tv Fantastika 1TV August 16, 2024 11:45pm-1:31am MSK
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girls are different, each has her own talent, you can't argue, but you noticed that she has pyjamas in trubodur, well, she's a true fan, a collection or a sword, it's just hidden advertising, i would just like to say, not just lovilasya, but a mercantile lovilasya, nothing like that, i would just like to say, hold on to this fan, because... i was generally upset, because i am for the beautiful young men to find their true love and for girls to find their beautiful ones, yes, i agree with daria, as you have united so much against the trumpeter, stop this trumpeter nonsense, it's time for you to get married, sir, they are jealous, they might also like to dance in fashionable pajamas.
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fire, and can you order such pajamas, you said that this is hidden advertising, so you probably have a pajama production established with the trumpeter, everything is correct, yes, this is branded merch that we sell and sometimes buy for animals, great, i would like a copy of your wonderful merch, i really liked it, for money, yes, what, you don't understand, dear trumpeter, who would you like to sing a duet with, srepenok, srepenok, well no, why not, and by the way, do you have the same?
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many tv viewers will agree with me that one of the main female fears is the fear of seeming funny, you know, coming to a party in the same dress as a friend or singing in karaoke on triballa, in my observations, this heroine of our project definitely does not have such phobias, she is not like anyone else, and she sings so that only her rival becomes scary. girl, spark, storm, hurricane, they believe that in the horoscope lacks the sign "star", only it suits her, a dreamer and inventor, who can turn any musical fairy tale about herself into dust. regularly throws
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maybe a fairy tale, maybe where can we meet, tell me, how many between namila, where, where are you, tell me. frozen, weeks, weeks and when, weeks, flew, no one knows where, weeks, weeks, we are on the way with them, to repainters, to find me, in the zaparam! we are pages of different books, we are heroes of different years, different years, look, look, look, the rollers are going, i will draw in dreams,
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here she is, daring, listen, i'm so glad, that's why i came here, so that you dance, so that i give you a great mood, thank you very much, come to you, it was so nice, thank you very much that you danced with me, well, you are our vitamin. by the way, pay attention, for safety, she is wearing a helmet, yes, i wanted to too, wait, wait, did you even notice
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what tricks i did, we just i broke all the world records, not a single skateboarder has done it can't do it, hit her head, peppi. you are so proud, independent, therefore, daring, and sometimes rude, but that's okay, did you make friends on the project, because, as it seems to me, this project is also for finding new like-minded people, new friends, to come up with something cool together, or are you still a lone robber, well, yuliana, you've upset me a little now, and me too, i thought you were my friends, but we didn't know that we were your friends.
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i don't care, the main thing is not me, everything is right, i don't get it, i have everything cool, and what would you say in your short speech if you won a gold medal at the olympics in skateboarding, oh, i would thank the universe for making me so cool, that i won, who could be such an eternal girl, who is it, it seems to me, maybe the singer maxim, the eternal girl, wow, and i'm still sure that it's klava koka, oh-oh, i'm already confident. and such a cheeky, cheerful one , this koka, or maybe it's, for example, liza
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arzamasova, by the way, a good option, liza she sings beautifully, and is a wonderful actress, she is so herself, yes, she is so herself, she has such a childish, cool energy, she writes cool books for children, so why not, and she raps, and you will find out about this in the next issue, fantastic, and we will find out about this from ilya ver'. yes, i will think, maybe the actress who voiced cheburashka is hiding here, this is the first version, the second i thought, maybe it was katerina shpita, yes, by the way, she drank, cool, well yes, she katya is also so cheerful, yes, very, oh, i like your reasoning, of course, i liked it, so, well, and we will not ask our dear pippi which version is closer to her, because we do not ask anyone like that. although let's ask, who is closer to me masha rasputina, what a turn of events, masha
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rasputina, wow, an eternal girl, that is, she remembers everyone, that is, i think so, that is, she is clearly not a girl there, but here she screwed up, you got caught, pepe, maybe it was elena malysheva, by the way, she reads rybchina. herself in the program, and elena malysheva always has, she always has, hello, dear friends, elena malysheva, she always has a character, these are some organs, today our guest is chickenpox, look, dear friends, yes, it was fashionable, bright, magnificent, childishly cool, despite the fact that the closest is the march of raskutina, this is our magnificent booty, goodbye, dear friends, goodbye.
