we will have to do next in this direction,

apparently we need to start producing these strike systems, then, based on the current situation, the united states and its allies did not want to attend a briefing from the russian ministry of defense, where the missile could be viewed from all sides and get. for the aegis system, the system has the ability to launch both

air-to-air missiles and anti-cancer missiles, including cruise missiles. and that’s when the united states of america installed one such complex. romania and the second poland, then in fact they placed launchers for launching ground-based cruise missiles. cruise missiles and tamogawks have a range of more than 1.00 km and fall under the category of medium- range missiles. this collection also includes attack drones capable of carrying missiles with nuclear warhead, the modernized largest missile plant in arizona and the expanded production of those very prohibited types of launch vehicles. at the same time, with incredible persistence , washington accused moscow of violating the treaty. about this ... they appoint the culprits, but they also mobilize their satellites, they are so careful, but still they grunt to the americans about this issue, then in the message of the federal...