the coat could have been taken off, by the way, in the reception room, contrary to the myths, lioznova was friends not only with men, with actress tatyana chernopyattova, they almost became family . 13 years ago, when tatyana mikhailovna was already seriously ill, a friend read poetry to her, as if returning all the love and tenderness given to us by the viewer. god, how she laughed when i read the fables, she laughed, she laughed so charmingly, she lifted her legs like that... she lifted her legs, but something was not right, but it was true, i was treated kindly by my viewer, i was understood by the viewer, and this great case. alexey zotov, vladimir grinevich, yulia zagranichnogo and stanislav opletin, channel one. and right now, on the centenary of the birth of the brilliant director, we are premiering a documentary film before and after stirlitz on our air. enjoy watching. the main

intrigue of the russian football championship starting today is whether someone will be able to dethrone zenit, which has held the title of the strongest club in the country for 6 years. sergei semak’s team is not short of motivation, because the next title will be the eleventh in modern history for the st. petersburg team, so this way they will be able to bypass spartak. already in 2025, zenit will celebrate the club’s centenary; another championship will be an excellent gift for the anniversary. the recent super cup match showed that the team is well prepared for an important season for it. zenit confidently prevailed over krasnodar, and the best player of the meeting was maxim blushenkov, who moved to the northern capital from lokomotiv. by tradition , moscow clubs compete for the highest places. dynamo was in the lead until

the last round last season, but still missed out on the long-awaited championship, and now the white-blues, especially since they intend to compete for gold medals again, in the scorers' race in the premier league, one of the favorites will be konstantin tyukavin. in the last championship, he scored 15 goals, including the best goal of the tournament, against sochi. spartak and cska start the season with new coaches. a well-known player who played for inter and the red and white team was headed by stankovic, formerly of lazio. cska is now also a serbian coach, marko nikolic. our fans are already familiar with him from his work with the locomotive, which won the russian cup under his leadership. now the railway workers will appear in a renewed composition, after the departure of glushenkov anton meranchuk and artyom dzyuba. they were replaced by the leader of orenburg dmitry vorobyov. and artyom

timofeev from akhmat, will try to join the fight for medals in rostov, which, by the way , began to surprise even before the start of the season. valery karpin, the players of his team starred in the original video, where they tried on the roles of don cossacks. after the victorious european championship for the spanish national team, its captain, alvaro marata, changed the club. the madrid striker... who will turn 10 in october 32, moved to milan. the contract period is until the end of june 2028 with the possibility of extension for another season. marata also played for real madrid, juventus and chelsea, making a total of 506 appearances and scoring 172 goals. he has two champions league titles. marat played 80 times for the national team, signing up for his own. score 36 goals. manchester city have announced

the signing of twenty-year-old winger savio. last season, which was the first for the young brazilian at the top level, he played in the spanish championship. belonging to the french club troyes, savio played for girona. a labor agreement with the british was signed until 2029. the market value of savio is reported. is 50 million euros. by the way, this transfer was the first for the premier league champion this summer. manchester united, meanwhile, bought the eighteen-year-old central defender of the french club lille, leni yoro. having reportedly paid 62 million euros for the player, the english snatched him from real madrid. experts note that it is beyond his years wise play of it. many compare him with

the famous compatriot raphael varane. kasper schmeichel will now play for. the thirty-seven-year-old goalkeeper of the danish national team moved to the scottish club as a free agent, which he received after leaving the belgian anderlecht, the contract was signed for one year. schmeichel previously worked under current celtic manager brendon rodgers during his time in charge of leicester. in 2021, they won the fa cup together. borussia dortmund. strengthened by the second scorer bundesliga sirou gerassi. the twenty-eight-year-old guinean striker previously played for another german club stuttgart in the german championship last season, scoring 28 goals in 28 matches,

in addition, making three assists. his contract with dortmund was signed for 4 years. it is noted that the london arsenal also laid claim to gerossi. the fifth stage of the russian beach soccer championship is taking place in st. petersburg. the local club lex took the lead in the game against saratov thanks to a beautiful goal by ricardo. the brazilian struck the opponent's gate is cageless. the volga goalkeeper, stanislav kosharny, however, did not remain in debt, he immediately scored the return goal.

