immigration, that in fact they are already in the minority, listen, you’ve probably all been to paris, this has been visible even to the naked eye over the last 10 years, that is, i mean that - that its base, it has narrowed, this has already happened, and it seems to me that in this sense , she, this part of french society, simply no longer has any chance of replaying this, france is changing ethnically, fundamentally, this is already happening. america

too and england too. america, it seems to me, america has its last chance, it seems to me, trump is a representative from the last chance, when they still have a chance, this is over, they feel the opportunity to suspend it, but if this does not happen, then america will change from this. why am i saying this? we must look at this not only from the point of view, so to speak, of their problems. we must understand that these are trends that are being said. in america, by the way, england will approach this very differently, it will be like in france and will be as close, that’s why i think that everything that pen chose is important to us from this point of view, with our. speaking about the united states,

relations with the united states, koren georgievich just said that russia must rely on itself, yes, i completely agree with this, but saying this is a little easier than doing it, so that you mean in practice, it must do russia before the change of administration occurs, if it happens, i think. that russia must win a special military operation, strengthen its relations with the countries of the world majority, strengthen relations with china, with other countries, brix, sco and so on, form a eurasian security system without the participation of the united states, that is, do what russia is doing now, and i completely agree with koren georgievich, even if the trump-vance combination wins, there will be no fundamental turn in russian-american relations for the better, there will be no fundamental... change

in american foreign policy, it is very inertial, it depends on this very deep state, global media, financial oligarchy, we saw this in example of the first donald trump administration, moreover, yes, of course, the trump vance administration will be ready for some, well, i would say bold steps and even compromises with russia so that they could be not uninteresting, not uninteresting, but firstly. ..the

arms race will intensify and it will be possible to forget about the extension of the start-3 treaty. we know that the republicans, in principle , are very skeptical about these issues; they will increase their military presence , including the deployment of medium and small missiles range and in the asian theater in the european theater, all this will contribute to the fact that the russian-american confrontation will continue, so in ukraine we need to win and negotiate not with the united states, but with that. whoever ultimately comes to power

in ukraine after zelensky will be ready for peace on russian terms; in a broader sense, it is necessary to continue the partnership with the world majority. we must understand. that if trump comes to the white house, the last thing he wants to do is lose ukraine, uh-huh, he doesn’t really like losing at all, to start with this, who loves, absolutely, to start with this his presidency, he won’t like it at all, he would immediately be tempted to say, friends, i can’t allow this.

it was a great game, we'll see you on the air tomorrow. hello, this is the witness podcast from einstein and its leading film historians, natalia. we talk about beloved, half-forgotten, forgotten, perhaps completely unknown soviet films, about who filmed, made, watched them, and today we will talk about one one of our favorite actors, who would have turned 90 years old, he

left us quite recently, this is, of course, alexander shirvint, we will talk about why we call him great, although in films he mostly played small episodes roles, indeed, you said, a great actor, when i try to remember his roles, i always remember him, that is, we remember, here is a film where shirvint played, or oh, look, shervin, and this applies to absolutely any films , like the films of fildar ryazanov, where, out of friendship, he agreed without any tests, yes, to play roles, well, probably his most famous role was andrei mikhkov’s sub-drinker in the film the irony of fate or with light steam, after which he even woke up a little famous again, in other roles , well, yes... as if his characters have names, surnames, characteristics, but we still remember that this is shirvint, and this, unfortunately, was the case throughout almost his entire film career, he did not play the main roles in general, with the exception of one film, one role in film womanizer, well, the purists, maybe

shirvint’s fans will correct us, they will say that in fact he has a lot of main roles, but let’s start in order, let’s tell you exactly why this happened, well , let’s try to tell, yes, because case with alexandravich... shirment's career began back in the fifties in cinema, he was still connected with cinema for a significant part of his life, but at the same time, of course, he is primarily a theater actor, a boy from an environment associated with theater and music , a boy who knew a lot of people who now we call them great, yes, someone was friends with his mother or worked with her or knew his father, anastasia tsvetaeva, daughter of marina tsvetaeva, came to them, for example, this atmosphere is so creative, it is clear that it could not help but influence the child, who ran away from school, why, as a child, to go to the re-film cinema, watch a film like tanker derbend several times a day in a row, as he recalls, yes, that same

