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Understanding 9/11tv Ya vishel na podmostki 1TV July 26, 2024 11:45pm-12:56am MSK
11:45 pm
it’s useless in our time, when marriages are concluded so hastily, i have no idea what kind of wife i will have, and this worries me, so, will you manage, for example, to brew five cups of tea from three tea leaves, no, sung, this is impossible, well, that means i’ll ask, can you lie down on a mattress the size of a prayer book, together with you, alone, in this case no, oh, i’m in despair, that i will have such a wife, or that we’ll get by with one jug of wine? dear shante, your cousin is making you take too long wait, mother, my cousin, my dear, we are waiting for him, i adhere to the old rules, i believe that such a close relative could be present at the celebration, the court, you must tell your mother that nothing will work out, yours will not say about it cousin, i don’t hate this city, but i must, i must return the risers 200 silver dollars, you drink, leave me to do business, we’re all.
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understand? he's not here anymore. maybe you , cousin, can’t come, how can you then tell me what you think? our future? yes, i thought we had another 200 silver dollars, we would return them to the old people and start selling tobacco. forget about it, so i can start selling tobacco on the street, i'm a yangsun pilot, but i'd rather throw them into the river, i'd rather lose these 200 in one night, your cousin, he knows me, i agreed with him, he'll bring it to 300 for the wedding, no, he doesn’t, he won’t bring 300 to the wedding, why where? i, he’s not there, how mysterious, you know, jasun, know, he’s not your friend, he won’t bring 300 to the wedding, he said that you i bought one ticket, it was yesterday, but look, i’ll show him two tickets today, for me and for you, the old woman shouldn’t see them, i sold all the furniture, sleep, don’t show me two tickets, i’m ready to give up everything and leave with you, think about the old people, think about me, it’s best to drink, or you are one of the prudent ones, drink,
11:47 pm
yes, i can’t stand it, gentlemen of prudent women, when i drink, i fly again. oh my good ones, how are you doing here? shukshin is the password for good literature, character, close your eyes, why? to be honest, mother in usa. and everyone thought that they could move it like some piece on the chessboard, and then at some point they realized that they wouldn’t succeed. what are you doing? nothing, did you leave? i don’t know how to behave, unattainable, what a thing this is, to exist in the frame as the main character and also be a director, this is a rare, very rare gift. oh, if i were in your place, i would make a film like this, are you a hero or what? they were supposed to broadcast it on the radio, but our headphones don’t work, so what? they launched me to the moon, shukshin is something that cannot be overestimated, pushkin is everything.
11:48 pm
shukshin is everything for me too. on the occasion of vasily shukshin's ninety-fifth birthday. and what? oh, where did ours disappear? tomorrow on the first. 110 years ago in the bosnian city of sarajevo, gavrilo princip killed the austro-hungarian heir to the throne of france, ferdinando, and austria-hungary declared war on serbia. within a week, a world war begins. and there are even maps where austria-hungary is not there; in place of russia it is written “russian desert”. from brusilov’s memoirs, kakdor came to a holiday where german burghers lit a model the kremlin began a wild german dance around the russian symbol. hitler will write: the war of 1914 was not imposed on the masses; on the contrary, it was desired by all the people. this is the story of military-political crises that end.
