yuri knew how to convince these people that it was a profitable investment of money, in my opinion, in the case of stashevsky, by the way, it was so, it worked, but since yuri was in the public eye, and he liked to be in the public eye, and he, so to speak, strove for this, and there the same vladimir matetsky admired the quantity and quality of his jackets, then, in fact, since he was in the spotlight not so much publicly, but ... comedic attention with this anamnesis of his prison, that is , with two solid terms, about him, in fact, everyone said that he was like this all of himself, the godfather, in fact, in show business there were really very serious people, in this sense, that is, real with authority, yes, his ex-partners treated yuri very well, warmly, like these neighbors, well, in general it doesn’t matter, that is , people from this environment, he had an impeccable...

i once had some friction with a very famous musician, who in an interview began to tell me about those people about whom i know for sure that they did not perform in front of bandits, that they supposedly performed in front of bandits, moreover, he spoke very unflatteringly about yuri shimelvich azenshpitts, characterizing him as nothing other than a bandit, yura had this experience. from sitka, he

traded currency there, he got one term, then got another term, he was never a bandit, he never put an iron on anyone's stomach there, he never walked around with a gun, this is also what is called a currency, now it is called an entrepreneur, a businessman, he was also engaged in the same at a time when there was a different legal framework in the country, in another country, that is, he never he was not a bandit, and if we are talking about his circle... communication, about communication with bandits, then yura azinshpits had, let's say, no more of these people around him than a lot of others, let's say, we are not talking about the rock environment, but everyone, then we know a lot of really very respected, i am not being ironic now, people loved by the public, honored by society, who had very, very many of these kinds of acquaintances, iosif davidovich kabzon, for that... an example of whom i, so to speak,

greatly respected, respected, and appreciate him, and the scale his personality, although it is natural that i have never listened to this music, but to ignore the scale of this personality, him as a cultural figure, it is absolutely impossible, that is why i simply had squabbles on the air with a very famous musician, i was completely outraged by the insinuations when he spoke about those people who with... cannot object to him, because they are no longer alive, from which i could only conclude that he himself, so to speak, had the opportunity to perform in front of bandits, and he was not ready to admit that someone could refuse, and there were people who refused, there were people who were threatened to have their fingers broken, for a musician it is an instrument, so that it is clear that this is not the same as breaking a journalist's fingers or legs, by the way, about broken

fingers and legs of journalists, yes, yuri azenshpits beat up journalists, but he did not beat them like a bandit, that is, not like the ones they brought him in luggage in the forest, he beat up someone, he could flare up and attack a journalist, unlike the same alexander gavrilovich abdulov, who demanded a license to shoot journalists, he did not resort to the help of his acquaintances when he was sorting things out there, i remember there was a story with dmitry shavirin. quite famous music journalists, there were several more episodes when he simply resolved the issue himself. we are back, this is a podcast chronicle of the end of times, and today i am telling you about bandits in the soviet post-soviet show business. chris kelme told me that when he and mark zakharov, that is, with lenk, went to paris.

about authoritative people, i just want with chris finish, he actually finished badly in his life, he was in a very bad state in the last years and...