the second factor that makes, at least for me, this area very interesting, all the time i feel like, i don’t know, a treasure hunter, a scout, that now let’s see what these maps are, and what is here, in geology, in search, the very in fact, all the methods are good, that is, it was correctly said that one of these is located near the ore, but in fact - by and large , local residents - this is also one of the very large contributions to geological exploration, that is , this is exactly that area ,

rather, this is the kind of scientific excitement, scientific or scientific, non-scientific, or such a passion to get rich, to find a genius, as in the movie, well , it turns out that you won’t really get rich, yes, since our subsoil belongs to the state, and i work in a state organization, and i would even work for private owners , but it would belong to the subsoil user, put it in his pocket, find a sunu nugget. pocket is a very bad idea, but this excitement that you will find something like that is cool, it’s still there, yes, that is, maybe it’s like a child in a sandbox, yes, which uh, digs up something there, he won’t get rich, but he’s interested in finding it, and of course, there’s a scientific one too - excitement, yes, when - you build some models, assumptions about where it is, uh, maybe you can find ore, and where ? there won’t be, and

you immediately run, check, you want to check it, but there are many places left in russia where you can still find a large deposit, well , i think that yes, there are huge territories through which there was one route, years, give aiming at least on a scale of thousands of km, well, a new land, for example, by the way, or a ridge brango, the chukotka region, there are territories where practically no one went there, in the far east, there in the yana-maisky region there are territories where even in soviet times there were no routes, because it was simply physically, well, impossible to raft there, go through, look at something, as if from a geological point of view, from the point of view, looking at the map, there is every reason to assume that there may be large deposits there, the question is how to find them there, find them with minimal effort, and here there is probably just such an alliance between fundamental research science, that is, we can give something from our side, they can tell us that...

there is nothing, there is no geology at school, that is , we have biology, we have geography, and schoolchildren have an idea that what kind of field is this, about what geology is, about what it’s like, that it’s different, that it’s not just going into the field with a hammer, about this, well, i have no idea, and as a result, when you finish school and choose where to go, it’s just that she’s not on the list, let’s imagine that they’re watching us now. here

any high school student or parents of a high school student, which is more likely, what would you tell them to motivate them to go into geology? well, that is, my idea is probably that russia is a mining country, that is, we have always lived and will live, including at the expense of our resources, in this regard, taking into account the fact that we have vast unexplored territories, then yes, if you go to study geology, then you don’t have to be afraid that you won’t be able to later... well, it will be difficult to find a job, to be in demand, therefore, that is, for a couple centuries of work will be enough, yes, yes, that is , this is not an area that can collapse in like 5-10 years, your, what your argument will be, well, i’ll probably appeal to the fact that the love of traveling, and geology is a wonderful opportunity to travel at government expense, yes, or at the expense of some investor, but... because,

well, i was in the urals, i was in yakutia, in the magadan region, in the khabarovsk territory, in i traveled to africa, worked, traveled to south america, worked. so they also paid me for this, i it seems that this is a weighty argument, yes, but at the same time the opportunities to work in the city will remain, at the moment i work in a department that does not go into the fields, i uh, now at this stage i am an office worker, although 2 years ago i i was running around there with a hammer and a backpack, maybe i’ll come back to this, many thanks to our. guests, you had a podcast with schrödinger's cat and i, its host grigory tarasevich, and we talked about gold, how it appeared, how it ended up on the surface and how to find it on the territory russia.

hello! hello dear friends, our meeting today has a backstory: the st. petersburg express rushed me at night from the fields of the st. petersburg economic forum home to moscow. i went out to the dining car, did not sit in the sv, where i was supposed to be, because no one would easily meet anyone on the st. petersburg express. and there i met zhenya malemanova, and here he is sitting. you know this genius drummer. you remember, we had a brilliant team visiting us.

and today this brilliant team is now will present to you, dear friends, such a musical fabric specially made for you, well , fantastic, what kind of people are they, we’ll talk after they give you a business card, i’ll just say that this is the fp cartel, that’s right, let’s do it.

