is precisely obesity, the sun has rays, here is one of the rays - these are cardiovascular diseases, in addition to obesity, a person will have carbohydrate disorders, prediabetes, there is increased glycemia on an empty stomach or after eating, diabetes itself and some other then there will be trouble, this will be a violation of the lipid cholesterol profile, and our fats are in the wrong balance, and this will contribute to atherosclerosis again and... cardiovascular diseases, this is an imbalance of sex hormones, androgen deficiency, it will be followed erectile dysfunction, reproductive disorders and so on. in women , this is polycystic ovary syndrome, which very often develops against the background of overweight or obesity, this is a disorder, you and i often discussed this at one time, of purine metabolism, that same gout, yes, hypericemia, high levels of uric acid, usually due to fat. birth of the liver is now raging,

this disease is progressing, hepatosis, non-alcoholic fatty liver disease and there is the highest uric acid, and for followed by arthritis, arthrosis, urolithiasis, this radiance, it will only increase every year, and unfortunately, it does not illuminate a person’s life with health, on the contrary, so when we start like this, literally, as you know, in a rusty pipe from... which flows from all sides, closing individual holes is, of course, a necessary measure, but initially we need to fight obesity, let’s remove this solar disk, everything else will crumble like a house of cards. well, zukhra, it was very interesting, thank you very much, i was with you podcast deception of substances, my name is olesya nosova, i am the editor-in-chief of komsomolskaya pravda, the famous endocrinologist was with me, zukhra pavlova.

this is a podcast of mount fire and i, its host denis gorelov, with a story about the ninety-fifth anniversary of our great compatriot, vasily makarovich shukshin. vyacheslav alekseevich pietsukh, editor-in-chief of the magazine, called vasily makarovich the last genius of russian literature. youth, which did not have too much popularity, but a very good magazine, this i answer, i read him, that’s exactly how we will, strictly speaking, regard and talk about this man, not as outstanding, not as bright, not as significant, but as the last genius of the russian word, quite comparable to the bas-reliefs of our great compatriots studied in school, first of all, frankly speaking, with anton pavlovich chekhov. despite the rather

striking external difference between the long, bespectacled chekhov and the squat, stern shukshin, they had a lot of fundamental similarities, and both of them survived only up to 45 years old, the czechs even up to 44, and they died not from some terrible disease of misfortune, but simply from wear and tear of the body, from excessive energy consumption, which both spent and... in half seriously, both had side professions. chekhov was a highly respected and practicing doctor, shukhshin, an equally significant, important cinematographer, and at night, instead of resting, he sat down with a cigarette and wrote stories in a student notebook for 3 kopecks on 12 sheets, with a ballpoint pen, his contemporaries talked about this they said chekhov too. shukshin

knew great fame during their lifetime, both were very popular for their literature and their side specialties. both were grandiose womanizers, biographers don’t talk about this very seriously, but before they threw in their lot with their wives, both vasily makarovich and anton pavlovich had a very large number of adventures in various interviews, even such... a female favorite as nikolai yuremenko junior, said that before the race in width vasil makarcha and nikolai nikolaevich gubenko, he still has a very long way to go rattling and rattling, but about chekhov, too , has a lot of interesting things written in american biographies, not that this is the most important thing, but the main thing was that they were both geniuses of small forms, both created a gigantic cosmic reputation for themselves on small stories. both of them were worried about this. chekhov,

many said, set his sights on a great novel, because he still felt some imperfection in his reputation as a writer, but he never wrote it, limiting himself to plays. shahshin wrote lyubavina’s novel, this novel added nothing to him at all, the novel did not become great literature, unlike from small stories written down to the last line, to the last letter, probably people who work with a phrase to such a precise degree, and should not write over the long haul, a novel...