and then the saratov team was unexpectedly let down by goalkeeper denis parkhomenko, his ill-judged pass was taken advantage of by gabriel castro, who managed to throw the hapless goalkeeper with a falling kick. the bolzhans did not lose heart and rushed to win back. kosharny, who returned to the saratov goal, scored his second goal. following the goalkeeper, kryshanov also scored a double. however, in the end.

sergey steplyane and egor gordetsky, and along the way in the final period, the army team evened the score, evgeniy novikov scored, but captain stragino, yegor yepur again brought his team forward, gavriil gavrilov put the finishing touches on it. 5:3 strogino. the capital's locomotive won over krasnodar. three railway players scored a double at once. philippe, amadius vinogradov and artyom voloshin. result 9:5. victor gusev. sports news.

first channel. shtirlets. and i will ask you to stay. films, spy detective, musical, can you imagine more different melodramas, it seems that they were filmed at all different directors, but the author of each was the same person, a small woman with the rest of the will and desire to make real honest cinema, tatyana lyuznova. there are directors with whom it was possible to do this, and that, and so, let’s do this, well, you can do this, let’s do this, well, you can do this, with her it was impossible. there are only nine films in her filmography, which seems

to be very few, but she did not chase quantity, but greedily and for a long time searched for a story worthy of becoming a movie, maybe this was her secret? hello hello! only she looked and said: i don’t need a khabzon, lioznova’s steely character... extreme intractability became a legend during her lifetime, she was envied and hated, adored and feared, she didn’t just insult, she could humiliate, what is this? only a few managed to achieve lioznova’s favor. inkovsky, so to speak, is our ultra-genius, this is an ultra-genius, which means he is a film phenomenon, everyone talks about him... who couldn’t figure him out, what’s special about them, that even after years and decades they make us laugh, that

well, you ruined everything, are you a guide or not, well , where are you leading us, are you a susanin or not a susanin , cry, dad, nice one, you come, don’t forget, i’m still your daughter, watch the films again for the umpteenth time, where in director tatyana lioznova is listed in the credits. stelets is walking along our corridor. where is he going? august 1973. premiere of the legendary 17 moments. the country is glued to screens. according to the ussr tv guest, the film was watched by more than 200 million people. the tape was so captivating. soviet viewer that during its broadcast, the streets of the cities were empty,

all the attention of people at that time was focused on television screens, this is where i had to start, i better know where to start, the film instantly becomes a sensation, it is not like any other movie, an exciting plot , iconic actors and as many as 12 episodes, creator: from this unprecedented success tatyana lioznova, step by step she created an immortal movie from the military-political detective yulian semyonov. for many years she will give the audience of her film an ideal intelligence officer, ideal man. i thought they were singing songs. you see, baby, they shout in their native language. the choice of the leading actor was long and painful.

albums with photo proofs for the film are carefully preserved in the archives of the gorky film studio. in these photos we see the actors approved by liozny and those who never made it into the picture. how did i end up being the president for the role of maxim maksimovich isaev, stirlitz. i still don't know. this is her faith in me, which was expressed in her look at me, in the way she positively evaluates some of my attempts, at the audition, in short, in the end i was confirmed, there is something surprising in the hypnotic effect of liozny’s film on the people, considering that it was filmed against...

women and languid cigarette puffs, and so no less, the whole country was in front of the screens. 17 moments of spring, i'm happy to watch it again and get stuck. i get stuck, she makes me watch, well, this is the strength of the director, many actors 17 moments, the ninth wave of fame are rapidly elevated to the peak of adoration of popularity, no one knew that there will be some kind of glory there, in seventeen moments olga soshnikova played the heartless gestapo woman barbara crane. there are rumors that it was this role that ruined her acting career. we asked olga ilyinichna if this was true. i was not perceived as a fascist, they always told me how well