11:50 pm
the spectator comes at half past six, approaches the theater, we have flags flying on the walls of our theater, the actors of our theater in the form of revolutionary sailors, soldiers with accordions, bolo-likes and guitars, playing ... revolutionary songs are sung on these instruments, chistushki, there are still funny, interesting episodes, we have a restaurant nearby, and people come out of it, they are tipsy, they think what a holiday, maybe they missed one, they join us, there is such fun, not even just the spectators who will then come to the theater, but also just strangers on the street, well then, when you enter the theater, you are not greeted by ticket takers, but these are the actors of our theater, dressed as revolutionary soldiers with armbands for... for the time, for that time, for the time of the revolutionary years, there are a lot of posters hanging revolutionary posters, a wooden platform and
11:51 pm
pyramids of rifles, on this platform the actors are still in the foyer singing songs, cleansers, you enter the hall and think that finally we will rest, finally lean back on... the chair will have normal calm actions, but no such luck, a worker, a soldier, a sailor with a weapon come out, they come out on stage and shoot up, our room is small, which means they shoot, of course, with blank cartridges, but there is a lot of sound, it smells of gunpowder, this invigorates the viewer a little, some of the faint of heart even sometimes they will take it out to the foyer, they will drink narzan there, but since it is difficult to get a ticket, they come to inspect it. i’m not shouting, i’m calling out, where is your artillery, it’s standing, where it’s standing, it’s standing here on the map, but i don’t know who it will shoot at, that is, how, yes, calm down, please, glass, gentlemen, glass, come on,
11:52 pm
no, no, i’ll take you out, you’re causing me panic here, i ’ll arrest you, and i’ll put you on trial, and i’ll submit a report, i ask you to fire me due to my failing health and sudden old age,
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well, that’s where the justification for this very thing begins posters, there is truth and slapstick and circus pantami and dramatic scenes, these are 35 paintings re'. solved completely differently, there are no decorations on the stage, only the location of the action changes, we have a lot of light, our lighting engineers experiment, so to speak, the light is different all the time in each performance, so we play 250 roles in this performance, we play several roles in the same performance, there is water, cold water, drinking water, gentlemen, the keroplane suddenly parted on the pazari, just tried to turn out his pocket, from the fight, good citizens, from a penny has been cut into your pocket, so you have to, don’t be such a blockhead, and there’s nothing for you, meleroplan, i,
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for example, in the play 10 days that shocked the world, i play several kings, among them such as kirensky, a white guard officer, a sailor sentry. smolny in the picture of the shadow of the past i play an anarchist, so it’s just such a cycle, you have time to change clothes, change your overcoat for a sailor’s bush coat, after that you change into kirensky again, such a stylized costume, we play some scenes in masks, and some realistic parts in this performance we playing with our face.
11:55 pm
ribeye caviar for breakfast, here you, other citizens, don’t even have a bar of soap, soap, nothing. is it good that there is no bread in the market, the fisherman has no fish, the city fathers are ranting about sabotage of the lower strata of the population. don't you see that people have lost the thread of what is happening, and the ruling spheres have changed the sense of real, legal good, i will return to you everything that is lost, here is mine...
11:56 pm
i, this is a discussion, i will repeat this again until i prove it to everyone , at least it took me 10,000 years to do this, well, who can promise more, no one, never, nowhere, no one, never and nowhere, the time of joy and insight is coming, i feel it coming, peace is just around the corner, women can give birth. the west,
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which has traversed the path on which we are just setting foot, hold on, hold on, delia, long live, under-rules, long live, overstrained, long live democracy, in what? the secret of the popularity of this theater, there are several reasons for this, in my opinion, again, i’m only saying what i think, well, firstly, the theater has its own position, we 14 years ago in the play “brecht’s life of galilee, ” they seemed to declare their position, a civic position, a position, if we talk about the artistic side of things, then this is the tradition of street theater, when you can just... somewhere in the yard and start playing everything, up to the tragedies of ancient greek or
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shakespeare, when nothing is needed except the desire of the audience and artists to have contact with each other, one to tell something that interests people, and the other to want to see it, to understand it, you need a share of your imagination, you must be participants in this actions, imagine that the action takes place, say, the life of galileo brecht. there in venice, in genoa, instead of these domes, cathedrals, there is a set on the stage that helps to more fully reveal the meaning of what is happening on stage, there are gates that sometimes open towards the audience, it is possible to simply go out to the audience and stop playing the role , go out to the audience and talk to them, either in a monologue or in a zong song, because we have a lot of songs, a lot... the so-called zongs are poems that should be performed to an ingenuous rhythmic melody directly at
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the audience on behalf of the theater, although skinny, angry, naked, she crawls out onto her workbench, takes the soul out of us and her friends, hits us off the shoulder with an ax. everything is in her hands, we have toys, everything is in her legs, she has a scrap, we cut her off, inventions, we turn her this way and that, and she cuts holes and sits on her own. the finger bites into
12:00 am
hayfields, bread, a runaway hair of the sidin and planes us clean, and smoothes us down to wrinkles, and planes us clean and smoothes us. this is the apoeticized idea of the performance in order to make it even stronger. reveal the content of the play and in order to have even more direct contact with the audience, so we go out to the audience, sing or address them with a monologue, therefore the scenery in general for this kind of performances has colossal meanings, but not naturalistic, but figurative , well, poetically executed scenery, let
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’s say there is such a performance, we have pugachev, the action takes place on the shores. on the bank of the yaek river, pukachev is a dramatic poem by yesenin, and we have no bank rivers, no steppes, coastal ones, but there is a platform made of roughly planed boards, which goes down, like this towards the ovanstage, towards the audience, there is a scaffold in front, two axes are stuck into it, sometimes this scaffold is transformed, covered with gold brocade, turned into a throne , and the axes turn into the armrests of the throne on...