re-film cinema, in the building of which today the unikid theater is located gate, then in in general, it was one of the most famous cinemas in moscow, which existed even before the revolution in this building. well, somewhere where tartas is now, right at that very crossroads, it’s actually located, and it was such a place, one of the main cinephile places, because the age of the film is short-lived, yes, the movie theater allows you to watch all the old hits on the big screen, today, of course, there is no such problem, then it existed, in fact, from such an already forgotten selection of paintings, the first paintings of alexander shirvint, soon after his graduation from the shchukin school, but he started out quite cheerfully. although by chance in the film “she loves you” from 1956, he plays the second main male role, the first, the main one is played by the comedic, sort of the main character, the romantic at the same time, georgy vitin, but the second was supposed to be played by mikhail kazakov, but he couldn’t , but he couldn’t, he was invited to play the role

of hamlet in the theater, but how, how, of course, he needs to refuse the role of some pop singer or philharmonic singer and go try to play hamlet, everything fell apart there, he didn’t play hamlet then, but the role had already... been given to him, to his friend sasha shirvint, who appears for us on the screen, first in a photograph, and then on a television screen, which seems to me like- it even predicts his future career. naturally, he doesn’t know about this yet, but we, looking at this film, can somehow imagine it, and he’s quite solid on screen, although it’s clear that it’s not a real singer singing for him, he falls into this genre comedy stream , yes, but the second one the film is completely different, it is a romantic drama by mikhail kalik, boris rytsarev and olga ulitskaya, which was called ataman koder in moldova film. a couple of years later they were filming a retro, 19th century film, they actually replaced his voice,

re-dubbed it, there he is shirvint, but not shirvint, vysotsky was also re-voiced at first and dubbed, today it looks strange, in general then, probably, the actors were unpleasant and unusual, but letters from young shirvint to his wife from the film sets of these first films have been preserved, they were published, so we actually know about them, where he... is very worried that this is some kind of endless red tape, that he can come to the studio, say, to the pavilion, and they won’t film him during the day, his turn won’t come, and he was a little disappointed with these first filmings, the fact that the film crew was made up of different actors, different temperaments, generally different people, from different studios, from different theaters, that everyone could end up quarreling, that there was at least some kind of some feeling of family, here in this movie... there was no such thing for him then, really random people got together, did some great work, and then they all

went about their business, you work in the theater from year to year, there is a friendly team, there is a repertoire, there are meetings, regular troupes, in general, you really are stewing in one cauldron all the time, although the main thing, the main thing is to find your own theater, he didn’t succeed right away, from the shchukin he came to the film actor’s theater for a year, and then he was in lenkom. until he actually found the theater with which his name is more associated all in all, this is a theater of satire, but we ’ll get to that, and we are the audience, yes, maybe we haven’t seen these early films, viewers of later decades don’t repeat them so often, for us shirvint appears on the screen in the sixties, yes, and there he shows himself as a brilliant master of the episode, the very case when the actor does not need to carry himself, wait for the entire filming period, while the film is being created. six months, and you could shine in a short excerpt and then, in fact, do your favorite things

theatrical affairs, probably the film that first comes to mind today is, when we say the extended sixties, this is , of course, one of the hits of the soviet box office, once again about the love of georgy natanson, let's watch an excerpt so that we can finally admire shirvint, great , fathers, hello. the translations are fresh, how are you doing, felix? i live, my mother could have lived better, she wouldn’t have fallen apart, you know, what a story, you and i are paid too much in wages, but i generally believe that a true scientist i should get extremely little, i should work for the sake of enthusiasm, maybe i think wrong, if i think wrong, let my senior comrades correct me, but why do i always want to say nasty things to you, toptygin, why would i think, for the rain, everything is much simpler : you eat a lot, evdokimov, but

what is the dialectic of life? the dialectic of life is such that when horses are well-fed, they beat their hooves. felix taptygin. what a beautiful, simple name for a soviet scientist. in general, here he appears in the film for the first time, and then he appears, and he is part of this accomplished gentleman, but on the contrary, there he is more likely to be accomplished, she is married. it didn’t work out, in general, yes, part of the past life of the heroine doronina, for whom the present is precisely the hero of alexander lazarev, but here he appears here for the first time, that’s all, and we already understand what kind of person he is, how this, that this, by the way, is a voice, it’s not for nothing that we said that in the first films they either sang for him or generally re-voiced him, how much the image of shirvint on the screen is connected for us with his velvety, so imposing intonation always so mocking, as in general his signature company... the card is his voice, his charm is largely built on these intonations, despite the fact that when he studied at

