we’re experimenting, we’re getting together with the line-up , why is there such a beautiful lady standing there, and a completely different person is rapping, then why do you need her, well, she’ll have her finest hour yet, of course, yes, but this is a fantastic bass player, where does he come from? took it, kirman called me albert, i came straight from uzbekistan, why not a fretless bass, well, in this music a fretted bass is more suitable , of course, well, gentlemen, the very...

we were influenced by a little other people too, roy hargruff, ray factor, so you're sure you write everything, we don’t write everything together, well, who else, no, another guitarist sometimes writes, but this is santana, if, what santana, if joe skof, then yes or makhavishin, but this is not makhavishin, this is polubabkin, you it’s not boring to play with them, no, of course, look at what, what a colossal machine, well, they would cut it down, otherwise they won’t let you cut it down.

one song, this was the debut composition of our project, so it went on air in a slightly different form, those who want to will find it on the platforms to listen, that’s it, but we will play three other songs, they have not yet been released, they are just freshly assembled and now they are in the process of setting up the studio, so one of them is exactly what the name of this house is, her name is gala, why the group is called cartel fpm, you will find out only before the next song now.

first of all, it’s brilliant, it’s fantastic, it’s something african, which is very difficult, from the drummer’s side, of course, the hardest

thing is, poor malemanov, how does he cope with this complex rhythm, yes, but of course, first of all you should ask you, what kind of language is this, is this swahili, fantasy, where are you from? small? a girl from russia learned swahili, well, let's start with the fact that i actually know literally a few phrases in swahili, but i lived there for a year and a half, olla, where in zanzibar, olla-la, and so that means you lived there, fell in love where- anyway, it was the case , so i thought, yeah, and the best form of learning a foreign language is spoken by the french, on a pillow, here you go, well, why did you like this language and this culture in general, in general they matched a very common language in east africa and... i'm going to take a course to finally learn it, this text was written by my friend, a wonderful guitarist, richard from zanzibar , he just translated the text of the matchmaker, i am very grateful to him that i have the opportunity to perform the matchmaker’s song, well, since you are a gifted vocalist, you don’t

care anymore what is it in general, yes, yes, at least in chinese, in japanese, and you suggested this melody to your friends, they said, let’s make a composition, so i would actually listen to music. we just mixed two languages, well , that’s natural, for example, the opera parts are mostly in italian, but that doesn’t interfere tchaikovsky to write brilliant operas, so nothing in the world prevents us from listening to soahili on channel one, so tell us what a cartel is, this is fpm, what is fpm, we know the cartel, it’s such a conspiracy, where does it look. a monopoly committee is such a cartel, but what is fpm? fpm is our last name, fokin, polubabkin and malemanov, this was originally a trio, so there are more of you, there was a trio, there was a trio, but just to play these songs, we needed a large lineup, we

were joined by friends, our wonderful musicians, colleagues , no, we didn't play them never, this was always intended and was originally a studio format, lyosha and i had musical ideas, we are playing in another project with which lyosha? polubabkin, which we could not implement in other projects, because your wonderful vocalist had not yet joined you, so zhenya and i put together a team together with lyosha, then, thanks to the responsiveness of amazing brilliant musicians, like german tigai, like galaga, like eric kholmatov and the incredible saxophonist makar koshitsin, how much material do you have in your repertoire? you write it yourself, mostly studio material, it’s on platforms, no, it’s mostly borrowed by guitar buyers in guitar stores, so there’s always a sign up: don’t play smokon and never play stern,

so you don’t play it, no, you know that , what to play, but speak this language, but say something of your own, what will we now hear to the surprise of our tv viewers? the song will be called, yeah, well, i don’t know how to act like a gala, so make it simpler, listen, you are passing the exam, millions of armies of our tv viewers of the first channel, they don’t need any dick, no i would like to take the exam, but what already and you feel some trembling, trembling excitement, no, we love music, so here it’s just for the sake of music to show to communicate with you, but the yeast should be there, it is there, there’s a legend sitting on the other side of the screen, if he’s sitting on... looking, he’s the one in charge here, let’s entertain him as much as you can, siraem.