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we play, barefoot from the waist up, with a chain in our hands and axes, and this whole tangle of bodies, with each further picture, with each subsequent action, is getting closer, closer, closer, closer, rolling towards this block, in this there is already some kind of poetic metaphor that says that the uprising will drown in blood, that the rebellion will be brutally suppressed. all the tragedies of the century began with a shot
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fired on june 28, 1914, in a bosnian barn. the desired goal of the serbian high school student was the death of the heir to the austro-hungarian throne, franz ferdinand. and the unexpected result was the first world war. a new cursed era of unprecedented cruelty of global wars, revolutions, concentration camps, the fall of empires and the reshaping of the world has arrived. on the anniversary of the start of the first world war war, premiere on sunday on the first, crazy, mad, that you are death or healing to the collection, take me, take
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me to him, i want to see this man, i have been for 3 days. nights i was looking for your skill, the clouds from the north were falling like a pile of stones, glory to him, even if he is not peter, the mob loves him, let the riots go, and for three days and three nights, i wandered along the paths, the elephant dug with his eyes for luck, the wind ruffled my hair like straw and i thrashed it with the flails of the rain, but an angry heart will never get lost, it’s not easy to sew this head from the neck, but... the edinburgh dawn of the red-haired camel dropped milk into my mouth, and through the darkness i pressed the cold, gnarled udder like bread to the exhausted willows, lead me, lead me to him, i want to see this man, lead me, lead me to him, i
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want to see this. person, well, this is what i told you, well, about my characteristic roles that i played in the taganka theater, and how did it happen that this is a person who was taken to the theater, in general, as a comedian , i initially played comedy roles, sang all kinds of humorous songs accompanied by a guitar, fortunately in our theater we have the opportunity for this, well , suddenly i played galileo and hamlet, i think that this did not happen suddenly. and so to speak, the director probably looked closely for a long time whether i could do it or not, well, it seems to me that there are two reasons for this: for his beloved yuri petrovich, the main thing is not even acting talent, although acting talent too, but most of all he is interested in the human personality, and since our theater is conventional, and we don’t, i repeat, we don’t glue beards,
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mustache, we don’t make gray wigs, for example, galileo, i play without make-up, although at the beginning of the play he is 46 years old, at the end he is 70, and when i started rehearsing the role of galileo i was 26 or 27 years old, i played with my face, only in a suit, like this i have... well, like a balan, like a cloak, a brown cape, very heavy, like the materials were at that time, a very rough sweater, so despite the fact that in the end he is a decrepit old man, i very boldly take bright character in galileo, i play an old man, a man with a completely dull eye, who is not interested in anything, who is such a slightly senile person, here he is slowly. moves his hands and there is absolutely no need to be thunderous in connection with this. in this performance, for example, we have two endings. the first ending is, as it were, a judgment of the viewer by two people, like galileo, who is absolutely
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no longer interested in what happened, it doesn’t matter to him at all how science fell in connection with this in connection with his renunciation. and the second ending is galileo, who understands perfectly well that he made a huge mistake, that he renounced his teaching. what is this threw back science, and he, despite the fact that before that he was a decrepit old man, in the last monologue, i speak this monologue on behalf of a mature, but absolutely healthy man, who, in full health and sanity, understands perfectly well what he has done, i i will now show you a little from this monologue, scientific activity, as it seems to me, requires... special courage, science spreads knowledge obtained through doubt, obtaining knowledge about everything and for everyone, it strives to make us all