shchukinsky, he had to do exercises to say sha-cha , these hissing ones, the man didn’t pronounce his own last name, in fact, and by the way, he doesn’t write about this, but in general one can assume that he even wanted to change this last name, and he’s in some kind of variety theater time he acted under a pseudonym at the very beginning of his career alexander... the winds are either a simple matter pseudonym stanislavsky, actually, why stanislavsky, because well, personally , i fell in love with shirvint when i watched it for the first time a long, long time ago. a film come tomorrow about a simple russian singer, frosya borlakova, a girl from siberia, who comes absolutely naive to moscow to enter a music school and, being late for exams, she accidentally encounters in the corridors of this school two idiots, loafers,

who introduce themselves to her as kaktanislavsky , he says: yes, yes, yes, i heard about you somewhere, but i thought that you were still... older and shirvin says: yes, yes, well, everything happens, everything happens, in general, yuri belov and alexander shirvind play two, well, lovers of practical jokes who deceive, and, in general, they treat a young girl who really has enormous talent quite cruelly, in general , the role is quite autobiographical, and giving her an audition, a casting, a fake casting, to which she comes and runs away.

incredibly popular, and there he begins to hone not only his ability to create an image for 5 minutes, yes, but also his ability to write it and stage it, well, i would say that this is such a direct predecessor of modern... stand-up, because shirvin interacts with the audience, and with his interlocutors on stage, he has a permanent partner, thanks to whom, in general, he also became additionally famous on television, yes, in the company of derzhavin , yes, shirvin derzhavina, such a duet, about which , as it were, like path and shtepsel, was always known on television, the eighties

and before, of course, by the way, for shtepsel. i also staged acts, we now say stand-up, once upon a time it was called an entertainer, well, that is a stand-up is a person who, as it were , holds the whole act, and a conference is the one who talks in the audience between numbers, yes, but there are simply legends of such a entertainer, with whom shirvent, among others, communicated, worked, one might say that raikin in at some moments he acted as an entertainer for the cliffs, yes, that’s the same one.

incredibly memorable, but he came up with shirment, yes, this conversation with the audience, again influenced our perception of him, it was always quite difficult for him to transform, he did not like to put on makeup, let’s say for roles, but the nose does something, he said, yes, yes, yes, it’s organically easier for him to be himself, he said that there are just different types of actors, that’s how he is, once... in his career is always a little broader, always a little bit of this ironic attitude towards his character is visible, but he said, there is such a wonderful actor as anatoly popanov, and

so he spends many, many hours in the dressing room, does complex makeup and then goes on stage, i'm not like that, i'm always about the same shirvint in the offered circumstances, but in general , we really see him on the screen in approximately the same way we see shirvint, whom he puts in some conditions, then he somehow twists it out. with documents, there were many, hopeless outside driving, with fire, with valuables, there are no situations, almost, you are with us, this is pavel, i

will explain to you what needs to be done, they have different pathologies, but performing one common task, they seem to be starting to help each other, i noticed that your psychos know how to think in their own, idiotic, non-standard way, i want to use this, as i understand it, i didn’t find any money, in any way according to your calling for my patients? criminals, oh, by the way, we don’t get paid for this, detective syndrome, tomorrow after the program it’s time, are you out of your mind, no, of course, that’s why i came to you, not in a single letter, i’m not lying, i’m not lying, what’s the secret popularity of this theater, you can just spread a rug somewhere in the yard and...

on friday on the first, this is a podcast of witnesses from einstein, its leading film historians natalya ryabchikova and stanislav dyadinsky, we let's continue the conversation about alexander shirvint. who is now 90 years old, we mentioned mikhail derzhavin, with whom he created a wonderful duet, and they have known each other since their youth, they were born in the same

maternity hospital, and they spent the summer months together in a dacha area, a dacha - i don’t know, a cooperative whether it was or not, but in general what was called the nile, science, art, literature, orenburg once lived there, well , in general, this is still... years of community and summer residents, this is the ability to communicate with a partner, it seems to me, this is also what shirvint was incredibly loved for, and he was incredibly attractive to directors, too, because he responds to partners, yes, he works, interacts with him, when, for example, the russians could not participate in some of his next written duets and skits and numbers, then he could perform... with andrei mironov, whom he also knew, by the way, mironov studied with him at school, yes, it must be said that shervent is less, less known to us, as

