“you hear, mira, your groom has sailed, bring the necklace and dress while she counts the raven, i don’t count, i think, it’s a pity that the dragon is no more, why are you croaking before the wedding, you want the dragon to drag you away, and igor she it wouldn’t be a pity to send, but she would become the wife of a healthy man, she doesn’t care about anything else, it’s a pity, why don’t you fly, but you’re always flying in the clouds, her wedding is about to happen, and she doesn’t want to kill the groom, what can you afford a toy? she doesn't feel anything, nothing, nothing, just sit still, just think, you drove away your suitors and are crowing, but igor is in the end, it’s better in everything, so you would finally get married, you’re just damn, these are not toys, peace, this is for life, leave me alone, bright, you are not my mother, maybe your heart is silent because you don’t have one, i don’t dare say that, so you wait for your love, old maid, what, what’s going on here, she doesn’t listen again, and why is she, dad, that ’s enough, that’s all already let's get ready, what about you?

you need to understand and comply, i know what you need, you need igor, you will love him, he will love you, believe your father’s heart, if there is love, everything will be fine.

do you think we have forgotten the dark times when our daughters were killed by the dragon, we remember and will always remember the one who destroyed this snake to the end. beauties, our glorious daughters go to the worthy rich men of our principality.

no need, you'll only make me angry, put the stone down, put it down, don't look me in the eye, lie down.

stretch your neck. have you come to free me from igor? no, but i don’t know who it is, help me get out of here, i’m the daughter of a prince, my father will reward you,

i can’t help you, you’re also a prisoner, from don't kill the dragon. what kind of creature are you? will she watch over us? yes? yes. where's the dragon? he's sleeping. it's better for us not to talk. why do i need him? a? what will happen to me? i've already said too much. now you're on your own. no, no, no, please talk to me, no, please, why did you sing the dragon song, we thought the dragon was gone, you

called him yourself, igor wanted it that way, igor, my fiancé, i didn’t know anything. i was getting married. today i give my youngest miroslava, for the glorious grandson, the hero who destroyed this is a monster, and there is no one happier than me,

because there is no former groom in our principality than igor.

take it, this is for your wounds, anoint it, it will be better. oh, somehow you don’t look like a prisoner, you don’t, i think you’re all so dirty in the web, what about you? you are different, thank you, it smells nice,

what is it? you see, the leaves at the top, if you crush them well, they heal wounds, and you know that i realized that you and i are the same? we don’t know each other, my name is mira, what about you? i don’t remember my name, how can you forget your name, you can if you don’t need her anymore.

you are so beautiful, what are you looking at? yes, don't look, why? what do you mean, why don’t you understand? no, i look at birds, at fish, why can’t i look at you? and you tried to escape from here, it’s impossible. this is an island, but you can swim away, the sea also

kills, i need a large stone, why do you need it, this time everything will be, in my opinion, when this small creature comes, you will distract it, and i will hit it while the dragon is sleeping, we will escape and we can’t leave the pit, we need a dragon slayer, only he knows how to kill a dragon, he will come for you, you just need wait, that’s enough, i need to run, will you help me, nothing will come of it, peace, he hears everything, sees everything, you can’t even imagine what he’s capable of, you want to know who you are, he’s a coward, a real coward , and this fool also came up with a name for you, coward, and don’t you dare look at me anymore,

but i can’t cope with it, that’s exactly how cowards reason, peace, and you, what name did you come up with for me? arman, arman, a beautiful name, but why arman? well, what is it like? overseas, how mysterious it is, but what does it mean? dream, forgive me, peace.

give me your hand, hand, well, now you have those, let’s get acquainted, when people get acquainted, they shake hands, very nice, arman, i am peace, very nice, peace, i am arman. dragon, hide, peace, and no matter what happens, don’t come out of the hole, don’t come out, huh?

arman, where are you, where are you, arman, arman, where are you,

and orman, where are you, arman?

arman where are you?

stay, be careful, it’s very high up there, you’re tough, why did you get out of the hole, i told you it’s impossible, that’s all he’s waiting for, why, it listens to you, the world, who are you anyway, peace, wait, come to me, do you hear, it’s too difficult to explain, don’t come closer, but be careful , i believed you, believed you, and you deceived me, peace, dragon, dragon, he won’t

get anything, nothing, stop, stop, let me down , believe me, believe me, it’s still early, that’s it,

anyone? i felt like my ears were stuffed with cotton, the island should have been here already, but it wasn’t. and this fog is strange, but what do you want from me, brother? i myself have never seen such fog in my life, well , i heard about it, there is some secret

way to get around the fog, what my grandfather told me, maybe i forgot something, but i haven’t forgotten nothing, we do everything like this, so what’s the secret, secret, secret, all my life i’ve only been hearing about these secrets, and there the dragon turned out to be alive, nothing. grandfather didn’t trust me, i can handle it, as long as i don’t kill the girl, no matter how it is, it’s too late, i’m here, hey, someone.