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doubters, but the rulers immerse the majority of the population into a sparkling fog of superstitions of old words, a fog that hides the dark affairs of those in power. our new art of doubt has delighted thousands of people. they snatched the telescope from our hands and pointed it at their oppressors. and these selfish rapists, greedily appropriating the fruits of scientific work, suddenly felt the cold, searching gaze of science on them. they showered us with threats of bribes, which weak souls cannot resist, but we can... we renounce the majority and still remain scientists, the movements of those who rule over
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people are incomprehensible; thanks to doubt, the fight for the right to measure the sky was won, but thanks to blind faith, the roman housewife is still losing the fight for milk. sotya semyonovna was talking with radion romanovich, and i eavesdropped, you
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eavesdropped, yes, yes, yes, he is a murderer, your brother, no, no, no, no, no, no, we can’t, this can’t be, lies, lies, and you know him. i myself would not have believed it just like you if they told me for the countries, but i believed my own ears, here my kind of theory, napoleon was very fascinated by him, he suffered and is still suffering, only from the fact that he managed to invent a theory, but was not able to step beyond it without thinking, because the man was not a genius, and this is humiliating for a young man with pride, in our especially... everything in this world has become clouded, let’s put it in a special order,
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the fact is that schoolchildren, especially young people, write a lot of essays, for example, an essay entitled raskolnikov is a hero of our time. yes, yes, true, true, true they teach in schools that some children, i think the majority of those present and i, up to a certain point, thought so and felt sorry for him. drustoevsky did not want this effect, in any way and often very emphasized his arrogance in communicating with people, in the fact that... students and hundred-year students did not like him, because the convicts beat him because he did not want to pray, all sorts of such strange things that many have passed by, this dramatization explores the problem of a young man, in my opinion, in my opinion, it is very is modern now in connection with what is happening in the world regarding the origin of everything there. hamlettet vladimir vistsy játsza, akit az előadás újfajta felfogását.
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people ate meat from a knife, slept on skins, in general, this man who was ready for the throne, and if fate had not turned out this way, if he had not been at this junction of times, if he had not been at the university, if such a strange story had not happened, he would probably have been a wonderful king, let’s say he was mad, it is necessary to find out the reason for this effect or defect, because the effect itself is thanks to
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reason is defective. and what is needed is what is needed, what follows, i have a daughter, for my daughter, this is what my daughter gave me out of obedience, judge, listen, i will read, the heavenly idol of the soul and beloved scam, this is a bad expression, hackneyed expression, beloved, hackneyed expression, listen further, on your white breasts, well, hamlet writes this, hamlet writes this to her, she began to smile, you know, okay, i’m making love, and my son is not so scary, i refused that he’s all here like that, but it turns out he’s having an affair, that’s great, in any case, he was brought up in a very cruel age, so he has a lot of hamlet mixed in him, on the one hand, he has in him the paternal blood of this whole family, which was quite cruel, because his father killed fartenbras’s father in a duel, so they simply decided questions.