a story that he filmed himself or allowed others to film, even and to such significant people as karen shakhnazarov and viktor aristov, they were still not such a big event, such a significant stain in russian culture, as his stories themselves, his heroes were unsightly, the circumstances of all sorts of events taking place quite cartoonish, my son-in-law stole a car of firewood, they categorically... did not look good on the screen, the value of his literature was in the special construction of the phrase, which, of course, could not be conveyed on the screen, therefore, by the way, his films, at least had a relative success, not a single one failed, with, mm, the payback bar of 10 million

tickets purchased, his film was balanced between 13, 15-17 million viewers, that is... they were a success, but quite a success, consistently ordinary, with the exception of the last picture , kalina krasnaya, on which shukshin is completely clearly understood that for cinema it is necessary to write separately, that the script is subliterature, some verbal delights need to be more or less calmed down, on the contrary, to seriously study the history of the plot structure itself, this is for him in the end... his wife, under her own name lidiya

nikolaevna, he periodically visits the screen showed his daughters, rosy tumblers, he really liked that he himself was oily, and his daughters took after their mother, after all, they were like that. lively, not gloomy and finishing the stoves of the bench, he is actually a documentary frame, everyone remembers the hero himself sitting, the hero himself shukshin stands at the edge, finishes his smoke and says: that’s it, guys, it’s over, in kalina the red theme was different, the mood was completely different and the picture broke all popularity records, and it was watched... 62 million viewers in the first year of release, and shukshin became winner of the acting competition of the soviet screen magazine twice in a row in the seventy-fourth and seventy-fifth years, the competition was an extremely significant event, after all, the soviet screen was considered by millions of people, and

they managed to win the acting competition twice in a row before it only doronina, in sixty-eight she became the winner with a film once again about love and an older sister. he was extremely reproached for all sorts of side activities because of carpentry for his service in the army and navy. for cinema, because of the directorship at the school, he said that all sorts of things, this is the traditional rule, that a writer must study life, this is all the rule for mediocrities, for workers of the pen, and that’s why a writer is a writer, that he knew life perfectly , without any life

chatter, pushkin frankly, let’s say, not very chattered in life, somehow he found for himself what to write about and how to write without any, without any special... then after all , the author has his own will, and we can’t force pushkin to marry marina ivanovna tsvetaeva , and not on the empty flowering of natalya nikolaevna goncharova, and shukshinn clearly liked to act in films, you can see it on the screen, and he liked to drink, and he liked to roam around the female sex, uh, in this way he somehow arranged his life, he did what he could , that’s why we’re discussing him now, it’s him, and not some... pyotr petrovich. pietsukh, he probably understood this very well himself, he devoted entire volumes to russian desire, but

still, like any normal reader , he was very bothered by the fact that the great author took away huge hours from his desk, shooting in often quite empty-colored pictures like by the lake. sergei polinaevich gerasimov. he wrote that they were filming there.

there was such a moment in shukhshin’s attitude towards the church, usually still very restrained and respectful, but he never forgot anaferazine, he had a difficult attitude towards the church, as well as everything he wrote about, towards to the village people, perfectly understanding the various tricks of the villagers who were either imprisoned, or are about to be imprisoned, or are not sleeping at night to teach this? in order to sit as long as possible in places that are not so remote and towards the country towards socialism, in

general, the attitude was complex and varied, that’s why he, strictly speaking, is a great man, as for razin, the motive of this hero was sure to sound in all his films, even though a little touch, even a dot, razin was always present, in the film there lives such a guy, a guy who was for shukhshin debut, pashka kolokulnikov... 30, probably starts singing a song, the side throws it onto the proper wave. in the film, your son's brother, the middle brother of the volodin family, who in the last month of his time in prison suddenly blew himself up and fled to his native land, is called stepan. considering the extent to which this name was important for vasily makaravich, it is absolutely clear that it does not appear here by chance. there are strange people in the film in the last story. the hero, a woodcutter, hews out

a figurine of razin from a cherbachka at his execution, he doesn’t like it, he burns it, razin, in fact, the wooden razin burns like in the fire of the inquisition, in red viburnum, grandfather father-in-law says to yegor prokudin, i see you are a robber, stepan razin is also for me, even in the film pechki-benches, where on the screen... razin is not it turned out that there was a moment in the script when the hero’s wife, lidya nikolaevna, dreams of her husband in the guise of stepan razin with a drunken ball-ball, she gives them all foam in a dream, and then wakes up. this was not included in the picture, but it is clear to what extent this motive worried shukshin. shukshin k this role.