i came straight from uzbekistan, why not without a fretted bass, well, in this music a fretted bass is more suitable, well, of course, the most. or a little other people, also royhar, so you

probably write everything, we don’t write everything together, who else doesn’t, another guitarist sometimes writes, but this is santana, if any santana, if jos koffil, then or mahavishin, well, it ’s not mahavishin, it’s polubabkin, you’re not bored playing with them, no, of course, look at what, what a colossal machine, well , i would have cut it, otherwise they won’t give it, they’ll give it, they’ll give it necessarily. what, in the next song the guitarist will at least find a place for himself, or will play again, that’s the joke, that everyone has their place, that’s how it works, let’s see, this is of course a brilliant singer, but we’re sick of course, i’ll ask, because well, this is nothing more than some kind of house-building, you will sing something in the next song, yes, of course, yes it is definitely said, evgeny, tell us what kind of song it will be, we will play today, we have already played one song. well , this was the debut composition of our project, so it went on air in a slightly different form,

those who want to will find it on the platforms to listen to it, but we will play three other songs, they have not yet been released, they are only freshly collected and now they are in the process well, there are studio designs, and here’s one of them, that’s exactly what this lady’s name is, her name is gala, and why the group is called cartels in pm, you will find out only before the next song, now enjoy.

first of all, this is brilliant, this is fantastic, this is something african, which is very difficult, on the part of the drummer, of course, the most difficult thing, poor malemanov, how does he cope with this complex rhythm, yes, but of course, first

of all i should ask you , what kind of language is this, is it matchmaker, fantasy, where are you from , little girl?

i took the text and just the first thing that actually came to us, no, well, this is fantastic, gentlemen, the second part of this song was in english, so it’s easier with english, yes, yes, we just mixed two languages, well, this is natural, for example, mostly the opera parts are in italian, but this does not prevent tchaikovsky from writing a brilliant opera, so for us, nothing in the world prevents you from listening to swahili on the first channel, but tell us what a cartel is, this is fpm, what is fpm, we know a cartel, this is a conspiracy, where is the antimonopoly looking? the committee is such a cartel, but what is fpm? fpm is our last name, fokin, polubabkin and malemanov, this is originally trio, so there are more of you, there was a trio, there was a trio, yes, just to play these songs, we needed a large lineup, we were joined by friends, our wonderful musicians, colleagues, no, we never played them , this was intended and was initially

, it was always a studio format, lyosha and i had musical ideas, we are also playing with some lyosha in another project. which we could not implement in other projects, because your wonderful vocalist had not yet joined you, so my wife and i, accordingly, put together a team together with lyosha, then thanks to the responsiveness of amazing brilliant musicians like german tigay, like galaga, like eric kholmatov and the incredible saxophonist makar kashitsin. do you have a lot of material in your repertoire? you write it yourself, mostly studio material, it’s on platforms, no, no, of course. we borrow, of course, you stand on the shoulders of giants, but you do your own thing, well, you can say so when they borrow, i hear, mostly guitar buyers in guitar stores borrow, so there is always a sign: do not play with mokon zavora and never play in starway of even, so you don’t play it, no, you know what to play, but you speak this

language, but you say something of your own, which now we will hear, to the surprise of our tv viewers, the song will be... looks, here it is and there is a boss here, let's entertain him as much as you can, siraem.

here i am again in the same old space. i should really be by myself, but i just can't bear the play. no, here i am again. in the same b space, i should really be by myself, but i just can't get the pain,

some nights are trying. turn almost nonstop, the pain is too strong, seems like it's all i got, there's always a reason life gives a chance to be alone, but the thought of being by myself just feel so cold, i'm drowning in my emotions, can't seem to catch my breath, the weight of past and present leaving me with no rest, i should really be letting go, moving on and starting new, but guess facing the moment just scares me through and through, i know it's time to face it and leave it all behind, sometimes the pain of mistakes keeps on playing all we wind, need to find the strength to take the glass walls and love myself unconditionally how it was, yet here i am again in the same old space trying to find the courage to start a new and make a change, i'm facing my fears, head on

learning to let go, and finally here's the piece that i've been searching for so long, here i am again in the same space, but my silver but i just can't bear a place. she said that every woman in the soviet union