here i am again in the simbol sp. i should really be by myself, but i just can't bear that they know here i am again in the same b space, i should really be by myself, but i just can't get the pain,

some nights. tr and turn almost non stop, the pain is too strong, seems like it's all i got, there's always a reason life gives a chance to be alone, but the thought of being by myself just feel so cold, i'm drowning in mine emotions, can't seem to catch my breath, the weight of past impressions leaving me with no rest, i should really be letting go moving on and starting new, but guess facing the moment just scares me through and through, i know it's time to face it and leave it all behind, sometimes the pain of mistakes keeps on playing on the wind, need to find the... trying to break the glass walls and love myself unconditionally how it was, yet here i am again in the same old

space trying to find the courage to start a new and make a change, i'm facing my fears, head on learning to let go, and finally here's the piece that i've been searching for so long, here i am again in the same spice, i'm sure it be. for myself, i just can't breather.

this is an anthropology podcast on the first and this is the fpm cartel group, please tell me how the life of the group is passing, probably, during your free time from work you are going, yes, well, we try to find as much time as possible for creativity, because otherwise why did we start making music, each of... you work in your own groups, we are somewhere we work together, at the same time we also play in other creative groups with lyosha, and do you think it’s stuffy in your main groups, no, by no means, there are just thoughts and ideas that can be expressed in another way, and we made this project for that , to do this, that's all, now we are working on a new record, or rather on the first record, in fact, because everything else is singles, here is one track that will be played next, it will be in the new century, people think in albums, but they no one buys, no, why does streaming work

well, but an album like this? this is a kind of collection of those ideas that were created in this project, and we will record them as if on canvas on this record, there are eight of them for deeple, there are 16 for the beatles, no, we have few, but compositions are quite long, so the record will be somewhere around 50 minutes, but there will be five or six tracks, what do you have here... on the shelf, this is a vocal processor, you don’t hit the notes, it reaches you, exactly, do you go into accounting as a full-fledged vocalist, or does he process your vocals in an interesting way? i can communicate with you, yes, and then my voice will change, now it has already changed, but you don’t like your voice, i don’t like my voice, yeah, listen, okay, it just improves it, so you can make a whole choir , of course, come on, i can talk to the whole choir, yes, will this be used now or

not in this first composition of the new album, which we will now hear, no, it was, it was used in the first composition that we played today, dear friends, what will sound now is the announcement of a record by the group cartel fpm, you need to buy it in a local pub, pub, if there is such a first composition, then the rest will be the same, and we will listen to what it will be like.

right now there's no point in leaving this down, i've been trying to change, trying to find my style, try to bring it up, think so

you can be installing our cloud, what's with your mind, try to leave your own life with all your mind when white man

no no matter what we say we can try and stand reaching the new heights this is my journey my own de all right

in the anthropology podcast, the first guest is the group cartel fpm. it’s interesting that these very young musicians play so classically, they probably don’t know that there were wonderful musicians in russia before them, you know, everyone is in obscurity, well, not all of course, but the majority, do you know why? they also released records and dug them up somewhere.

difficult question, at the moment the market is developing, it seems to me, underground, we consider ourselves fighters for the underground, what is your usp, unique selling proposition, i don’t think we have found our identity yet, we are searching, of course, we are still not ready, i think so, not in terms of skill, skills... from the point of view of the idea, not ready to compete from the attic, you know, where she was sitting in a tower of black, what’s her

they pulled him out, disturbed the genius, and she doesn’t even know why she’s singing this here, right? well, this is creativity for me, music is absolutely diverse, it’s very cool when it’s different, listeners have a choice, and it seems to me that such a choice, if there is one on our market, it’s just... wonderful, it’s a special mood, it’s special. what kind of mood do you expect from the cartel fpm group? each song has its own vibe, it has its own immersion. vibration, yes, your mood, sadness, for example, here i am. it's more lyrical, it's romantic, and i'm sure a lot of people will like it. this song is more driving, more rooty, or what? it will resonate in many people who, for example, do not allow themselves to express themselves. somehow, and he listens and starts moving, that is, music is just a vibe, it’s a vibration that makes a person move, we mostly listen to it in traffic jams, so he’ll sit behind the wheel, he’ll

sit and move, yes, yes, yes, yes, live, bench press - this is the perfect music for traffic jams, there is a phrase from one of the characters in the film sean, where sean plays pen, called sweet ugly, woodial filmed where he says that music is for everyone, for stupid and for smart, so... yours is not for stupid, for smart and fools, i know, for stupid, i remember letzelin's first interview in sixty-eight, i think what it is, the plan says, so we are the only music that cannot be visited, like the beatles, except of course, glass onions and helter, you can visit everything, you can’t visit you guys, well, by the way, lazplin has his own fate, let, let everyone decide for himself why he will listen to it, it can literally highlight any part of life, any music. in general, ours too, it seems to me that this is a stuffed horse, why? and this is our, so to speak, talisman, and you don’t put it on your head, of course, this, this is

great, gentlemen, it will blossom the next composition, which is called that, plush horse, the working title is, roots, oh, it will be on that record , which i’m now convinced our viewers are waiting for, it will be on this record, of course, well, let’s, that means, now we’re listening to another composition from the new one. time keeps on flying away again, can't have the hunger in me, i won't lie, tell there is any guarantee oh my god fly time keeps on flying away that's all right

