the beginning, it was in the eighty-seventh year, 50 years after the death of pushkin, that cheap publications became possible, it’s so strange, the economy and accessibility of pushkin are combined with itself, these are these publications, here is the second edition already, i’m saving this book, i have it with student years, and one can imagine that it became available to people of the simplest rank, the literate, yes, since the late eighties, another wave of popularity, as it happens, has finally gone among the people. yes, yes, yes, in the year fifty-six, fifty-seven, book of collected works pavel vasilyevich anenkov, the first scientific one, where pushkin was shown not only as a rebel, but also as a statesman and conservative, a monument to the eightieth year, dostoevsky’s pushkin speech five peaks, and finally, this seemingly prosaic event, which played a very important role in pushkin's movement towards the people. this was

my entire small column, i have this little book, and i value it very much, and i still read pushkin quite often, which is why dear pushkin, yes, this is a pocket edition, very nice pocket edition, yes, yes, yes, let’s, sergey, let’s get back to your current work, i mean the captain’s daughter, who, well, how can i say it correctly, is getting ready, but we already have? the show took place, the first show to the audience, you can already judge the impressions that were there, here is the rehearsal, yes, yes, yes, this is the rehearsal of our captain’s daughter, this is our sasha novikova, the captain’s daughter, masha mironova and alex savostyuk in the image of grinev, pyotr andreevich gorinev, at the age of 16 his father sent him to the army, well, literally a year to do everything about everything, ostan pugacheva, he is at most 18 years old, but no more, he usually plays much older, no, no, no, he is young, early. like masha mironova

, also very young, i need these romeo and juliet, they play themselves, this is very important, in lenin hills, there is a film village, village houses, gates, and i made a sketch there, it was more charestematic , although the music was specially written, even the zongs were written, it’s a little bit of a rock opera, a little bit, because it’s still a presentation, it’s still a sketch, it had to be bright.

with fire extinguishers they watch for any spark that falls on the stage of the provincial theater, this is impossible, i understood that there would still be some kind of tolerance, still some kind of convention, if it was for real there, because we are in nature, this is op, then sinterno there is a convention, so i invented a different move, this may have our, our individuality and maybe a fresh interpretation of the captain’s daughter, who is everything. for us, for the audience, that very

mother of christ, what did you come up with? you know, i started with the ending, yeah, all the events that are taking place in this play, an investigative experiment, i need the characters’ reflection on the events that have already happened, i am much more interested in pugachev in the investigation, when he once again, or rather for the first time, asks him to remember what happened in the belogorsk fortress, when pugachev first...

then it was sharp, it was rude, now, when you are in shackles, when the investigative experiment, when grinev shows, corodinzol was standing here, the cannon was rolled here. captain mironov was talking back and forth, they brought pugachev when the actors who they invite, and authentic, wonderful costume designers tamara ezhba, who made authentic costumes of that time, absolutely fantastic, actors, buffoons, who invite you as extras in any investigative experiment to portray the victims, how was it? how it was, here with komarokh, an actor, comes out to play captain mironov, and next to him is an actress who portrays, but absolutely, as they just said, pomkhatu, plays the commandant, vasilisa igorna, when

the curse that falls, natasha shkolerok, does it superbly, with tears with this angry, this is an actress. who plays the commandant, i need this reflection, what are you feeling now, that is, for the first time he understands what he has done, awareness of his actions, i looked from this country, for the first time, maybe, but i’m interested in this, the captain’s daughter is the final prose pushkin, this is the thirty-sixth year, by the way, we talked to you about the fact that inspiration is not for sale, but you can sell the manuscript, unfortunately, the captain’s daughter did not sell it. i don’t know, on the other hand, maybe the liberals didn’t appreciate it either, because, as they say, i don’t know, i don’t

know, you can, you can argue here, because all the same, the work is truly absolutely brilliant, although belinsky’s criticism is debatable. remember this phrase, that is, impossible, the typesetters laughed, the typesetters were amazed by this prose, it would seem, what kind of stories, got lost, changed the groom or changed clothes there, and the peasant girl, well , nonsense, it seems, yes, a shot, a story about a duel, about a duellist who repents,

yes, well, now, to be honest, the scriptwriters would they said that this is just a fashionable new move in order to make it great, the current one, yes, it’s very complicated, because prose, because there are five mirrors, like little tragedies, like little tragedies, well, it’s a drama, but all the same, but the little tragedies are demonstratively brilliant, everyone says there is no truth on earth, but there is no truth higher, for me all this is clear, like a simple scale, well, you can die in this place, but there