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famous favorite artists gathered at our table, who will tell funny stories and curiosities that happened to them, forgive me, i accidentally broke this new vase, don't worry, no such, it is already new, it is only 200 years old. "i invite you to the program, i need to play the queen, i think, but it will be some piece dedicated to honey, i come, so the next day of the uprising on all the makeup costume, one of the women brings me such a big velvet circle, she has two things hanging from the sides, these are the ovaries, she died, how was this cry made by herman"? bending over with a fork in his hands, approaches nina ruslanova at that very moment he sticks this fork into her ass,
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she does and it sounds stop, cut, ruslanova just rubbing, he says, i didn't know that directors work with actors like that, askold zapashny told me, a long time ago there was a soviet circus, a tiger grabbed a father, he quietly tells them, askold, take a stick now and hit him on the head with all your might, and now the tiger. tomorrow after the program time. this city is called the gateway to the north. a special, unique way of life has been preserved here, which is dictated by difficult climatic conditions. many people come to this city to see the famous polar lights. we are in arkhangelsk, friends. the most important thing for pomors, so that it was practical. what kind of wood is preferable for building a trap? the kind of wood that grows. why did they add salt? in principle, our region was engaged in salt production, so they added it everywhere, my grandmother
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added it to regular coffee, even to dissolved salt, she says that it tastes better and in our way, we wash the smelt, crush it with salt a little, chop the onion and add it there too, we take some bread and dip it, dip it, and how delicious it will be in pomor style, delicious, delicious, friends, very delicious, the life of our own, the premiere, as far as i i remember, friends, there are not many songs in the world that mention animals, but most of them are dedicated to our next participant.
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of all the virtual ones, like a true gentleman, he will always let a lady go first to see how she looks from behind. he has a large collection of perfume, prefers to be perfumed, not to be suffocated. don't look at him, he is so soft and fluffy. he has a steel character. sometimes even fluffy and long-eared ones want
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to you. in death with life, love of the passing, not one moment of god, you tell me the fortune of destiny, in the destiny of which the mistake is lost, the mistake is mine, i cannot accept the abandonment, it is impossible, purely my own. i do not know what to do, the mistake is mine what do you do, rabbit, rabbit, ten worlds, you live in the world, rabbit, rabbit, why do you live in the world, come, come.
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no, she has, she has, it's not a cobra, it's a maximum, royal, maximum, maximum setcha tepiton, oh-oh, today i'm a technobra, i'll ask, yes of course, it seems like everything is there, everything is great, but we've seen, yes, what it's like when not just 100, but all 150. there were his performances before, well of course, and i also wanted to emphasize your ability to confuse, and here it is another of the most important components, this is one of the main intrigues of our project, who is behind the avatar, and it seems to me, in this issue, well, you are completely frank, if i'm right. i finally got cheeky, finally understood, you revealed your secret, darling - this is generally
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one of the coolest avatars, well look how good he is, how i want to grab him, how i want to grab him by these ears like this, by these cheeks, and the people are shaking him, look, first oops, and then they got out of it, oh fox, fox, but as it seems to us, this is alexander shoa, the show is very recognizable to alexander's timbre and if before it was possible to somehow hide it, namely the timbre feature which is absolutely unique to me, it seems to me, in our music and in show business, 100% well, i. i will remind you of the previous season, my dears, when you were confident in a single impulse and more than once, who is on the other side of the digital image, all together they were wrong, here are your faces,
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which all viewers of channel one remember, i think that this season it could very well happen again, let's wish you good luck, even if not, wait, good luck to you, honey, but we still love you, thank you, thank you, thank you, it's fantastic, how often people of my generation older say, look, we grew up without any nannies, any teachers and nothing, we became people, everything is correct, only they forget that they were our teachers.