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he was with him, which means he challenged him to a fight, killed him in a fair fight, and hamlet, probably, was also active in battles and state affairs and so on, but he had already been at the university and was infected with the student air, and then in general, he began to think about the meaning of life, i think so it seems that one of the first people on earth who thought so seriously about the meaning of life, what was he doing, that without fear of consequences, he spends his time in mental riots... who himself admitted that he was not at ease, but why doesn’t he want to? he does not give in to probing, he barely turns to health, speech eludes with the cunning of a madman, to be or not to be, that is the question, to be or not to be, that is the question, to be or not to be, that is the question, to be or not to be , it is worthy to endure the shame of fate, or you need to
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resist. rise, storm, conquer, not harmful. and how he accepted, as a well-mannered person, with a certain amount of coercion, he was stingy with the question, but in response there was a conversation: you didn’t invite him to have fun, everything came together by itself, we met the actors on the way, having learned about this, he was very happy, in any case, the actors in the castle seem to have received an order to play, the truth is, he asks the deepest couple to welcome you to the performance, with pleasure, i’m happy to know that he has such a thing, people, continue to encourage this passion, don’t let him feel sad, let’s do it all efforts, stand, arm, win, or perish, die, fall asleep, and
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know that by doing this you break the chain of heartache, and thousands of hardships... inherent in the body, isn’t this the goal that everyone desires, to die, to fall asleep, to fall asleep and see dreams, that’s the answer, to be or not to be, that is the question, it is worthy to endure the shame of fate without complaint, and you need to resist, rebel, arm yourself, win or perish, die, fall asleep, and know that by doing this you are cutting yourself off from heartache and thousands of hardships inherent in the body, isn’t this the goal that everyone desires is to die, fall asleep, fall asleep, and dream, and dream, that’s it
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answer, what kind of dreams will you have in that mortal sleep when the veil of earthly feelings is removed? “here is the solution, this is what prolongs our life for so many years through misfortune, and who would bear false greatness, rulers, ignorance, universal predation, the inability to pour oneself out, unhappy love and the illusory nature of merit in the eyes of nonentities, when everything is so simply reduced the ends of the blow of a dagger, who would agree to creak under 'if the uncertainty after death, the fear of the country from which not one returned, did not incline the will to put up better. with a familiar evil, rather than strive for flight to the unfamiliar, so
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thought turns us all into cowards, withers like a flower, our determination into the sterility of a mental dead end, so plans on a grand scale, which at the beginning promised success, perish from overthinking... i took a long time, but the same , lay on the ground for 23 years, whose is it, and such a scoundrel of one damned one, once poured a bottle of rensky on my head, and whose would you think, well, how do i know, this is the skull of yorick, the royal jester, well, where is it now? your funny antics, and your anecdotes, your ridiculous puns, where infectious joy that gripped everyone at the table, that there was nothing in return,
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to grin at my own toothlessness, complete relaxation, i went out onto the stage, leaning against the door frame, i catch in a distant echo what will happen in my lifetime,
12:21 am
the darkness of the night is pointed at me, a thousand binoculars, nazi, is there only? you can, allah, father, carry this cup past, but the order is not right. actions and will not be averted, the end of the road, i am alone, everything is drowning in pharisaism, live your life, not in a field of rubble, someone looked out for a raft that did not sing, did not sing, they trotted for the trunk, it fell, fell, here's a song about someone who didn't sing, didn't sing, and had a voice, didn't recognize, didn't recognize, maybe they were
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at odds with fate, not at odds, and things weren't going well with chance, things were going wrong , and the tight string lay on the lod, on the lod, with an imperceptible flaw, lay down, lay down, he began timidly with a note to... but didn’t finish it enough, the fugitive runner didn’t reach, the runner didn’t reach, didn’t reach, didn’t gallop, but the star sign his little body, the cold milky way localized, it’s funny, isn’t it, funny, funny, and he was joking, he was joking, or he tried wine, and even
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didn’t take a sip, he was just starting an argument, an argument, hesitantly and slowly, slowly, like drops of boiling water, the soul, the soul was oozing from under his skin, he had just begun a duel on the carpet on the carpet, he barely started, only i looked around the game a little, and the referee hadn’t opened the score yet, i didn’t open it, he wanted to know everything inside and out, but he didn’t get to the point, didn’t get to the guess,
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didn’t get to the bottom to the bottom, didn’t get to the bottom, and the one that alone, didn’t like, didn’t like, didn’t like, didn’t like, funny, isn’t it, funny, but he was in a hurry, not in a hurry, left unfinished, everything that he undercut, not a single letter, i’m not lying, i’m not lying, he was a pure servant, servant, and he wrote poems to her in the snow, snow, unfortunately, they give snow, snow,
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but then there was still snowfall, snowfall , and the freedom to write in the snow, big snowflakes, hail, he grabbed piles of them as he ran, as he ran, funny, isn’t it? funny, funny, when seconds are missing, a missing link, and not enough ice, and not enough ice, and not enough flight and not enough, funny, isn’t it, well, it’s funny for you, and even for me, the horse is on... the bird is in the ice, whose fault , according to whom
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fault, whose fault, hello! this is a theatrical podcast and i am its host anton gechman, in the year of the 225th anniversary of the birth of the great russian poet alexander sergeevich pushkin, who to this day... remains a key symbol of russian culture abroad, we again thought about what is the secret of his popularity , how in general do individuals and institutions become brands that define the image of an entire country abroad, is it possible to promote new names,
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including theatrical ones, in the current international context, about this and more, let's talk to the special representative of the president of the russian federation.