are no such discoveries, there is some kind of it would be nonsense, but jokes, yes, well, as if it were so everything, well, unpretentiously, what can i wait, now i would be laughing, just yes, everything is so, lord, that i will be silent more joyful than the eyes, if the vocal choruses are heard, let’s go drink champagne, after all , it seems to me that the system of mirrors is very important there, the girl says there ilp or lieutenant colonel, or someone, and the witness silvio tells him, for example, and he tells belkin, and belkin is published by pushkin, yes, belkin’s stories, published by op, are a very complex system of mirrors. because a very simple person, who is ivan petrovich belkin, well, some kind of insignificant, an ordinary person, but he talks about duelists, but an ordinary person talks about duelists, well, this was later picked up by mikhavich lermant, of course, yes, that is, it’s absolutely, i think that under the impression

of belkin, mikhail evich, of course, showed up at maksimovich, it’s important, that a simple person looks at the complex, the complex is simply not interested, and without understanding, without understanding, absolutely, that’s why he is so offended. this is an amazing story, and this is the mycelium from which, perhaps, the captain’s daughter grows, because she combines all this, yes, there are tenalistic turns, it seems to me, yes, not only government orders, but no, of course, no, no, there are emotions that just over time, and thanks to teaching at school how to write an essay on the topic, well... you already well as if something is becoming boring, it needs to be refreshed, just like in love, it is necessary to renew impressions, emotions in

the family, also absolutely, declare emotions, renew emotions so that feelings and emotions are like the first time, it seemed to me, here so - having removed the shawl of christ the mother from this brilliant, undeniably brilliant work, i got to the bottom of these very emotions, emotions, emotions, what is most important, emotions are experienced by yourself... you are loved from the very beginning, they empathize with you, understand you, condemn you, but forgive you,

and you are a new pugachev, a new pugachev in this story, like all the other characters, grinev is certainly and of course the captain’s daughter, because you know, when a hero commits a heroic act, he does not name masha, so as not to put her in this case, not to endanger her. such a modern sound in 1940 convened, it is clear that grinev commits

a heroic act because of love, this is devotion, or as the ancient greeks said, agape, love, that very seventh, seventh feeling, yes, the seventh feeling, the highest love, agape, self-sacrifice, for the sake of the beloved person, but i’m interested, of course, masha is ready for self-sacrifice, and i want to see this self-sacrifice, yeah. come, look, i’ll definitely look, well, we understand that it is impossible to destroy memory, to destroy traces of real events, that’s what we’re talking about today we talked, that’s why we celebrate pushkin’s anniversary this way, it would seem that this is such a date, nothing more, but no, not just a date, this is a very important event for all residents of russia, for everyone who reads pushkin, in the original, in translation, it doesn’t matter, because alexander sergei... pushkin leaves no one indifferent, this is exactly what we talked about today with sergei bezrukov,

thank you very much, sergei vitalievich, i am sure that we will see you again more than once, to you, our respected interlocutors, i as always, with emphasis and confidence i say my beloved phrase: read with pleasure, dear friends. hello, you are watching precious stories. my name is ekaterina varkan, in the anniversary year of lermontov we will talk about lermontov and it is not at all strange that our guest today is mikhail yuryevich lermontov. mikhail yuryevich is not only a complete tyke, but also a relative of our great poet, and today he is still the owner of the serednyakov estate, which is located in...

his great-grandfather, my four times great-grandfather, is one ancestor in this branch, but there are a lot of branches, so here ... here's my grandson nephew, this is enough, enough to be identified in the genealogical, what kind of dimension, in general, the scottish russian lermants have been in the service in russia since 1613. mikhail yuryevich now lives in serednyakovye, this is an estate near moscow, a very beautiful place, it is famous because in its young

lermantov spent his holidays there for 3 years while he was studying.

to the battle, but at the same time you also need to know that lermantov had eight uncles who took part in the battle of borodino and he spent a long time communicating with his penza stolypins, who were the heroes of the borodino battle, and serednyakov’s owner too, this is the grandmother’s younger brother, there are all these stalypen, they are all the grandmother’s brothers, it was owned by... the grandmother’s brother to whom they came, but they came with the grandmother to the widow , because stolypin participated in the events of december 25, and as they say, we don’t know the specific reason, but it was at that moment, when the reasons were being investigated, that he passed away,

unfortunately, but his memory remains, dmitry alekseevich tolypin, owner of the estate ... here on that period. mikhailovich, well, i know, it means that you built the estate, reconstructed it, although it was in state ownership, you did all this with family funds, your own money, these are family values, this is a responsibility for your family, because this is a place that is already answers this question, this is a sacred place where people from all over russia gather to pay tribute to memory. the great lermont, and the further, the more great he becomes, because you and i have already discussed when vladimir vladimirovich was visiting senzinpin, in semyon, university, he took him to the bust of lermontov, he said that this is my favorite russian poet, and his poem paros is a symbol of our common movement into the future,

imagine that the secretary of the chinese communist party, in which ... 100 million people, the general secretary says that lermontov is his favorite poet, and how many times we meet with our chinese comrades, they often come here, they all read a couple of lermontov in chinese, in russian, i feel, mikhail churich, that the chinese will kidnap lermontov from us, you know, they will find some chinese roots, because if you remember the description of mikhail yuryevich, he had olive skin.