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it was a short novel, my love, it was a beautiful deception, playing her, the caravan of random days went far, where they melted. who now knows mikhalych yes it's fascinating so no one has ever joked like me and he jokingly put me in an empty carriage i jokingly left on the train at night beckons beckons beckons carousel in a journey through a closed gro.
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him, on the horizon for... the night platform was visible, where he raised his hand up in farewell, beckons, beckons, beckons the carousel, on a journey through a closed, gives, gives, gives, carousel, now hope, now an annoying separation, beckons, beckons, beckons the carousel, the carousel of love is an unfaithful girlfriend, beckons, beckons, beckons the carousel, but on she can't catch up with each other,
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so sadly pulled the strings so, no, he just saw daria, i really like that the characters who leave the fantasy project, get used to visiting our other characters at home, i would gladly shelter this little libanchik, who is sitting at the table, this tomato in red, this firebird in gray, this lady in a khatovsky dressing gown with pleasure, with
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yaana koshkina is a wonderful actress, but in my opinion she is not, no, she sings, by the way, a good version by vadim golygin, no, well if we are discussing such options, i once witnessed how varya sherbakova sings, this is a stand-up comic, you say so, as if it were something criminal, i witnessed, yes, no, she also sings very beautifully in terms of precisely a romance story, well, if a romance, then alexander malinin. yes, dear tomato, something you somehow, well, okay, a version is a version, respected frekkenbolzhaya, that in principle i can even be a leps, only the manuals are on
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the table, well, here she has declassified herself, no, no, i can be different, well, i can be completely different, think carefully, what, firstly, she is confidently moving towards her dream 3 million rubles are not far off, it was a fascinating number of an attraction of execution in general of course in this turbulent world frek is an island of stability, it is nice, gentlemen, i love you, i love you, it is mutual. our next participant is performing so successfully that i have a suspicion that he called upon artificial
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intelligence for help, or at least cracked some code and gained access to a completely new sound, meet our music hacker ayfiha! century, only his brush is a keyboard, creates with the help of technology, knows how to clear memory so that only he remains in it, has been to the most secret corners of the family. web, is careful with visual experiments, one mistake can destroy the entire database,
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last time everything went pretty well, the choice of composition suggests that it could be someone older, some not so young person, it is definitely controlled by a music lover, i wanted to know, where is this button that needs to be pressed, everything is implemented, if we all knew where this button is, life would be much easier, i prepared a surprise for one of the jury members, let's see how she reacts to it.
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millions of years look at us, will share faith in us on you, we hope, the sun of protection, you and i are not orbits, let us not know the same or news, what kind? will be, but it will come out, like wind on water, and the world will not even dare, to put under doubt, this warmth, and the taste, of our bright miracles, millions of years look at us, i lead to us, we...
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in general, wow, in my head such, what a familiar song, yes, yulyana, well hello, you are resting here alone, all that was worth it, and what? well, very-very nice, in fact, of course, i did not expect it, i recognized this song exclusively by the lyrics. because you reworked, redid absolutely everything,
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including the melody, and this is a completely new look at this track, it is naturally a super-exciting moment to perform the composition in front of the artist who actually made it, i am very glad that you liked it, we, yes, we redid everything, but i am glad that you stopped by, you say we, we - who is that, we, me and my computer technologies, naturally, before i thought that this is a typical female song. like just to sit, cry, about love, about everything, but now this performance, to be honest, i am not sex at all, the boys can sit in too, this is a real masculine strength, a performance that penetrates right inside me, from the first second i just got goosebumps, i think, oh my god, wait, wait, this is the same, but like, well no, but then yes, but then yes, because the song is good, the song is good, at first no, and then yes, with each
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aitihan program you take a famous song and change it beyond recognition, turning it into a new masterpiece, and there is some song that you would never take and would not dare to remake like that, yeah, a trick question, aitu - i would never dare to remake something from chanson, but here it is simply a question of safety, but cyberchanson is also a good genre, by the way, it could be, chanson is a great genre. well, boys, girls, uncles, aunts and all the rest, let's wish good luck to aitihan, let him continue to pump up the music industry of our country, and maybe not only ours, and let's wait for new hits that our aitikho will bake for you in the music kitchen, thank you, thank you very much, thank you, early charlie chaplin has gone, take a look, and i wonder who all are like that unclear, who, who, who