you played. helmut, how long did the child lie on the balcony? an hour before lunch and an hour after, the weather is still cold. the only thing is that when women met me, and they said that we wanted to kill her, not you, they said, oh, yes, we wanted to kill her, you are a mother, you need to be reasonable. tikhonov came, again we were in the pavilion and he immediately took over the entire direction , she sat in the country and just watched. he’s like that, let’s make it look like she’s in love with stirlitz, there’s something, no, pants, furar, and he helped me, you know what, in the last rehearsal before the shooting, during a conversation, he takes it like this with his hand and corrects me and kind of brushes it across my cheek, i didn’t expect it,

you know what it was, i’m worried like this, like this... hitting stirlitz, but not enough to leave from my husband. an ideal man, lyoznoy was always looking for him, after seventeen moments she would miss him sorely, in life as well, which is why she treated vyacheslav tikhonov with such tenderness. she always treated the actors very carefully, if

someone suddenly did something, she could directly kill that person, in general, just so that the actors were not touched, she did. yes, lioznova took care of her actors, but this did not negate her severity, sometimes to the point of cruelty. not a single one escaped the gaze of this woman. detail, and there were no trifles for her, she always understood why she was making a movie and what it was about. what is this? these are the bloody days of war. these are the days when we lost our loved ones, relatives, lands. factories, that’s what it is, that ’s what it is, and behind our backs at that time the americans were already leading their waltz with the germans, i couldn’t miss this, because of this i started making a picture, not for the spy

story, this one the little woman said: you lousy fools, don’t you... small coals of eyes. tanya lioznova with very similar ones, just like this is just, here is a wonderful woman . tatyana lioznova’s eyes are the whole world, she didn’t need to say much, just

a look was enough. it was from her dad, whom seventeen-year-old tanya lost in 1941. moisei alexandrovich died near smolensk in the first months of the war. mom's eyes were radiant, soft, filled with light and love. in almost all of lioznova’s films you can see her mother. these are the eyes of khittyayeva in evdokea, the softness of the bright look that conquers the sky, the meekness and simplicity of the one dropped in tritopol on ivy and, of course, the closest image of my mother, lived through. for tatyana mikhailovna, her mother was the most dear person in her entire life. well, where is the love? friend or what? len is like a fledgling daddy. where can i get them? you know, the light is great. god!

leozny's parents had nothing to do with art. father is an accountant, mother ida izrailevna has three classes.

came gray-haired, completely, well, not even without sitting, she was like a harrier, with completely different eyes, with the same beautiful, but

completely different, well, who lost loved ones, knows, yes, having lost lyozny’s mother, she was looking for a way out of this loneliness, tatyana mikhailovna did not have her own children, she gave love, wisdom and life lessons to those with whom she worked and whom she taught at vgik, her unity on... tatyana mikhailova was she’s just such a very, very deep person, so she might not even say much, but from the expression on her face you could understand what she was feeling, vadik andreev, he played klavda.

i called lev aleksandrovich, he said: yes , shave, i shaved, when i came to class, leoznova looked at me, just i thought she was going to kill me, that’s it, i ’m damned, you won’t get a diploma, we’ll kick you out, how are you, you’re ophelia, he reacted very sharply then, what is this, why an episode, on the occasion of alexander shirvint’s ninetieth birthday, today on the first, we'll put the sound on everywhere. the atmosphere on the project is such that it seems that we, too, have become kindred spirits. well, it's just a breath of nostalgia, it was a lot of

fun. i was just so jealous, upset that i don’t sing and, apparently, will never be able to sing with my daughter. looking at you, i think that all families in our country will sing with their children. it seems to me that it was already possible not to sing even from just one introduction, such an atmosphere has been created here, we don’t need a special reason to get together with families, two stars, fathers and children, tomorrow after the evening news, here, except for the dog walkers and the murderer no one walks, i'm her for real. loved, they wanted to submit an application, it seems to me that he spoke sincerely, they are all sincere, and then 17 on the living for washing the dishes poorly, she was here yesterday,

here, right here, a fortune teller from monday on the first, you know, i’ve been in moscow for so long, i’ve never gone to the cinema. they ask on the set the director yelled at me from morning to evening, mediocrity, idiot idiot, then i came to vgik, i mean, i ’ll expel you, i looked at the materials, it’s terrible, he