don't come near me, don't come near me, that's good. even so, it’s even better, yes,

it’s not me, it’s the sea, the sea also kills, but why should i wait for you, and what should i do about it, or rather? on the centenary of alexander

shirvint, tonight you will learn all the behind-the-scenes secrets of one of the most popular and favorite theaters of our country, all the safira theaters, what has changed over these 50 years, nothing, the same rake, an interesting thought, and the iconostasis with my faces, i was a little scared, and then i thought, what if this is sincere, wake up, vulture, wake up, vulture,

how hard it is to be an artistic hand, he says, an artistic hand is maxik, these are gingerbread sticks, but when the whip is in the hands of a spinner, tomorrow is the first, and they also say, don’t believe in fate, gosha, guy, you know how reliable , three-room apartment and divorced, by the way, loves everything unusual, i want you stayed, you know this peacock for a week, but are you already with him? you’re jealous, no, i just don’t like him, but you don’t like him, i should like him, but in our yard on sunday on the first, businessman, three-room apartment, financially secure, skiing, i don’t want to drag this bastard, well and that he saved me? i

saved him too, but he stole me, i hit him against a stone, and after that i dragged him, and who will help me, he’s dragging for how long, you know, you’ll come to your senses, will you carry me home? i knew that my plan was for you, i like it, well, i stole it, well, it doesn’t happen to anyone, but in general you’re a kind guy, just heavy, you don’t live, it’s painfully high, it’s not clear why,

yeah, and now of course it’s clear why. i don’t know where you’re sleeping, you’ll sleep here before it’s too late, beat the dragon, he’s already approaching you, he’s already approaching you, fire, dragon, must. arman? no, i need you for now, alive, healthy and flying!

now i have it, i'll wash it , black please! don’t get burned, okay, like this, like this, quiet, good,

a little, when it comes, rarman, i’m just wondering why all these breakfast warm blanket, if you are not going to talk to me, arman, you either apologize, then push me away, then throw me into a hole, then save my life,

this is not possible, arman, answer me. either we talk, or i won’t leave you alone, and i can be annoying. now it’s clear why the ancestors dealt with you right away, to prevent you from speaking, arman, you don’t want to kill me, and if so, then why do you need me, take me home, it’s not so simple, but maybe i’ll understand, when i understand, maybe we can? come up with a way out

a long time ago there lived a boy on an island, the boy lived with his father, his father was a dragon, the boy loved his father very much, and dreamed of becoming like him, but one day... the sea threw out a chest, there was something unprecedented inside, i don’t know now i know what it’s called, something from another world, unknown, but at the same time subtly familiar, and something changed in the boy, when the time came to become a dragon, he no longer wanted to be one, father. didn’t say anything to him, because you can’t become a dragon against your will,

and then a ship appeared on the horizon, with the man who killed his father got off the ship, then anger. rage and thirst together pushed the boy, and he jumped from the cliff and turned into a dragon, as soon as this happened, all the memories of his ancestors fell upon him, i suddenly saw everything that the dragons saw, i felt everything that they felt, for hundreds of years the dragons took . the brides performed their bloody ritual, people gave them girls accompanied by

a ritual song, but i didn’t want this, before my eyes there were hundreds of murdered brides, as if i had done it myself, the boy realized that his father was a monster and that he himself awakened the monsters in himself, then i swore that there would be no more dragons, i wanted to become a human again, but i didn’t know how. all i could do was fight the dragon, the dungeon is a narrow passage, a person can enter there, the dragon can’t get out, that’s how i held on when my dragon was rushing out, after all these years i almost managed to defeat him, and then you started singing ritual song.

the first thing i remember is a girl in a dragon's grip, i barely managed to unclench it with my paw, girl, you fell into a hole, from where the dragon can no longer i was able to get you, the pit was not your prison, it was your refuge, from me, the dragon feels you, peace, i understood that. was, in the pit, he wakes up as soon as i touch you, so i can’t carry you home, i can’t hold back the dragon, you need to wait for the dragon slayer, if he comes, i won’t bother you, just never, never sing again ritual song, what does it mean if? do you think he might not come? everything will depend only on you.