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will finish the song, it's fantastic, as philologists say, the name of our next participant is translated as a mighty warrior, strong in the fight, looking at this fragile girl, you can't say, however, as we know, here you don't just look, you have to listen, the stage matinda, matilda. managed to become a star even in virtual reality, believes that her talent is not a gift, hard work, keeps the bar high throughout the season and does not think of slowing down, sets big goals for herself and
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view, dance season is open, pulse gofit, pulse vbb, the best hit, pulse gobit. pulse beats, sings the best hit, pulse beats pit pulse beats, sings the best hit, pulse beauty, pulse beats, and there is the best pit, pulse shum, pulse, and now my fantastic friends, let's have some fun, repeat after me, the best hit pulse ket, pet pulse ket, sings the best hit pulse
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yes, thank you for the mood, for the energy for drive, your alas, friends, thank you for being so cool, dima, just the king of hotel animators, and i had such an experience in my life, i don’t argue, you know how to do a worm, come on, show me, i’ll tell you, oh my god, look, the lower break. wow, that’s a number, you can kill a blueberry, no, this is an inside worm,
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a whole python. you, vadim, when was the last time you were at a disco, just looking at you, it seems that you are a little wooden, to be honest, but that’s how it is in general, but a couple, dad, otherwise you stand there all the time correct, a little, a little bit, i'm sure, you can, i was at a disco when it was customary to dance there, and not just walk around with a phone, oh, i'm here too, come on, vadik, show me how, like in the slavic bazaar in ninety-fifth, come on, we ask, we ask,
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vadik, well done, i would like to listen to the members each of us has an invisible skipping rope, the jury about this whole action, well , delight, i told you, then what are your versions, who can control such delight? please, right now, by the way, the notes were just katya iowa, yes, it looks very similar, well, let's assume that it could be marie
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let's wish her good luck! good luck to you, matilda! good mood to everyone for now, dance, friends, that's it! i love you, my babe! woohoo! today we have a special edition of cameron 70. anatoly sagolevich, the man who inspired james cameron during the filming of the movie titanic. we built. deep-sea manned vehicle has, as one american told me when i saw, the pentagon walks on the ceiling. maria shteiman, he filmed a love story written in a tragedy. jim, while we are alive and well, let's decide, today or never, the next day the phone rang, or this zhim and tells me in russian, let's go, the hero of the film is not rous, it is not jack,
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it is the titanic itself. suddenly gene gets up and says: but... today on the first, i don't know how our next hero gets around the city, most likely by public transport, but i can imagine the surprise of passengers. when, while listening to his favorite track in headphones, he turns into a dragon, right before your eyes , the controller, meet anton, who always pays for the fare. anton, a man and a dragon in one
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guise, but he rarely shows his true nature. as he himself says: don't wake the beast in me, and if you did, then listen, no one has yet been able to recognize him thoughts and fully understand the actions, like all dragons, lives alone, does not have affection for anyone, but from the beginning of the project changes for the better. i lead everything along my clearly verified line,
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i just need to mind, does it make me great, that makes me it makes me crees, bottles of leave, and all that you are winning the time of your life. okay, come on, come on now, who do you, who do you, who do you, who do you think you are, your soul, you listen to your in control, i think you're great. i think you're
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what's the matter with you dima, he went wild, he went wild, anton, today you won my heart, if you want i liked it, thank god, i really liked it, it was a wonderful number, anton, how close is this kind of music to you, that's it. i even learned it like that, i even learned it a little bit, just everything. everything bad, sometimes i want to throw out negative energy, i
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'm sure that the audience in our studio, not right now, no, come today but on tv screens they will agree with me, there are things that infuriate, you sing about madness, about what drives you crazy, what drives you crazy, so speak out, that's it... it infuriates me that everyone drives in the left lane and barely moves, that's it, for example, yes, car enthusiasts will understand me, what annoys you? well, what annoys me is that people very rarely smile at each other, don’t notice each other, i want people to realize that they live on this beautiful planet, i want people to love each other sincerely and feel that they are all together, one, big, whole, this is anton saying, or did it seem to me, and it annoys me that we haven’t seen a dragon for a long time, eat your favorite cupcakes with fudge so often, you