a general audience, as a theater teacher, he complained somewhere that he was probably the oldest theater teacher in his theater university, only vladimir etosh was older, yes, who studied at about the same time, at the same time as him in the early 50s, and he could perform with andrey miron, he could perform with anatoly popanov, valentin. who was known in the theatrical environment not only as an actor, but also as the author of numerous epigrams, wrote, now i’ll try to reproduce: and derzhavin shirvint noticed, blessed, but did not go to his grave, they had no equal in the duet, derzhavin went to the tavern, i mean 13 chairs, but shirvint survived the separation, mironov extended his diamond hand to him, it was known and their ability to work together and... on the screen the three of them appear in just three boats, not counting the dog, a film that, well, is a little nonsense in the soviet history of cinema, naum birman decided to make a film adaptation - the real

london is being filmed in the kaliningrad region, the residents of the kaliningrad region are made up to look like englishmen, shirvin thinks, everything, horror, horror, nothing will work, there will be some potemkin villages, it turns out on the screen, that everything works, yes, everything, everything works out, this is one of those roles that are called his main roles, because, in principle, in this film he... has now played several roles, they all play the scenes that the author describes , in addition to this journey with a dog along the thames, there are also wonderful insert numbers, one of which we can watch, my beloved gentlemen, now i will perform comic verses, thank you, comic verses, comic verses, lovely, i haven’t started singing yet

comic couplets, and this charming mission inspires me, thank you, please, sir, sir, this is a comic couplet, comic couplet, stop, do you really think that you can listen to comic couplets with such a...

profile of a conditional actor from the card index database some studio, mosfilm, yes, where they generally list the main characteristics, that there are kariya’s eyes, height 180 cm, well, a roughly similar description of shirvint himself, no, the point is that it doesn’t look like it, blue eyes, blond , five languages, i can swim, shoot and so on, he comes up with it on purpose in order to better present himself profitably, to sell himself profitably, at some point,

when such... a questionnaire is taken out of the caches, the call rings somewhere at 8 in the morning, and maybe even earlier , at 7 in the morning there is a call from the acting assistant, and an actor named awakened answers this phone call, they say to him: i really want to see you, the director is square, please come, he wants to try you in his role, so the actor is trudged to the studio, cancels the rehearsal at the theater, and this it’s always very difficult, he disrupts, disrupts the performance, so... in the end he tries out, it doesn’t matter whether he’s a big actor or a small one, but it turns out that his photograph, which in the card no longer matches his appearance at all, they forgot who he was, and nevertheless, he is even approved by the artistic council, but then something goes wrong, and he says that especially talented film crews manage not to tell the actor until the very premiere of the film whether he is starring in this film or not, or rather, it’s more likely that everything is no longer filmed, but they take a very very long time to say that it is not filmed, and yet the actor

forgets about it and then answers the problem again. looks like one of these types of soviet cinema, he doesn’t seem to fit into the same niche of such a heroic communist, for example, but he doesn’t fit into some kind of reflective intellectual, well, somehow he’s too ironically inclined to take any seriously then reflections, well , at least outwardly this type, it’s as if he doesn’t quite fall into one of the established roles, even a scientist, because he seems to be

a little bit somehow he... to this doesn’t take it seriously, you can see straight away, but here he is, that’s why his heroes work in the translation department or whatever he does there, they do serious work, like botalov, in 9 days of one year or here, here... lazarev once again about love, yes, he is also a physicist, although it seems he is not a nuclear scientist, there are quite a lot of roles that we know that he could have played them, but did not play them, and the most famous one is probably his dream, that’s what the type is like, which one he would really fit, if this is the type, of course, is ostapender, and even he wrote that gaida subsequently told him, it’s a pity, it’s a pity that you and i didn’t work in gaidaev’s version, and zakharov ’s partner is playing.

they did this and worked together in gurchenko’s penefices, and worked together creating the roles of even shirant himself, yes, if we remember who he could play, what was even practically created for him, this is also what was considered the main role, the role, who was played by gaft in the film by the garage of uldar ryazanov, well, in general, he had very close friendly relations with rezanov, rezanov without trying, that he thought that sherwint really liked him and very often called him in his films. even in those films that ultimately did not take place, for example, ryuzanov offered one of these, well, not the main, but secondary roles when he was preparing a film called bergerac, but it didn’t work out, it worked out, other roles developed,