razin obviously wasn’t, and in the novel it was written that he walked with his toes raised up, as stepan timofeevich razin himself walked, we don’t know now, and hardly any of his contemporaries. i wrote about this, that shukshin himself walked around with his socks in his raskoryak, everyone remembers this very well from the film kalina krasnaya, from the way yegor prokudin goes to hit visiting correspondents in the neck. well, everyone remembers, the thieves came to him, introduced themselves as correspondents, he was just walking with his toes to the sides, probably still fighting with a saber, practiced, trained so as not to look like an amateur in action scenes, while the script was constantly rejected for him and sergei fetrovich

bandarchuk himself explained all this to him, he said that the gorky children's and youth film studio, to which... they still won't be allowed - bondarchuk said, “i ’ll launch it. ” bondarchuk was at that time the creative director of the first creative association of massfilm, that is, in fact, given that massfilm is a concern and a full-fledged hollywood, he had his own film studio at hand. however, in order to in order to launch such a powerful, expensive production, it was necessary to prove to the financial

authorities their commercial viability, and bandarchuk offered to film it. well, something cheap, but at the same time, so that the film would pay for itself as many times as possible, that is precisely why, in fact, shukhshan was forced to make a film about his contemporaries, and not about stepan razin, not because stepan razin was a less nice manager at the top, than its contemporary, simply because it’s cheaper, in the first season of the new season, a woman is killed, and what the hell are we talking about? let’s say you’re a mole, you’re wanted, there are leads on you in all parts of the soviet union, and no matter how good your preparation is, sooner or later you ’ll still be identified, and this is a mortal danger,

or you have a second very well thought out the option of escaping abroad, well, of course i would run. what will choose the moles, that's the question: be careful, i'm always careful, major, find the head of the security service, have him urgently report to the control room, and mobilize all our employees, everyone you can, the whole version goes to hell, the man had a stutter and suddenly speaks like cecerone, i really hope that you don’t have to blame yourself for not wanting to help us. you are a very good shooter, hello, colonel kostenko, confrontation, premiere based on the legendary book by yulian semyonov, this is a podcast of mount fire and me and

its host with the story of the master’s eleven-fifth birthday. yes, again there is talk that he was not allowed to film something to save money, i think that this was fully part of the task, to film it as cheaply as possible so that the result would be amazing everyone, first of all financial directors, what happened, kalina the red was watched by 62 million people in the first year of release, of course,

62 million viewers is not 62 million rubles. the ticket cost 45 kopecks, the most expensive. many everyday details, some everyday customs and rules came to us from the zone, the words goat and the phrase “i’m not the last, i’m the last”? and even during the showdown i understood the question, of course, they have a prison genetics, it’s there that all sorts of local comrades

intimidate newcomers with a hairdryer and periodically ask, did you understand, at least you understood that i i promise you, plus, there were enough frankly zonal features, a large number of people passed through the camps, and not at all for political reasons, as a result... any picture that had at least a fragment in the zone enjoyed limitless popularity in russia, which shukshiny played on, all of his initial episodes of kalina krasnaya take place in

prison, many details were bypassed by the editors simply because the civilian editors, who had never been to prison , could not understand what kind of hints shukshin was launching there, understandable to a huge number of veterans men in the hall now.

and if a person decided to delve into the black earth, then for god’s sake it’s his personal business, but it just so happened that this desire to kill yegor, who had gotten stuck, was attributed to the bad

character of his accomplice guboshlep , performed, by the way, by shukshinsky’s best friend, georgy ivanovich burkov. shukshin was born in the twenty-ninth year, in the year of the great turning point, despite the fact that already at the age of 4 he became an orphan, his father makarleon. shukshin was shot in the case of an anti-collective farm conspiracy, and he was shot at the age of 22, that’s all shukshin was also a great lucky man, which says quite a lot about the country of his birth, if they had waited a little longer for his birth, severe collectivization would have already begun there with the taking away of all funds, they probably wouldn’t have given birth, and after four years there was no one left if only a little bit...

in the altai mountains, a 5-hour drive from mongolia , a national genius is born, capable of putting words into sentences in a special way and explaining people to people. this is a podcast of burning with fire and me, its host denis gorelov, with a story about the ninety-fifth anniversary of the great man of the earth our shukshan vasil makarovich. every writer had his own theme.