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basta the dragon? no, no, i think basta could have been in grizzly. don't worry, there have been a lot of versions, bye. my name is anton. that's it, we'll stop there. let's wish anton the dragon good luck, friends. hooray, hooray, this is fantastic. life experience tells us that winners don't believe by chance, they do everything to achieve their goal. our next heroine is one of those. she decides for herself, what clothes to wear, what movie to watch in the evening, who will pay at the restaurant, and she just allows the rest to admire her, she is a queen. queen. believes
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that modesty adorns only those who have nothing else to adorn themselves with, as she says about herself, the queen's crown is heavy, only i can carry it, she does not call herself a sorceress, but as a real woman she has magic, she is sure that... a valuable thing is time, and those who managed to share it with the queen are very lucky. on these cold winter evenings i wanted add a little sun, i would even say.
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because i stand on the earth with only one foot, because i will sing about you like no one else, i will take you away. from all others, from that one, you will not be anyone's groom, i will be no one's wife, in the last dispute i will take you, shut up, from the one with whom jacob stood in the night. i will take you away, from
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all times, from all nights, from all golden banners, from all swords, i will throw down the dogs' beaks, i will drive you off the porch. from the fact that in the earthly nights, i, or rather the dog, i will take you from... all the others, one thing, you will not be anyone's groom, i am no one's daughter, in the last dispute i will take you
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that and that not everything was so easy for you in life, but that you are a very strong person who, overcoming this, always strives for something, moves forward, no matter what, of course, to be a queen, you need to be a strong woman, strong, no matter who is hiding behind these pixels, there is an interesting parallel here, because in the original this song was sung by the empress, conveyed the imagery of the reign of queens, sometimes crazy, yes, only to a true queen. obeys not only the elements, but also feelings. i can control them, for example, i can control love. how is that? you are already in love with me, i have twisted your hearts, very much, it is true. tell me, do you
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only control love, and can you control the weather, for example? well, of course, i control all the elements. and can i wish for snow on new year's eve? and... somewhere, somewhere it will definitely be, then our queen will become the queen of shamans. the queen really surprised me today. it is true. we know that the queen has an amazing voice, but what happened today, it happened all our expectations. and while our jury is under the hypnosis of the queen, let's come up with versions of who is there maybe. this kind of music suits you very well, it's just yours, very, very yours. i think that now, of course. it's even strange to assume that kazarnovskaya is in love, because the notes of irina dubtsova are absolutely obvious, and initially i generally thought that it was hibla, gerzmava, well, maybe hibla, because hibla really sings both soviet music and pop music, including
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jazz, well, i don't even know if hibla could perform pop music like that, i'm also somehow tossing between hibla gerzmava and... and irina dubtsova, to be honest, like this level of throwing, such, i still lean more towards the fact that it is the wonderful irina dubtsova, whom i have adored for many years, she has such a rather low voice in life, it seems to me that in communication with the queen i hear these notes, and i dare to assume that taisti pavaliy is there, okay, thank you very much for this wonderful number, because it hit me and it really sits somewhere very strongly inside me, for this, thank you very much to the king. thank you for your comments, the number sits in dima, someone sits in the queen,
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in general, solid and incomprehensible, at first it seemed to me that it could be the wonderful love uspenskaya, it was very similar, dima just saw how the artist drove up in a convertible to the studio, so he suggested this version, your majesty, go with god, we wish you good luck, thank you. so, friends, all the artists showed what they are capable of, and for someone today's performance may well be the final one. let's remember how our participants showed themselves today. my love on the fifth floor, my love, of course, in steal a good night's sleep. flew, flew, weeks and years, flew, flew, no one knows where,
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your decision today is more responsible than the previous one, agree, friends, a huge number of people worry about the characters on the cards, so before you send some point to some character with a stroke of your finger, think carefully. so, the jury votes, please! let me remind you that for the coolest performance.