told you... proved that the master was not mistaken in it, than was tanya able to conquer the great director? sergei palinarovich loved and knew music. tatyana mikhailovna told such a case that we had a game with him when he was walking he started humming some classical melody, she had to say where it came from and what, then she hummed it to him. with his indomitable karman energy. ilime was

hypnotized by the cherry-black eyes of his student, with which she looked at her adored teacher. sergei polinarovich gerasimov was adored by absolutely all his students. and all the students were absolutely in love. for 10 years she worked as an assistant either for rostotsky or for her teacher sergei gerasimov. only 9 years after graduating from vgik, tatyana mikhailovna was entrusted with first independent film: memory of the heart. the bone is intact, that's the main thing. they say that

if the bones were intact, the meat would grow. worried about his student sergei polinarievich, he helped lioznova find a script for her second film, evdokia. a touching, heartfelt story, released on screens in 1961, immediately fell in love with an audience of millions. this is all, this is the apotheos of love, these last shots, when everyone comes and... well , you just cry endlessly, what can you say, 2 years after evdakeya, leoznova he’s making a film about test pilots, they conquer the sky, why is there no attention on me, and i’m on the list, it’s a pity, it’s a pity, you were riding a motorcycle, the main role of an engineer, a test pilot, was played by an incredibly popular one.

there was filming and i stayed with my husband until the morning. the next day, rybnikov looked at svetlichnaya with the eyes that leozny wanted to see. there are still legends about lioznova’s own look. supposedly she had some special hypnotic gift, but was that true? she has such black eyes, like these cherries , she will look with her own eyes, the eyes are so huge. she's just like that

. it pierced a person from the crown to the heels, she scanned, there were all these kats, in comparison with tatyana mikhailovna, it was something unreal, it was real, it was palpable, it was as if she suddenly had pupils, i mean the color of her eyes, maybe it would be like horror in films, only pupils, black, it’s very scary, vadim andreev was lioznova’s favorite student while studying at avgika, and like a favorite he got it... tatyana mikhailovna’s energy went to the students and management creative association of the gorky film studio, there was not enough time to make their own films, but in 1980, after a long break that had passed since the day of the triumph, the command to start the lioznova engine was heard again, and this was the very thing that was born.

station there was such a water pump, and we all definitely drank water from it, it was some kind of chic, she knew exactly how it should be in her movies, it was like i worked with irina muravyova, the complaints were mainly addressed to me, sometimes right then, harsh wishes were expressed, tell vadim arturovich, and it’s true that gurchenko is botalov’s wife, or she is smaktunovsky’s wife, and for me we filmed four in the pavilions of the gorky studio, it was hell, she humiliated me. how are you, how are you ? smoke break, but i don’t smoke, mom, dear, the only thing

that calmed me down was when on one of the shooting days the great composer dunaevsky came and brought another version of what would later become hits, she didn’t accept the first version of the song, but... and i first started working on other versions, but they didn’t work out, especially since robert had already accepted it, he said it was a wonderful song, he started calling her, that, why are you freaking out, we got a wonderful song, well, why did you, in general, in short, she, she didn’t listen to him either, she forced me to work, and he was there, that means, she played there, well, well, he sang, like composer, maxim, this is no good, this is no good, this is this. "come on, think, come on, i i think, well, if, if dunoevsky is no good, then everything is not lost for me, i thought, oh, lord, then i changed something a little, brought it,

a month has already passed, probably, here it is, and i brought it to her, she said: “well, this is what you need, yes, without you, the bottom passes, what’s wrong with me, i don’t know, i beg you, call, call me, i conjure, this is the number, like “call me, call”, of course, it was filmed like, and it was her idea, they say that it was this song that caused the quarrel between muravyova and leoznova. could and wanted to perform this song herself, but lioznova insisted that zhanna rozhdestvenskaya, the best voice of the soviet union at that time, sing in the film. and muravyova was offended. but is this really so? i asked her myself, i said: irina, well, so many years have passed, well, tell me honestly, are you generally offended by what you didn’t do? she, she laughed it off, said, well, you are composers, you are frivolous, you quickly changed, well