how's that coming from me? let's go, how can it depend on me whether he will sail or not? look around, you see, the whole island is a dragon, my great ancestor, stones. the rocks, all these are his bones, he guards this place, from here you see a clear sky, but the people on the ship , on the contrary, see only fog. are doomed to wander in it until death, ships, chests, things are sometimes washed ashore, but the traveler can get to the island only if the loving heart of a girl is waiting for him here, the heart, yes, it is like a beacon, will show him the way,

which means the dragon thief could to swim because of the love of the girl who was waiting for him here, because... he said, it all depends on you, if you love, will float, what are you doing, when a person hits the flowers, he understands that he is loved, which means something important is happening between people, and they also say: if you throw flowers into the sea, then wherever he is, he will feel, they will know, that he remembers about him.

then igor will also come. true, of course, he will also swim, it would be good for him to hurry up, let's go, you will wait and speaking in the hole, in the hole again, arman, maybe i should swim away after all, i can’t, i already said, but you ran away and what’s wrong with you , don't come, don't touch me, go into the hole, don't you understand, armana, you can’t do the same, i can’t just leave you here, why, i’ll handle it. “i’m used to being alone, if you wanted to be alone, i wouldn’t have woken up this morning under a warm blanket. mira, the dragon could appear at any moment, if that’s the case, then why isn’t it there yet? i don’t know,

maybe , i’m still too weak. or maybe the person is just getting stronger? do you really believe this? i see it, but you saved me, fed me, treated me, you took care of me, you can defeat him, as you wanted, and i will help you. , and since we still have to wait for tigor, i’ll teach you live like a human being, forgive me for

yesterday. good start, wow! “you can live here if you want, the dragon definitely won’t get you here, armand, there’s nothing here, in general, i can’t cope without you, you’ll help, and this is necessary, but

since we’ve decided humanly.” it’s hard to live like a human being, this is going to take a long time. i'll teach you, how do you like it? only there is no braid, but i already like it, you know what, and to be honest, i too, what are you

doing, i envy you, dragon, you envy, yes, do what you want, fly wherever if you want, it’s scary, of course, but i’ve never been anywhere, me either. like this? that's how it is, your whole life will be arranged. i didn't want the dragon. it turns out that you and i both flew for the first time? it turns out that yes.

no, i mean, yes, stop, wipe your feet, where are you going, like that. you live here now, and he is arman.

do dragons fly far? far away, the winds help us, they are all so different and all beautiful in their own way, when you look at the wind, wait, do you see the wind? “of course, don’t you see, people don’t see the wind, arman, how

can you not see the wind, but how can you see, but if you want, i’ll show you the wind." your gaze is burning with fire, and your heart beats out of rhythm, it’s scary to love, but i’m not afraid, i’ll fall asleep and never wake up, but... but there’s nothing more, just ashes and smoke, all my tears are burning, you

have not become my family, but you have not become a stranger either, friend or foe, we choose for ourselves, it seems that now it will begin that i believe you, i will reveal all the secrets to the merciless beast, i know that you are for me. not an enemy, spread your wings, let desire become dust, kill me boldly, like the last time, hey, what are you doing? are these mine? things that you look at, you think, i’m a traitor, yes, i want to sail away, well, how was i supposed to know whether he would defeat the dragon or not, i don’t worry.

maybe i won’t need to swim away, i just packed my things just in case, imagine what happened to me when a barrel of roma washed ashore, it had never been so good here, before you, well, for both of us... a lot of things were for the first time, by the way , i found something for you here, i think i’ve already

heard this melody, what is it? is this a cradle? it is sung to children so that they know that mom is nearby, let today be your birthday, no one doesn’t remember this day, but everyone celebrates it as a holiday, i remember how i was born and want to forget, but today a new person was born, and i... we are very glad, happy birthday, arman, so that in your life there will be not only ritual songs, new person, thank you,

and i have one for you too... i have a gift so that you remember this day forever. close eyes. pluck, i call these heavenly flowers, how beautiful, you can see them on the other side of the world.

here, except for dog walkers and killers, no one walks around, i truly loved her, statement they wanted to serve, it seems to me that he said sincere, they are all sincere, and then 18 profit for the fact that the dishes were washed badly, she was here yesterday, right here. fortune teller from monday on the first, you know, i ’ve been in moscow for so long, i’ve never gone to the cinema yet, well, it’s easy to fix, i’m waiting for the new season on the first, a woman is killed, and we ’re talking the devil about what and my heart didn’t break , do you know how it breaks, they just

give away the shoulder and the elbow pulls, well, okay. major, find the head of the security service, have him come to the office urgently control room, and mobilize all our employees, everyone you can, the whole version is going to hell, the man had a stutter, and suddenly he speaks like cicero, i really hope that you don’t have to blame yourself for not wanting to help us , you are a very

good shooter. hello, colonel kostenko, the prime minister’s confrontation based on the legendary book. arman, are you here?