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risky everything looks now, one of them may leave our show, friends, let's add tv points, let's watch, well, somehow, a soulless set of precious metals, this is my personal opinion, changes the table, troubadur moved up, unfortunately, zaya will leave the project today fantasy, the rules are such, and we must them stick to, i invite here the timid, but at the same time brave, zaya to your applause, i just want to say, zaya, well...
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alexander, alexander, u... i'll guess, everyone guessed, alexander, chula! hey! zaya, forgive me, zaya, please, we reminded you all, no, now we can say at a meeting, sasha, and you mozhenya, i will continue to speak for let's do it, sanya, come on, zanya, no, it was necessary to do it in three or four. four, sanya, there was a moment when you wanted to stamp your paws, you say, no, i don't agree, why, how did i do everything, and you suddenly, no, it wasn't, no, everything i did, i did with my own hands, that's all, therefore with my vocal cords, my magical lungs, i don't know how we will be without these
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beautiful bottomless eyes, of course, here in the future project, but somehow... somehow we will remember hope that you you will definitely come back to us, thank you very much, thank you, thank you, let's give alexander another loud, loud applause, thank him for those wonderful, fantastic minutes, it seems to me that each of you will watch the numbers of the magnificent zai, which was managed by alexander shovaa, more than once! and we will see each other exactly in a week, because fantasy is not going anywhere, it is forever, that's why it is fantasy, bye, dear dreamers.
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hello, with you is film historian stanislav dedinsky, and today we have a special edition cameron 70. we are talking about the birthday of director james cameron, or rather about his work, about his films, we have two special guests today, this is anatoly sagalevich, an oceanographer, doctor of technical sciences and a person who in many ways guided, inspired james cameron during the filming of the movie titanic and maria shteyman, and candidate of philological sciences, professor of the higher school of economics, author of articles on topics that always worried james cameron, this is a doll, terminators, androids and so on and so on and so on. and today we, of course, will talk in many ways about what this
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amazing amazing world of james cameron is based on, which is. a huge universe, seemingly so different, because his films touch on a variety of topics, both the future and the past, if we talk about the film titanic, but our main question is for anatoly mikhailovich about how you met james cameron, because any such large-scale project like titanic is sometimes developed for more than one year or two, or five, or even 10, and how did you first meet this director, well, the question.
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france and therefore the americans re-equipped the seclif, and suddenly in 1987 we put into operation two mir devices. we install them on one vessel, academician kstislav kenlysh, and thus we have in our hands the most original and perfect deep-sea research complex with two deep-sea inhabited six-thousanders on board, it was a kind of revolution in the underwater world, as one american told me when i saw, anatoly says... tagon walks on the ceiling, he says keldesh, the world operates with two devices off the coast of america, but in 1988
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the first expedition to the hydrothermal fields of the atlantic took place, the expedition was very successful, interesting discoveries were made, well, at the end of 1988 i went to baltimore to the otion 88 conference, and there, you see, i gave a report, after the report two people who were filming wide-screen movies came up to me, well, they asked me, would we like, well, would i like, so to speak, to participate in the filming of deep-sea films, the result of this, then, was the film by liddinks. the first to make a film for the eightieth anniversary of the sinking of the titanic in 1992, well, al giddinks made this film,
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there was a premiere in hollywood, he invited james cameron to the premiere , they had filmed together with james cameron before, james was the director, and al giddinks was the co-producer, so they filmed the film the abyss, he... what is advertising you, says walter cronkie, i say, got up and left, these were arbatov's words, i remember, well, well, this film, then, jim, then, watched, and how
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al giddins told me this already, he says, everyone had already left the hall, and we sat for 2.5 hours, he says, we talked, so, in general, he says, gene asked a lot of questions, asked about me, wanted to meet me, so the first meeting in... it was very interesting, of course, everyone really , so to speak, liked this thing, jim was very puzzled that we, so to speak, like
