the fact is that under the direction of leonora roosevelt several committees to help russia were created, and one of the committees, the so -called american rif society, was led by margarita ivanovna konenka, was the executive secretary, she actually could unite emigration, red, white, of completely different views people who helped russia completely disinterestedly, she was charming. in fact

, the service was a job, she had her own office in new york, she had her own personal car, a driver with a car, she came to work, she received a salary, the actual activities of these public charitable organizations were led by leonura roosevilt, unlike lend lisa - this is magically selfless help, which was quite large at that time, so margarita was still involved in this work and very important, i will not tell them their real name , you?

year 1945 konyonkov returns to the soviet union, and stalin also sends, as it is written everywhere, it is true, of course, that stalin sends a huge one, well, a huge one, not a huge one, in general, he sends a court to the ship, go ahead, who produces sculptures, which he then comes to moscow, gets this luxurious workshop in the very center on tverskaya on go street.

who is who here? well, sergei timofeevich is in the center, so shestakovich, margarita ivanovna konyunkova, well, of course sergei mikhalkov, the author of the anthem, well, this is pyotr petrovich konchalovsky, these are these characters from the back, where this photo was taken by konenkov’s workshop, here in this very one, yes, very interesting that there is a workshop there and not only these two floors where my mother lived as a child, and there is an even larger area was here now. there is

a famous pushkin restaurant, this was also the territory of sergei timofeevich konenkov, it is very interesting that somehow the local residents of tverskaya turned to their great-grandfather, that they had nowhere to walk and nowhere for the children to walk and maybe... after returning to the soviet union - the treason began on itself skonyunkova is unconditional, that is, this is the only sculptor who begins, not only naturally continues his creative search, but he is completely renewed, he gets carried away. immersed in contemporary art, at the end of his life he creates abstract compositions and creates absolutely amazing works, modern installations, a 95-96 year old man, an absolutely modern artist of the time, who young artists strive to get

into the horse’s workshop, this is to become familiar with new unusual forms, this sculptor who is 97-96 years, yes, it’s very interesting that he came, returned to work, he didn’t... i know that he also made the tombstone of mikhail mikhailovich prishvin, they communicated, they were friends, this apparently also applies to those

twenties, when they met, this meeting is also so significant, the sirin bird, we have two models for this monument in the museum, it’s wonderful, can you tell us about this work? konenkov’s early work from 1910, why it is presented here, konenkov once noted in his memoirs, if i had not created bach, and this is a portrait of agan sebastian bach, i would not have succeeded as a sculptor, that is, konyonki , who created some incredible amount works, of some highest, magnificent level, suddenly so high appreciates this incomprehensible sculpture, i can say about my childhood impressions of it, this is a sculpture where there is sound, so it always seemed to me that here music is a gateway.

therefore, a very important conversation with gorky, he had a very long conversation with him, and at the same time he was working on this sculpture, which is called the prophet, in one of gorky’s letters, when the little horse left, returned to america, in gorky’s song there is such a phrase: let’s forgive each other, we are russians, and russians must forgive, apparently there was a conversation heavy, but you still have some family memories, some too...

tatyana koneeva, his first wife, she got married, then married nikolai sergeevich rukavishnikov, the sculptor’s brother. rukishnikov, they lived in the estate, they came to crimea and lived, yes, and then, when in the thirties they returned to moscow, otherwise their great-grandmother was exiled to kazakhstan, yeah, and where she died, we don’t know, that’s also the story, which is covered in secrets, because rukavishnikov, he died in the nineteenth year or in the eighteenth, he was shot, in my opinion, yes, well, it’s also not known... it’s not known how , but he was shot by the white reds, the reds, of course, here are the rukishnikovs, these are merchants, here is the nizhny novgorod house of the rukishnikovs, these are also the same ones, that is, it turns out that konenkov was red, there is a white line, one of the mittens was red, which

the damned mouth was written by ivan rukovishkov , a writer, was a friend of konenkov and actually visited konenkov’s workshop, there were also amazing characters there was a workshop in the fresh air, this is the grandfather that tatyana was a very believer...