arman? arman, orman, where are you?

and quietly, quietly, quietly, quietly, i came running, you

were screaming so much, what’s with you, i had a bad dream, a dream, but i don’t see a dream. what's usual dreaming? well, sometimes it’s what you’re afraid of, and sometimes it’s what you want, i’m very afraid of the dragon arman, and i’ve been collecting all this time, the dragon will not harm you, peace. never, i promise, because today a new person was born, thanks

to you, and he needs you, good night, arman, what? this is how people break up at night.

good night, arman! good night, mira.

when a person hits the flowers, he understands that he is loved, which means something important is happening between them.

arman, that's where, arman, ah, look what i came up with. "almost like a dragon, but not

takes off, you will teach me to see the wind, you are strange in the world, you are afraid of the dragon, you play it yourself, why doesn’t igor follow you, well, he doesn’t, so you know what it is...” means, after all, we took an oath, we don’t we made it, armand, the dragon flew by earlier, which means it won’t come for you.

i will teach you to see the wind, close your eyes, look into the distance, as far as possible with your eyes open, feel it with your fingertips, hear its whisper, feel it with all your skin. then something you didn’t know about will open up inside,

arman, arman, flew away .

where are you, arman? and you tried to escape, it’s impossible

to escape from here, but you can float away, float away, i call these heavenly flowers, they are on the other side of the world... i, where are you, arman, come to the altar, come, have you ever wondered why on

the island where so many girls died, there is not a single skeleton or bone, do you say dragons? and we say born from the ashes, that's what dragons do to brides, they don't just kill them, they burn them alive, fill them with flames and don't let them out of their claws while they scream, while the fire devours them from the inside, while there will be nothing left. except for the ashes and a new dragon, this is how the light appeared, this is how dragons continue their race, and the same will happen to you, world, why are you telling me all this, i’m

a freak, i will never be able to act like a human being, i don’t think so, i know about the boat, aman? and now i understand, you didn’t want to sit in a hole, because you always hoped to swim away, and you found a way, i’ll teach you to live like a human being, a way to catch chests, cards, a way to signal ships, there was only one thing left, you’ll teach me to see wind, arman, overcome the spell islands, what prevents you from sailing away, arman, i didn’t think that i don’t blame you, everything is right, you should be afraid of me, but you said, i can defeat the dragon, i fought, but why, if you don’t believe, tomorrow at dawn you get into the boat, raise the sail, the east wind will carry you out to the open sea, ships will notice you there, don’t leave, but what about the new

person, remember, he needs me here, only the dragon needs you, ear. well, we were on the melting trail.

it's hard, please, please don't follow me, you're the only thing he has left,

go to him, grave sins, burdens, eternal torment. igor, listen, we’ve been sailing for so many days with the sail raised, in the fog it’s certain death, let’s get up on the oars, maybe then we’ll find it, we need to decide, but maybe i’ve decided helmsman, let’s come back, rocks again, calmly, past, with a man, all the helmsman , that’s enough for me, turn the ship around, let’s go back, listen to me, i

gave your father my word before my death, and i give you the honor of the family, you better go get some sleep, now we’ll search in my opinion, yaroslava immediately said, nothing from you grandfather didn’t get it, not even the secret of it, the eldest was right about you. dragon, this is not a dragon, this is a snak,

peace, when the dragon was carrying me, we were caught in a storm, it crashed into rocks, i was left alone on the island, there were broken ships around, there i found a boat, thank you for coming for me, i couldn’t do otherwise, you love me, you are tender, i am glad that you are saved, but we have to get to the island, i know it’s hard, but ours will last.

they return to the harbor, the girls get married, and the stories always end. the boy could not become a man and did not want to remain a dragon, what could he do, what should i do, peace? soon you will forget this nightmare, little sister, and a new life will begin. you gave me hope, a ghostly hope of reconciliation. with myself, even if only for a moment, but that will be enough, where is my dragon slayer,

here... you remember, i kept looking at him and regretting that, most importantly, i didn’t tell you, it seems that what i dreamed about happened, oh what i read in human books, and could not understand, be with the one you love, feel and trust your heart. the rest, don't be afraid, the world, the dragon will never harm you, i haven’t flown before, were you right, yaroslava,

right? about what, now i understand what it ’s like not to be with the one you love, you opposed the wedding with igor, i remember, stupidity, i said, little sister, i thought you didn’t love igor, but he wants to become a prince, now i see, love. he found you, you yourself said that without love the island cannot be found here, be happy, sister, then i will be there.

be happy, peace. preshchey.