a small role in old robbers, i keep remembering ryazanov, yes, perhaps a very noticeable, albeit small role in a station for two, and, in fact, even a letter. shirvin also gives in one of his books, i i’m writing to you because i’m afraid to say this to your face, i have a very small role for you, i’m retelling it freely now, yes, but i really want you to play it. shirlin later wrote that it’s very cool to play episodes with your friends, and directors, good directors, it’s important that two qualities are combined: your friends and good directors, because they are terribly grateful to you that you save them, and you too it feels like you are saving them, you can for a small role, for a few minutes in the frame. or maybe to be more memorable to the audience than if you play a long series there, the main thing is to do it successfully, well, in general, he was invited to play the role of a musician, then his name was dima, that’s when ryazanov writes to him, yes, this is a friend, the heroines ,

actually gurchenko, here on the set the three of them, ryazanov, gurchenko and shirvint, create this role, they develop it, he becomes shurik. you can find all episodes of the lenshtein's witness podcast on the channel one website. probably the most famous of these small roles for ryazanov is shirvinta is a role in an irony of fate. how did he rank it all again? i have five episodes there, i could have played one main role, i auditioned for two more, quite significant ones, but i didn’t play it all about rezanov. so the main thing is when you play a role, especially a small one, so that you... fall in love, yes, so that you feel this people's love, the way you feel it, a traffic cop stops you and lets you go, or something like... then maybe it falls more profitably, somehow in your life this the role helps, sometimes the truth doesn’t help,

sometimes drunk people constantly come up to you and ask in which bathhouse this most famous episode was filmed, where lukashin’s wife was sent to leningrad, anatolychan was called to him on the street by all sorts of different comrades and... offered him a drink, yeah, and this is a well-known story, of course, but that doesn’t make it any less funny, and the fact that this was filmed at night in the mosfilm pavilions, why at night, because the actors involved in this scene, there are four of them, play in different theaters, it’s terrible busy, yes, just imagine yourself, mikhkov, burkov, belyavsky and shirvent, how, how to assemble them, only at night, so we had to shoot for two nights. in a row, because on the first night they decided to smuggle real alcohol into the filming, and rezanov got terribly angry, and he was quite cruel during the filming, even with friends, forced them to come again and play it again, and they played it a second time, according to the version shirvint, rezanov did take

what we see on the screen - this is that very first night, where wonderful actors play not entirely professionally, but more it’s realistic, it’s probably felt, it’s probably somehow for the viewer... despite the fact that those main roles that we called, maybe not hamlet and not astap bender, yes, not everything is for him, everything he is given what he wants, well, i must say that in this studio we recorded a separate episode about gleb panfilov and recently, when studying the archive on film, if you remember, we became acquainted with the transcript of the discussion of the samples. and acting for the film “i ask for the floor”, where ina

chyurikova played the main role, the role of the leader of a small town provincial, shirvint also auditioned for one of the roles in this film, but was not approved. the point is that, as if shirvint had already become too much of an artist to play minor roles, for episodes, yes, he seemed to shine - as a star and then went about his business, what is called comeo , that is , when... again, one of the audience’s favorite films by irina muravyova plays the main role of a girl who should already be getting married, but something doesn’t work out, yes by chance she meets her old friend, played by tatyana vasilyeva, who is a psychologist who deals with these very problems of relationships between men and women using the scientific method. she is going to help her friend

find her husband, and the husband, respectively vasilyev’s friend, is played by shirvint, so shirvint is involved in this scheme of finding, some respectable gentleman in a beautiful hat, the only thing missing is a pipe in his car, this is the most important thing, in his red car , if they were filming these days, it would be surely a convertible with an open top is driving up, and the hat, what are you doing, arkady, i completely forgot, i interrupted the rehearsal, she forgot, let's go, smile at me, like i did at you, so ilela susanna, let's go to the car, after all, a genius, us we noticed, they were looking at us, there were several there. people stand as if paralyzed, but maybe

wave their hand? did susanna allow it? no, then there’s no need for any amateur performances, it’s science after all, sit down. quite a lot on the screen, so we see him in such roles, sometimes creators, well, it’s difficult to call them directly creators, yes, but people associated with art, at least sometimes, however, these people move more towards some kind of art leaders, yes, as in another painting by ildar ryazanov, a forgotten melody for the flute, where he plays along with the main character, whom leonid felatov plays, and he is such an official there. yes, and even in the old robbers, he is also an official, these are the kind of