-

i really don't want to socialize i need to people skills getting thrown aside they say i'm so deprived i say hope the opposite of matters of mine wanted to hold the mic but my interface died so i can't focus right so at the moment i'm opening my own demise on the right pup i long be lost to the songs you got ch of course it's me it's not the scene but from what i see i can't help but feel quarantine, i know i probably want to still got a dream, but now everyone flickers in the bad lies, back when we were still interested in landlines, i used to see my cousins ​​every christmas till my grand died, lost faith on the incle in the mankind, now we all victims of a dance, i went to my homeies baby, don't worry i know that you

got. me if you were worried about i went to with don't worry.

no this, nothing hurts as much as the stolen heart, when you're not that smart, the down that god never this before, can't allow it anymore.

it was more easy for us, for us, for us, for us, don't leave, don't leave, don't leave, don't leave, don't go, don't go, don't go , don't go, can't stand, can't stand, the thought, the thought that you might be. go on, go on, go on, go on, go on, go on, go on, yeah, time keeps all the way, again i

well, ladies and gentlemen, this is what the meeting on the midnight st. petersburg express leads to. tell me, besides the carriages of the petersburg express restaurant, where else are we we can hear the cartel group fpm. but it

is presented on all platforms, but you can type it in immediately, yes, on the fpm cartels, dear friends, then you and i should try to track the public appearance of this brilliant card team. brilliant musicians will continue to delight us with their exceptional musical skills. it was the group cartel fpm. thank you for your attention, see you again. hello, this is a podcast of witnesses from einstein and its leading film historians natalya ryabchikova and stanislav dedinsky. we talk about

favorite, half-forgotten, forgotten, perhaps completely unknown soviet films, about who filmed, made, watched them. and today we will talk about one of our favorite actors, who would have turned 90 years old. he just recently left us, this is, of course, alexander shirvint, we will talk about, in fact, why we call him great, although in films he mostly played episodes, small roles, indeed, you said, a great actor, when i try to remember his roles, i always remember him himself, that is, we remember, here is a film where shirvint played or oh, look, shirvint, and this applies to absolutely any films, like the films of eldar ryazanov, where out of friendship he agreed , without any auditions, to play roles.

a boy who knew a lot of people whom we now call great, yes, someone was friends with his mother or worked with her or knew his father, anastasia tsvetaeva, daughter of marina tsvetaeva, came to them, for example, this atmosphere is so creative, of course, which

could not but influence the child who ran away from school in childhood to go to cinema to watch a repeat film several times in a row a day, a film like tanker derbent, as he recalls. yes, the same cinema for the second film, in the building of which today the uniket gate theater is located, then, in general, it was one of the most famous cinemas in moscow, which existed even before the revolution in this building, well, somewhere where now tartas, right at that very crossroads, it’s actually located, and it was such a place, one of the main cinephile places, because the life of the film is not long, yes, here kitor film allows you to watch all the old hits on the big screen, today, of course, there is no such problem, such an already forgotten selection of paintings was the first paintings of alexander shirvent shortly after his graduation from the shchukin school, but he began quite cheerfully, in general, although by accident, in

the film “she loves you in 1956, he plays the second main male role, the first main role is played by a comedic, sort of romantic protagonist, georgy vitsin, the second one was supposed to be played by mikhail kazakov, but he couldn’t, but he couldn’t. invited to play the role of hamlet in the theater, well, how, how? of course, you need to give up the role of some pop singer or philharmonic singer and go and try to play hamlet. everything fell apart there, he didn’t play hamlet then, but the role had already been given to him, to his friend sasha shirvint, who appears for us on the screen, first in a photograph, and then on television, which it seems to me somehow even predicts his future career . naturally, he doesn’t know about this yet, but we, looking at this film,... can somehow imagine, and he’s quite solid on screen, although it’s clear that it’s not a real singer singing for him, he falls into this genre comedy stream, yes, but the second film is completely