i can't do that. mira, what are you doing? i don't, i don't love you. what? i do not love you. mira, i was looking for you, i found you, don’t be stupid. i love dragon.

what is she doing? igor? before there was no sky, no earth, no, she calls him, leave! mira, come to your senses! he will kill you! will kill us all, time is a fast river, it won’t

bypass anyone, the bride and groom are waiting, waiting like their hour, dressed in white. definitely not worth it in savo, doomed to rest, weddings, the bell is ringing, take it, take it, come, fly , forever, addana, maiden.

take it.

so that's what your heart decided. don't you dare!

you’re just used to being feared, you don’t know what it’s like to be loved. human, dragon, i love you, whoever you are, let everything be as you want, just don’t

leave now. stay with me like this, let me get used to you. this is how the story about

the girl ended, she saved the dragon and gave him the most important thing he has, dad, dad, how did she give it, where do dragons get children? dad, how did i appear, tell me, well, before it was a terrible ritual, but now rarman, forgive me, i ’ve told this story a thousand times, and she wants to know the continuation, continuation, continuation in that, that dragons find children in the sky, you

can’t fly. when you love someone, you become the happiest person in the world, you have, you know, real wings, and you can fly, really, really, really, really. i have wings to cover you, and you are a watchman, i will howl like a bukola, i would like stars to illuminate.

from the very morning, i will wait for you, if the sky is black, i would like to rock you to sleep. i would like a lullaby tsishyny like

a boat, sailing dreams, dying, everlasting, everlasting. and until the morning, i i'll stay. give you,

wa'. '

hello, this is the einstein witness podcast and its host. film historians natalya ryabchikova, stanislav didinsky. in our podcast we

talk about who and how created famous, beloved, little-known, half-forgotten or completely unknown and completely forgotten soviet films, about how to watch them now, how to find new meanings in them and how to get even more pleasure from them . today our podcast is dedicated to the centenary of one of the most famous female directors of the soviet union, tatyana leznova. one of the most... who sits in a taxi,

it’s raining around him, he looks thoughtfully at the camera or somewhere to the side, well, carnival, carnival, yes, which i personally like much less, but in this sense it’s really a big hit soviet distribution, and some unknown masterpieces, like evdokia, unknown, perhaps, to the viewer now, at one time quite well known to ourselves, we will try to talk about lioznova in addition to the moment of spring, because we have a separate one about this series podcast. and i want to talk, in fact, about those paintings for the large and small screen that surround 17 km, frame, so to speak, before speaking about liozny, i must quote from the text of columnist alla gerber, who at one time did a whole series of interviews with soviet kemetographers, in including tatyana lioznova, and the text about lioznova begins with a phrase that today would probably cause fierce debate among those who like to create. feminists, suffixes, adding to masculine words,

so gerber said the word director in in the russian language does not have a feminine gender, many women of soviet cinema, female directors of soviet cinema, and kira muratova and larisa shepitko, and of course tatyana eliozno, who is probably the color of this post-war cinema, could agree with her, i can’t even dare to call it female, but they weren’t the first, they would have... great documentarians, like from the spheres of shupa,

that is, we actually have a whole tradition of female directors, it’s not that surprising, but nevertheless, every time it is in general, work to overcome, at least for liozny it was such a work, was sofia milkina, who always worked together with her husband mikhail schweitzer, as a second director, or vera stroeva, who was often a co-director of her husband, grigory roshal, although he had independent works, but in this sense leznov is different. because not only did she not work with her husband on set, but, in principle, she was on her own all her life, and they even reproached her for this, and in some years the gorky studios hinted that she might to be somehow necessary, maybe to be more like a standard soviet woman with a job and also a family, and a career, yes, a career and a family, but she had a family, this is her mother, whom she took to filming, whom she brought to art adviсe. i always consulted with her about how the film looked, and

this was her test viewer, it’s quite interesting, it’s rare in soviet cinema, well, i must say that lioznovy’s parents did not prepare her for a film career at all and in general there was not even a hint of this, on the contrary, they said that she needed to choose a reliable profession that would feed her all her life, and indeed at first such a profession, she had an attempt, she studied for a semester not so long, it seems, yes, it seems, a semester in aviation at an aviation school, yes -yes, yes, then it will go crazy a little. her biography, filmography, even so, biography of the director and filmography, at some point she decided that her path was cinema, well, she remembered this until some kind of accident, that one of her friends was going to enroll, she also went , this the forties, this feeling that it was possible to somehow redo life, to start anew, although it was just beginning for her, but her work, studying at vgik, was actually not so simple, because in what at that moment she was expelled from there, saprov was unsuitable. well, lioznova, in her words