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although glinka, unlike tchaikovsky, is less popular in the west, although it must be said that, say, in berlin there is mikhail ivanovich glinka street, he lived in germany, died in germany, in this sense, i think that the world learned pushkin through musical works, as strange as it seems to me, the fact is that pushkin, who is the founder of new russian literature.
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it is absolutely clear that there is not a single educational institution where they study russian culture, russian literature, wherever pushkin is studied, but it seems to me that he is , first of all, a deeply national writer, this does not mean that dostoevsky is not national or tolstoy is not national, but they already live in
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begs its world significance, if you turn to nabokov’s lectures on russian literature, then everything seems to be rewarded there, another question is also the quality of translations, because it is difficult to understand, oddly enough, and i think that there is some kind of problem here , but it’s also an amazing thing, pushkin, who in general never traveled abroad, as we know, well, moldova. at the same time, it was, of course, the repository of such a world cultural tradition.
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if it’s beautiful, then it’s unfaithful, you know, and if it’s true, it’s not always beautiful, so we
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read there, say, faust in parsnip’s translation, realizing that there are some discrepancies with what goethe wrote, it’s still a translation into the native language requires a special, special gift, and i repeat, but at the same time, naturally, you need to know the language from which you are translating. many times, and so on, there was ivan kashkingeniy, the translator there himengue, this is a special understanding of the country from the language that
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you are translating, and at the same time an understanding , first of all, of russian culture, because it is always very difficult to find accurate idioms, idiomatic expressions that do not match, humor doesn’t match, some things don’t stick, pushkin certainly has good translators. moreover, in countries such as japan and even japanese translations into chinese, i cannot evaluate them, but they say that there are translators from chinese to japanese, who practically made the japanese and chinese readers fall in love with pushkin, in general it’s good when poets are translated by poets, when great prose writers translate great prose writers, if you remember, for example, what mandelstam did...
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in this sense they make the poet recognized in another culture, it is very important when an author recognized in another culture translates a foreign poet, playwright, prose writer, then with his name he also illuminates his recognition to foreign-language readers, in general, the russian school of translation, the russian school translation, these were people of the highest cultural level. translation by anna akhmatova,
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a group that was part of the translator section. in foreign literature, the union of writers of the ussr, these were just stars, for example, naum grebnev, not to be confused with anatoly, who was a playwright, screenwriter, naum grebnev, he translated rasul gamzatov, that’s all we read, well, in general, to a significant extent degree, because there was another translator who translated gomzatov, but grebnev was one of those people who sort of did this... the genius rasul himself, like his dad, was also a national poet, but for the russian reader it was made by translators, here to be a city, it was with this phrase, more than 300 years ago, that the glorious history of this beautiful city of northern palmyra began , channels, niva, we begin our journey through st. petersburg, it must be
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in the mid-fifties, when such extensive contacts with foreign countries began again, well maybe not so extensive, then it was the bolshoi theater, london in 1956, and the mariinsky theater, the soviet circus, yeah, symphony orchestras and individual performers, yeah, you know, as he said about how such a genius sol yurak was, yes, yes, a genius... . musicians traveled who spoke the same language, of course, and brilliant
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performers came, came. for example, the sixties, at the end of the sixties, which were very modern then, which were reviewed by many, there is the same swan lake, let’s say, i don’t even say spartak, which traveled, it was contemporary art, in this sense, there is, say, mkhat, who went to london in the early sixties, uh, yes, that was in my opinion, well, not the beginning, there is the mid -sixties, he lost because he was bringing classics, which i was very overwhelmed, by the way, after these tours.