different, it’s a romantic drama by mikhail kalik, boris rytsarev and olga ulitskaya, which it was called ataman codr, in moldova the film was shot in retro 19' a couple of years later. century, there they generally replaced his voice, re-voiced him, there he is shirvint, but not shirvint, usotsky was also re-voiced in the first couples, today it looks strange, in general then, probably, but... everything was unpleasant and it’s unusual, but young shirvint’s letters to his wife from the set of these first films have been preserved, they were published, so we actually know about them, where he is very worried that this is some kind of endless red tape, that he can come to the studio, for example, to the pavilion and he won’t be filmed during the day, his turn won’t come, and he was a little disappointed with these first shootings, the fact that the film crew is made up of different actors,

in general, you really are boiling in the same cauldron all the time, although the main thing, the main thing is still to find his own theater, he didn’t succeed right away, but from shchyukinsky he came to the film actor’s theater for a year, and then he was in lenkom until he found the theater with which his name is most associated, this is the theater of satire, but before we’ll get there yet, but we, the audience, maybe we haven’t seen these earlier films, viewers of later decades don’t repeat them so often, for us shirvint appears. on the screen in the sixties, yes, and there he shows himself

as a brilliant master of the episode, the very case when the actor does not need to carry himself, wait for the entire shooting period while the film is being created, several months, six months, and you could shine in a short excerpt, and then, in fact, do your favorite theatrical activities, probably the film that first comes to mind today is when we talk about the wider sixties, this is of course one of the hits of the soviet box office, once again about the love of georgy natanson, let's watch an excerpt so that we can finally admire shirvint, great, fathers, hello, translators, fresh, how are you living, felix, i live, i could live mother and better, i wouldn’t fall apart, you know, what a story, you and i are paid too much in wages, but i generally believe that... a true scientist should receive extremely little,

he should work for the sake of enthusiasm, maybe i think wrong if i i think it’s wrong, let my older comrades correct me, but why do i always want to say nasty things to you, toptygin, why would it, i think, for the rain, everything is much simpler, you eat a lot, evdokimov, but what is the dialectic of life? the dialectic of life is such that horses well-fed, they beat their hooves, “what a beautiful, simple name for a soviet scientist, here he appears in the film for the first time, he appears again later, and he is part of this accomplished gentleman, on the contrary, there he is more likely to be accomplished, she is married to it didn’t come out, in general, yes, part of the past life of the heroine doronina, for whom the present is precisely the hero of alexander lazarev, but now he appears here for the first time , everything, and we already understand what kind of person he is, how he is, what he is, by the way, the voice, it’s not for nothing that we said it was the first.” films, then for they sang it, then they generally re-voiced it,

to what extent the image of shirvint on the screen is connected for us with his velvety, so voluptuous, so mocking always, as in general, his signature, signature card is his voice, his charm, is largely built on these intonations, despite the fact that when he studied at shchukinsky, he had to do exercises to say sha-cha, these hissing ones, the man did not pronounce his own last name, in fact. yes, by the way, he doesn’t write about this, but in general one can assume that he even wanted to change this surname, and he acted at the variety theater for some time under the pseudonym at the very beginning of his career, alexander vetrov, or was it just a simple pseudonym stanislavsky, in fact, why stanislavsky, because well, personally , i fell in love with shirvint when i watched it for the first time a long, long time ago, a film come tomorrow, about a simple russian... singer frossya borlakova, a girl from siberia who comes,

absolutely naive, to moscow to enter a music school, and, being late for exams, she accidentally runs into her in the corridors of this school with two idiots, loafers, who introduce themselves to her as stanislavsky and nemiroevich danchenko, he says: yes, yes, yes, i heard about you somewhere, but i thought that you were older, and sherwin says: yes, yes , well, everything happens, everything happens. in general, uh, yuri belov and alexander shirvind play two, well, lovers of practical jokes who deceive, and, in general, treat quite cruelly.