i won’t wear this nasty thing, so they were very upset because of this, well, margarita ivanovna lived, as i understand it, very modestly, because her grandfather bought her groceries - he helped her in the last years of her life, when she died, and he - an urn with her ashes - he brought them in a shopping bag to the novodeevich cemetery and buried her himself, that is, well, he probably came to an agreement with the workers somehow, but then... he buried her himself. margarita ivanovna, like sergei timofeevich, they did not chase after some kind of comfort of life, after some kind

of wealth. but all the money they earned money in the united states, they donated it to the red army fund, as they said, this was a fund for victory. how are you going to celebrate or how are you celebrating, or rather, yes, this is the horse’s anniversary. the fact is that the academy of arts is organizing an anniversary exhibition, in the zurap gallery, there will be a huge exhibition, at prichistenka, 19, in four huge ones. halls we are preparing this exhibition, it will be based mainly on the museum’s funds, we have restored a lot of works for this exhibition, we will show a unique collection for the first time rabotyonkov, who remained in the united states, photographs of the workshop, that is, it will be like an opening exhibition, that is , the main message of the exhibition is to show everything new, completely unexpected and unusual, we at the yesenin museum are preparing a large exhibition project of two sergei yesenin icons. and where will there be two halls, well, it’s very interesting that they were called two sergei when they were walking in

moscow, and the hall as a sculptor’s workshop and the hall, the writer’s office, it will be an interesting immersion into the creative world of the sculptor and writer, and konenkov will appear here as according to our schedule, something will be exhibited that has not yet been exhibited anywhere, and this is in the yesenin museum in chernyshevsky perilka. and also does things together with us, events will be held at the smolensk museum, on maikovsky street, in my opinion, yes, because this museum is located, this is the house that my great-grandfather himself chose, the house as a container for his works, which he donated to smolensk, there will be events, and we will have events in the moscow region, the serpukhov history and art museum is also doing a good exhibition, they have an amazing collection of early horse horses, yes there is a portrait of them. okay, let

's end on this great note. so this was the life of the remarkable podcast. today we talked about the great russian, soviet sculptor sergei timofeevich konenkov. we learned a lot of new things thanks to my dear guests, the head of the museum workshop, konenkovo, the russian academy of arts, svetlana.

one and you in a white dress two, my embrace three, burn, a night ago. on the eyelashes the splashes of sleep and the chips of phrases sound on the sobruch of your catfish, almost not the whole catfish. the winds carried it to that edge light and there let it be with you, only my voice, my voice somewhere in flashes of meetings, but part of the dawn above the skies we will fly up russian three

in a white dress two, my embrace three is burning. night until dawn on the eyelashes, sparkles of sleep and chips of phrases sound, they will marry us, the mesna touches the keys, no more time for sleep, no more time for sleep, if the music spills, remembering that with you the rainbow is ringing.

hello everyone, friends, this podcast is not a format where the loudest hits are played , the most unexpected feats happen, all girls love guys with guitars, this is exactly why i won them over, my wonderful co-hosts karina cross. and this is roman, nikita, arkady and alexey, and of course, me, anton lavrentyev. who came to us today? who? the performer of this hit, do you know what? which one? i know i'll lose you soon. by the way, 70% of men sing this song to the girls they are in love with,

and 30% of men sing this song to theirs during a divorce, right? their salaries, welcome, we are visiting today, they say that men are afraid of beautiful women, she keeps asking for people to look into her eyes, but not everyone can to do this, meet in our studio today the incredible beauty, dana sokolova, in fact, we called you two for a reason, because for you both of you were not born in russia, i understand correctly, and for you it’s like, well, to conquer how if only i could see another country, you saw how i looked at it in a new way now. and so you are your own, so well, for you it’s like a new, new country, a new mentality, so i would like to know how each of you conquered, conquered our country, conquered our language, and i can say that just dan, here is your indigo track, it’s just not, well, the most popular musical show is a voice on our television, and

children, adults all come with this song, each one in a new way. kind of interprets it, tell me, this is how you felt it, how you did it, it’s, well, i don’t know exactly, for me it’s a song that makes me feel like i’m always in my hands like this, well, to this day it actually excites me it’s scary, each one is such a new story, because the song has been around for many years, it’s still true, i god forbid that there will be many more years, and in general it’s like i’ve always i say, it will definitely outlive me and, as it were , the children, but in general, it seems to me that music has something like that. there is a mission, a task, and a goal for good music, so that it remains in history, that’s how it was created, well , that is, we wrote it, of course, scrupulously, this song was just born, well, in different states, apparently, that’s why it is still imbued with such different emotions, you can feel it, and it evokes very different feelings in people, because it

is filled with them, so you know that abraham, like a real man, came today. a gift for you, seriously, yes, today you will hear indigo in a different performance, god, i really want to hear it sooner, you can, well, always, of course, look into my eyes, look into my eyes, look into my eyes, but don’t freeze in them, look into my eyes, look into my eyes, look into my eyes and read that there is so much rot in the world where we were raised. so the world of nations was so unhappy that there was so much rot in the world where we were raised. it’s a special thrill

to see another artist sing your song, i wanted it so much, you have a microphone, no, i’m generally extremely pleased, i feel even a little proud now, but i actually have a question: did you always choose your clothes yourself?