leaders on the screen from this category, perhaps his most famous role is a film-play based on the famous performance of the satire theater zheniba figoron, where he plays count almaviva, actually, yes, here he is, that ’s where, much higher, much more, again, with andrei mironov, yes, this is their replacement duet, the most famous ensemble, in principle, which... we can still fortunate to see on the screen, but by the way, he also might not have played this role, initially valentin gaft played it in the play, so they somehow changed sometimes, yes, in the garage shirven could have played gaft, gaft started here, then shirvent came , and if gavt had this role it was really like the second male the main one, and they had the same dynamics, whether they were competing with mironov on stage, or the count. performed by shirvint - this is a man

who is already quite tired of some kind of intrigue, this is really a man who, in general, doesn’t care a little about all this, and this is on the screen, even in this film-play it feels like that, it feels like that, again, some kind of psychophysics of the actor, yes, if we put it in serious words, and self-irony, the gap between the actor and the role, it’s really impossible to imagine that we and... in some kind of moment that before us is not just a hero, but alexander shirvent, but from this our pleasure very often increases, yes, and does not decrease, even, even in shirvent’s memories of him...

and yes, that’s what they said about him , that again, even as a director, there are people who make one big work like this, and it’s just monolithic, but there are talents who know how to assemble from different pieces something sparkling, fun, varied, never boring , this was precisely the talent of shirvint, he was a person who was talented in a small form, this means that this was his form, that is, for him, for his... his talent. what are your favorite films starring sherdent ? well, for me , all the films that we mentioned are actually my favorites. i don’t even know what else to mention,

outside of this series. for me, the role of felix is ​​once again about love, it’s really very interesting. and in general, here it comes on the screen, as if we were opening some kind of little window, but it seems to me that the main thing is maybe his function or, in general , the facet of his talent is that he instantly attracts all the attention, you don’t see what’s standing there in the background, well, in my favorite film with the participation of shirvent, come tomorrow, belov is standing in the background, also quite a big actor who was famous, you forget about frosya barlakova, you forget about everything, there is only shirvena, who seems to concentrate all the attention on himself.

the third hour and how to enjoy them even more, and today we talked about a wonderful one and one of our favorites actors, alexandra shirvant, who would have turned 90 years old. goodbye! hello, my name is still dmitry bak. as always, right now is the next episode of a literary podcast, which, as you, of course, remember, is called, let them not talk, let them read, today we will talk about an author who was unusually popular in the first years after the revolution, or one might say, in the first two decades,

then it was semi-banned or completely banned in soviet times, also during several decades, then... again he was very popular, this is isaac immanuilovich babel, as you, of course, already guessed, and we are talking about babel with elena, a senior researcher at the department of modern russian literature and literature of russian abroad, the institute of world literature of the russian academy of sciences iosifovna pogorelskaya. hello, elena iosifovna, hello, dmitry petrovich, i’m very glad to see you, and you can’t talk about abel in a detached way, well, in my opinion, you can’t just talk in a literary way. what do you think, yes, because that babel, well, seems to require its entire reader, let's think, let's start with this: in the ninety-fourth year there was the centenary of babel, well, in the eighty-ninth year we celebrated the anniversaries of andreevna akhmatova, and in the ninetieth year of pasternak, in the ninety-

first year of mandelstam, well that is , centuries of writers followed each other who had such a difficult fate as this... a lot, for example, shortly before the centenary in 1990 it was very difficult, that is...

to compare with the last anniversary and 120- anniversary babel, who is probably 125, well, 125 is not celebrated, but 120 years was celebrated, but i will say that during this time, during these 10 years, i managed to come out, yes, now, in general, now, of course , babel is often published, often, in these days, in quite good editions, and... even in 2006 , a four-volume collected works were published, but now i ’m talking about mass editions, there are already several

three-volume collected works, several mass editions, i can’t now the exact number, well, about three or four collected works were published, in this decade we we managed to release the kunmiya, i’ll show you,

isn’t there such a decline now, well , routinization, or something, well, another great writer is everything, and not someone who needs to be immediately

read, got hold of, bought, i think that’s for babel, that’s what it’s like if rotinization, as you said, does not apply, just as it does not apply, for example, to andrei platonov, i naturally don’t know, but i was told that when in the year fifty-seven... the first posthumous collection was published, what it was all about a colossal event, indeed, then only in the sixty-sixth year, the sixth yes, they came out, well, such collections were published during this time, well, the first thing you can say is such a small collection of works in two volumes in the year ninety, it seems to me that babel is such a great writer, like andrei platonov, that you know, so well. ..