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know, and for them, they know that this person’s greeting will be a pleasure that they once received and want to get it again, but it is very difficult to promote contemporary art,
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because i have always said that we must show modern russia, but it is possible, this is important, modern russia is expressed in modern art, i will tell you more, even names, new names of performers are quite difficult to break through, because well, there is a certain... conservatism, we know a set of names that we we want to watch, listen, and so on, especially since, as you understand, it is very good for foreign exchange, non-verbal art, but not drama, yes, after all, the modern understanding of life is born in the dramatic theater to a greater extent, again, what we want to show you see, this is also a very important matter, because we, after all, russia today positions itself as a country of traditional values,
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always today continuity is sometimes expressed more sharply than novelty, but it is important to show new art, so in this sense cinema is completely understandable, that all russian film festivals abroad are a reflection of today's russian reality, yes, people want modern art, but they like to be surprised by their friends, the fact is that we have, for example, conductors like... who devote a lot of time to modern musical art, the same yuri abramovich bashmet has one or two new works in each concert, that this is a matter of state
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policy, but to put it very bluntly, in soviet times not a single concert was complete without some there was one, or even two novas present.
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there are big corporations in china, a lot of money, our companies have interests in working in china there and so on, so we need to develop a strategy for cultural cooperation where the market would make money, so i recently met with the deputy director of the international center for cultural exchanges of the ministry of culture of the people's republic of china, and we were just talking about the fact that here...
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30 chinese young producers and curators who want to get acquainted with russian opportunities in the field of museum exchanges, gallery exchanges, theater exchanges, and so on. there are very decent audiences in china now, i recently looked at the prices there for peking opera, yes, no, no, no, not in the peking opera genre opera, in the beijing opera building it is. normal european, once european prices, the fact is that, again, today we need to look for some correct approaches, but you understand, today there is no market in any of the new states, in any of the new states in any country, which was formed after the collapse.
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to go through the path that we took with europe and america many, many years ago. well, you understand what’s the matter, we live in a slightly different space today. today we work with countries where russian is the language is, well, a fairly well -known language, even in china, yes, in the same place, and not to mention the countries of the post-soviet space, we must first start, but the question is that... until we understand how
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it works in the market conditions, it will be very difficult for us. once again, china is huge. china is 1.5 billion people. china is building the infrastructure that it wants to fill, this requires very careful and painstaking work. they do not need to be accustomed to russian art. i was recently in ganjou, meeting with representatives of the opera house in guangzhou. yes, they are, excuse me, quiet.
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since there are now 2 years of serious cultural exchanges with china, then of course one of the tasks today is to connect promoters and agencies. that work in this market, private companies, so that in 2 years these contacts begin to work on their own, then there are many opportunities here, i think, because this is china, this is china, where there are more, so to speak, serious platforms for
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conducting the most various events, in india everything is different, a huge country, one and a half billion people, in other words, there are few platforms for museum exchanges, private museums of contemporary art are just emerging there, which there are a lot of in china, by the way, in china there are many private museums of contemporary art, but there it is just emerging, there are bad platforms for ballet performances, despite the fact that indians seem to love russian ballet, but in reality, so to speak, finding ballet on linoleum is not the easiest task.
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russian culture was treated with great respect, there is ethiopia, and so on, well, different countries, they require a different approach, this is a rather complex story, so the world is big, as they say, a certain very serious flexibility is needed here, despite the fact that you understand, there are also tasks such as promoting the russian language, and so on and so forth and so on, educational projects, because in general, in order for the public to perceive abroad...
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in the last 10-15-20 years, operas there began to be sung in their native language, in the original language, you want gounod’s faust, that means according to -french, you want verdi, then in italian, music very cramped.
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