line and confirmed that our roots are from scottish dense branches, although it must also be said that it turned out to be impossible to confirm this genetic connection with lerbantov, because for this we need to take a sample of mikhalyevich’s remains, and 10 years ago in tarkhany we did very convincing work, that we were allowed to bury... him in the same crypt in which he was buried, but before that there was a monstrous history to his lead, there was a staircase, you go down there to the grave, and yes. it was monstrous, but nevertheless it continued for a very long time, and we intervened, we wrote a letter then, thank god, today

lermantov’s grave is decorated according to orthodox traditions, thank you very much, personal , for this, yes, we must still remember, that this place itself is quite many years old, and there were predecessors, this magnificent ensemble, it appeared at the end...

the audience understands, she built the sandune and the petrovsky passage, well, so that it’s just clear, she was the first woman realtor in russia, that no, well, it’s just a joke, she had 40 properties in moscow, so well, that’s 40 properties, it’s like you never know what kind of property there is, and these are also such iconic moscow ones, they’re also not very poor, no, she was a unique woman, she was before the revolution. lived there, then during the revolution, when the estate was expropriated, she managed, under the guise of a theater worker , together with chaliapin, to go to france, to

in principle, at a minimum, she should have been appointed head of the department of culture, i have the feeling, well , in fact, from vera ivanovna’s investments, she was a girl, well, besides being exalted and extravagant, she was friends with many famous creative people, like chaliapin we mentioned rachmaninov. valentin sirov, then it’s also interesting, in addition to the baths and petrovsky passage, vera ivanovna, built the fersanovka stop, built a highway road there to make it convenient to travel, and excuse me they didn’t rename me in soviet times, it’s in memory of kubchikha, who would know, it’s generally wonderful, the memory of kubchikha, she revered it very much, which means mikhail yuryevich lermontov was known, which means the whole history of this estate, that’s... in itself estate - she did a lot of work too, well , it was necessary to refresh, probably, the estate, so to speak, most importantly, she erected in memory of lirvuntov for the centenary, and this stella, which

is still an obelisk, yes, which is still alive here with us he is there, we show him, everyone comes, here is the singer of sadness and love, no, but she also, look, she also ordered a lampshade for the oval hall, very beautiful, based on a demon, she is also unique.

yes, but during the war they made a stable there with the hooves of the horses, half of them were destroyed, when we arrived, we took out all these tiles, then the mirror is also original, as far as i know, it’s also standing at the entrance, that’s how it is, yes you can look, see yourself 200 years ago, well, here... it’s very important to note that martynov, nikolai solomonovich, lived nearby, who is known not only as his friend in those years, but also as his the murderer, mikhailich, who fought in a duel, they were friends in their youth, and went to each other, traveled, among these ladies who were in srednyakovo, they came there, just as lermantov came to them on their estate, which is only 15 km away there from serednikov. somehow i wasn’t

positioned in my head, and in general there is a version there, again we won’t go into detail about this now, that one of the reasons, so to speak, for the duel was natalya solomonovna, which means we’ll leave this aside for today , yes, well, let’s just change it, it means that girls, boys, they they had fun, had a good time, walked, i think they swam too, we should find out how they swam in what costumes, but we ’ll tell that to another program. this means that they rode on horses in a carriage to worship the icons in sergei in passad , and there the famous poem of the christian beggar was born, and we know that this poem ends with someone putting a stone in his outstretched hand and sushkova describes in her notes that the one who prayed told them that the youth were the same the day before, which means they came and threw, which means stones, writes sushkova in

in general at the tables.

this too, so that everyone understands, the power of lermontov’s words was so great that a small line of lermontov left a person for eternity in heaven or on earth, everyone knew this, when they started to discuss about lermontov, everyone wanted to receive from him, they gave him notes , at the same time, when he left his mark on someone, this person became an outcast, to put it mildly, yes, well, here we are talking about the fact that serednyakova is the place in which lermontov became a man , carrying this one prophetic mission, carries his destiny, this is a scottish phrase, a person who has this ability, prophecies, foresight,

well, for example, amazes me most of all... this is a feeling of truth in the heart of a person, a grain sacred in eternity, a space without boundaries, the movement of the century will be summed up in brief economics, but lermontov already understood then that the whole world was built on this sense of truth, and that following this sense of truth the attitude of heaven towards you changes, well, lermantov always remembered his relatives.