should love stirlitz, but not so much as to leave her husband, she always treated the actors very carefully, she directly you could have killed a person at all, just so that the actors would not be touched, days pass without you, it didn’t happen again, well, how can you compare the carnival there or 17 moments vi. "i don’t need a habzon, but she broke me, she just broke me, she is a great woman, a wonderful, fantastic director, and i am grateful to fate that i had the honor of working with her, she was an extremely subtle person, so much..." love in everything i put it in, and my soul walked like a bass to broken glass, to the centenary of tatyana lioznova, the premiere on saturday at

the first, let me introduce myself, so on so, look at me, oh, you are shirvint, shirvint, such a profession, you will learn all the behind-the-scenes secrets of one of... the most popular and beloved theaters in our country, everyone, vera, walk a little, talk, well, with a carrot stick, they should call it’s a pity, but you and your wife at home don’t talk about work, thank god she doesn’t know where i am, a wife should believe in the genius of her husband, feed him and not interfere, i have all the moves written down, when your duet with mikhail derzhavin took shape, well count here... the skeleton is ready, we bring you good things, he knows how to joke, but we love him not only for this, this

i haven’t sung yet, alexander shirvint’s day, go to the garden, you will sing there, you will listen there, on saturday on the first, this is an anthropology podcast. on the first and this is a group cartel fpm, please tell me how the life of the team is going, probably free time from work, you are going, right? well, we try to find as much time as possible for creativity, because otherwise why did we start making music? do each of you work in your own teams? somewhere we work together, at the same time we also play in other creative teams with lyosha, what’s stuffy there in your main teams? no, in no case, i just have thoughts and ideas that are possible. it’s even different and we made this project in order to do this, that’s all, now we’re working on a new record, more precisely on the first record, in fact, because everything else is singles, here’s one track... which

will be played next, it’s just will be on the new one. why do people in the 20th century think in albums? but no one buys them. no, why? streaming works well, but it's something a collection of the ideas that were created in this project, and we will record them as if on a canvas, on this record. deple has eight of them, and bitles has 16 of them. no, we don’t have much, but the compositions are quite long, so the record will be somewhere around 50. but there will be five or more tracks, what do you have here on the shelf, this is a vocal processor, you don’t hit the notes, it hits you holds up, namely, you go to the accounting department as a full-fledged vocalist, of course, or he processes your vocals in an interesting way, just show me how i do i can communicate with you, yes, and then my voice will change, now it has already changed, but you don’t like your voice, i don’t like my

voice, yeah, listen, okay, it just improves. so you can make a whole choir, of course, come on, i can talk to a whole choir, yes, this will be used now or not, in this first composition of the new album, which we will now hear, no, it was, it would be used the first composition that we played today, dear friends, what will now sound is the announcement of the cartel fpm record, do you need to buy it at your local pub? pabi, if there is such a first composition, then the rest will be the same, and we will listen to what it will be like.

i'm telling you once, telling you twice right now, there's no point in leaving this down, i've been trying to change, trying to find my style, try to bring it up, things where you can be installing our cloud, what's with your mind, try to live your own life with all your mind when the white man says the time is now you better listen and move and do not only not and doubt you say that there's no problem right, you have them girls to wear the jeans yeah i'm one of them right cuz that doesn't make me i got my pride got my pride and me and i got life that's all i got and might be good to drink the day and bad and night with all my will and my i'mma take you on the fly no matter what they say i won't be contrived i'll stand tall with you the new pines this is mine journey my own de life to live my truth with fears and all right no matter what they say i want try i stand all this is my journey my own delight to live the truth fearsy all

right

in the anthropology podcast, the first guest is the cartel group fpm, it’s interesting that these very young musicians play so classically, they don’t know that there were wonderful musicians in russia before them, you know everything in obscurity, well, not all of course, but... do you know why? they also released records, somewhere they collected money from some sponsors, thank god, there were always enough well-wishers for complex music in russia, patrons too, yes, but the records disappeared into nowhere, why? because such musicians

cared about the whole world about sound balance, about timbre, and above all about technique, the only thing is that they didn’t ask themselves the only question: why, to satisfy how...