, decided that she would fight, that she would not leave it like that, she rode the tram across all of moscow, took the laundry to the laundry and says that she wrote down, sketched, as if in the words of the types she met, and in this tram, and then gathered those who were expelled along with her, based on her notes, she staged such skits, they were all accepted back, she said that this was such a first lesson for her, that a director is the person on whom others depend, this is the feeling, this responsibility...

precisely thanks to the efforts and merits of his students, because he created one of the most powerful directing and acting workshops, such an amazing hybrid, all the students, in fact, this tradition existed both before and after, he attracted to work on his such an opus magnum, and the film the young guard, yes, after all, this has not happened on such a scale, it seems to me, not before or after, indeed, the young guard is something that began as a performance, something that began as some kind of separate ... and the episodes were played as a performance, not only in the augika, and then it was already transferred to the screen, this is really the work of an entire creative team, and there lioznova played, in general, not the last role, because she staged it separately from this conceived a scene with carmen dancing, where in fact, they saw the future performer

lyubka shevtsova, and this dance was included in the film, that is, the fragment directed by her was included by gerasimov in the film. unlike her colleagues, nona mordyukova, vyacheslav tikhonov, who played big roles there, she, of course, remained behind the scenes herself, she was an assistant, then, the end, the end of the forties, actors, well, somehow in theaters, some some films are being filmed, she is being sent, yes, they are assigning the gorkov studio, which was located right next to avgik, the next wing, in fact then, literally then, yes, even in the next wing of the same building, and then her right there from there. fired because there is a struggle with cosmopolitans and for her it’s as if at the very beginning of her career this career ends, and here at some point sergei gerasimov, who worked at the same studio, still performs again, he takes her with him to china, to make a picture of liberated china, he is putting on

a play with her in the theater, again, the chinese gray-haired girl, like this, little by little, little by little it's already the beginning of the fifties, she is accepted back. higher, yes, it increased multiple times, of course, but even here she was helped by masters, in addition to gerasimov, this is actually his teacher, wife, actress tamara makarova, they had a common workshop, yes, this is the same directing and acting one, and this is constantly it was precisely their common workshop, and makarova, she came up with such a story, or rather she was told, about

an english pilot who, during the great patriotic war, was shot down over the occupied territories of the soviet union, he ends up. to the village where he a soviet teacher is nursing a wounded man, of course tamara makarova plays her in the film, and based on this story about the englishman, who remembered the soviet people who saved him and then returned as a tourist, visited this village and seemed to speak clearly about friendship between peoples, and so on, and about memory of the heart, gerasimov wrote the script, and liozno actually directed it, this became her first film memory of the heart, it’s interesting that they are very visible... such thaw filming methods, they use documentary footage, london, archive, they use real englishmen, real germans who play englishmen and germans, although the main role of an englishman is played by andrei popov, but nevertheless, quite a lot of journalists, englishmen, americans, who

were in moscow at that moment, play there, even sometimes someone accidentally briefly, but in all of them in this scene the english was placed, and a very funny one appears there... the sister of the main character's wife appears to us in the caption text, like the director of the cinematheque, who looked like this many films that combined sentimentality at the same time. ironic generalizations, and then she gives such a speech about how many different films she watches, and some fashionable swedish ones with violence, and neorealism with its kind of unwashed underwear, and some boring soviet films, and so on she didn’t particularly like the film, this is what we would now call metacinema, a cinema that suddenly remembers that there is cinema, not that it is typical for religious ones, but it seems to me that then these... numerous jokes about stirlitz, they are also from there, that we play a little in the cinema, that’s what you said, you mentioned the voice-over that says something, but this will

later become some kind of defining, maybe even one of the important features of the film a new off-screen voice of some person who tells what is happening in evdakia in her film this will happen, it will of course be in 7 moments of spring, where capillian’s voice will eventually become the same thing... she said, every woman of the soviet union should love stirlitz, but not so much

as to leave her husband. she always treated the actors very carefully, she could have directly killed this person in general, just so that the actors would not be touched, they would go on without you, she did not repeat herself, well, how can you compare the carnival there or 17 moments of spring, or 17 moments of spring and tritopolis on ivy , oh, look at her like that.