on the contrary, it was only the common people who knew in every possible way who disputed its apparent simplicity, and as for the complex ones, he only wrote that accountants are snub-nosed and governors are cunning, everyone knows this without him, but in fact he truly opened the door to village life, about which outsiders only knew that all the people there were singing and mowing all the time, and people from there were being prevented from speaking out... universal four-year education, according to at least among shukshin’s peers, more or less clearly in the village, fyodor abramov wrote earlier than others in his tatology “home”; from some point on, he and shukhshin were just writing in the same place, which village people were not supposed to love in the city of moscow. he described all sorts of special details of village life, unfamiliar to people,

firstly, money. usually it seems to outsiders that some kind of communism has already been built in the village, because everything is free, everyone who stops by is immediately set the table for the same, everyone also works for the same from genetic work habits, settle down, take the casing, go to the sinus, everything seems to be for free, but at the same time in life, of course, everything is different, constantly all the conversations in shukhshin’s prose are categorically about money, how much? is it worth putting in a group, how much does a priest get, is there any income in the neighboring village with meat or noodles, how much does it cost to take a taxi from the city and back, and that in old money, according to old prices, this is already a month of work, so the phrase “for sea ​​heifer-half-chick" and the ruble-transport was not invented during popular print communism, frankly speaking, they talk a lot about money in these parts, poor areas,

because... what else is there to talk about, secondly, they talk a lot about faith, with a clear register of all the injustices to the church, this is constantly noticed in films , then the half-submerged roof of the church in kolin red, somewhere on the horizon, then the too obvious whitewashed church vaults in the village club, in the film there lives such a guy, it’s absolutely obvious that the whole disco there takes place in the building...

and at the same time there is even some euphemisms are special, if usha writes that seryoga bored, this means that a binge is brewing, a major departure into binge drinking, and if somewhere it is written that you are worried, it means that someone is about to get a thorough slap in the face, well, of course, all this is not dry, one from very important pages of village

life it became... prison, the villagers were imprisoned practically one after the other, that’s where the zonian word actually came from, man, so the village was constantly imprisoned for all sorts of stupid things, either the horns were knocked off, or the fence was turned off by drunks, or the state-owned car was destroyed, there is and other habits, just in case , he is afraid of demagogues, in all... showdowns, to increase his worth as much as possible, subconsciously feeling that the price is still small, to constantly put on a hat, a hat is always considered a city hat, a fert is an honor, and again the habit of getting up at dawn, which rural writers are very fond of eating the eyes of the city, they say they keep waking you up, a normal person gets up before dawn, this was never

typical, he wrote at night and slept during the day, the city itself was a sport for him, so the habit getting up with the roosters had never been some kind of special village merit for him. another village peculiarity was that he was actually the first to knock out his patronymic name, he harshly said that in the villages they call vasily until the age of 20, and he was already vasily makarovich at 24, when he was the director of the school, so he categorically demanded that they called him by his patronymic, in general she publicly agreed, his name was vasil makarich, from quite... in his early years to also quite early 45 years old, not the age to it was not attributed to village prose and was not attributed to it quite rightly, because countryside writers, for all their talent, are people who tend to overeat,

close off their inner village world, idealize it, don’t let in the townspeople and are terribly proud from within, oh, how we have dissected the spiritual, that well, it was never a property. he valued and loved the village people, but he didn’t embellish them in any way, he didn’t harbor any malice towards the city people either, vasily makarovich was filled with real hatred just for his class brothers, the former village people, so this urban settlement, which has just moved to the city, put on a hat and is now eating the eyes of all the village characters, like undereducated people, unfinished people and generally people in... he was very much hurt, of course, by the tragedy of the village class, which exposed

itself to all collectivization, the entire, entire transition of russia to industrialization, its entire preparation for war, all of this was paid for with peasant blood later. therefore , from time to time, in conversations with even worthy and respected people, he lost his temper, a wonderful episode in pechki-lavochki, when the professor played by sanaev asks him, well, how is it in the village, it seems to be more fun, oh, what are you saying, shukshin says, we don’t know where to go from this fun, sometimes the whole street will start laughing, i just can’t save you, they’re cast as fire trucks, in general. .. he lost his temper, expressed his anger, they cast fire trucks, but he did not isolate himself from the city, he opened the door, and cleared a place on the bench, but he also