a common language almost immediately, somehow we moved in one direction, well, without interfering, so to speak, with any of my visions. avram, have you ever been unformed? i’m always unformatted, but what does it do, i remember you, i remember you, honestly, in my associations, in fact, we are always preparing for the program, the point is that it seemed to me that i didn’t know your songs, but when i discovered your songs, i realized that they were somehow miraculous. not only the chorus, i know the verses from somewhere, it seems to me that this was passed on with mother’s blood and mother’s milk, because you had an image, that’s

when i asked my mother, mom, please tell me, this is how you describe abraham russo , she says, well, this is aladdin, such an oriental prince, but please tell me, you always had such an image, that is, how was he born in the first place, or did you behave like this yourself, i was born like this. i was born in the image, that is, this is not made up, everything really is like this, not invented, not invented, you can’t come up with it, she’s a real girl, so am i, by the way, with this one, but there are, there are, who are in the image, not for real, there are a lot of them, but she’s true, i see her there is nothing here, she is as she is, as she is, she is at home with her friend, husband, brother, this is how she will behave at seven, in order to be with a real person, you have to. to be a true person, that is, what is open to you, like in the palm of your hand, you can see, really, mine, if i close it, you don’t even know what’s inside, a person must to be open in everything, you know, what is the most

important thing, what unites everyone, that there is a song that in any language will be understood by everyone, immediately understood, immediately felt by everyone, and you can perform it for us, i’ll stand up. the world is lost, i look for you in it, like a stream in the desert, a lost paradise, i know, no matter what, no, you won’t be mine. my day is filled with the breath of your love hot blood and warms without a club gives warmth hot

blood i know to be with you i still can’t have a full day my breath of your love damanli habi all rights reserved. يا تنده لك ولو حلي كل الكون بكل.

yes, but i have such a question, well, i’m just purely interested in this, i remember you completely different, you didn’t look like that, you don’t behave like i remember you, because i know your tracks very well, and yes, i will share with you, there is one moment, for some reason i always cry when you sing, i don’t know how to explain it, but it is your voice, no matter what song you sing, that makes me feel some kind of squeezing inside just choking on tears

glands. right away, no, i ’m telling you seriously, there are just these songs and there is one more song, it’s soviet, but these are two songs that just bring tears to my eyes, there’s one song, just the heart of a lion, that’s it, yes, tell me, i want to first, before you perform it for us, i want to ask you first, why that image that was inside you, why you were like that, because it’s close to me, this hair, this i know how to do this, strong one, explain, tell me how to do this it happened, how did it happen, there was a lot of pain, yes, no, i’d be lying if i said that now it’s completely gone from me, and i’m just like that , i’m all just harmony, happiness, i generally think that this path a person’s internal work, as it were, never ends , that is , some changes, some elaborations and so on must always occur, it’s just that there was such a time, well, that’s the very beginning, when i

entered this stage, i needed to tell my story, tell it through my songs, through my, including this is how we started and about the image, but i can’t say that it was something invented again, throughout all this time i continue to say that after all, you are the translator of what you have inside, only then does it work, then it’s right, so then all sorts of these negative and angry feelings were just raging inside me, probably at the world, i don’t know, my haters, at those people who offended me, these feelings, and i in fact, she took them out of herself, like this thus, we performed for quite a long time, i wanted to ask about the fact that, as far as i understand, you are not alone now, perhaps it was your man who influenced you so much that, well, you are completely different, i ’ll say this to you now , of course, of course, any woman blossoms when she falls in love, this

will not be a discovery, i will probably say that as soon as i personally found this love within myself, this inner one, this one, probably some kind of mine, well, just a dense female shell, then it came to me, including a feeling of love, yes, i mean, as it were, for my partner, for my beloved man, then i generally began to look at many other things differently, that is, it just changed me in general and kind of... well has flipped into a completely different plane, i suggest a song: just love you, or just play, now as we all sing together the unknown, i won’t give you to anyone, i ask for

any one. your guilt, having gone through so much foam and loss, we love you with such happiness, i will not give you to anyone, i will forgive any of your guilt, you’ve only been patient with me for years, it’s such a happiness to love you, just to love you, well, after... such a song: i can’t help but ask how to propose, wait, it was all there , it was all simple, he approached her and said once , you’re in a white dress, two, that’s it, she swam, no, this will happen now too, it will be, okay, okay, everything is clear, okay, yes, well, tell me, i’m like, what’s there, maybe it’s for everyone differently.