soviet director tatyana lioznova. in fact, in evdak, which became his second picture, this is already the beginning of the sixties, a lot and quite unusual. for soviet cinema time, we have a fragment, you can see what exactly is unusual there, you know, it’s reasonable, 100 rubles, come on, and i’ll take it, isn’t it, we’ll see there, but why do you need 100 rubles, well, she’s so innocent , looked at her, give me 200 rubles, otherwise give up your son, listen, but you gave him up, abandoned him, don’t lie. you stole it in court, i’ll show it, i have a certificate, i’ll bring witnesses that it’s mine,

and i use other people’s children so as not to work, to sit near the stove, but our proletarian court, it sees the truth, what’s unusual here, in first, the character, yes, this drunken lady, who calls for justice and a proletarian court, is actually being blackmailed, yes, but they are blackmailing the main character, who has established five children, one. always remembered that she was given quite significant funds to make a movie, she couldn’t make it just for

her own pleasure, that many people should watch it, that it should be interesting to many, that it should resonate with many, and at the same time she said that to one degree or another all her paintings have autobiographical elements, here maybe her father really died in 1941; she grew up with her mother, it was difficult to grow up. cinema, new, current, plot-social theme, vera panova is one of the main suppliers of such themes, because then in a few years yulia fait will shoot in nolefilm a very scandalous film, a boy and a girl, about a romance between two teenagers, still recent schoolchildren, students in a holiday romance, he is not a student yet, she is not a student at all, but they are

, as it were, essentially teenagers, and this is absolutely scandalous work, well, nevertheless, the story is vera panova. which, it is believed, juli veit distorted, and this, in general, largely left an end to his career, but the story really was absolutely out of the ordinary , here, in general, we see the same thing, a film that became a hit at the soviet box office, it was terribly popular with viewers, one of the leaders at the box office, we count this precisely by the number of viewers, there were 34 million in the first year alone, in fact, not counting the 17th spring - this is probably her most successful film, there were two more paintings that also going in line with the thaw movie , the story with the aviation institute is returning, because if in the memory of the heart the main character was a pilot, but we were just starting, in fact , from the cockpit of the plane, and then we were only told that he was a pilot, pilot, pilot, pilot, and then leznov became interested in the topic of creating the first jet fighter in the soviet union during the war , began to develop this topic, shot a film,

which was called just before its release, they will conquer ... the sky, the whole studio came up with the name, initially it was something like the story of one aircraft, that is, based on real events, where the consultants were real engineers, and aircraft designers and pilots who actually tested all these aircraft. mark gollay, the famous pilot, was one of the prototypes, who, by the way, didn’t like this idea, why now they will make a movie about us real people with our own names, where something will be true, something will be fiction, and he is very...

cosmonauts, it’s all present there, yes, indeed, among lioznova’s consultants there were people who were connected with bekanur already at that moment, and for her, as she said, it was interesting to immerse herself in some new world, to reveal a new profession on the screen, to learn something new for herself, and so she did on every film, she said that you need to not study life for the director, not immerse yourself in it, but live it, and this requires much more, actually getting into... the material, maybe that’s why for her everything... quite a long career, 30 years, it turns out, yes, from the first film, independently produced, to the last one, she has only nine films, well, that is, more than three years, but it passes, well, if you count each episode, a moment of spring as a separate film, then she has a rich filmography, but here are the milestones in it, they appear once every few

years, it turns out, after they conquer the sky, she also shot another one - in a slightly documentary style, a picture also based on the script of vera ponova, which is called early in the morning. melodrama, again, yes, such words were not spoken then. the word melodrama in the soviet union was considered non-existent. this some kind of bourgeois genre. it was a family drama, but here there was a family drama, or rather, the story of the growing up of a brother and sister, orphans, again, yes, the theme of orphanhood. and very much in the spirit of these films in the gorky studio of the sixties, the house in which i live. something family, simple and at the same time not entirely expected, unexpectedly, then a new idea comes, and it comes from a song, overheard songs, in fact, flights, pilots, the sky, alexandra pakhmutova writes a song “tenderness”, lioznova has an idea, at least that’s how it is then told,

that something needs to be done around this, and only then does the script come across. rabarshchigovsky, she wants three poplars on a shabolovka again, she thinks that she should cast nonna murdyakov in this role, it’s difficult to find an actress, but when they asked her, why didn’t you cast murdyakov? she thought that i would now record how nonna sings the song tenderness, this scene came to her mind, and the heroine sings this song, she sings like this in a folk way, like a woman’s, and she said, i’ll record it here nunnu i’ll find some actress who can sing to nonna, when they asked her, why couldn’t you call mordyakov, she answered, well, which one? and you can take a guy as a couple, here, here’s the weight, yes, the personality, the weight of the actress, who could play in partnership with her? tikhonov, perhaps by the way, but it didn’t work out, so they searched and searched. they found doronina, who was extremely strict in her approach to the selection of scripts, just as it was difficult to find lioznova, and maybe even more difficult it was daronin, and just as always they said that working with leoznova is incredibly difficult, that if you were able

to work with lioznova, you can work with anyone, they also said about doronina that it’s impossible to work with her, well, she’s an incredibly complex person, these two personalities collided on the set , yes, sometimes they even say that doronina beat lioznova in this one.