demanded a place among the city for himself, quite deservedly, he had a wonderful phrase: if you know how to rejoice, rejoice , you know how to please, please, so he, in fact, he was engaged throughout his 45 years, until the very moment he began acting with bondarchuk, they fought for their homeland, for this, too, the playwright, as i already said, was angry with him, but frankly speaking, vasily makarovich took up this matter not for some kind of mastery and so on, he needed to adopt from bondarchuk the most important talent, which sergei fedorovich possessed better not only than anyone else in russia, but better than anyone else. in the world, it was not for nothing that they took him to film waterlow, he needed skill, control of huge masses of troops on the set, it was necessary to know who, what unit to assign the task through

the commander, when speaking with all the troops, to whom to attach the least, to whom they would understand anyway, in general, it was a science, a special craft that bondarchuk mastered, and shukshin wanted to ... believe the production razen mastered too, the filming was special in the steppe there were no more or less decent hotels with hot water in the foreseeable visibility, they settled in villages, they still decided to refrain from this, one of the smart ones - indeed serious people, came up with exit, drive a chinudon into the corner - a pleasure boat, on it, in fact, the entire film crew settled, so one morning on october 2, the best friend...

at the end, the stove became the basis for two of his best monuments, one stands the same bass sitting here. .. on the territory of musfilm, the other in splices in his homeland. i can only finish this whole story with the same phrase: that’s it, guys, it’s over. this was the podcast of mount fire and i, its host denis gorelov with a story about the ninety-fifth anniversary of the last genius of russian literature, vasily makarovich shukshina. in 5 years it will be 100 years. let's meet again, all episodes of the podcast woe

by fire can be found on the channel one website. hello, dear friends, our meeting today has a backstory: the st. petersburg express rushed me from the fields at night. st. petersburg economic forum home to moscow, i went out to the dining car, did not sit in the sv, where i was supposed to be, because no one would just meet anyone on the st. petersburg express, and there i met zhenya malemanova, here he is sitting, you you know this brilliant drummer, you remember, we had as a guest the brilliant team of zventa svintan, who throw russian village chalk straight into the cauldron where polyrhythmic

fabric floats, well, fantastic, what kind of people are these? we'll talk after they give you a business card, i'll just say that this is the fpm cartel, that's right, let's do it. like a dilla got to touch with my soul trading south near the bath down the rockies

roll life is nice qu when a monopoly doll the probably grown and value so i got to have it i see the way the people get treated it's problematic they're ready to save the fan failer systematic but when i felt it my eyes melted the selfish i constantly properly all the helpish never to my team green make team green like celtics the wonder the make and they always they showing tell us though history are they from

with weather come to waste the dirt from my skin, come to clean my hands and my mind so my heart can begin, it start over new revolution, the clear sky hit the by blue resolution, raindrops tripping by my window, i wait until the pain stops cripping, my brain stops slipping on the sink i lay up the head stop drifting so up to catch. these are dear friends, the fpm cartel, and we will ask mr. malimanov, with whom it all began, who are all these people, zhenya, where did they come from, what do you play, you won’t answer right away. modern hip-hop, we call it, i guess, i don’t know, it’s arthouse

music, we’re experimenting, we’re putting together a lineup, why is there such a beautiful lady standing there, and a completely different person is rapping, why then why do you need her, well her finest hour will come, of course, yes, but this is a fantastic boss, where did he come from, kirman, albert called me, i came straight from uzbekistan, why not without a fretted bass, well, in this music a fretted bass is more suitable. well, of course, well, gentlemen , the most, most intelligent person in any team, of course a pianist, well, because he is the only one who usually has an education, while the baromachka never has one, that means.

well, who else? no, the guitarist also sometimes writes, but this is santana, if, what santana, if jos kofil, then or mahavishin, well, it ’s not mahavishin, it’s palobabkin, you’re not bored playing with them, no, of course, look at what, what a colossal machine, well , i would have cut it down, otherwise they won’t give it, they’ll give it, they’ll give it there will definitely be more, go through whatever it is, in the next song the guitarist will at least find a place for himself, or he will go through it again, that’s the joke here. that everyone has their place, that’s how it works, let’s see, this is of course a brilliant singer, but of course we’re sick, i’ll ask, because well, this is nothing more than some kind of house-building, will you sing something in the next song

? got on the air in another form, those who wish can find it... on the platforms to listen to it, here, but we will play three other songs, they have not been released yet, they are just freshly collected and now they are in the process, well, the studio design is being done, that’s one of these, this is exactly the name of this lady, her name is gala, why the group is called cartels in pm, you will find out only before the next song, now let's enjoy this one.