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this, like this, then, arranged a reception for him, this was 5 years before the release of titanic on the screens in ninety-seven, if you count ninety-seven, well, practically yes, ninety-seventh, well then 2 years were spent on - different things, well he thought, well and as john bruno later told me, his... special effects assistant, he says that it is very difficult, since there is a lot of money, it is one thing to shoot in a studio, here we all, so to speak, know ourselves, so we guarantee success, and here he says, well, who knows, maybe, of course, you made a film there, jim, jim really liked this film, well, and, so, as a result there was another meeting, i... so jim invited me to los angeles, but the thing is that so far nothing it was ending, i wrote to jim, then, well,
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a fax, there was no e-mail then, so i wrote him a fax, that jim, while we are alive and well, while the machine and the world are in good condition, let's decide, either we make a movie or we don't make a movie, today or never, and then i wrote to him that... "in the end, a person should at least once in his life do something extraordinary. he still remembers this phrase. he says: "when i read." this phrase, i realized that it, he says, was addressed to me. the next day the phone rang, i come home from work, the phone rang, or maybe it was jim and he said to me in russian, let's go, and the most important thing is that later, when we were diving, and he was entering the apparatus, he always said, let's go before going down, that is, to close the hatch in the apparatus, he always said, let's go, i once asked him, i said, what are you saying, let's go,
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and so? this is the cameron 70 podcast and today we are talking about james cameron with anatoly sagarlovich and maria shteiman. and what impression did he make on you as a person? well, that's it director, you know, i can just tell you that you can see an intelligent person right away. that's why there's an extraordinary mind here, it's absolutely obvious. that's why we, so to speak, immediately somehow found a common language, i suggested to him. along the pier, you know, to go for a run, so we went for a run, but after 500 m he started to get out of breath, i ran, so to speak, every morning, but i said, well, what else, but well , back, go back, so we, you know, ran to the ship, and there, you know, elginx was sleeping, and the sauna was already ready, so, after that to the sauna, well, and then to do business, we knock on el, he says, let's tell el that
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we... had to hang powerful lamps around the world, which we didn't have, so to speak, we hung up to eight lamps on the apparatus, the second, of course, jim needed a movie camera, we filmed through the porthole on a movie camera, the movie camera filmed on seventy-millimeter film, this is such a huge contraption that occupied a third of the sphere inside,
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so this had to be done, so at that time there was no movie camera for high-resolution video, so we filmed on movie camera, so she developed it, took this camera, so she made a design in the form of an elongated cylinder with a cassette that was loaded there, every time we went underwater we had only 20 minutes, so it was allotted for... because the film was running out, jim used it for all sorts of repetitions, rehearsals, there were very difficult, so to speak, situations when in the current it was necessary to hold the apparatus in the water column, so you look at one point and work there with the rear engine and the side one, so that the apparatus stood in point, that means everything, i say, well, that's all, jim
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, they filmed it. well, let's say it again, and that was a rehearsal, that means a piece of film, these are the first shots that were filmed, here in the film titanic, this was filmed inside the apparatus, i was with bill paxton and luo bernati, so the three of us, and these were the first shots that were included in the film titanic, that means james,
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or even test, yes, how does this happen, after all, what needs to be done, first it's filmed, then the film needs to be developed, it's not like today's digital image, you you see it on the monitor right away, you don't know what will happen, what the result will be, lift the film up, develop it, look, and then go back down, as it was, every time we went up, we took the film out and, that means, sent it to the shore, there was a small boat waiting, and that means, a small boat from...
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with jim and this is the flight engineer anatorii blagovedev, well, this was one of the experimental dives, so we went in such a composition, how difficult it was to organize all this at the interstate level, after all, what you were doing in the soviet union, it was probably a top secret matter, yes, but it’s hardly a secret in the sense that deep-sea diving, for sure, something.