there were still two kopecks, brand new, for some reason i really really wanted the film to be called not... these streets are not very far from each other, but still, well, perhaps it seemed that it sounded more harmonious, or something, to her

it was always important that it was hers, that is , she decided in the end and they wrote a song for her, she will know who sings it better than the composer there or the author of the text, she knows how best for an actor to play, she knows how best to play it to shoot, she prepared as clearly as possible for each shooting, that is , for her it was really such a work of wear and tear, she surrounding makarova seems to me to be affecting here, perhaps, perhaps, why this scene is so strange, because it is a dream of the main character , which are actually in there is quite a lot in the film, and we start with this dream, and here such elements of surrealism suddenly appear, which you forget about when you just know, well, yes, yes, yes, she sings a song of tenderness, they are sitting in the car, here he is waiting for her , realism, yes, but... there is also this internal state, the inner world of the main character, in principle, just like evdoka’s film is called after the main character, this one could probably be called nyura, but not like that, here we move on to your favorite topic, or topic, to a discovery, i would say so,

to the cinematic liosis, like a hidden surrealist in soviet cinema, there are obvious ones, like andrei sergeevich, konchalovsky, in whom this is shot somewhere at some moments, slips in, especially in later films, like a pockmarked hen, and there are more. .. to ban, because his aesthetics were too incomprehensible, alien to soviet cinema, then the authors actually turned to gerasimov for help, and he said: “yes, this needs to be staged, this is our kind of soviet surrealism,

why not.” and as for gerasimov studying with him, they were connected by one more thing: music. liozno was incredibly musical. based on these melodramas, her early ones, yes, you can’t really tell. well, it may be that she always chose very good composers andrei shpay, she did it twice. worked with triverdiev, she worked with gay koncheli already in the eighties, she was generally characterized by musicality and rhythm, entering vgik, she entered the, again, classic of soviet cinema, selad pudovkin, who later transferred the workshop to gerasimov, but he asked what her favorite music was, she named beethovin, then he asked, what do you like there or tell me something, she said, i’d better tell you the music, i ’d better sing it to you, she began to lead, as it were, with her voice. a melody, and you dance, and i sing, yes, as they say, so maybe there was this dance of carmen, and then they had a game with gerasimov, when they found themselves in the studio at the same time, she went to see him, let’s say on the set, it’s even possible ... naturally, not

during filming, but between takes, they entered into game, you had to guess what one of them was humming, the members of his film crew looked at them as if they were crazy and in general, that she came here, took the master away from work, but for them it was really that this very music united them , and leoznova actually spent a very long time pushing for the creation of a special creative association, well , like a studio within a studio, yes, which would deal specifically with musical films, and for her... the film carnival, already in the early eighties, it was one of her favorites films, this is exactly what she would like to do, in fact, but it turned out that he was only one in her career, yes, before that she filmed an adaptation of the play by alexander gelman, we are the undersigned, and this is such an orient express in soviet style, there not a detective story, but a production drama, but all the action takes place on a train, for two episodes we travel on the train with the characters, and a wonderful company of actors gathered there, yuri yakovlev and... let's make the next

picture together: yakovlev, luchko and muravyova. and this picture carnival, in fact, was born from her short teaching in avgika, it seems to me that she had only one workshop, she worked there for about five years, she asked students to make sketches based on. the script for the film carnival itself, which was published, and she still didn’t like the way they were doing it, she didn’t like any of it, she started redoing everything, telling how it should be, and then she says, why am i going to you tell me, i did it myself, let's look at an excerpt from the cartano, the little cuckoo bought a hood, put on the cuckoo the hood, how funny it is in the hood, the tutbu poly flies, flies,

i remember the aesthetics of the clips of the abba group, this whole fashionable stage, then the late seventies, early eighties, which then will sparkle with new colors, towards the end - this, by the way, can also be considered such slightly surreal elements, because the heroine always has something like this in her head, she sees herself as a star, this is probably liozny’s most autobiographical film, because she was such a girl, though not from province, she was born in moscow, but she wants to be someone, she wants to become someone, but she can’t, yes, that’s the drama, plus mom, mom, to whom the main character returns at the end, who sick, absolutely here is the story, and her mother, and of

course, music. here, by the way, in this fragment, why we chose it, several things are combined. firstly, someone tells the most prominent of the actors, of her screenwriters, that she did everything clearly and clearly in advance and was such a tough director on the set. somebody she says that she actually loved improvisation, if not outright loved it, but accepted it on set. if you come up with something interesting, yes, then this... it may well be here.