, i understand that i don’t have the voice of a singer, and the girl had to aspire to - great the star of a musical, but i have the stomach for a musical .

performed behind the scenes, 14 singers auditioned, including the most serious, best soviet singers, and won this competition. joseph davidovich, and this acquaintance proved to me simply at the very first recording, when i saw from the control room window how he entered the control panel, which means he took off his jacket, rolled up his sleeves, spread his legs wide and got ready to work, she looked with such prickly eyes as he knew how to do it, he just looked and said: i don’t need it habzon.

completely change the being, i say, you know, that in the end, i say, let me sing better, as i can, then here, here, here, here, here, closer, closer, but she broke me, just broke me, and lioznova in each of these great masters with whom she worked, she did not repeat herself, well, is it possible to compare the carnival there or 17 moments of spring, or 17 moments of spring and three poplars on the ivy, but yes, here’s to me... song i really like it too, i don’t know what it’s called,

sing it, with efremov, when she sings, it’s empty without you, the earth, oh, yes, this is brilliant, the sky lowered without you, few people know, but that’s exactly it, oh! and this real pakhmutov melody breaks out, yes, the melody that sits inside her breaks out, this... this impulse, some kind of unused everything,

the music of alexandra pakhmutova picks up the viewer, lifting him above the ordinary, like a fresh gust of wind, but this brilliant music might not have existed if lioznova had retreated from her plan, and it was born like this: one day, having heard the song tenderness, tatyana lioznova was amazed, this song should become the story of her future film, suddenly it’s livid to the eyes.

no, she had only one dream: to dance. very soon, valya left for 3 months to film in a village in medov, moscow region, that summer became a fairy tale for valentina. on the day when we were filming an interview with valentina ilyenishna, we accidentally learned that there would be an open-air screening of lioznova’s film in the bauman garden. we couldn’t miss this opportunity and came to plunge into a brilliant film together with

space, as i remember now, then i received for the first time in my life, a huge, huge bouquet of flowers, a premiere and a buffet reception, mikhailovna came up to me, hugged me. she pressed me so hard, a tear started to flow from her, she says, why are you so close to my heart, something is happening to me to make me cry, how many times have i parted there after filming, there were no such situations, she must say: listen, if it won’t work out with your ballet,

please come, i’ll make you an actress, but the dream is gone. came true, she graduated from the moscow choreographic school and became a soloist of the moiseev folk dance ensemble. if you want, anna grigorievna, i ’ll show you moscow. on the occasion of alexander shirvint's ninetieth birthday, go and laugh in the garden with your boyfriend. well, let's go to the garden, to the garden, garden, garden, boat, fresh air, only the sun, only.

you, lady, all the same, what are you singing about, you are not in the garden yet, no, go to the garden, you will sing there, you will listen there, and the three in the boat, not counting the dog, are on the first day today, not in one letter, i’m not lying, i’m not lying, what is the secret of popularity? this theater, you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, lord, bless us, there is a restaurant nearby, and people come out of it, they are tipsy, they think what a holiday, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also

just strangers on the street, these are my slogans, the creation of a sustainable government. at the beginning i played comedy roles, suddenly i played galileo and hamlet, to be or not to be, you ask why you want to play a role, just because it’s a good role, he would probably be a wonderful king, zatik, i came out in memory of vladimir vysotsky on friday on the first, in the new season on the first, a woman is killed, and we are talking... damn it, my heart didn’t break, do you know how it breaks, they just give away the shoulder and pull the elbow, well ok, let's think about it, let's say you're a mole, you're wanted, there are leads on you in all parts of the soviet union, and no matter how good your training is, sooner or later you will still be identified, and this is a mortal danger,

or you have a second very well thought out option for escaping abroad, well of course i would run... i'd run to pick out the moles, here's the question: be careful, i'm always careful, major, find the head of the security service, have him urgently report to the control room, and mobilize all our employees, everyone you can, the whole version is flying damn it, the man was a stutterer and suddenly speaks like cicero, i really hope that you don’t have to blame yourself for not wanting to. help, you are a very good shooter, hello, colonel kostenko, confrontation, premiere based on the legendary book by