knows why she’s singing this here, yes , well, this is creativity for me, the music is absolutely diverse, it’s very cool when it’s different, listeners have a choice, and it seems to me that such a choice, if there is one on our market, it’s just wonderful, it’s a special mood, it’s special, what a mood cartel fpm group you are waiting for, each song has its own vibe, it has its own immersion, vibration, yes, its own mood. this song is more driving, more rooted, or something, it will resonate with many people, who, for example, does not allow themselves to express themselves

in some way, but he will listen, start moving, that is, music is just a vibe , this is a vibration that makes a person move, we mostly listen to this in traffic jams, so he will sit for , will sit and move, and yes, and live will be felt. this is the perfect music for traffic jams, there is a phrase from one of the characters in the film shawn, where sean pen plays, called sweet ugly woodial, where he says that music is for everyone, for stupid and for smart, so yours is not for stupid, for smart and fools, i know for stupid, i remember the first interview in sixty-eight, i think what it is, the plan says, so we are the only music that cannot be visited, like the beatles, except... decides why he will listen to it, it can literally any part to highlight life, any music in

general and ours too, it seems to me that this is yours a plush horse, why is this our talisman, so to speak, and you don’t put it on your head, this is great, gentlemen, it will blossom the next composition, which is called that, a plush horse, the working title is roots, oh, it will be on the record that now i am convinced that our viewers are waiting, yes she will be on this one... tell there is any guarantee, oh my, time

keeps on flying away, that's around. if you were warring where i

wanted to hold the mic but my interface died so i can't focus right so at the moment i am opening my own de minds on the ride pup how long we lost to the songs you got ch of course it's me it's not the scene but from what i see i can't help but feel quarantine i know i probably won't still got a dream but now everyone flickers in the bad lies back when we were still interesting and land lines i used to see my cousins ​​every christmas till my grand die lost faith from the incle and worry the mankind now we all victims ofound who i

saw up i went to with my homies baby don't i know that you get me if you were warring with my homes baby don't worry you know

now this. is nothing hurts as much as the stolen heart when you're not that smart and look down that god never this before can't allow it anymore don't think don't go cut the for shit out you know what i want can stand the thought that you might be gone, you can

stand the thought that you might be gone, wish it was more easy for us, wish it was more easy for us, wish it was more easy for us, for us, for us, for us. don't leave, don't leave, don't leave, don't leave, don't go, don't go, don't go, don't go, can't stand, can't stand, that's all, that thought that you might need, go on, go on, go on, go on, go on, go on, go on, yeah,

time gives all the way again, well well, ladies and gentlemen, this is what

the meeting on the midnight st. petersburg express leads to. tell me, except for the dining car of the st. petersburg express. somewhere else we can hear the group cartel fpm, but it is presented on all platforms, if you type it, it will immediately appear, yes, yes, cartel fp, dear friends, then you and i should try to track the public appearance of this brilliant teams, the fpm cartel, we must, of course, find scattered compositions that are hidden in all sorts of network resources, and of course, wish these brilliant musicians...

5 years, classics of english literature, writer arias murdoch. today we will talk about her novel "the black prince". the plot at first glance is very simple. there is a hero, an elderly, fifty-eight-year-old writer who also worked in the past as a tax inspector, he dreams of writing a book, is looking for solitude, but at this time his friends start a married couple he knows bothers him, he begins to understand their relationship and, quite unexpectedly, falls in love with them in their twenties. the daughter tries to, well, let 's say, seduce her, but at the same time with a serious approach, but his girlfriend leaves him, and he ends up in prison, accused of murdering her father, and we are trying to figure out what is behind this relationship, behind this family system, writer vera bogdanova,

hello, hello, please tell me why exactly the black prince is considered the iconic work of the murdok, what is so important about it, what topics? there are open, well, in my opinion, this is considered a kind of landmark work by murdyk, because it was a kind of turning point, i would say, a turning point, a turning point novel in her career, it was very difficult for her, and it is quite non-standard and not like the rest of her novels, and how it differs, it differs, firstly, it seems to me, in the intensity and dynamics of the saturation of dialogues, as she herself said, this is a demonic novel, it was demonic for her... hard, that is, well, the black prince what is this, this is hamlet, that's right, this is firstly, a reference to hamlet, indeed hamlet, and it is hamlet who admires hamlet, the main character of bradley's novel, a writer, a writer, and also a tax inspector, yes, a former tax inspector, and therefore both a writer and he...