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rotating device, so he was turning it, so he was adjusting the lighting, well, actually, he was telling which light to turn on, which turn off, extend the rod. turn on this lamp and so on, well, there it is, i, you see, was sitting at the control panel, controlling the apparatus, jim was sitting on the right at this control panel and, you see, he was turning these knobs, well , andrey andreev, you see, ensured everything else, you see, you see, the apparatus was operational, we also had a huge rod there, on which there was...
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is something that was chosen, this is the cameron 70 podcast, i am film historian stanislav didinsky, and today we are talking about why james cameron's films are not just blockbusters, but are essentially modern ancient tragedies or films shot according to the laws of ancient tragedies. this is very important, the fact is that cameron, as a director. creating a world, any world, sci-fi, real, recreating, recreating the world of the titanic, absolutely fantasy-fairytale, like with avatar, he inhabits this world, he makes it practically real, there was what is called the titanic's twin ship, the same furnishings, dishes, all of this was taken. it wasn't even modeled, it was
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copied. cameron wasn't filming a fairy tale, that's what's important, yes, he was filming a love story embedded in a tragedy. and what's more, where did this crazy success come from, incredible, which is still very difficult to somehow cover up, precisely because the viewer needs this high, like this, even if the viewer himself doesn't realize it, high a sense of tragedy, a high feeling. catharsis, this kind of change in him, in the viewer, which transforms him, and gives him the opportunity and strength to live on, well , the viewers know how the film will end, this is the most amazing thing, just think, they don’t show us a detective story, we, we, for us, not only do we know in advance what will happen to the titanic, we know from the very beginning this amazing decision that jack will die and... nevertheless, it draws us in with incredible
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persuasiveness, this is cameron, he as if it takes us into this own world, and we don’t want to leave, which is especially amazing. regarding titanic and james cameron’s films in general, when you first watched titanic, yourself, what feelings did you have as a cultural scientist, how did you fit this film, into what context? i can say that in addition to the absolute delight , i immediately had the feeling that the hero of the film is not the heroes, yes, it’s not rose, it’s not jack, it’s not even the heart of the ocean, it’s the titanic itself, if we remember the composition of the film itself, it’s framed, we start with like time... our days, and i was completely
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fascinated by the idea that you can include elements of documentary filming in a feature film, and your comeo, your participation just emphasizes the absolute naturalness of what is happening, then inside the memories, and you remember how it ends, in addition to the fact that no diamonds, now we will have a new phrase, well, we all remember, this is actually a reason for constant jokes on the internet. that rose floats on a large door and says: sorry, jack, there is no room for you here. well, of course, this is a joke. it's a joke, but it was a trap, it was a trap. stanislav doesn't end with this and not even with rose - leaving. firstly, it's an amazing gesture at the level of myth: the heart of the ocean returns to the ocean, despite the treasure hunters who tried to saw through the safe. how we saw all this to find, here is a love story that is written into the myth, here is
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how i would say how the idea of the film was born 1992, jim and ellings fly here, we fly to kaliningrad, we are sitting with jim on the plane, and he says to me: "well, he says, anatoly, i understand that you, he says, will do underwater filming, i watched your film, here, well, here, he says, is the main plot of the film, i say." while i'm thinking, i, he says, haven't caught it yet, i always get confused about the terminator, i get confused about all sorts of other things there, and i tell him: jem, show life, show how people swam, and of course, i say, love should be at the center of the film, he immediately looked at me like, oh, love story, that's how the idea for the film was born, that is , in fact, it was you who suggested it. a month and a half later i fly to los angeles, he told me
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i say, you know, the window to cinema was open for me when i was a child, ours, i say, great directors, began to list them, including your dad, vladimir minshov, well, well, well, and so on, i say, so when they ask me, how did this idea come about, i say, this idea, it sits in us, this idea of humanity. i told him then that jim, the world is tired of murders, of violence, of blood that is being slaughtered, splashed on the screen, show life, show love, my words were one to one, and he was the whole remaining time, then we flew to...
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