initially the script was called again about love 104 pages about love, it was a play by edward radinsky, in fact it was production by anatoly efros, where he played the same role, shirvint played this same felix, so his confidence in this role is also based on the fact that he played it many, many times, in fact. at this point, by the mid-sixties, he is in moscow, at least a real star, and it ’s not even about the cinema, that is, definitely not about the cinema, or even not about the cinema at all, not even about the cinema at all, it’s not even about the theater, but it’s about skits and it’s about various anniversary special performances and parties that

played at the actor's house, what mutated into corporate parties then was still such fun entertainment for the whole... collective there , kametograficheskogo or theatrical skits originally appeared at the turn of the 20th century, when the actors themselves, as if relaxing, all got together and they portrayed something completely out of character for them, yes, when acting on stage is not work, yes, it’s all about pleasure , and sherwin comes to the actor’s house, where such performances are regularly staged , such as the topic of the day or new year’s let's say there are performances, and it turns out to be incredible. and there he begins to hone not only his ability to create an image for 5 minutes, but also his ability to write it and stage it. well, i would say that this is such a direct predecessor of modern stand-up, because shirvin interacts with the audience and with his interlocutors on stage, he has a permanent partner,

thanks to whom, in general, he also became famous on television, and in company with derzhavin. yes, shirav has such a great duet, about which it’s like, well, path and shtepsel was always known on television in the eighties and before, of course, by the way, for doropunka and shtebsel , shirvin also staged numbers, we are now talking about stand-up, once it was called conference, well, that is, stand-up is a person who seems to hold on for yourself and the whole room, and the conference is the one who talks in the hall between the rooms, yes, but there is simply. legends of such an entertainer, with whom shirvent also communicated and worked, one can say that raikin at some moments acted as a performer, cliffs, yes, that same one, the same trap and plug, and shirvent, by the way, even invented some of these comic characters, comic old women, comic

old women who continue to live in other other guises, i even had a record in my childhood, veronika mavrikievna and... i forgot how complex their names and patronymics are, that the actors change, who perform, that’s the type itself, two comic old women, they are still preserved, in my opinion, like nikitichna and veronika mavrikievna, memorable incredible, but here's shirment, he came up with this, yes, this conversation with the audience, again influenced our perception of him, it was always quite difficult for him to transform, he did not like to put on makeup, let’s say for roles, right? he said that there are simply different types of actors, that’s what he is like, once in his youth on stage he portrayed some kind of passage to lenin in some play, something like that with

a beard, that’s what his very top said his transformation, in principle, in his career is always a little broader, always a little bit this... this ironic attitude towards his the character is visible, but he said, there is such a wonderful actor as anatoly popanov, and so he spends many, many hours in the dressing room doing complex makeup and then the scene comes out, i’m not like that, i’m always about the same shirvint in the proposed circumstances, yes, in general , we really see him on the screen in approximately the same way we see shirvint, whom he puts in some conditions, then he somehow gets out of it, well, he comes up with a character, but give or take. it's always like it 's basically the same actor, no matter what the roles he plays in the film adaptation of three boats, not counting the dogs or the most charming and attractive ones, we remember that this is really... our beloved alexander sherwin. this is a podcast of lisenstein's witnesses, hosted by film historians natalya ryabchikova and

stanislav dyadinsky, we continue the conversation about alexander shirvind, who would now be 90 years old. we mentioned mikhail derzhavin, with whom he created a wonderful duet. uh, they've known each other since their youth, they were born in the same maternity hospital, and they spent the summer months together in - dacha area, dacha, i don’t know whether it was a cooperative or not, but in general, what was called the nile, science, art, literature, orenburg once lived there, well, in general, this has been a community since the thirties, yes, summer residents, and this ability to communicate with a partner, it seems to me, this is also what shirvint was incredibly loved for, and for directors, he was incredibly attractive, because he responds to his partner, yes, he works with him interacts and... when, for example, derzhavyan could not participate in some of his next written duets and skits and

numbers, then he could perform with andrei mironov, whom he also knew, by the way, mironov studied with him at school, yes, it must be said that shirvint is less, less known to us, as a general audience, as a theater teacher, he complained somewhere that he was probably the oldest theater teacher in his class.

they are filming in the kaliningrad region, they are making up the residents of the kaliningrad region to look like englishmen, shirvin thinks that’s it, horror, horror, nothing will work out, there will be some potemkin villages, on the screen it turns out that everything it works, yes, everything, everything works out, this is one of those roles that are called his main roles, because in principle in this film he actually played several roles, they all play the scenes that the author describes, this journey with the dog along the thames, there are also wonderful insert numbers like this, one of which we can watch,

my beloved gentlemen, now i will perform comic couplets, thank you, comic couplets, comic couplets, lovely, i haven’t started singing comic couplets yet. and this is a charming mission for me inspires, thank you, please, sir, sir, these are comic couplets, comic couplets, stop, do you really think that you can listen to comic couplets with such a sadly lean face, i beg you, go out with him, into the garden, with whom , sir, with a face, yes, but it would like to...