yulian semyonov, when you watched in the summer cinema three topalina plyushchikha, one thought did not leave me, this film... the beauty of moscow, its open spaces, the rapid running of cars, the waking up clean morning streets, all these shots cannot be imagined without the music of alexandra pakhmutova, but then in the summer of 1967 , when it was already filmed most of the material, lioznova did not dare to talk to pakhmutova, tell pakhmutova, and even have the audacity to sing this song, since i... saw it, i was waiting for it, that’s how it happened. pakhmutova could be understood after her brilliant performance of tenderness maya kristallinskaya, it was difficult to get inspired.

2 days later we met at the cinema house, she was holding this script of mine, i had a refusal written on her face, then i asked her for the following, aleksan nikolaevna said, you are now at the very beginning of the birth of my film, and i i initiated you into his plan, i can honestly tell you that all this has already been filmed.

victories in cinema, she is a musical person, she quite was, she heard something of her own in music, in february 1982, spectators snapped up tickets to the carnival, the film collected more than 3 million viewers, it was a triumph, and the song call me,

call me, it fit, here’s a song without a chorus, there is only a hit line, call me, call, who was there, me, that’s not for me , and dissolving it in the chorus was, well, wrong, i felt it, i didn’t do it consciously as much as i felt it, and i came to him, played the song, he said, great, it’s a hit, i say, robert, and you didn’t notice, i say that there is no chorus, he says , no, really, well, with him, only a few noticed behind the loud premiere of the carnival

another film by lioznovy, which was filmed almost the same year as the carnival, we, the undersigned. in addition to the same year of birth, these films had another similarity: a brilliant cast. ilina muravyova, klara luchko and yuri yakovlev came to the carnival from the film adaptation of a production play. before meeting lioznova, oleg yankovsky was already a popular actor. i didn’t think that i would be brought together, to be honest, by the fate of the slious

suddenly unexpected invitation of the hero to play. like the script, oleg, she's so powerful woman. i say, a very interesting scenario, well, here i have a proposal. i say, you can try it on semenov.

still not understanding anything, with wide open eyes and a loose tongue, runs around the film studios, suddenly she offers to try out for a movie, we signed up for it, and i, who dreamed of acting with her, understood that there was a chance for me and that this was just, well, prohibitive, and i forgot come to the audition, she was told that i forgot... there was a long pause, after which there was a wild scandal, she screamed that his feet were not here and would not be never, time has passed, suddenly they call me, he says call tatyana mikhailovna, i call tatyana mikhailovna, he says, well, you are now starting to film the carnival, and so that you don’t forget to come to the audition, i tell you without auditions, i am a free person and i don’t want to

make fun of me. i didn’t love you at all and didn’t tell you anything like that, when i read the script there was such a video, there was such a small little little episode, i remember how i was filming and i ran up to her, i’ll film this again, let’s film this again, well, let's film it, and then next day, let's shoot this, come on, and the role began to swell, swell, swell, swell, that's enough, that's it, that's it, or should i reshoot the whole picture, that 's enough, that's enough, nina, i even took a shot, because with this small shot i fought for the beauty that is in this guy, why did this girl trip and he was left alone, at this moment, and the frost was severe, and he jumped out in only a shirt, bare chest, forgive me , i was stupid, i asked him,

i will ask him, when you look after her, so that suddenly your eye was filled with some kind of moisture, not tears, and he did it, and he did it perfectly, i, who am very rarely satisfied with the results of my work, to be honest, and the actor, it delivers, i sometimes understand that i am a little harsh, which i rarely even can and...

which i don’t believe in, everything satisfied her, everything is fine, so her great cameraman pyotr evgenevich kotaev observed all this, says: “petchika, well, you noticed, you understood, yes, how is everything, yes, tatyana, and i say to kotaev, the operator, sing, why aren’t you and me they filmed it, there’s such a wonderful corridor, and petya understood me perfectly and never

argued.”